Oil on canvas board, landscape painting in muted tones of an dry creek bed. Trees line the creek banks and a log bridge crosses the creek bed, perhaps built from the local tree timbers.Lower right, black paint 'Yvonne Ball'

Ten cows, steers, or bullocks hauling logs to a sawmill (possibly McLaren's sawmill in Belgrave). Bullocky standing behind team with backs to camera. The team is on a manmade track, surrounded by bush but in sunshine. c. 1920s

Bush Collection (presumed only) 'Apex Dance details - Kerang June 1934'. Programme of dances for the ''Apex - Steamship Company - Log of the S S Apex'' titled dance gathering for June 18th, 1934.clubs, social, kerang apex club

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection. This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. A group of seven people sitting on a log, probably taken in Wodonga West, Victoria C. 1910. None of the people have been identified.wodonga pioneers, haeusler family, glass negatives, dry plate photography

Bifold grey card -Radio Log Card - issued by Hartley's sports stores Mitchell Street Bendigo. The card lists radio stations across Australia including the dial numbers, wave length and location.business, retail, hartleys

Elvis resumed pouring the rainmaking powder onto the clouds and the Dogtor could not loosen the logs that were blocking the creek bed. Because the Dogtor had been so nice to Elvis, in the end, Elvis helped the Dogtor dislodge the logs and the flood subsided. But Crafty Carson Carpetbag and Old Man Redback lay waiting, scheming, planning their next nasty surprise.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 2 pagesthe flying dogtor, robin boyd, crawford productions, manuscript

15 min black and white 16 mm film, no sound. Begins with shots of trees in the bush and piles of cut logs beside a track before moving to a group of men standing by a car with 'Operation Firewood' on the boot. A road sign indicates 'Nathalia 6 1/2', 'Numurkah 22', 'Picola 3'. 'Katunga' and 'Barmah'. Shots of an empty Austin flat bed truck with 'Legacy Operation Firewood', poster on the drivers door covering the truck company name,and other empty flat bed trucks parked along a country town street which looks unsealed. A shot of a wooden sign saying 'Euroa Please slow down' follows with the Legacy car travelling very slowly past it before we see a large group of men throwing up logs onto a nearly fully loaded truck, and then a partially loaded truck with men on the flat bed stacking the logs. Five trucks are shown fully loaded and a crowd of men are gathered around a table. A circular saw (with no safety guards!) is being used to cut the bigger logs into a manageable size for splitting before being loaded by a lot of men of varying ages. The film then moves to the city where we see three men riding on the back of a moving fully loaded truck, before it stops to deliver the cut but unsplit logs to a delighted widow and her children. The logs are hurled into her front garden as a well dressed man photographs the proceedings. Other deliveries follow to further widows, but it is not clear who is going to split the logs, some of which are extremely large. The film ends showing a line of empty trucks, and a fenced city area with a sign saying 'Melbourne Legacy Firewood' holding further a supply of logs. 15 mins 07 sec. Legatees delivered firewood annually until 1995 to widows to help them through the winters in a project called 'Operation Firewood' . See also Cat. No. 000848.A record of Legacy helping widows with supplying and stacking firewood. When open fires were the main source of heating a load of firewood, and help moving it, would have been very important to the widows.Metal Kodak film cannister, silver coloured, with 'Firewood' label on outer casing.No inscriptions on internal film. operation firewood, widows

