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Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Equipment - stereoscope, handheld 3D stereoscope viewer
The photos are of EuropeStereoscopes were popular in mid 1850s. It is an instrument which enables a two dimensional image to appear three dimensionalViewer plus 3 boxes each containing 105 stereo photosphotography, viewers -
Whitehorse Historical Society Inc.
Equipment - Camera (Digital), 2004 ?
Purchased by Whitehorse Historical Society to record archival objects. Replaced as the recharger was not operating properly - thus camera unreliable for recording purposes.Camera (Kodak) easy share CX7330, 3.1 mega pixels. 37mm 111mm (equiv) AF 3x optical, all glass lenses. Kodak, Retina Aspheric Viewfinder.|Camera to Battery to Camera Transfer lead|Silver case, silver cord attachment.|4181-1 plastic battery box - grey (empty)|4181-2 Canon compact flash TM card FC 16 M|4181-3 Kodak Camera dock clear plastic. A total of 4 items.Kodak. Easy Share CX 7330photography, cameras -
Whitehorse Historical Society Inc.
Equipment - Projector, 1930
Black case containing Siemens movie projector. The carry case has an opening in top for handle to come through and two locking tabs on bottom of two sides and Siemens metal label on side. Camera is dark grey with two folding reel holders, one of which doubles as a carry handle through case top. Camera has electric cord and power switch on bottom right with two other switches. Two sides fold down, probably for cooling. Lens has siemens name on it and is focusable. Reels are driven by spring belts. Number H77702 on small tag on side above switches.SIEMENS ASH BESTER & CO. H77702photography, projectors -
Broadmeadows Historical Society & Museum
Equipment - Camera, Kodak Eastman, 1980 - 1982
Development Of Amateur PhotgraphyAdds To Story Of Amateur photographyBlack Tele-Ektralite 600 Camera with Flash Case Folds Dolon to Form Handle Uses 110 Film Battery Compartment 3 TokenTop : Open Badge : Kodak Tele - Ektralite 600/Camera Engraved Electronic Flash : Closed : Badge : Kodak . Embossed 600 Front Badge : Kodak; Embossed ResmaLens / 22/24 mm Bottom; Embossed Working / High Voltage / Do Not Disassemble/ Made In USA Battery Compartnment Open Inside: As 100/4-12ft/Pi/ 1.2.5.7m; Asa 400/4-18ft/Pi/ 1.2-5.5 m Pt/Pi 00-25 50-10 12.5-6.5 7-4.5 4.5-3.5 screen Printed m 00-8 15.3 4-2 2-1-1-4 1-4-1-1 ( Picture ) Mountain Half Body ( Hids ) 5 Body Waist Head + Shoulder Face photography, camera -
Whitehorse Historical Society Inc.
Equipment - Camera, 1978
Kodak Tele-Ektalite 600 Camera. Instruction Book and film 200 KodakKodak 600photography, photographs / slides / film -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Machine - Movie editor
Grey electrical cable plugs into unknown adaptorGOKO Dual 8 Model P-65 Movie Editor, body of machine is grey, for 8mm movie film, black arms to mount reels, glass screen for viewing reel contentsphotography, viewers -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Rienits, Rex and Thea, A Pictorial History of Australia, 1980
History of Australia from Aboriginal occupation, early European contact as a penal settlement, federation, until the mid 20th century. Well illustrated and indexed.social history, photography -
Port Melbourne Historical & Preservation Society
Photograph - Sydney Sims ANDERSON, Allan Studio, Dec 1923
The portrait of ANDERSON was later rephotographed with the Allan Studio's receipt for the photography; photo of receipt and portrait together is in the Gould collectionSepia studio photograph of Syd ANDERSON, mounted on presentation cardlocal government - city of port melbourne, allan studio, sydney sims anderson -
Port Melbourne Historical & Preservation Society
Photograph - Bedford truck, COR, 1950s
Doug SMALLPAGE worked for C.O.R. and did all of their photography. These originals were donated by his daughter, Ann SMALLPAGE.From a set of seven original photographs taken by Doug SMALLPAGE of C.O.R. trucks in the 1950s: Bedford trucktransport - motor vehicles, industry, business and traders, bp australia, cor, doug smallpage, commonwealth oil refineries -
Port Melbourne Historical & Preservation Society
Photograph - Fodentruck, COR, 1950s
Doug SMALLPAGE worked for C.O.R. and did all of their photography. These originals were donated by his daughter, Ann SMALLPAGE.From a set of seven original photographs taken by Doug SMALLPAGE of C.O.R. trucks in the 1950s: Fodentrucktransport - motor vehicles, industry, business and traders, bp australia, cor, doug smallpage, commonwealth oil refineries -
Port Melbourne Historical & Preservation Society
Photograph - Bedford truck, COR, 1950s
