Yields information about depot activities of the BTPS in building the depot fan and access track.Set of 8 AGFA blue and white plastic mount 27mm sq slides of various works at the BTPS depot during 1972 / 1974. .1 - View looking from roadway showing depot, and various works at the depot - 26 and 27 out front. .2 - Sawing timber sleepers to length - Noel Forster, Barry McCandlish, Bill Kingsley .3 - Ballasting the access track - Rolf Jinks and Clyde Croft .4 - working on the roof of 27 - Geoff Cargeeg and others. .5 - break time. .6 - Bob Prentice and Geoff Cargeeg? on roof of 27 .7 - ditto .8 - Interior photo of 27Various notations by John as to the slide number and the trams in pencil and ink.tramways, trams, btps, depot, track construction, trolley poles, interiors, tram 26, tram 27

Yields information about depot activities of the BTPS in building the depot fan and access track.Set of 3 Kodachrome white cardboard slides mounts 27mm sq slides of various works at the BTPS depot during 1973 prior to the commencement of the construction of 1 road. .1 - scene at the level crossing area. .2 - Looking back at the depot with 27 on 2 road. .3 - ditto with track materials.Various notations by John as to the slide number and the trams in pencil and ink.tramways, trams, btps, depot, track construction, trams, tram 27

Set of three colour photographs of testing the installation of screw spikes in the depot trackwork prior to the Wendouree Parade trackwork. Photos taken on 8/3/2003, printed on AGFA paper. 2554.1 - Gary Wood, John Shaw and Alan Snowball as a group. 2554.2 - Screwing a spike in with motorised impact tool. 2554.3 - Using an electric impact tool.trackwork, screw spikes, depot fan

Has a strong association with the completion of the track fan at the BTPS depot during 1985 and yields information about the method of construction.Black and White photograph of the construction of No. 7 road at the BTPS Depot, 8/2/1985. shows the points installed and some rail laid out pending bending. Photographed by Dave MacartneyOn rear in ink "No. 7 road takes shape. Within three weeks, the track was complete to the back wall of the shed, lifted and packed in use. Label "Photo Page 34 top Reduce to 5 1/2" x 2 7/8". and in bottom left hand corner "Photo Dave Macartney" See April 1985 Trolley Wiretramways, trams, btps, trackwork, track laying

Yields information about the construction of the track and depot fan c 1973.Black and white photograph of the two timetable boards that were located at the Tramway's Centre building at the corner of Sturt and Lydiard St. Photographed against the office wall of the old SEC depot. Printed on Kodak paper.trams, tramways, depot, timetables, city

Yields information about the construction of the track and depot fan c 1972 and how the trams were positioned.Set of 12 Black and white photographs of the grading of the access track on 8/4/1973 between the level crossing and Wendouree Parade curve using Max McBain bulldozer and the follow up gravelling of the formation prior to track laying soon after. See May 1973 issue of Fares Please! for the date of the work.trams, tramways, access track, btps, construction

Set of four Black and white photographs of some of the people, volunteer workers who were involved in the construction of the BTPS depot and trackwork - mid 1972 to 1973. .1 - Gavin Young in the mess room .2 - Richard Gilbert in the mess room .3 - Bill Kingsley, ?, ? Bounds and Gavin Young standing by an old tar heater being used as a heater in front of No. 1 road. .4 - Richard Gilbert, Andrew Hall, Bill Kingsley and Gavin Young - making up boxing for the cut off walls - early to mid 1973. See - 1972 - 1973 Annual Report which has a list of dates on page 3 of events at the depot.trams, tramways, depot fan, btps, construction, people and places, tram 14

Yields information about the construction of the BPTS depot in early 1974 and its appearance.Set of four Black and white photographs of how the BTPS operated during the early days of the BTPS. Based on the troughing being placed for No. 2 road only, photo dated by a list in the 1972-73 Annual Report at May to June 1973. .1 - ? Bounds standing alongside No. 27, which was operated as a Museum display. .2 - Just the tram itself - was pushed out of the shed by hand. .3 - A general scene with visitors and workers. .4 - pushing the tram back in again at the end of the day. Note the sign is different in the front of No. 27, or no sign, indicating different days. See 1972 - 1973 Annual Report which has a list of dates on page 3 of events at the depot.trams, tramways, depot fan, btps, operations, tram 27