This is part of a crosscut saw raker/jointer/guage set used to bend the tip of each cutter tooth for cross cut logging saws. The logging saws used in the early 1900's for the clearing of forests required constant sharpening of their "cutting teeth". The logging of forested areas during these times was very much a "hands on" method of either one or two men by the use of saw or hand axe. This item was used by the surveyors commissioned by The S.E.C. Victoria Kiewa Hydro Electricity Scheme project mapping the relevant Alpine region. Chain saws, chain and ball(clearing) and bulldozing methods came in the mid 1900's.This particular saw sharpening method was used by surveyors laying down boundaries for the S.E.C. Victoria Hydro Electricity Scheme (1920's). This item was given to a local Kiewa Valley lad who accompanied the initial surveyors. The lad was responsible for the tendering and feeding of the surveyors "pack horses". Surveys work during this period and in these dense mountainous terrain of the Victorian Alps was both exhausting and hazardous. Overnight accommodation at various log cabins was not always possible and swag/tent alternative was the "fall back".This cast iron Spring Setting tool has a main body of angle iron contours with one end tappered into a flat circular extension with a slit (3/32" wide) running from the top to nearly the centre(15mm). This slit is to allow the bending of each "cutter tooth" of the cross cut saw. The "bottom of this slit has a semi circular ending. Protruding from one side of the bar body, and close to the "slit" is a tounge like extension (wedge) to fasten the spring set tool into a tree stump. See KVHS 0090 (A) for its Raker/Jointer saw sharpening guage set partner. Also see KVHS 0090 (C) for the associated wrench. On one side of the bar "DISSTON U.S.A."hand tool, saw, sharpening method, tree felling

Councillor Herbert Hewitt addressing a group of six men at the roadside who are sitting on a fence constructed of logs and stoneBlack and white photograph print (reproduction) 4x5 large format black and white negativecouncillors, herbert hewitt, cr. herbert hewit

An agricultural tool used by loggers, or farmers, the log splitting wedge has been used for thousands of years and was originally made from stone. They were either driven straight into the wood or into a previously made incision with the blade parallel to the grain. Using a sledgehammer or other tool hammered onto the flat end, the wedge is forced deeper into the log until the force splits the timber.wedge with groove to prevent sticking. Worn top, burred overwood, splitting, wedge, tool, tools, farm, churchill island

An agricultural tool used by loggers, or farmers, the log splitting wedge has been used for thousands of years and was originally made from stone. They were either driven straight into the wood or into a previously made incision with the blade parallel to the grain. Using a sledgehammer or other tool hammered onto the flat end, the wedge is forced deeper into the log until the force splits the timber.Used by the donor in clearing timber at Olinda and Shady Creek, Victoria. Forms part of a timber clearing tool collection including cross cut saws and Trewhella jack.wood cutting/splitting wedge. Steel. commercially made. Has relief groove.TROJAN [stamped on side]timber cutting;, timber splitting, olinda, shady creek, churchill island heritage farm, wilfred dungan collection

An agricultural tool used by loggers, or farmers, the log splitting wedge has been used for thousands of years and was originally made from stone. They were either driven straight into the wood or into a previously made incision with the blade parallel to the grain. Using a sledgehammer or other tool hammered onto the flat end, the wedge is forced deeper into the log until the force splits the timber.Timber splitting wedge; steel; commercially made; has relief groove.timber splitting, churchill island heritage farm, olinda, shady creek

An agricultural tool used by loggers, or farmers, the log splitting wedge has been used for thousands of years and was originally made from stone. They were either driven straight into the wood or into a previously made incision with the blade parallel to the grain. Using a sledgehammer or other tool hammered onto the flat end, the wedge is forced deeper into the log until the force splits the timber.wood splitting wedge; commercially made; steel; surface rust; with relief groovetimber splitting, churchill island heritage farm, olinda, shady creek

An agricultural tool used by loggers, or farmers, the log splitting wedge has been used for thousands of years and was originally made from stone. They were either driven straight into the wood or into a previously made incision with the blade parallel to the grain. Using a sledgehammer or other tool hammered onto the flat end, the wedge is forced deeper into the log until the force splits the timber.wood splitting wedge; commercially made; steel; relief groove; surface rusttimber splitting, churchill island heritage farm, olinda, shady creek, wilfred dungan collection

An agricultural tool used by loggers, or farmers, the log splitting wedge has been used for thousands of years and was originally made from stone. They were either driven straight into the wood or into a previously made incision with the blade parallel to the grain. Using a sledgehammer or other tool hammered onto the flat end, the wedge is forced deeper into the log until the force splits the timber.small wedge with substantial chip out of narrow end. Relief grooveHYTEST FORGED TOOLStimber splitting, churchill island heritage farm, olinda, shady creek, wilfred dungan collection

