Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of Geelong No. 8 to Newtown, in Aphrasia St at Talbot St. Newtown. Photo by Wal Jack 23-6-1949. Tram has the destination of Newtown. Has a church in the background - possibly now part of the Geelong College - (Google Earth) i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 18/6/2020. On rear in ink "SEC Geelong No. 8 to Newtown in Aphrasia St from Talbot St. 11.31am Newtown 23-6-49" Has the Wal Jack copyright stamp in the top right hand corner with the number "T284" written in.., Negs contained within a shoe box received from Keith Kings.trams, tramways, geelong, newtown, aphrasia st, tram 8

Yields information about the appearance of one Geelong's single truck trams and its Brush truck.Black and white photograph of the bogie or truck of Geelong No. 4, photographed at the Railway Station. Shows a close up of the Brush truck. The underframe and body bolts. Photographed by John Webster, 6/6/1950. Copy 1 - On rear in ink "Tram 4 bogey / Railway Station Geelong Vic" and on right hand edge "BB32 F2 / T15 / F16 / 6/6/50 1/50 at 11, VV HP3".tramways, trams, geelong, trucks, tram 4

Negative and Digital images of the Wal Jack Geelong Negative file of Geelong 35 outbound in Pakington St to West, with the Geelong North or Geelong Locomotive depot in the background. Photo mid to late 1940's. trams, tramways, geelong, west, pakington st, railways, tram 35

The photograph was taken from a Victorian Railways glass negative held at the State Library of Victoria. The photo shows Geelong No. 2 in Moorabool St at the intersection with Ryrie St. The tram has the destination of North. The tram is in its modified form that provides for one-man operation. In the photo are Edments, Savoia Cafe, Commercial Bank of Australia, and the T&G building. The photo has been dated between 1935 when the tram was converted and 1939 when the bar neon traffic lights were installed at the intersection. For reference to the SLV photograph - see http://handle.slv.vic.gov.au/10381/97173. See item 9075 for a copy print. This tram is now part of the collection of the Ballarat Tramway Museum.Yields information about Geelong No.2 and the intersection of Ryrie and Moorabool Streets Geelong.Digital image of Geelong tram No. 2 in Moorabool St at the intersection with Ryrie St, c1938. geelong, geelong 2, ryrie st, moorabool st, trams, tramways, temperance & general

Photograph of a sculpture of an ANZAC sculpture.anzac, soldier, sculpture, geelong

Negative No. 265 and colour print made by colour laser printer (stored in folder ) of a head on shot of No. 39 in front of the Geelong depot, by Geoff Grant on 2/4/1955 while on an Australian Electric Traction Association tour. Other trams in view are 1 and 17. .1 - Copy large format print from Lloyd Rogers collection via Robert Green 2/2014. Added 4-4-2019 - 2 copies added. Original negative scanned at hi res 18/5/2020 and image updated.On small copy ex Robert Green in ink "Geelong car shed, 2-4-1955, ARHS Neg" On large print in pencil "Geelong 2-4-1955"trams, tramways, geelong, aeta, depot, tram 39 tram 1 tram 17

This poster dates from a time when the Geelong Mission was based more centrally. The Mission currently operates from Corio Bay. The poster demonstrates the type of entertainment and activities available mid twenty century. The poster also indicates another name by which the Mission was known ie. King Edward VII Sailors' Rest.This document is indirectly related to the object MTSV_0617. Representing the close links of the Mission to Seafarers over the last century with British Merchant Shipping and Seamen.Poster for facilities available at King Edward VII sailors' rest in Geelong.Pencilled alterations.poster, seafarers, mission to seafarers, seamen rest, geelong, british sailors' society, entertainment, king edward vii sailors' rest, sailors, seamen, entertainments, canteen, dances, concerts, library, lounge, recreation

Shield prepared for the senior road aggregate races for the Geelong West Cycling Club which then became the Geelong Cycling Club. The 2005 winner - Leigh Howard, was a professional rider with Team Colombia in 2010 and is currently on the pro tour with Orica Green Edge (commencing 2012). He was the World Omnium Champion in 2009, and World Madison Champion 2010 and 2011.This shield records the cyclists who were high achievers in the Geelong region.A mahogany coloured wooden shield with brass plated plaques containing inscriptions of winners of the senior road aggregate of the Geelong West Cycling Club during the years 1998-2002. There is an emblem of a cyclist and a banner at the top centre of the shield."Geelong West Cycling Club/1998/Geoff Robertson/1999/Jason Sterling/2000/Geoff Robertson/2001/Geoff Robertson/2002/Geoff Robertson/2003/James Stewart/2004/Daryl Suter/2005/L. Howard/G.Mathieson"geelong west cycling club; geoff robertson; jason sterling; james stewart; daryl suter; l. howard; g. mathieson;