Yields information the construction of the depot fan and access track to Wendouree Parade and has a strong association with the workers in the photograph.Black and white print of the laying out of the rails that formed the access track, taken from the level crossing looking east, mid to late 1973. Featured in the photograph are Gavin Young, ? Bounds, Geoff Cargeeg, Noel Gipps. Photo by Bob Prentice.trams, tramways, depot construction, btps, trackwork

Yields information the construction of the depot fan and how it was used on open days etc.Black and white print of the laying out of the rails that the start of the depot crossover between No. 2 and 3 roads, Dec 1972. Photo by Bob Prentice. No. 40 looks on. See BTPS Annual Report - 1972 - 73 list of dates.trams, tramways, depot construction, btps, trackwork, tram 40

Yields information the construction of the depot fan by the BTPS and the various stages of the work.Black and white print of the laying out of the rails that the between the end of the crossover and the level crossing - Bob Prentice Photograph, early Feb. 1973, prior to swapping the trams between tracks. Features Gavin Young, Loddington's and others. See BTPS Annual Report - 1972 - 73 list of dates.trams, tramways, depot construction, btps, trackwork

Yields information the construction of the depot fan and access track to Wendouree Parade and has a strong association with the workers in the photograph.Set of eight Black and white photographs of the extensions to the tram depot and commencement of the trackwork to lay the King points, late 1978, early 1979. .1 - View from south of the level crossing showing the depot front - note the road numbers and sign at the front have been taken down. The steelwork for the depot extension has been erected. .2 - site for the King points with the track materials lay roughly out alongside . .3 - No. 27 in front of 40 on 3 road. .4 - sleepers interlaced for the King Points .5 - all the future materials laid out on the avenue - was like this for a long time .6 - King point materials looking with the mound of earth in the background. .7 - close up of the site of the King point, with the trolley in the background. .8 - rear view of the depot showing the steelwork that had erected. trams, tramways, depot construction, btps, operations, trackwork, tram 27

AHS original, local collectionWhite lace patternnatimuk, ladies' fashion, costume accessories, fan

2019, heidelberg theatre company inc, youth production, 434, david peters as scrooge, robbie nicholson as fred, christina savopoulos as abigail, ewan cocking as bob cracrchit, caitlyn bull as emily cratchit, alys nicklin as martha cratchit, gryff nicklin as timothy cratchit, annelise menna as mrs paradiggle, georgina topp as mrs jellby, callum corbett as the urchin, fergus greene as young ebenezer, melanie jackson as fan, nick mcinnes as ebenezer's father, sara burnham as fezziwig, abigail williams as bellle, maddison hill as mrs charr, miles glaspole as gridley/mr stagg, zuzanna wiech as esther/mrs dibler, pablo aguila as old joe, geordie corbet as the ghost of christmas past, josh fernandez as the ghost of christmas present, erich fordham as the ghost of christmas future, carl michelangeli as the ghost of jacob marley, morgan thomas connor costumes/makeup, harry gravell lighting design/operation, tasmin mackie sound design/operation, kara jaeger-pound stage manager, max nicholson stage crew, support from htc committee, set building and ticketing teams, verity adams, david belton, mal cother, anthony nickin, christian orkibi, emma jaeger-pound, jenni & noel purdey, will burgin stevenson, sean tessari and dolly’s school of dance studio

Hand coloured woodblock with mica

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. This postcard shows the main east-west axial path with a typical Victorian/Edwardian mown grass strip which in turn borders formal shrub beds with herbaceous plantings. The Cordylines which line and avenue in this image were replaced by Mexican Fan Palms (Washingtonia robusta) planted in 1915. They were replaced with the same species in 1987. Black and white postcard of Gardens main path, looking towards a white statue on a plinth. The statue is of Williamstown MLA, A T Clark. There are for people walking towards the camera – two women, a small girl and two men. The women and child are on the right of the path and the men on the left. One woman is pushing a pram. The path is edged with grass and the beds are full of flowers. There are no palms lining the path as there are today in 2013. On front of postcard ‘IN THE GARDENS, WILLIAMSTOWN’.postcard, garden-beds, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, pram, clark