Doug SMALLPAGE worked for C.O.R. and did all of their photography. These originals were donated by his daughter, Ann SMALLPAGE.From a set of seven original photographs taken by Doug SMALLPAGE of C.O.R. trucks in the 1950s: Bedford trucktransport - motor vehicles, industry, business and traders, bp australia, cor, doug smallpage, commonwealth oil refineries -
Port Melbourne Historical & Preservation Society
Photograph - Bedford truck, COR, 1950s
Doug SMALLPAGE worked for C.O.R. and did all of their photography. These originals were donated by his daughter, Ann SMALLPAGE.From a set of seven original photographs taken by Doug SMALLPAGE of C.O.R. trucks in the 1950s: Bedford trucktransport - motor vehicles, industry, business and traders, bp australia, cor, doug smallpage, commonwealth oil refineries -
Port Melbourne Historical & Preservation Society
Photograph - Leyland Comet truck, COR, 1950s
Doug SMALLPAGE worked for C.O.R. and did all of their photography. These originals were donated by his daughter, Ann SMALLPAGE.From a set of seven original photographs taken by Doug SMALLPAGE of C.O.R. trucks in the 1950s: Leyland Comet trucktransport - motor vehicles, industry, business and traders, bp australia, cor, doug smallpage, commonwealth oil refineries -
Port Melbourne Historical & Preservation Society
Photograph - Austin truck, COR, 1950s
Doug SMALLPAGE worked for C.O.R. and did all of their photography. These originals were donated by his daughter, Ann SMALLPAGE.From a set of seven original photographs taken by Doug SMALLPAGE of C.O.R. trucks in the 1950s: Austin trucktransport - motor vehicles, industry, business and traders, bp australia, cor, doug smallpage, commonwealth oil refineries -
Port Melbourne Historical & Preservation Society
Photograph - COR Plant, 1950s
Doug SMALLPAGE worked for C.O.R. and did all of their photography. These originals were donated by his daughter, Ann SMALLPAGE.From a group of original photographs taken by Doug SMALLPAGE in the 1950s - shows C.O.R. planttransport - motor vehicles, industry, business and traders, bp australia, cor, doug smallpage, commonwealth oil refineries -
National Wool Museum
Photograph
Photo depicts male members of staff examining first piece of Harek tweed to be manufactured. Adrian Boddington Photography.textile industry, textile design, photographs -
Magnet Galleries Melbourne Inc
soliders in trench gallipoli, les chandler_a00250.tif
Les Chandler. Pacifist who was a stretcher bearer on the Western Front. He taught himself every aspect of photography. gallipoli, trench, soldiers, aif, a.i.f, ww1, world war 1 -
Glenelg Shire Council Cultural Collection
Photograph, Company Nursery, Dartmoor, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: Company Nursery, Dartmoor (upper left, pencil). 11 (lower right, pencil). Photography by The Arthur Studio. Further copies always available at 27 Commercial St. East, Mt. Gambier (lower right, purple stamp).port of portland -
Wangaratta High School
WSC Yearbook -Geronimo, 1998
Black yearbook with a full-page image of a girl surrounded by circular fire trails. Coloured writing advertises the contents of the issue and the heading reads Geronimo '98 THE YEAR IN REVIEWGeronimo '98 THE YEAR IN REVIEW INSIDE: Check out our FULL COLOUR centrefold! Artwork Writing Photography The School gets a makeover SPORTS UPDATE Wangaratta Secondary College, The end of an Era A special report from principal, Mr Pech -
Flagstaff Hill Maritime Museum and Village
Container - Medicine Glass, J.W. Small & Co, early 20th century
This measuring glass for fluids was used mostly used for medicines but could have been used for measuring photography chemicals. The glass was once owned by Dr W R Angus, who practised in Warrnambool in the 20th century. It was donated by members of his family. Dr Angus enjoyed photography amongst other hobbies. The maker, J.W. Small & Co. was a long established camera and photography business Camera Corner, in 270 Little Collins Street, Melbourne. At the 1887 Melbourne Exhibition the company showcased bicycles as well as a wide range of photography equipment including cameras and any other accessories and needs for the amateur photographer. In 1887 the sole proprietor of the business was Mr Herbert Small. The firm offered the service of developing and enlarging pictures. In 1894 the firm advertised as photographic and lantern material manufacturers. There were branches in Adelaide and Sydney also. The company was still in business in the 1920's, when Dr Angus graduated as a doctor and surgeon.The medicine glass is significant for its association with Dr William Roy Angus, who practice medicine in Warrnambool for several decades. He and his wife were heavily involved in the community. Dr Angus was also connected to the