Nylon wool pack produced in Australia by Melba Industries under the brand name of 'Jumbuck'. They are made in Geelong in the old Valley Mill.Wool pack, empty. Made from white nylon with a woven cross hatch pattern. Jumbuck stamp on front."Jumbuck" TM / Proudly Made in Australia / By / Melba Industries / Batch No: WP00041 2000wool bales, melba industries (an austrim nylex ltd company), jumbuck wool pack

Minin Gate at Midnight is a painting by Australian artist Will Longstaff. Longstaff completed the painting in 1927 and the original is now located at the Australian War Memorial. The painting depicts ghostly soldiers marching across a field in front of the Menin Gate War Memorial.Longstaff painted the work after attending the unveiling of the Menin Gate Memorial, at Ypres, on 24 July 1927. The memorial commemorates the men of the British Empire, including Australia, who died during the 1st World War around the town of Ypres. A print of the Menin Gate at Midnight, oblong in shape, framed in a timber frame, a cardboard matte surrounds the print.Careys Picture Framing Gallery, Professional Framing, Shop 13 Packington Arcade, 129 Packington Street, Geelong West. A brass plaque is also attached to the Print.menin gate, longstaff, ww1, australian war memorial

Copy photograph of a small photograph contained within item Reg. No. 587. Photo of Geelong No. 4 in central Geelong, 1937. Caption on 587 is "Geelong No. 4, Note mechanic on road" Person is lying by the side of the tram, looking underneath it.trams, tramways, geelong , tram 4

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of MMTB Maximum Traction Car No. 37 loaded onto a Yellow Express truck leaving Preston workshops with the "hump" behind the tram. Tram has the war time stripes, no trolley pole and no destination boxes. One of the bogies is loaded on the goose neck of the truck. Tram became Geelong No. 38. Photo taken 15/5/1951 by Keith Kings. On rear in blue ink "Melbourne M&MTB "C-37 on Yellow Express low-loading semi trailer truck, leaving Preston Workshops for Geelong, after sale to the SEC. Became Geelong No. 38. (15.5.51). In the top left hand corner is the Keith Kings copyright stamp with the number "E(t)(v)" written in.trams, tramways, geelong, preston workshops, maximum traction, bogie trams, corio terrace, tram 37, tram 38

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photograph of Geelong tram No. 31 coming out of the tram depot into Corio Terrace, 24/6/1949. Photo by Wal Jack. Tram has the destination of Belmont. Printed on Ilford Paper. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 18/6/2020.On rear in ink SEC Geelong / No. 31 coming out of depot into Corio Terrace / 24th June 1949". Has the Wal Jack copyright stamp in the top right hand corner with the number T300 written in.trams, tramways, geelong, depot, corio terrace, tram 31

Pale green and white soft cover depicting an illustration of buildings around the shores of Corio Bay taken from an engraving 1860. 585 Pages. Sepia coloured drawing of two men on bicycles. Title is in black text. One of three volumes.non-fictionA history of cycling in the Geelong area from 1869 to 1914.warrnambool, geelong cycling,, early cycling in victoria

Yields information about Geelong trams in the late 1940's on the Chilwell - East - West lines.Black and White photograph of Geelong No. 8 as altered for one man operation. Photo taken at the East terminus. Tram has destination of East on side indicator and Chilwell on the front. Photo by Keith Kings 2/51.On the rear in ink. " Geelong No. 8 as altered for one man operation. East terminus 2/51". Keith Kings stamp and number E(7)(3) in top right hand corner.trams, tramways, geelong, east, chilwell, tram 8

Geelong No. 6 in Ryrie St at Moorabool St, 15/1/1955 with T& G building in background and safety zone signs on either side of tram. Tram showing 'CITY' as destination. Photo by Keith Kings.Stamped on top edge 'K.S.Kings No. K(y)(15)' and in ink on base, 'Geelong No. 6, in Ryrie St at Moorabool St 15/1/1955 1/50. on f4 3/4'.tramways, trams, geelong, ryrie st, moorabool st, tram 6

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of No.29 at the Chilwell terminus with houses behind. The tram has the destination of East. Photographer unknown, but similar handwriting on the back of the other prints such as Reg Item 5850. Printed on Kodak Velox paper. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 6/6/2020. On rear in ink "Geelong Tramways No. 29 Chilwell terminus June 1939 ex Adelaide 302."trams, tramways, geelong, chilwell, tram 29

Yields information about Geelong trams in the late 1940's and the appearance of trams 22 and 23 at Beach terminus.Black and white print of Geelong 23 and 22 at the Beach terminus. Tram 23 has showing special, has the AETA tour board and an auxiliary board showing "Chartered Tram". No. 22 has the destination of West. Photo dated 29/3/1948. Based on the handwriting on btm5869i, the photo is by Leon Marshal-Wood. Negative scanned at 3200dpi 9/6/2020 9/6/2020.On the rear in ink "29/3/1948, Beach terminus in Geelong, AETA tour"trams, tramways, geelong, aeta, beach, west, tram 23, tram 22