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. They are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. This postcard shows the main east-west axial path with a typical Victorian/Edwardian mown grass strip which in turn borders formal shrub beds with herbaceous plantings. The photo was taken after the Mexican Fan Palms (Washingtonia robusta) planted in 1915, which in turn were replaced with the same species in 1987. Sepia postcard of the Palm Avenue at the gardens looking west to a white statue on a plinth. The statue is of Williamstown MLA, Alfred Thomas Clark. Palms and shrubs line both sides of the path and trees can be seen behind the statue. The shadows of the plantings are across the path.Front: VALENTINE’S, M.360 PALM AVENUE WILLIAMSTOWN GARDENS MELBOURNE, VICTORIA. REAL PHOTO. Reverse: vertical on left side of card and underlined: ‘Published by the Valentine & Sons Publishing Co. Ltd. / Melbourne. Sydney & Brisbane’. Top centre of card: Contains logo of ‘VALENTINES / REAL PHOTO SERIES / POSTCARD’. There is a red two penny Australian Postage stamp on the top right hand corner. The address of the sender is 1 Railway Place, Williamstown and the card is addressed to Mr and Mrs Nayler (?) in Footscray. The remaining writing unable to be deciphered postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, statue, clark, alfred-thomas-clark, palms, palm-avenue, valentine-and-sons

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. This postcard shows the main east-west axial path with a typical Victorian/Edwardian mown grass strip which in turn borders formal shrub beds with herbaceous plantings. The Cordylines which line and avenue in this image were replaced by Mexican Fan Palms (Washingtonia robusta) planted in 1915, which in turn were replaced with the same species in 1987. Black and White image of main path looking towards the statue of A C Clark. There is a man wearing a boater hat on the right side of the path and a woman and two children on the left side of the path. The path is lined with grass, shrubs and cycads. This image is before the border of the path was planted with palm trees, which was 1915.Front: ‘The Botanic Gardens, Williamstown’. Reverse: Top Centre ‘POST CARD’. Top left hand side ‘This space may be used for Correspondence. / Postage to any Address in Victoria, 1 d; / to other States, 11/2 d.’ Right side and top centre of card in pencil 'C1908' and '$3' [believed to be inserted by the vendor of the card]postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, garden-path, cycads, 1908, clark

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. This postcard, looking east on the main east-west axial path with a typical Victorian/Edwardian mown grass strip which in turn borders formal shrub beds with herbaceous plantings. The photo was taken after the Mexican Fan Palms (Washingtonia robusta) planted in 1915, which in turn were replaced with the same species in 1987. Sepia image of main path of Gardens, looking east towards the Osborne Street gates and three people. The path is lined with grass, shrubs and palms. Reverse: ‘POST CARD / CARTE POSTALE / Communication – Correspondence Address – Adresse’. Top right corner: a rectangle with a logo in the centre and ‘STAMP / HERE’. In pencil ‘AUSTRALIA / 50p / 1920s’postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, garden-path, palms, osborne street, 1920

On 18 July 1891, a statue of local MLA Alfred Thomas Clarke was erected in a circular plot at the intersection of the major axial paths. AT Clarke was Williamstown's representative in the Legislative Assembly from 1871 to 1887, and a Commissioner of Trade & Customs in the third Berry Ministry. He did his utmost to defend Williamstown against the Melbourne Harbour Trust and was also the founder of the Advertiser. The statue was sculpted by Enrico Luchinelli in Cararra marble. The likeness was taken from a photograph.The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. This postcard shows the main east-west axial path with a typical Victorian/Edwardian mown grass strip which in turn borders formal shrub beds with herbaceous plantings. The Cordylines which line the avenue in this image were replaced by Mexican Fan Palms (Washingtonia robusta) planted in 1915, which in turn were replaced with the same species in 1987 A colour image of main east west axial path looking towards the statue of A C Clarke enclosed with a white fence. The path is lined with grass, shrubs and Cordylines. This image is before the Cordylines were replaced with palm trees, which was 1915.Front: ‘The Botanic Gardens, Williamstown’. Reverse: Top ‘POST CARD’ Left side ‘The Space may be used for Correspondence’; Right side: ‘For Address Only.’ Top right corner is a red Victorian one penny stamp. The card is addressed to Mr R Fraser / Collins St. / Essendon from his niece, whose name is unclear. postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, garden-path, cordylines, clarke, 1891, enrico luchinelli, cararra marble

Index, ill, p.453.non-fictionThe West's first encounters with the folk tales and myths of the East proved to be a heady experience, as they were based on an entirely different value system and worldview than those that are reflected in the Greek myths and most subsequent Western folk tales. In Myths and Legends of China, author E.T.C. Werner offers up a rich tapestry of Chinese folk narratives. A must-read for fans of world myths, fairy tales, and legends. mythology - chinese, legends - china

