Book. ALEC H CHISHOLM COLLECTION. 187 page hardback history of Young and the Shire of Burrangong, NSW. 1860 to 1955. Includes 36 B & W photos and lists of Councillors, Office Bearers and Parliamentarians of Young and the Shire. Published in 1956 by the Young Municipal Council and Burrangong Shire Council. Printed by Halstead Press, Sydney. ''2221 BAY'' catalogue sticker on spine. Neatly hand printed in ink on flyleaf ''Presented to Mr A.H. Chisholm O.B.E. President of the Royal Australian Historical Society on the occasion of his visit to Young 1st October 1960 to unveil an Obelisk commemorating the Centenary of the Discovery of Gold at Young in 1960. W. R. Tate Mayor''.William A. Bayleybooks, collections, history, alec h chisholm collection, william a. bayley, young, burrangong shire, gold discovery

Blue paper headed Court King of the Forest, No. 3770 A.O.F, B.U.D., dated Oct, 20 1875. Received from Bro. W. Philpot, Treasurer of the above Court, the sum of 16/6 being 5 day's sick pay for Bro. R. Patterson. Signed by Wm. H. Nicholus.societies, aof, correspondence, ancient order of foresters no. 3770 collection - receipt, w philpot, richard patterson, rich coath

Blue paper headed Court King of the Forest, No. 3770 A.O.F, B.U.D., dated Oct, 6 1875. Received from Bro. W. Philpot, Treasurer of the above Court, the sum of One Pound 6/6 being 8 day's sick pay for Bro. H. Valchmann. Signed by R ? Coath.societies, aof, correspondence, ancient order of foresters no. 3770 collection - receipt, w philpot, h valchmann, rich coath

Blue paper headed Court King of the Forest, No. 3770 A.O.F, B.U.D., dated Oct, 6 1875. Received from Bro. W. Philpot, Treasurer of the above Court, the sum of Two Pounds being 12 day's sick pay for Bro. J. K. Pabl?. Signed by R ? Coath.societies, aof, correspondence, ancient order of foresters no. 3770 collection - receipt, w philpot, j k pabl, rich coath

Blue paper headed Court King of the Forest, No. 3770 A.O.F, B.U.D., dated Oct, 6 1875. Received from Bro. W. Philpot, Treasurer of the above Court, the sum of Two Pounds being 12 day's sick pay for Bro. Wm. Hall. Signed by R ? Coath.societies, aof, correspondence, ancient order of foresters no. 3770 collection - receipt, w philpot, wm hall, rich coath

Blue paper headed Court King of the Forest, No. 3770 A.O.F, B.U.D., dated Oct, 6 1875. Received from Bro. W. Philpot, Treasurer of the above Court, the sum of Two Pounds being 12 day's sick pay for Bro. R. Patterson. Signed by R ? Coath.societies, aof, correspondence, ancient order of foresters no. 3770 collection - receipt, w philpot, r patterson, rich coath

Blue paper headed Court King of the Forest, No. 3770 A.O.F, B.U.D., dated Oct, 6 1875. Received from Bro. W. Philpot, Treasurer of the above Court, the sum of 10/- being 12 day's sick pay for Bro. R ? Coath.societies, aof, correspondence, ancient order of foresters no. 3770 collection - receipt, w philpot, rich coath

Blue coupon, dated March 21 1877, asking Mr. Lewis, Treasurer, to pay Court Freedom Clunes the sum of 29/4 for Contr Br. John Ennor. Signed by Richard Coath, C.R. and Wm. Rowe, Secretary. Also signed Rec. Wm Rowe 22/3/77.societies, aof, correspondence, ancient order of foresters no 3770 collection - to pay, court king of the forest, mr lewis, court freedom clunes, br john ennor, rich coath, wm rowe

Blue coupon, dated March 21 1877, asking Mr. Lewis, Treasurer, to pay W. G. Davidson the sum of 20/- for 6 Days Sick Pay. Signed by Richard Coath, C.R. and Wm. Rowe, Secretary. Also signed by I. Davidson.societies, aof, correspondence, ancient order of foresters no 3770 collection - to pay, court king of the forest, mr lewis, w g davidson, rich coath, wm rowe, i davidson

The photograph was taken in 1947 at Rousano, an area located close to the village of Exoghi, Ithaca during the Greek Orthodox Easter Sunday celebrations at which the roasting of lamb on the spit is a tradition. A black and white photograph of a group of people in an outdoor rural setting, gathered around three men who are sitting next to a spit upon which meat is being roasted over an open fire. The photograph is one of a pair which have been mounted on cream board and laminated. celebrations, easter

