Showing 1590 items
matching nylon
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Whitehorse Historical Society Inc.
Photograph, Joyce Suto - Bridesmaid, 8/04/1947
Black and white photograph of Joyce Suto ( nee Baker) on left. Bridesmaid dress is of gold nylon with olive green sash. Worn at wedding in Gloucestshire, England on 8th April 1947.|See NA2823.1-2 for dresssuto, joyce -
Tennis Australia
Racquet, Racquet Press, Circa 1965
Tennis racquet and racquet head press. Dunlop brand Lewis Hoad model racquet. T.H. Prosser & Sons wooden head press with metal wingnut release fixtures. Materials: Wood, Nylon, Leather, Metaltennis -
Tennis Australia
Racquet, Circa 1978
A Slazenger C.P.S.A. Graphite Comp, wood/graphite squash racquet, with open throat, and synthetic handle grip still sealed in original plastic wrap. Materials: Wood, Graphite, Ink, Synthetic material, Nylon, Plastictennis -
Tennis Australia
Racquet, Circa 1988
A Slazenger Quadro Concept, graphite squash racquet, with open throat, and synthetic handle grip which is still sealed in original plastic wrap. Materials: Graphite, Nylon, Ink, Adhesive tape, Synthetic material, Plastictennis -
Tennis Australia
Racquet & cover, Circa 1990
A Dunlop Silver Star squash racquet (.1), made of graphite/composite, with cover (.2). Materials: Graphite, Composite Materials, Plastic, Nylon, Synthetic material, Adhesive tape, Ink, Vinyl, Ink, Plastic, Metaltennis -
Tennis Australia
Racquet & cover, Circa 1990
A Dunlop Power Plus squash racquet (.1), made of graphite/composite, with cover (.2). Materials: Graphite, Composite Materials, Plastic, Nylon, Synthetic material, Adhesive tape, Ink, Vinyl, Ink, Plastic, Metaltennis -
Tennis Australia
Racquet & cover, Circa 2000
A Fox Ceramic WB-310 graphite-composite squash racquet (.1) with vinyl cover (.2). Materials: Graphite, Ceramic, Fibre, Nylon, Leather, Adhesive tape, Plastic, Ink, Vinyl, Synthetic material, Metaltennis -
Tennis Australia
Racquet, Circa 1975
A Carlton badminton racquet, with wooden handle, and steel shaft and head, reinforced at joints by plastic tubes. Also, a leather handle grip with floral perforations. Materials: Wood, Ink, Metal, Glue, Leather, Nylon, Plastictennis -
Tennis Australia
Racquet, Circa 1950
A Wright & Ditson Ace badminton racquet, with cplastic ribbon whiping around shoulders and shaft, and cloth handle grip. Materials: Wood, Lacquer, Nylon, Ink, Adhesive tape, Plastic, Metal, Cloth, Leather, Gluetennis -
Tennis Australia
Racquet, Circa 1970
A SCH Mahboob tennis racquet, with ribbon whipping around shoulders and shaft, and leather handle grip with patterned perforations. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Leather, Ribbon, Paint, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1977
Two identical (.1-.2) Fox 'GT' split shaft tennis racquets, with black plastic bridge, and netted with Wilson 'Championship' strings. Materials: Metal, Leather, Ink, Adhesive tape, Nylon, Plastic, Painttennis -
Tennis Australia
Racquet, Circa 1979
A 'VIP' Fox laminated wood tennis racquet, with open throat, Wilson 'Championship' string netting, and TAD brand butt cap. Materials: Wood, Synthetic material, Ink, Adhesive tape, Nylon, Rubber, Painttennis -
Tennis Australia
Racquet & cover, Circa 1992
A Wilson 'Pro Court Oversize' racquet and three-quarter length vinyl cover. Cardboard retail label affixed to net. Handle sealed with clear plastic. Materials: Graphite, Plastic, Adhesive tape, Nylon, Cardboardtennis -
Tennis Australia
Ball container, Ball, Circa 1960
A Slazenger (UK) 'Nylon-Armoured Tennis Balls' box. Printed on front: 'LTA OFFICIAL BALL 1958'. Contains all six original balls. Materials: Ink, Cardboard, Paper, Rubber, Wool, Synthetic materialtennis -
Tennis Australia
Ball container, Ball, Circa 1961
A Slazenger (UK) 'Nylon-Armoured Tennis Balls' box. Printed on front: 'LTA OFFICIAL BALL 1959'. Contains all four original balls. Materials: Ink, Cardboard, Paper, Rubber, Wool, Synthetic materialtennis -
Tennis Australia
Racquet, Circa 1943
An Andreef 'Speedshaft' tennis racquet with large open throat. Plastic whipping and reinforcements around shoulders. Nylon whipping around base of throat. Handle grip and butt cloth. Model name painted across throat on both sides of racquet. Decal stating 'AA" on shaft on reverse. Endorsement: 'FRANK L. KOVACS 2ND/PERSONAL MODEL' painted onto shaft on obverse. Painted on crown on obverse: PLASTIC BOUND PAT. CONSTRUCTION. Materials: Wood, Lacquer, Metal, Glue, String, Ink, Leather, Plastic, Nylontennis -
Tennis Australia
Racquet, Circa 1975
