Showing 7098 items matching "ice-cream"
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St Kilda Historical Society
Ephemera - Flyer, Welcome Home Smoke Social, 1946
Advertisement for a Smoke Social presented by the City of St Kilda to welcome home returned servicemen from St Kilda who served in the Second World War. The event was held in the St Kilda Town Hall on 24 April 1946.Cream paper printed in bluecity of st kilda, wwii recognition of service -
Tatura Irrigation & Wartime Camps Museum
Book, Allan Street Walk, 1992
Book describing businesses and houses in Kyabram and what is known of their historyCream cover, black writing.allan street walk, kyabram, anderson d, kyabram historical society -
Tatura Irrigation & Wartime Camps Museum
Booklet, The Kyabram Reform Movement 1902, 1989
1989 condensed report on "The Kyabram Reform Movement"Cream cover. Brown letteringky hist soc, books, history, local -
Wangaratta RSL Sub Branch
Booklet, Passive Air Defence, 1939
WW2 Guidelines for the protection against gas in the field, respirators and passive air defence.Cream cardboard covered booklet Coat of Arms Protection Against Gas and Air Raids Pamphlet No 3 Passive Air Defenceprotection against gas and air raids, ww2 -
Robin Boyd Foundation
Functional object - Blind
These are the blinds in Penleigh's room, with east facing windows.Roller blind, cream colourwalsh st furnishings, robin boyd -
Robin Boyd Foundation
Functional object - Blind
This is the blind in Penleigh's room, with a north facing window.Roller blind, cream colourwalsh st furnishings, robin boyd -
Robin Boyd Foundation
Functional object - Blind
These are the blinds in Penleigh's room, with east facing windows.Roller blind, cream colourwalsh st furnishings, robin boyd -
Clunes Museum
Ephemera - LABEL, EBERHARD CO. , CLUNES AND TALBOT, UNKNOWN
LABEL USED BY EBERHARD FOR THEIR DRINK BOTTLESEBERHARD'S LABEL FOR CREAMING SODADEPOSIT 3d REFUNDED WITH THIS LABEL ATTACHED. EBERHARD AND CO. CLUNES - TALBOTlocal history, commerce, labels, eberhard & co. labels -
National Wool Museum
Tally Books, Dalgety Farmers Tally book
Cream booklet with blue letteringDalgety Farmers. Dalgety Farmers Limited incorporated in Victoria. Tally Book.dalgety farmers, sheep, shearing, tally book -
National Wool Museum
Book, The Australian Textile Workers Union. Geelong Division Contributrion Book, 1970
This book was used to pay membership fees to the union. You could pay monthly or yearly. Was donated by a person who worked at Federal Woollen Mills and after Classweave Federal Industries.Cream booklet with black lettering.union, federal woollen mills, classweave federal industries., fees, textile workers union -
Whitehorse Historical Society Inc.
Textile - Lace Piece
Square piece of cream lacehandcrafts, lacemaking -
Whitehorse Historical Society Inc.
Book, 'The Tower Rooms', 1926
Cream Hard Back BookE. R. Lade (Inside Cover)books, fiction -
Whitehorse Historical Society Inc.
Textile - Collar
Cream maltese lace collarcostume accessories, female, handcrafts, lacemaking -
Whitehorse Historical Society Inc.
Textile - Lace Piece
Piece of cream maltese lacehandcrafts, lacemaking -
Whitehorse Historical Society Inc.
Leisure object - Toy Cow
Cream and Brown Painted Cowtoys, general -
Whitehorse Historical Society Inc.
Curtains
Cream crochet lace curtainmanchester, furnishings -
Whitehorse Historical Society Inc.
Clothing - Stockings
Pair cream silk stockings.costume, female footwear -
Whitehorse Historical Society Inc.
Clothing - Collar
Large cream lace collar.costume accessories, collar accessories -
Whitehorse Historical Society Inc.
Decorative object - Lace front guipure lace
Donated by Heather McNamara From Isobel McNamara, her mother-in-law.Cream guipure lace front.heather & isobel mcnamara lace -
Queen Victoria Women's Centre
Loyalty card, c. 1997
coffee loyalty card from the Queen Vic Gallery cafe. card. cream with purple ink. cafe, historic building -
Queen Victoria Women's Centre
Flyer, Lunchtime Express: Smart Business Pack, c. 1998
Advertising flyer for local businesses for the Queen Vic cafe. Cream card with purple inkpromotional material, historic building -
Australian Multicultural Community Services
coupon-reponse international
This coupon has been issued in Australia and was exchangeable in any country of the Universal Postal Union for a postage stamp, 50s, bought in Bathurst camp, NSW Australia by Polish migrant Marian Dabrowski who came to Australia after II World Warone of a few items of this kind which has survived to present dayscream paper, blue printstamp - Bathurst camp, NSW Australiacoupon, 50s, postage stamp -
Bendigo Historical Society Inc.
Container - CHINA JUG
Cream china jug with handle.domestic equipment, table setting, jug -
Kew Historical Society Inc
Textile, Lace
Cream coloured lace edging.fashion and textiles collection - kew historical society, textiles - lace -
National Wool Museum
Textile - 1992 Barcelona Olympic Games Village/Travel Pants, c.1992
About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Cream full length trousersolympics, 1992 barcelona olympics, olympic uniforms, trousers, wool, wendy powitt -
National Wool Museum
Textile - Blanket, Albany Woollen Mills, Albany Woollen Mills blanket, c 1950s
Note from collector: I love the generous size and thickness of Albany blankets and know someone who collects from this Mill only. The colour shades and combinations Albany used are still so gorgeous. From Western Australia. Note from collector - "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Checked blanket, blues and creamAlbany Woollen Mill/Blanket/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, albany, albany woollen mills -
Mont De Lancey
Doily
Belonged to Mrs. Ellen Cornell.Round cream tatted doily.doilies, table linen -
Mont De Lancey
Demi John, Hoffman, 1928
Cream and brown Demi John "Health - Beverages When empty return to Sharpe Bros Australia & New Zealand"demijohns, bottles -
Greensborough Historical Society
Document - Certificate, Nurses Board Melbourne, Midwives Certificate for Marjorie Jean Burke, 24/04/1947
Midwives certificate for Marjorie Jean Burke issued by Nurses Board Melbourne, under the Midwives Act 1928.Miss Burke was a nurse, midwife and infant welfare sister. This collection covers her many qualifications throughout Australia and Great Britain, including references both professional and personal. When Miss Burke returned to Australia, she was employed at Diamond Valley Community Hospital as a nurse in 1953 and as Deputy Matron 1954-1971.Certificate typed on cream card.Signed by registrar.marjorie jean burke, nurses, diamond valley community hospital, nurses board melbourne -
Greensborough Historical Society
Document - Certificate, Queen Victoria Hospital, Obstetrics Certificate for Marjorie Jean Burke, 27/02/1947
Obstetrics certificate for Marjorie Jean Burke issued by the Queen Victoria Memorial Hospital for Women and Children in Melbourne.Miss Burke was a nurse, midwife and infant welfare sister. This collection covers her many qualifications throughout Australia and Great Britain, including references both professional and personal. When Miss Burke returned to Australia, she was employed at Diamond Valley Community Hospital as a nurse in 1953 and as Deputy Matron 1954-1971.Certificate typed on cream card.marjorie jean burke, nurses, diamond valley community hospital, queen victoria hospital melbourne