2/14 Queensland Mounted Infantry plaque, the unit symbol on the plaque is over the red and yellow unit patch colour. Its fixed onto the light wood plaque

The Falls Creek Ski Patrol dates back to the early 60s after skiing in Falls Creek became popular. The first ski patroller in Falls Creek was Brian Caddy with two casual ski patrollers Rob Sarroff and David Crooke. Bob Howe as President of the Albury Ski Club, and a few competent skiers from his club and Myrtleford Ski Club, successfully completed the St Johns Ambulance First Aid Certificate in the hope that the Management Committee of the day would roster on two patrollers a day in return for free ski lift tickets. This plan fell through, but the year after Brian Caddy was employed as head of Ski Patrol. In 1972 the “official” Falls Creek Ski Patrol was created under the advisement of Dr Rodney Moss with the support of the Management Committee. At that time, there was one or two patrollers on staff, increasing to five members at peak times. By 1977 there were six or seven patrollers, and currently there are around 40 patrollers on the team with 13-14 rostered on each day during peak season. In 1974 the Australian Ski Patrol Association (ASPA) was formed. On the 14th of March 1975, the Falls Creek Tourist Area Management Committee applied for membership to ASPA. At that time, Falls Creek Ski Patrol was known as Falls Creek Ski Rescue. This cloth badge is in the shape of the Maltese Cross. It was the insignia of the Knights Hospitallers of St John who ministered to sick and injured pilgrims as well as fighting in the Crusades. The Maltese Cross has become a well-known symbol of protection, first-aid and assistance worldwide.A yellow cloth patch badge in the shape of the Maltese Cross. The outline of the star has been machine embroidered in yellow thread. The words "SKI PATROL" are embroidered in black thread.SKI PATROLfalls creek ski patrol, skiing safety, falls creek services

Jungle Green Shirt(Patch inside neck at back) A.G.C.F. VICTORIA 1983 SIZE 39/84 8405.66.093.2435 NAME "RSM" (hand written in red felt pen)

"Lark Force" defended Rabaul made up of anti-aircraft, anti-tank and artillery batteries. Medical and supply units with 24 Squadron RAAF.Historical.Wooden plaque with metal emblem.2/22 Battalion Lark Force over Service Patch with Rabaul below. Service Number V X 37033 belonging to Pte. A.B.Bishop.

"1914 - Joined Up" "1915 - Smartened Up" "1916 - Loaded Up" "1917 - Blown Up" "1918 - Patched Up" "1919 - Finished Up"first world war (ww1), 1914 - 1918, photo/pictures, ballarat rsl, ballarat

This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. The male Turquoise Parrot is bright green above, with a turquoise blue crown and face. A brilliant two-tone blue band around the bend of the wing contrasts with a dark, brick-red shoulder patch. Its underparts and tail edges are a rich yellow. The female is similar, but not as bright, with a whitish facial mask, no red on the wing, and a pale wing stripe. Old birds of both sexes may have orange underparts. Once common throughout many parts of eastern Australia, the Turquoise Parrot was formerly recorded from near Mackay in Queensland south to Melbourne until the 1880s, when its population suddenly crashed. It was even considered to be extinct by 1915, but populations recovered spectacularly over the next 20 years or so, and by the 1930s they were again recorded through much of their former range. Now the species can once more be seen in many parts of eastern and south-eastern Australia, though not quite as extensively as before. These birds are vulnerable in NSWThis specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This Turquoise Parrot is bright green above, with a turquoise blue crown and face. A brilliant two-tone blue band around the bend of the wing contrasts with a dark, brick-red shoulder patch. Its underparts and tail edges are a rich yellow. Old birds of both sexes may have orange underparts. This particular specimen is faded with some missing feathers. It is mounted on a wooden stand with a tag wrapped around its leg.Label: 80a. / Chesnutt-shouldered Grass Parakeet / See Catalogue, page 22.taxidermy, parrot, turquoise parrot, taxidermy bird, australian bird, burke museum, trustees of australia

