First hand account by Arthur Woodley of his time with Melbourne Legacy as a Junior Legatee and its influence on his life. He was a boy that stayed at the children's home, Holmbush in the 1940s. It has a foreword written by Legatee F H Wood who was involved with the residences committee. The introduction says the purpose of the following story, written in plain simple terms, is to put on record for Legacy, the life, times, achievements, and experiences of just one grateful Junior Legatee.An authentic description of what it was like to be a Junior Legatee in a Melbourne Legacy residence, exemplifying the work of Melbourne Legacy in the 1940s.White A4 with black type x 26 pages and an A5 handwritten memo on Melbourne Legacy letterhead.JL 13, Box 10, Arthur Woodley Author, Nov 1990residences, junior legatee, holmbush, arthur woodley

Gives a comparision between two 1916 built road vehicles, a tram built for the Hawthorn Tramways Trust in 1916 and a 1916 Talbot Roadster.Yields information about two 1916 vehicles.Digital Image of Digital Image of Ballarat Tram 26 and a Talbot Roadster both in Wendouree Parade 2020.trams, tramcars, talbot motor cars, btm, wendouree parade, tram 26, tramways

Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. References Barnard FGA 1910, 'Sports and Pastimes' in Jubilee History of Kew Victoria: Its origin & progress 1803-1910. Nixon NV 1980, The History of the Kew Bowling Club 1880-1980. Reeve S 2012, City of Boroondara: Thematic Environmental History, p.216.The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Framed and glazed original silver gelatin photograph of the Winners of the VBA “C” Pennant Season 1924-26. kew bowling club - wellington street - kew (vic), clubs - lawn bowls - kew (vic)

26 editions of 'Lawn Tennis and Croquet and Badminton', dating from 1902. Materials: Ink, Paper, Metaltennis

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.26 / 'Bend of the River Watt' / Albumen silver photograph mounted on boardOn Reverse: 'The present illustration represents a scene on the River Watt, and is situated in the valley between Mount Juliet and Mount Monda. The immediate neighbourhood abounds with scenery of the wildest and most romantic character. The River here is as clear as crystal, owing, no doubt, to its bed being composed of rock and pebbles. The banks on either side are studded with foliage so dense as to render access to the neighbourhood almost impracticable.’nicholas caire (1837-1918), australia - landscape photography

Local Scene, Artwork was entered into an art prize. It is unknown which one. Bruce Cooper. Beyond the You Yangs. Watercolour, 26 x 35cm, overlooking the mountain range - AR0059

Yields information about Wendouree Parade near Gardens Loop and Carlton StFive (5) Digital images taken by George Coop during the period 1968 - 1970, of SEC trams in the Gardens area. .1 - 17 in Gardens Loop with destination of Victoria St. .2 - 43 climbing the hill to Carlton St Loop. Has the destination of Mt Pleasant .3 - 26 and 31 in Carlton St Loop. 26 - Victoria St and 31, Mt Pleasant .4 - 33 climbing the hill to Carlton St, has the destination of Victoria St. .5 - 26 and 31 - side on at Carlton St loop (end of rowing coarse), crossing 26 - has a Briquettes roof advert and 31 a Electric Cooking advert. trams, tramways, wendouree parade, gardens loop, carlton st loop, tram 17, tram 43, tram 26, tram 31, tram 33

The Mission to Seafarers Victoria welcomed events from the Melbourne Writers Festival over two week ends in 2018 (25-26 August and 1-2 September). The pages 26-27 show the list of performances taking place in the chapel, club room, Norla Dome. hiring event, events, mwf, melbourne writers festival, 2018, community, cultural events

Yields information about Ballarat's trams during 1964 and the depot with the parking of trams.Ilford cardboard mount, colour slide of the front of the depot from Wendouree Parade, 29/3/1964. Has trams 26, 21 and 39 in the view. Tram 21 has a Twin Lakes and Dancing at the Civic Hall adverts, 26 - Twin Lakes and Briquettes adverts."Ballarat Trams Depot No. 29 27.3.64" in ink.tramways, trams, depot, tram 26, tram 21, tram 39