The photograph was taken at the wedding of Poppy Lekatsas and Floros Demetriades at the 'Evangelismos' Greek Orthodox Church in East Melbourne on 19th April 1936. The photograph is an excellent image of the interior of the church at that time. Along with baptisms, the wedding ceremony (which also incorporates the betrothal) is a very important occasion within the Orthodox community. The service is rich with symbolism. The Evangelismos Greek Church is the oldest Greek church in Melbourne, established in the early 1900s. A copy of an original photograph of a wedding ceremony which took place at 'Evangelismos' church. The photograph is surrounded with a wide black border and part of the RH corner has been cut off in the reproduction. lekatsas, poppy, evangelismos church, demetriadis floros

Index, maps, p.414.non-fictionMarch 1941. The Allied forces have suffered one brutal defeat after another. For Hitler's forces the conquest of Egypt, and the rich oil fields of the Middle East, lie next on the horizon. All that stand in their way are a few Australian brigades defending a town called Tobruk. For eight months the Australian Imperial Forces defended the North African coastal fortress, battling almost unbeatable odds in the dust and the heat of the Libran desert. Under the command of General Morshead, the troops used unorthodox methods and sheer grit to withstand the superior might of General Rommel's elite 'Afrika Korpsworld war 1939 – 1945 – campaigns – north africa, siege of tobruk 1941

Index, notes, bibliography, ill, maps, p.421.non-fictionThis landmark publication commemorates the centenary of the Great War's Gallipoli campaign, 25 April 1915 to 9 January 1916. 'ANZAC Treasures' approaches the subject of Gallipoli not only from a military perspective but also in terms of its social impact and its role in commemoration and nation building. It does so through the Memorial's immensely rich and varied National Collection, which provides a tangible link to ANZAC and gives an unparalleled insight into its many facets. The legend and reality of ANZAC are encapsulated within the relics, photographs, artworks, documentary records, personal diaries and letters that are displayed to dramatic and moving effect in a beautifully designed and produced commemorative volume.australian war memorial, world war 1914-1918 - gallipoli campaign

Document. 2 copies plus 4 loose sheets. 14 page typed document on the buildings and mines of Victoria Hill in the Gold Era. (10 pages document and 4 pages pictures). Document mentions 'Quartz Miners Arms' Hotel, Conrad Heinz - Bendigo Mayor 1894 and owned a butcher shop in Victoria Hill, British and American Hotel, Manchester Arms Hotel, Victoria Reef Gold Mining Company, Ironbark Mining Company, Hercules and Energetic Mining Company, William Rae, Gold Mines Hotel, David Chaplin Sterry, North Old Chum Mine, Ballerstedt's First Open-cut (J. C. T. Christopher Ballerstedt and Theodore Ballerstedt), Lansell's Big 180 Shaft (George Lansell), Victoria Quartz Mine, Mr E. J. Dunn (Chief Government Geologist). Pictures are- Victoria Hill from Rae's Open Cut, Looking North from Old Chum Hill to the Victoria Hill, Victoria Quartz on Victoria Hill, W. M. Rae's Crushing Works.cottage, miners, the rich victoria hill and its historical associations

William E Stanbridge's daughter travelled to England to see Queen Victorias CoronationFlorence Colles Stanbridge born 1874. Mother died at her birth. Her father was extremely rich from royalties from mines.3 Pink cards , head of Queen VictoriaThe Diamond Jubilee Procession June 22 1897 Royal Horse |Guards Pavilion Admit..Miss Stanbridge Stalls Block A Row 13 No 3 1st card Miss Stanbridge 2nd card Mrs Hutton 3rd Card Miss Huttonqueen victoria stanbridge hutton

As the Australian Army begins its second century, it can look back on a proud and rich history that has seen it answer the nation's call during two world wars as well as a number of lesser conflicts.australia. army - history, australia - history, military

Of the many armed conflicts that make this century so distressingly rich in human misery, none has lasted as long as the struggle for Vietnam; and although other conflicts have had deeper effects upon mankind, none compares with in it political complexity and unresolved consequences.vietnam, history