An AMF/Head 'Standard' tennis racquet, featuring: twin shaft, aluminium alloy frame; blue plastic bridge; nylon net strings; black, leather handle grip, with patterned perforations; blue plastic shaft casing; and, black plastic butt cap. Head logo features across bridge. Model name along outer side of left shaft. Butt cap features AMF/Head logos on an adhesive label. Materials: Metal, Plastic, Nylon, Adhesive tape, Leather, Adhesive label, Inktennis -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Ceremonial object - Clothing, 'Jabot' style collar and cuffs Moorabbin City Council Mayoral Robes, c1960
In clothing, a collar is the part of a shirt, dress, coat or blouse that fastens around or frames the neck and may be permanently attached to the main body of the garment (e.g. by stitching) or detachable. Today's shirt collars descend from the ruffle created by the drawstring at the neck of the medieval chemise, through the Elizabethan ruff and its successors, the whisk collar and falling band. Separate collars exist alongside attached collars since the mid-16th century, usually to allow starching and other fine finishing. Jabots made of lace and hanging loose from the neck were an essential component of upper class, male fashion in the baroque period. During the Edwardian period, and sporadically thereafter, ornamental collars were worn as a form of jewellery. Names for specific styles of collars vary with the vagaries of fashion. Jabots survive in the present days as components of various official costumes, as are those worn by judges and counsel throughout Australian courts and town mayors. 2018 Kingston City Council Mayor Steve Staikos asked CMHS to loan the Former Moorabbin Mayoral Robes and Jabot for display at KCC Office Cheltenham. These Moorabbin Mayoral Robe with Jabot are now displayed along with those of the former City of Chelsea Robe and the former City of Mordialloc Robe at Cheltenham . KCC possesses the original Mayoral Chains of each former Council and they are displayed on each Robe for the annual Opening Meeting of KCC in February. This set of a 'Jabot' style collar and cuffs was part of the ceremonial Mayoral Robes c1960- 94 for the City of Moorabbin 1934-94. This is the last City of Moorabbin Mayoral Robe and was worn by Mayor Ron Brownlees, (prior to amalgamation with the City of Glen Eira and City of Kingston in 1994), and donated to the City of Moorabbin Historical Society in February 2007 by the City of Kingston. The City of Moorabbin developed from the Moorabbin Roads Board of 1862, becoming The Shire of Moorabbin in 1871 and the City of Moorabbin in 1934. November 2018 At the request of the Mayor Cr Steve Staikos this Jabot Collar and Cuffs is now on display with the Mayoral Robes at Kingston City Council Offices Nepean Highway Cheltenham . A detachable , white, nylon, 'Jabot' style, standing collar with a pleated, ruffled, and lace-trimmed frill down the front and 2 matching cuffs that was part of the City of Moorabbin Mayoral Robes c1960 - 94 It has a tear in corner. clothing, collars, ornamental collars, civic robes, mayoral robes, moorabbin, cheltenham, bentleigh, lacework, dressmaking, fashion, formal wear, city of moorabbin. moorabbin shire, moorabbin roads board, brownlees ron, city of glen eira, city of ikngston -
Glenelg Shire Council Cultural Collection
Functional object - Hand held fishing lines, n.d
Two hand-held 'lead lines', modernised with nylon line instead of green cord. Used to take the fishing line deeper when fishing for mid to lower level feeding fish. Identifying numbers: 7558a, b -
Kiewa Valley Historical Society
Box Cuticle Soap, mid to late 1900's
The mid 1900's provided the start of "the body beautiful" revolution. The cosmetic industry, with the help of quasi scientific selling advertising slant targeted those "customers" that needed the "extra care" factor that only their product could offer. At this period in time their advertising power was based on in store, radio and newspaper media channels with saturation levels relatively low. In the later years of the 1900's saturation levels and a wider range of products and increased competition further increased the product saturation levels available to the buying residents. With the introduction of television the advertisements become more elaborate and "catchy" words, phrases and comedy type situations helped boost the advertising "pitch" and subliminal undertones to effective levels required for a highly competitive health related market place. 