Foreground includes grass patch with visitors leisurely strolling in period dress, two police leaning on bikes, a smattering of visitors sitting along shore; midground shows walkway over beach to the Bathshand tinted black and white image, unmounted, good condition, unusedThe Baths, St Kilda [on front] [postcard format on back]

Items in collection of K W Peatling, Refer Cat No. 5140.2, Box 173 for his service details.Cotton, khaki short with patch pockets and long sleeves. Round brown plastic buttons, Epaulettes on both left and right shoulder and held in place with round, brown plastic buttons.1st label, white with black writing attached at neck edge of back. M603197, Dkt 33686 F/No 13109. Size 16 x 33 SHIRT MANS S/58 GREEN ARMY W.3 54. 2nd label - green, black writing. CGCI, VICTORIA 1969. Size 16 x 33. 8405.66.011 9886. Army No. Name.khaki shirt, uniform, military issue

At this point the person is not known.Coloured head & shoulders portrait of an Australian soldier, name unknown. Shown are a green, orange service ribbon WW2, Two colour patches shown white/blue with grey backing.portraits, photography ww2

Frederick Gardner DAVEY is second from left, back row. Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details..1) Black / white photo of a group of 6 men in RAAF uniform sitting on & leaning on a wooden fence. A large patch of white partially obscures the group. .2) Duplicate of .1).photography, raaf

Colour Patch, triangular shaped. The centre has a broad dark blue vertical stripe with a thin red line either side. Outside of the red lines are light blue triangles.uniforms - badges, military history - flying corps

Displayed in History House.Cotton patch worked knitted quilt. Composed of shell-shaped pieces sewn together. Bordered by pattern of straight alternating rows of knit and eyelet patterning, with edging in a triangular pattern.

Worn by patients at Sunbury Asylum.Man's shirt (buttons L over R) in unbleached calico with blue stripe. Long sleeved, patch pocket on wearer's lower front side, three buttonholes - buttons missing.costume, sunbury asylum, george evans collection

AWARD WON FOR MARKSMANSHIP 1867,1867,1869,1870,,1871,1872AN AWARD FOR MARKSMANSHIP WON BY CORPORAL WILLIAM BENNETT OF THE CLUNES DETACHMENT 2ND BALLARAT VOLUNTEER RIFLES, AWARD PATCHES FOR 1868 TO 1872 MOUNTED AND FRAMED. ALSO HIS CORPORAL STRIPES. CLUNES DETACHMENT 2ND BALLARAT VOL. RIFLES. CORPORAL, W. BENNET 1845-1927.local history, 2nd ballarat volunteer rifles, william bennett

Officer's dress boot worn by Brigadier Geoffrey Austin Street MC who served in WWI at Gallipoli and on the Western Front. Following the war he was placed on the Reserve of Officers. He returned to military service in 1931 as Squadron Commander in the 4th Light Horse. He was promoted to the command of the regiment after l8 months' service, and finally to the command of the Third Cavalry Brigade which included the 8th Light Horse Regiment. Brigadier Street had entered Federal Parliament in 1934 and in November 1938 was seconded from military duties to serve as Minister for Defence in the Lyons Government . He was serving in this capacity in the Menzies government when he was killed in an air crash near Canberra on 13 August 1940.Representarive example of officer's dress boots from the 'between the wars' period. Well preserved example of the boot makers art, complete and in good condition. Owned by well known Australian soldier and politician tragically killed at commencement of Second World War.Brown leather officer's dress boots with strap-on spurs and leather instep patch and under sole chain. Matching left and right wooden stretchers with metal handle on spreader wedge. boot, street, spur, stetchers

Found in a cupboard in the Port Fairy Police station. Presumably used by the Local police for restraining difficult prisoners.An item of significance to the precinct that the museum and archives occupies. A glimpse into the not so pleasant part of being a policeman or prisoner in the late 1800's to early 1900's.Canvas straight jacket with eyelet holes in back for lacing jacket closed appears to have been made by a sailmaker - has patch on left front breast - various brown stainslocal history, essential services, police, restraint, jail, prison