maritime history of Warrnambool, being the last Port Medical Officer. The glass is also associated with the Melbourne company J.W. Small &O Co, which was 'long established' in 1887.Medicine glass (dose cup or measuring glass), for measuring fluids. This glass holds 1 fluid ounce. Wide mouth with pouring lip tapers sharply to narrow centre of the base, which has a round flat foot. Black inscriptions are on the side of the glass, showing fluid ounces and fluid drachmas. An opaque label on the back shows maker details. The other side has a label. The glass was made in England for the Australian company J.W. Small & Co. It is part of the W R Angus Collection. "FLUID OUNCES" "FLUID DRACHMS" "MADE IN ENGLAND / FOR / J.W. SMALL & CO / MELBOURNE, SYDNEY AND ADELAIDE"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, measuring glass, dose cup, medical equipment, medicine glass, medication administration, w.r. angus, j.w. small & co, fluid measurment, photography equipment -
Bendigo Military Museum
Book - DIARY and RECORDS, B.V.Dillon, 7.12.2018
Reproduced records, diary and photography of Vincent Edward Thomas 18602 RAAF, Born Sea Lake 22/6/1919”Clear Plastic covered with cardboard backing with printed paper contentFront cover, “V.E.THOMAS Service number 18602 RAAF”raaf, diaries, records -
Greensborough Historical Society
Newspaper clipping (copy), Diamond Valley News, War vet's keen eye, 1998_
World War 2 veteran Clive Cook won an honourable mention for his photography in a Department of Veterans Affairs competition.Copy of news clipping, black text and image.clive cook, artists - greensborough -
Kiewa Valley Historical Society
Photograph - Mrs Claire Roper, 1956
This photograph was typical of the mid 1900's when photography was in the hands of the professional artist for important events, be they family or public occasions. This photograph holds and protects from ageing, part of a very significant occasion, the 90th birthday photograph of the matriarch Claire Roper, one of the founding grazier families from Tawonga within the Kiewa Valley This photograph therefore hold a very historical significance and has good exhibition value. This black and white photograph was professionally taken on Kodak paper in the time of the Australian Melbourne Olympics 1956. See KVHS 0092 for frame.On back of photograph "KODAK official sponsor of the Olympic Games" Underneath the symbolic rings of the Olympic Federationphotograph of early 1900's kiewa valley pioneer, the roper family, claire roper, pioneer family, cattle, bogong high plains -
Tatura Irrigation & Wartime Camps Museum
Folder, Waranga Basin - Drought 2003, 2003
Assembled to illustrate effects of drought on surroundings (photography) and collection of newsprint giving details of same. Points of interest unassociated with drought.Black folder with metal clips. Label on spineirrigation, documents, reports -
City of Ballarat Libraries
Photograph - Card Box Photographs, Preparing for Arbor Day at Victoria Park, Ballarat 1890
Victoria Park being prepared for Arbor Day 23rd May 1890. The sign in the foreground reads 'Welcome to School of Photography'.victoria park, arbor day, public, gardens -
Clunes Museum
Mixed media - NATIONAL TRUST AWARD, 2006
SUBMISSION: CLUNES TOURIST & DEVELOPMENT ASSOCIATION PRODUCTION: CTDA MEMBERS TEXT: DR TESS BRADY PHOTOGRAPHY: NEIL NEWITTFOLDER CONTAINING C.D. AND PRINTED AWARD FROM THE NATIONAL TRUST PROVINCIAL VICTORIA HISTORIC TOWNS AWARDS. CATEGORY 1: THE TOWN WITH THE MOST INTACT HERITAGE STREETSCAPE CHARACTERlocal history, documents, awards, town award, ctda -
Federation University Historical Collection
Photograph - Tintype, Portrait of two young girls
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, 6 Sturt St Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .2) A tintype portrait of two girls heads, attached to a card. The girls are wearing a cloak with a large bow at the frontlittle gem, women, children, photography, tintype -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Woman in a hat
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a woman's head, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Woman in a Hat
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head and shoulders, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography -
National Wool Museum
Photograph, Cooper 2-stand self contained shearing plant
Photograph of Cooper shearing plant.Photograph of Coooper shearing plant.Cooper 2-stand self contained shearing plant powered by 1 H.P. electric grinder motor circa 1948 Athol Shmith Studio Illustrative Photography 125 Collins Street Melbourne C.I. Cent. 27 No. ..... Position ....... 2/F/18512shearing machinery, cooper engineering company pty ltd