'sellingThis subliminally,"medically" endorsed product was one of many during the great "spin" revolution of product marketing and selling. This item is significant in that it demonstrates that greater infusion of product awareness throughout rural areas was highly successful through a greater variety of advertising media. It also demonstrates that in a highly competitive marketplace there are no physical boundaries that impinge upon the distribution of products and services. The rural sector is a highly lucrative region for any product that helps protect the body from all the "nasty's" that become more noticeable in a rural environment. This rectangular box which had contained cuticle soap is constructed from cardboard and reinforced by a black nylon impregnated sheeting. This impregnation was required to keep the box from soaking up any water from the user's hands. The top section of the box(lid) has and in large print "KELSEY'S" top line followed by "CUTICLE" off to the right and underneath and to the right "SOAP". Below this and in smaller print is "MEDICINALLY..." below this and in smaller print "EMOLLIENT AND REFRESHING, REDOLENT, CLEANSES, CURES, PRESERVES, PURIFIES." and last line underneath "SPECIALLY ADAPTED FOR TENDER SKIN" On each of the sides of the top lid are, side 1 "INVALUABLE FOR THE NURSERY." underneath in smaller print "JOHN M. KELSEY CO." to the left of this and on a green backed highlighter "No. 1744 - Guaranteed under Pure Food Act, 1908, N.S.W. by John M. Kelsey Co. - No. 1744. Melbourne, Victoria." On the right side and in large print "KELSEY'S CUTICLE SOAP" on the next side and also a similar sign on the opposite side "SPECIALLY ADAPTED FOR TENDER SKIN." below this "JOHN M. KELSEY CO." "Registered" and on the other long side in large print "SPECIALLY ADAPTED FOR TENDER SKIN" underneath in smaller print JOHN M. KELSEY CO. Registered"specialised soap, toilet requisites, nursery health., bathroom, domestic -
Bendigo Historical Society Inc.
Photograph - HANRO COLLECTION: SPIDER FLOAT
Black and white photograph of four young women seated on the back of an Easter Fair float. The area around the women has been decorated as a spiders web. On the back is written: ' Easter Float, Hanro, Spider, Nylon Nightiesorganization, club/society, easter fair, easter fair, hanro spider, nylon nighties -
Geelong Cycling Club
Cycling Shoes, Circa 1970s - 1980s
Cycling shoes first appear in the 1880s and progressively became more sophisticated. Cleats first appear on cycling shoes in the late 1930s - before this toe cages and straps were used. The cleat design on these shoes was commonly used from the 1970s. Reflects the style of cycling shoe common in the 1970s and 1980s. Black leather cycling shoes with laces and slotted cleats. The leather uppers have punched holes in them to make them lighter and for ventilation. Some pairs have leather soles and others feature hard nylon soles. cycling shoes; sdi; -
Tennis Australia
Racquet, Circa 1880
An 'Handicap' wooden tennis racquet, with solid convex throat, leather crown protector, and fine-grooved rounded handle. Impressed inscription across throat on obverse: HANDICAP. Materials: Wood, Lacquer, Glue, Metal, Nylon, Leathertennis -
Tennis Australia
Racquet, Circa 1975
A TG Mustang tennis racquet with ribbon whipping around shoulders and shaft, and leather handle grip with quatrefoil perforations. Materials: Wood, Nylon, Ribbon, Ink, Glue, Lacquer, Metal, Vinyl, Leather, Enamel, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1975
A Dunlop Maxply Fort, International Model, wooden squash racquet, with faux-whipping around shoulders and shaft, and cotton handle grip. Materials: Wood, Enamel, Nylon, Ink, Adhesive tape, Cotton, Plastic, Lacquer, Gluetennis -
Tennis Australia
Racquet, Circa 1977
A Dunlop Junior Professional, wood/composite squash racquet, with string whipping around shoulders, and cotton handle grip. Materials: Wood, Composite Materials, Nylon, Ink, String, Adhesive tape, Cotton, Plastic, Lacquer, Gluetennis -
Tennis Australia
Racquet, Circa 1990
Two Dunlop Graphite Composite squash racquets (.1-.2), featuring the Dutch national flag on the racquet head, and on the lower shaft. Materials: Graphite, Composite Materials, Plastic, Nylon, Synthetic material, Adhesive tape, Inktennis -
Tennis Australia
Racquet, Circa 1977
A Wilson Slammer racquetball racquet, with one-piece metallic frame, plastic throat brace, plastic handle with leather grip, and cord tail. Materials: Metal, Plastic, Leather, Cord, Nylon, Ink, Adhesive tape, Gluetennis -
Tennis Australia
Racquet, Circa 1965
A Johnny Walker Mark V tennis racquet, with string whipping around shoulders and shaft, and leather handle grip with patterned perforations. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Leather, Plastic, String, Enameltennis -
Tennis Australia
Racquet, Circa 1985
A black prototype tennis racquet, no maker or model markings. Adhesive label stating '9' on lower handle. Clear plastic vacuum sealed over handle. Materials: Metal composite, Plastic, Adhesive tape, Nylon, Leathertennis