Yields information about depot activities of the BTPS in building the depot fan and access track.Set of 3 AGFA blue and white plastic mount 27mm sq slides of various works at the BTPS depot during 1972 / 1974 .1 - 26 and 38 on 3 road - one road has been commenced, overhead work commenced. 26 has a Trotting at Bray Raceway sign on it. .2 - Warren Doubleday on roof of 26 and Richard Gilbert with the Trolley Pole. .3 - 38 outside the depot with the spare maximum traction wheels in front.Various notations by John as to the slide number and the trams in pencil and ink.tramways, trams, btps, depot, track construction, signs, overhead, tram 26, tram 38

News cuttings related to Whitehorse Council bid to purchase Frederick McCubbin's painting 'Bush Idyll' at auction. From Whitehorse Post 26 / 8 / 1998, Whitehorse Gazette 26 / 8 / 1998, The Age 19 / 8 / 1998, The Weekend Australian 15-16 / 8 / 1998.city of whitehorse, mccubbin, frederick, bush idyll (painting)

Yields information about the use of the Museum's trams for a fashion photo publication by The Courier and Karla the model.Two pages (Cover and pages 5 and 6) of "Unwind The Guide", by The Courier, Ballarat, Nov. 26/2009 featuring the model Karla and BTM's trams, modelling summer dresses. .1 - Boarding the horse tram - front cover. .2 - Boarding No. 26 - page 5 - advertising shoes.btm, modelling, fashions, clothing

Colour photographWritten on back of photo: "Bypass-Sound Barriers 26/5/96"

Black and white photograph showing child on horseback"Written on back of photograph" "Rose" aged about 26 years -1948

A keepsake badge which relates to the tumultuous period of the English royal family with the death of George V when his son Edward V111 abdicated from the throne due to his involvement with divorcee Wallis Simpson. His brother Albert was crowned as King George VI on May 12 1937. This badge is of interest as the dates are a mere two weeks before the abdication. The Christ Church fetes and flower shows have been a part of Christ Church social and fundraising agenda since the 1890’s, with the ladies’ guild playing a large part in their organization and operation. This object has significance as it commemorates a long running and popular event on the social and religious calendar for the parishioners and people of Warrnambool. It also is linked to an event of world- wide interest.Small white badge with red writing and symbol of crown in the centre. Pin at the back.1936 Coronation Fair Christ Church Warrnambool Nov 25 & 26.christ church fete 1936, coronation fete warrnambool

Brown leather pouch containing a wooden brush. Flap is locked by a metal buckle. Has large yellowing stitching.On inside of flap "R.C. Jones 27/2/26" is written in ink.leather pouch, pouch, leather, brush pouch

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. US Air Force Academy, Colorado Springs, Colorado, USA, 1954-58. (Architects: Skidmore, Owings & Merrill.)Made in USA / US PAT No. 3013354 / 26 / JUN 64W (Handwritten)slide, robin boyd

Wanda Blow is Aboriginal liaison officer of the Victorian Synod, division of Ecumenical Mission. Wanda wrote a C&N article in reply to to an article (C&N 22/8/1984 p.34) and a letter (C&N 22/8/1984 p. 6) that appeared in C&N 22 August 1984. The published photo is a cropped version of the file photo.Wanda Blow seated."Wanda Blow C&N 26/9/84, p.11"blow, wanda

Prior to the election of female Councillors and Mayors in the 1960’s, The Lady Mayoress role was one of the few ways women could be active in civic life. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and at times, international level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Mayoress Ewing was born Victoria Keighley in East Melbourne. Her father Edward Keighley was one on the district's earliest mine managers and part owner of the Rose of Denmark Mine. Framed, oval photographic studio portrait. Hand coloured detail.Mrs W Ewing / Mayoress 1925 - 26 / Vincent Kelly / Bendigovictoria keighley, mayoress ewing, mayor ewing, vincent kelly photographer, city of bendigo, mayoress portrait

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.26 HENRIETTA ST, HAW Margaret Picken ~98 WOODARDS -HAWartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.26 YARRA ST HAWTHORN Margaret Picken ~92 WOODARDS -HAWTHORNartist - margaret picken 1950-