An agricultural tool used by loggers, or farmers, the log splitting wedge has been used for thousands of years and was originally made from stone. They were either driven straight into the wood or into a previously made incision with the blade parallel to the grain. Using a sledgehammer or other tool hammered onto the flat end, the wedge is forced deeper into the log until the force splits the timber.blacksmith made steel wedge with irregular relief groove; surface rustwilfred dungan collection, timber splitting, churchill island, blacksmith, olinda, shady creek

An agricultural tool used by loggers, or farmers, the log splitting wedge has been used for thousands of years and was originally made from stone. They were either driven straight into the wood or into a previously made incision with the blade parallel to the grain. Using a sledgehammer or other tool hammered onto the flat end, the wedge is forced deeper into the log until the force splits the timber.blacksmith made; hand-hammered relief groove. Well used - top mushroomed out. timber splitting, blacksmith made, churchill island heritage farm, olinda, shady creek, wilfred dungan collection, wedge

An agricultural tool used by loggers, or farmers, the log splitting wedge has been used for thousands of years and was originally made from stone. They were either driven straight into the wood or into a previously made incision with the blade parallel to the grain. Using a sledgehammer or other tool hammered onto the flat end, the wedge is forced deeper into the log until the force splits the timber.one of three wedges cut from one piece of steel. No relief grooves.timber splitting, churchill island heritage farm, olinda, shady creek, blacksmith made, wilfred dungan collection, wedge

An agricultural tool used by loggers, or farmers, the log splitting wedge has been used for thousands of years and was originally made from stone. They were either driven straight into the wood or into a previously made incision with the blade parallel to the grain. Using a sledgehammer or other tool hammered onto the flat end, the wedge is forced deeper into the log until the force splits the timber.One of three wedges cut from one piece of steel. Blacksmith made.churchill island, wedge, wood splitting

An agricultural tool used by loggers, or farmers, the log splitting wedge has been used for thousands of years and was originally made from stone. They were either driven straight into the wood or into a previously made incision with the blade parallel to the grain. Using a sledgehammer or other tool hammered onto the flat end, the wedge is forced deeper into the log until the force splits the timber.one of three wedges cut from the same piece of steel. No relief groovestimber splitting, churchill island heritage farm, olinda, shady creek, wedge

This photo shows the first Delley's Bridge, built to cross the Fyans Creek to provide access to Halls Gap and beyond in the 1880's. The bridge was swept away a number of times in floods. This bridge was replaced by a higher timber structure but constant erosion of the creek bank eventually led to its replacement by a timber and concrete structure. After nearly 50 years of its use, wear and tear necessitated a fourth bridge to be erected in 2001.A log bridge across a creek with a man standing on the bridge. A woman in a white dress and hat is beside the creek and a man is standing near her on the bank. In the left background a house can just be seen through the trees.structures, bridges

One log cabin brand tobacco tin containing buttons, one Prescott and Dawe jewellers & opticians box containing buttons and a small book shaped pin cushion entitled a parents gift with pins & mirror.personal effects, containers, assorted

Typed notes titled 'a Hill and its Administration'. It mentions the Gold Commissioners, mining licences, Red Ribbon Movement, the buildings around Commissioner's Hill, corrupt police, the iron lock up and the log lock up.document, a hill and its administration, mr horn, captain dana, asst commissioner gilbert, commissioner cockburn, capt john urquart, asst commissioner panton, asst commissioner reid, asst comm j m clow, comm wright, captain bull, asst comm joseph anderson panton, red ribbon movement, governor latrobe, mr thomson, police commissioner mitchell, col valiant, queen victoria, eureka riot, lt finch, mt alexander mail sat 9 sept 1854, bendigo sports centre, post office, garden gully goldmine, high school, old supreme court, st jean's hill, volunteer rifle corp, vic volunteer cal regiment, vol cavalry, bendigo art gallery, a n a lodge, a n a hall, goldfield police, m'lachlan, fly bros, hustlers park mine, bendigo advertiser 15 january 1857, bendigo gaol

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary figure sitting on rock/log with elbows resting on knees and hands on head. Face looking down in despair. Surface treatment is textured. Dark metallic brown colour with figure starting to turn a green patina.Sticker underside of sculpture 'No. 205640 (AP)'wegner, figurine, bronze, black saturday, sculpture