Hardcover w/ Dust Jacketfiction, historical fiction, walsh st library

Karl Duldig’s ceramic bowl is a particularly interesting example of Karl’s ability to creatively respond to a new environment with a fresh visual repertoire, in this case, the flowering Eucalyptus in a design reminiscent of traditional European folk art. The bowl is an excellent example of the utilitarian and decorative studio pottery produced by Karl and his wife Slawa Horowitz-Duldig between 1944 and 1960. Clay was an important medium for Karl. When he was forced to flee Austria for Switzerland, working with clay became a convenient medium; and he continued to expand his use of clay in Singapore. In Australia his work in clay extended from domestic hand-made pottery to public sculptures and architectural reliefs. In 1944 Duldig purchased a kiln, which was installed in the garage of the family’s St. Kilda flat, soon after a pottery wheel was acquired. It was the beginning of a cottage industry that supplemented the family income during the war years and beyond. Duldig initially sold his decorative ceramic wares through a local florist in St. Kilda, and subsequently through shops such as the Chez Nous French Art Shop (Howey Place) and Light and Shade (Royal Arcade), and the Primrose Pottery shop in Collins Street. The Primrose Pottery shop was an extremely important commercial outlet, and hub, for emerging artists, potters and designers from 1929 until 1974. Its proprietors Edith and Betty MacMillan worked closely with their suppliers, commissioning and taking items on consignment. In the post war period important Melbourne studio potters such as Allan Lowe, Arthur Boyd, John Perceval and Neil Douglas exhibited and sold domestic wares in the Primrose Pottery shop. The Duldigs studio pottery provides a counterpoint to the ceramics produced at Arthur Merric Boyd Pottery in Murrumbeena, which was established in 1944 by Arthur Boyd, John Perceval and Peter Herbst. The emphasis on painterly decoration was important and the AMB potters also produced simple household wares decorated with Australian flora and wildlife, for example Neil Douglas also made small bowls decorated with the fairy wrens, lyrebirds, gumnuts and eucalypts. Ann Carew 2016The Duldig Studio’s collection of ceramics has national aesthetic and historic significance. It contains a representative sample of works of art in ceramics created by Karl Duldig during his lifetime, including small sculptures, as well as functional and novelty items for the tourist market during the 1956 Melbourne Olympic Games. The artist’s working methods and the development of his practice are comprehensively demonstrated in the collection. This in-situ collection demonstrates the philosophy of the Vienna Secession and its inheritors that handcrafted, simple functional domestic wares might enrich both the lives of the maker and the user. This bowl is part of a collection of ceramics that has national historic significance in providing a rich illustration of an immigrant and artistic experience, and touching on the themes of settlement adaptation of artistic practice. The collection is also associated with places of cultural and historical significance in Melbourne such as the Primrose Pottery Shop, and the story of Australian studio ceramics in the post-war years. Ann Carew 2016Cream earthenware bowl with flowering gum motif and sponged green background.Duldig in script incised under.

Mary-Lou began exhibiting in the mid 1980s and over the years has been known for producing unique pieces of domestic ware influenced by food and traditional ceramic ware of the past.Food and tradition have always played a big part in Mary Lou’s ceramic work. 'Serving Platter' is rich in colour. The decorative designs are inspired by her surroundings in a style reminiscent of the past. Mary-Lou and husband Chris have a studio and gallery attached to their residential property in Eltham North which is open to the public. They also participate in the Nillumbik Artists Open Studios program. Oval platter with bold, stylised flowers glazed in reds, blues and yellows.mary-lou pittard, eltham, nillumbik, ceramic

Reinis Zusters OAM was born 15 October 1918 in Odessa, Ukraine, of Latvian parents. Zusters’ father died before he was two years old and he was raised in an orphanage from an early age. He had one sister. He studied Art at the Riga Technical College, Latvia, from 1935 to 1940. He married Aldija Kapteinis, and they had a daughter, Rudite (born 1942 in Riga). After World War II the Zusters family were refugees. They reached Western Australia in 1950, where they stayed for 6 months before moving to Canberra, ACT. In 1952, Zusters moved from Canberra to Pennant Hills in Sydney with his second wife, Arija Biks. Their daughter Laura was born in Sydney in 1956. In 1966, Zusters met his future third wife, Venita Salnajs. In 1969, Zusters bought a house in Greenwich, Sydney. He married Venita on September 17, 1976, and they moved to Wentworth Falls in the Blue Mountains. Zusters died on 8 October, 1999 at Wentworth Falls, and was cremated at Rookwood Crematorium, Sydney. His ashes are buried in the Latvian section of Rookwood Cemetery. Zusters studied at the Technical College of Riga (Latvia), and at East Sydney Technical College, Australia. He was influenced by his Latvian cultural heritage, and admired the artist Voldemars Tone (1892-1958). Shortly after arrival in Australia, Zusters became a draughtsman with the Department of Works and Housing in Canberra. Later he was appointed chief designer with the Australian-American architectural firm Austin-Anderson, at St. Leonards, Sydney. Zusters practised as a full-time professional artist from 1968. Zusters was a prolific painter, predominantly in oils. He produced many large landscapes, including triptychs of the Blue Mountains. His landscapes were mountain scenes prepared in the manner of Jackson Pollock and completed with washes and pale glazes of colour. His cityscapes featured a rich paint surface and sharp-edged thickness of paint applied with a palette knife, layer upon layer. He painted urban scenes of Sydney, inland Australian scenes, and several major portraits including Sir Winston Churchill’s gardener (purchased by Art Gallery of NSW). He made many small informal portrait-drawings of friends. His usual signature was “Zusters”. His work is represented in numerous public and private collections in Australia and abroad. He won numerous prestigious awards in Australia, Japan and USA and was honoured with the Order of Australia Medal in 1994.