Established at Victoria Barracks, in Melbourne, in June 1940, the 2/23rd Battalion was raised as part of the all-volunteer Second Australian Imperial Force and assigned to the 26th Brigade. Under the command of Lieutenant Colonel Bernard Evans, a small cadre of experienced personnel drawn from Victorian Militia units were concentrated at Victoria Barracks prior to the battalion headquarters being relocated to Albury, New South Wales, where a large number of volunteers were completing their recruit training at the 4th Recruit Training Battalion. Upon the conclusion of this course, the recruits were posted to the 2/23rd and the battalion – over 900 strong– moved to Bonegilla, Victoria, just across the border, where more complex collective training was completed prior to departure overseas. A large majority of the battalion's initial intake of volunteers came from the Albury–Wodonga region and as a result, the 2/23rd became known as "Albury's Own"This item is part of a collection of items owned by Athur Lock, a member of the 2/23rd Battalion, an all-volunteer Second Australian Imperial Force which served as part of the garrison during the Siege of Tobruk, then at El Alamein, New Guinea and Borneo. It has particular local significance as the battalion was know as "Albury's Own" because a large majority of the battalion's initial intake of volunteers came from the Albury–Wodonga region.A wooden plaque in the shape of a shield commemorating the 2/23rd Battalion known as "Abury's Own". It incorporates a representation of the 2/23rd Battalion colour patch worn after the Siege of Tobruk. At top of plaque "2/23RD AUST.IN.BN./ALBURY'S/OWN"world war 11, rats of tobruk, tobruk

Made for the representatives of the VTBA, (Victorian Tramways Bowls Association) lawn bowling club, for attaching to a blazer or jacket to be worn at functions or events. Most likely made by the clothing workshops at Hawthorn. The purpose of the yellow/green stripe is unknown on the 3rd copy.Demonstrates the badges or pocket patches used by the VTBA members.Set of three cloth badges or patches for sewing onto a jacket pocket - two black cloth, gold lettering with MMTB logo in gold and one with green and yellow stripes on the top.vtba, lawn bowls, tramways, mmtb, fred turner

John William HARKIN. No. 170317, Enlisted 27.06.44, Age 18. Discharged 6.12.48. Rank of LAC in 381 (B)SQD.1. Dress coat - navy blue colour wool fabric, black colour, cotton lining with beige colour cotton lining to sleeves. Buttons - black colour bakelite with metal shank, emblazoned with the King's Crown and a Wedgetailed eagle in flight WW2. On sleeves - Australia shoulder patch with wings and a propeller patch. Right sleeve - gold, blue and red colour "British Commonwealth Forces" patch. Makers label back below collar. 2, Trousers - navy blue colour wool fabric, owners label inside back, 5 button fly. 3. Trousers - navy blue colour wool fabric, makers size label inside back, 4 button fly.1. Maker's label - red embroidery on cotton fabric "M TX/ Size 18". Handwritten black ink "HARKIN'. 2. Owner's label - black ink on cotton "HARKIN/JW/ R.A.A.F." 3. Maker's label - blue ink print on cotton "N384/1942/ SIZE 24". Maker's label on back of trousers - dark blue print on paper - "AIRMEN'S/ TROUSERS'/ 18oz/ Size 24/ Waist 37../ Height 5'9"to 5'10". Black ink stamp "I/ E.C."uniforms, raaf, ww2