Souvenir Football Optus Oval Farewell Game May 21 2005The Football was issued to commemorate Carlton Football Club's last game at Optus Oval/Princes Park in 2005. Farewell Princes Park Damn football! It’s just a game and it’s just an oval; dirt, grass and a few bumbling stands. Oh and there is the ghost of dad standing under the clock, smiling, dancing his jig, God love him, he loved his Bluebaggers. Oh and Pop's over there too, his scissors in his hand; he's rushed across from Lygon Street again to see the boys play. Both, like the ground now, gone for good - never to be seen again though their memories shine still. And then there's me as a lad, surrounded by men, the cans wobbling beneath my feet, my neck stretched up; I can see, I can see Ragsy!!!!!! and brave Gary Crane and Quirky on the wing and…. and it’s just a ground, just dirt and grass and the distant sound of trams. And there I am as a young man standing with my brothers, all of us singing wildly this GF evening as another flag is brought home! And there I am with Keith standing, always beer in hand, and watching Kouta and SOS and dear beloved Motley flying. But it’s only a ground just dirt and grass and late afternoon sun. There I am now, older, sitting beside me is my son, he holds the record and marks the goals, though these come far fewer nowadays. But it is only a ground and dirt and grass and memories that linger and the taste of shared drinks and the voices cheering in the outer. But it is only a ground, a ground whose moment has passed, who’s time in the sun is now time in shadow and no more balls to be bounced on that dirt nor football boots running across that grass, for there will be no more games played at Princes Park. Never again the tram down Royal Parade, never again a beer at The Rising Sun or the sound of the fans cheering madly in front of the Heatley Stand. But it is only a ground only dirt and grass and the memories, the sum total of all of us. I feel like a friend has passed...... Farewell Princes Park, time makes memories out all of us. Contributed by DannyboyNavy Blue & White Leather FootballOptus Farewell Game May 21 2005, Carlton Emblem,

A Scrap Book dedicated to Carlton's 1995 GF Triumph defeating Geelong A almost complete record of Newspaper Articles dedicated to Carlton's GF win over Geelong in 1995. It was Carlton's 16th Premiership after 16 wins in a row and became known as "sweet sixteen" In 1995 the AFL would admit the 16th team to the competion, the Fremantle Dockers. This would continue the expansion of the traditional VFL, after the West Coast Eagles and Brisbane Bears had been admitted in 1987 and the Adelaide Crows had been admitted in 1991. Carlton won their 16th Premiership in 1995 by defeating Geelong by 61 points in front of over 90,000 fans at the MCG. Over the season, the Blues would set a new benchmark for dominance in a single season with only 2 losses relatively early in the season, to lowly placed St Kilda and Sydney, with a string of 16 successive wins to take their 16th premiership. The season itself was just brilliant to watch as a fan, with stars in defence (Silvagni, Dean, Sexton), midfield (Williams, Bradley, Ratten) and attack (Kernahan, Pearce and Spalding), and all led by Captain Stephen Kernahan. There was a great blend of seasoned veterans (Silvagni, Kernahan and Williams) to young up & comers, including the brilliant Anthony Koutoufides who would have a breakout year at the start of a stellar career. By season's end, Carlton would be 4 games clear of the next best team, Geelong, demonstrating how far above the rest of the competition we were. Throughout the year, our only losses were to Bottom 8 teams, St Kilda and Sydney, and we did not drop a game to any team that played in the finals. In the finals, we defeated Brisbane, the Kangaroos and Geelong, with the Brisbane game being the tightest as the young Bears gave their all. If anything, the 1995 Finals campaign was a testament to Stephen Silvagni who would give up only 1 goal in the 3 games, keeping Darryl White (Brisbane), Wayne Carey (Kangaroos) and Gary Ablett (Geelong) well held. On the day itself, the Blues were supreme as they pounded the Cats into submission. Greg Williams would win the Norm Smith Medal for his 32 possessions and 5 goals, to add to his two Brownlow medals and now Premiership Medal. It was a fantastic year to be a Carlton fan. Come season's end, Coach David Parkin went on record to say that to maintain our success changes would be required. Troy Bond, Ben Harrison and James Cook, each having played games in 1995 but not making it for the Grand Final, would be traded (plus some draft picks) in return for Adrian Hickmott, Justin Murphy, Craig Devonport and Ben Sexton. A4 Scrap Book