Yields information about Geelong trams in the late 1940's on the Chilwell - East - West lines.Black and White photograph of Geelong No. 24 at the West terminus. Tram has the destination of East. About 1954. Photo by CLC - General Manager of the Wombat Hill Railway,On the rear in pencil "With compliments by General Manager of the Wombat Hill Railway, Printed by the Public Relations Publicity Dept Wombat Hill railway, Geelong No. 24 West terminus about 1950." Has the Keith Kings number "CLC-8" in top right hand corner.trams, tramways, geelong, east, west, tram 24

1996 -08/08: arrived at Lowestoft, extensive overhaul at Chatham +bowthr. installedWooden double sided sign from SS Edina. A painted wooden sign, 'Leaving Geelong 4pm This Day' The reverse finely painted with four versions of the Edina from 1875, 1884, 1917 and 1938LEAVING GEELONG/ 4pm This Day

The photograph shows Geelong tram No. 22 in Moorabool St with the destination of North. A number of ladies carrying shopping baskets are in the view. Photo by an unknown photographer on 14-1-1954.Yields information Geelong tram services in Brougham St.Black and white photograph with details on rear.In ink "22 at City Corner Geelong, ex Belmon bound for North 14-1-54" and number '1034" in ink.tramways, trams, geelong, brougham st, tram 40

Negative and Digital images of the Wal Jack Geelong Negative file of Geelong 29 in Ryrie St, with the destination of Eastern Park. In the background is the Mayfair school of dancing and the Geelong Gas Co. Photo mid 1940's. trams, tramways, geelong, ryrie st, tram 29

Newspaper clipping from "Bachchus Marsh Telegraph", 9/1995? about the relocation of ex MMTB W2 340 from the Hungry Jacks Restaurant Melton to Greendale and Mr. Robert Lilburn who attended the loading of the tram. Has a photo of Bob, holding a trolley wheel ex Geelong as well and some details of Bob as a tram enthusiast. Date: - Assumed to be 25/9 by notation on cutting and that the tram arrived in Melton in 1989 and was being moved six years later. No date on the cutting and on the rear page is an advertisement from KFC Bacchus Marsh opening in November 1995 and seeking staff.On cutting "Trolley Wheel Geelong 19", "Tram 340 25/9 Mon 9am) and "Bacchus Marsh Telegraph".geelong, tramcars, melton

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of No. 17 to Belmont (right) and No 18 to West at the intersection of Moorabool and Ryrie Streets 8-1-1956. Photographer unknown. In the background is the Bank of New South Wales Building and a gifts building. The pole in the centre has a bar traffic light. Has written in ink on the rear "Intersection Ryrie and Moorabool Sts 8/1/56, Geelong"trams, tramways, geelong, ryrie st, moorabool st, tram 17, tram 18

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of Geelong No. 1 turning out of Ryrie St into Garden St 3rd January 1945, with destination of East. Photo by Wal Jack. See also Reg Item 4395 for another copy of this photograph used by W. F. Scott. Printed on Ilford Paper. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 27/6/2020. On the rear in blue ink "SEC Geelong No. 1 to East, turning out of Ryrie St into Garden St 3rd January 1945" with Wal Jack copyright stamp in the top right hand corner and the number "T318" written in.trams, tramways, geelong, ryrie st, tram 1

The photo shows Geelong No 8 at the East terminus with the conductor standing alongside. The tram has the destination of Chilwell. Note the large steel pan alongside the trolley pole to assist crews in locating the trolley pole on the overhead at night. Dated May 1947 on the rear.Yields information about the Geelong East terminus and tram 8.Black and white photograph with typed details on rear.Typed on rear SEC system Geelong, car no. 8 at "East". Ken Magor stamp and "K Winney" tramways, trams, geelong, tram 8, east

Sash to commemorate the opening of The National Wool Museum. White rectangle sash with black lettering to commemorate opening of National Wool Museum."To commemorate the opening of The National Wool Museum By the Premier of Victoria the Hon. John Cain M.P. on 21st December, 1988"premier of victoria, john cain, 1988, national wool museum, geelong

Note from collector: I would stack plain blankets of the same base colour and arrange them by shade to make up a colour palette. It showed how particular colours were in fashion in the early decades, based mostly around depths of pastel pinks, mints, lemons and baby blues with brighter colours arriving in the 1960s then the browns and oranges in heavier tones in the 1970s. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen Sized, dusty pink blanketGodfrey Hirst/Pure Wool Pelage Blanket/Mothproofed/Made in Australiawool, blanket, blanket fever, godfrey hirst, geelong

Collector says: I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Standard sized fringed plaid blanket in red and blue with black and yellow accentsMothproofed/Godfrey Hirst/100% Pure Wool Rugwool, blanket fever, travel rug, godfrey hirst, geelong

Black and white image of the port at Corio Bay in 1850.thomas ham, corio bay, geelong, port, ships