The White-Throated Needletail is a highly sociable bird commonly seen in large flocks containing a hundred plus birds. This species is also known to mingle with birds of different species. They have a distinctive white throat and undertail. This species is mainly airborne, however they are known to reside in trees when on land. They can mainly be spotted along the north and east parts of Australia. This species is listed as vulnerable and threatened in the Australian Capital Territory, Queensland and Victoria. Since this is a taxidermy mount, it is not an accurate depiction of the White-Throated Needletail. The species should have a predominantly grey-brown plumage, with the exception of the throat and undertail which are white. There should also be a green tint to the species feathers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This White-Throated Needletail had grey-brown feathers. It has distinctive white patches on its throat and under the tail. The back of the bird is a light brown with a white patch in the center of the back. This specimen stands upon a wooden mount and has an identification tag tied around its leg. The bill is short and the wings are long and pointed. The bird's tail is short and square in shape with protruding feather shafts which give a spiky appearance.2a / Spine-Tailed Swift / See catalogue, page 7taxidermy mount, taxidermy, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, white-throated needletail, australian birds

Battle uniform jacket is for less formal circumstance. Belonging to "Peter Stoklahsa" enlisted 1966. Refer Cat 7674P.RAAF blue uniform jacket size 10 OR. Royal Australian Air Force shoulder patches.. Commonwealth emblem patch sewn onto lower arms. Two breast pockets with service ribbon attached above left pocket. Material epaulettes on each shoulder with a black button and gold RAAF Eagle and Crown Emblem. Zipped front with stretch bands on bottom sides. Inside cotton lining. Inside pocket - label of maker on inside.Label - "A.G.C.F. VIC. 1981. 8405.66.103.8063 Size 10 OR. Service No. Cleaning instructions. raaf, uniform, peter stoklahsa

Scrapbook with a coloured front and back, It has an illustration of a child holding a patched umbrella. She is wearing a mauve dress with spots and patches with yellow shoes and black bodice. An echidna holding a yellow daisy is at her feet. Attached to the front cover is a piece of card with: N.C. W. Bendigo Newspaper Cuttings 1986 - 1991. Cuttings cover many Bendigo topics . Also stuck to the front with sticky tape is: National Council of Women of Victoria Incorporated.organisation, women, national council of women, national council of women of victoria bendigo branch collection, ncwv scrap book

Very light green hard cover, print is dark green ink. Image of 2/4th Battalion cover patch. 364 pages, illustrated with black & white photos, drawings & maps.Label: Rev A J & C E Kendallbooks, military history, biography

WWII khaki slouch hat with khaki pugaree. Faded improvised navy blue and red colour patch on pugaree, opposite to upturned brim. Brass rising sun badge on upturned brim.uniforms-army, numismatics-badges-military, slouch hat

This patchwork cushion was handmade in 1898 by Sarah Jane Jones (nee Emerson) and donated by her Great-Granddaughter. It is an example of needlework created in the late 19th century.The cushion is significant for is example of handmade craft and needlework used in the late 19th century for home decor.Round patchwork cushion with irregularly shaped patches of a variety of design and fabric. The pieces are roughly joined together with visible cross stitches. Handmade by Sarah Jane Jones (nee Emerson) in 1898.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, cushion, soft furnishing, 1898, victorian, handmade, patchwork, craft, handcraft, sewing, hobby, needlework

This patchwork cushion was handmade in 1898 by Sarah Jane Jones (nee Emerson) and donated by her Great-Granddaughter. It is an example of needlework created in the late 19th century.The cushion is significant for is example of handmade craft and needlework used in the late 19th century for home decor.Round patchwork cushion with irregularly shaped patches of a variety of design and fabric. The pieces are roughly joined together with visible cross stitches. Handmade by Sarah Jane Jones (nee Emerson) in 1898.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, cushion, soft furnishing, 1898, victorian, handmade, patchwork, craft, handcraft, sewing, hobby, needlework

Two soldiers - LBDE Richard Smidt & GNR Bernie McBaron firing in support of 3AR - Op Briar Patch 11. Seated on a 105mm Howitzer gun with a sign "Charles for Gentlemen Only"photograph, 3 rar, mcbaron, smidt

Imperial Japanese Army Infantry Captain's collar insignia. Three silver stars on soiled red material and three rows of tarnished gold wire braid mounted on a square khaki patch.