White booklet with two scenes in blue, one of soldiers in the jungle above two planesRSL Logo Wangaratta Sub Branch Annual report and Balance Sheet For the year ending 31st December 1974wangaratta rsl, 1974 annual report

From the album of WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion. This collection of postcards, photographs and clippings were sent between William and his family and loved ones during the years he was on active service. See also 207 and 220. Postcard with a sepia coloured photograph of a St Kilda beach scene. Handwritten message on back.album, photo album, newspaper clippings, postcard, wwi, creswick, st kilda beach, rose stereographic

A series of photographs were taken when heavy snow fell in Sunbury in August 1986. The snow began falling overnight and remained on the ground for 24 hours. Snow fell across the metropolitan area during that 24 hour period in a very unusual event for the area.A coloured photograph of a snow scene taken near the bridge on the Konagaderra Road near Sunbury.snow falls, weather patterns, winter, konagaderra road, george evans collection

naïve art, outsider artRural City of Wangaratta Collection, Wangaratta Art Prize 1980.A landscape of a valley scene featuring animals and humans painted in oil using vibrant colours.wangaratta art gallery, tony convey, naïve art, landscape, painting, outsider art

Born in Estonia and immigrated to Australia after WW2, Gunnar Neeme is widely known around the world for his artistic abilities winning many awards in Australia, Germany, and Estonia, he is also a well-known writer. Neeme was a prominent figure in the Estonian society of Australia.Rural City of Wangaratta Collection. Gift of Verner Kentmann, Chief Clerk 1951-69.An illustration of a pastoral harvest scene in Estonia painted in watercolour and then overlaid with a black marking pen.Obverse: GNEEME/ 1965/ (bottom left corner) Gunter Neeme/ "RAY STOOKS IN ESTONIA'/ PRESENTED BY/ V. KENTMANN/ CHIEF CLERK 1951-69/ (plaque mounted on frame)wangaratta art gallery, gunner neeme, estonia, illustration, landscape, pastoral, haystacks

Tobacco Crop Grown by Charles Pickering at Dadswells Bridge c 1930.Black and white photograph of a scene depicting Tobacco plants. A person is standing behind the crop.stawell

Colour photograph of Daylesford. This view was used for the opening scenes of the ABC television seried 'Bellbird'.heritage, daylesford, townscape, view

Black & white photograph of a young man on a bicycle. Background, a street scene with shops and trees.mitcham, till, alwyn

"Players Navy Cut" cards in a cardboard packet. Cards display naval people and scenes. cigarette cards, packet, swap cards collection cards, hobby

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. USA street scene, possibly New York City, USAMade in USA/ Patented/ Encircled 9 (Handwritten)mit bemis professorship, mit, robin boyd, slide

Childrens tin spinning top decorated with sporting scenes. Materials: Tin/Metal, Pigmenttennis

Silver spoon with tennis match scene represented at end of handle. Materials: Silver/Metaltennis

Photograph of all the original Officers and men of the 11th. Battalion 3rd Brigade AIF. The group of over 685 soldiers are spread out over the side of the Great Pyramid of Khufu Cheops near Mina Camp.Framed colourised version of Original photograph titled ANZAC with inscribed plate describing the Scene. Inscribed Plate reads - "The 11th Battalion, Australian Infantry Force was raised at Black Boy Hill in Western Australia on 17th August 1914. Following a period of training of just two weeks, the Battalion embarked at Freemantle on the HMAT Ascanius on 2nd November 1914. The Ascanius formed part of a convoy of 38 Troopships carrying approximately 35,000 Australian and New Zealand troops and reached the Port of Alexandria Egypt on 2nd December 1914. After arriving in Egypt, the Battalion camped and trained at Mena, ten miles from Cairo, at the foot of the Great Pyramid Cheops. On 10th January 1915, prior to leaving Egypt a photograph of more than 800 original Officers and Men of the Battalion was taken at the Great Pyramid of Cheops on the 28th February 1915."

ORIGINAL PHOTOGRAPH OWNED BY MRS. ISOBEL FOX.SEPIA COPY OF PHOTOGRAPH OF BULL & MOUTH HOTEL AT CLUNES. CROWD SCENE OUTSIDE HOTEL.local history, photography, photographs, hotels, bull & mouth

1. Florrie is a relative living in Farnham. 2. R.H. Baron married Elsie Keast in 1921. All cards relate to R.H. Baron's visits to Farnham whilst on leave to see Florrie. Part of the 'Robert H. Baron', no.3596 and Cooper Collection. See Catalogue No. 1981P for details of Baron's service.1. Coloured scene of a ruined castle and surrounding gardens. 2. Coloured scene of a garden with building and ruins in background. 3. Coloured photograph of a red brick building with battlement. 4. Coloured street scene with buildings, horse drawn transport and pedestrians. 5. Coloured photograph of the nave of a church looking towards the alter. 6. Coloured street scene with buildings and horse drawn transport. 7. Coloured view across a street to a white walled building with horse drawn transport. 8. Coloured photograph of a church, graveyard in foreground. 9. Black and white photograph of a castle surrounded by trees. 10. Black and white photograph of a forest scene with people standing on a bridge. 11. Black and white photograph of a street scene with buildings, horse drawn transport and people. 12. Black and white photograph of the tower of a church. Graveyard in the foreground. 13. Black and white photograph of a street scene with buildings, horse drawn transport and pedestrians. Castle on the hill in background. 14. Black and white photograph of a street scene with buildings, motor cars and pedestrians. 15. Black and white photograph of a street scene with buildings, motor cars, horse drawn transport and pedestrians. 16. Black and white photograph of a wooded valley. Houses on a hill in the background. 17. Black and white photograph of an avenue of trees. 18. Black and white photograph taken in a park. Three people standing on a bridge over a stream.1. The Keep, Farnham Castle. Handwritten in black ink on back: 'This is one of the pretty places around Farnham. I was all once here with Florrie. Bob' 2. In Castle grounds, Farnham. Handwritten in black ink on back: 'Dear Elsie, these are some places that visit... when I was down at Flories place. Bob xxxxxx' 3. Farnham Castle. 4. West Street, Farnham. 5. Parish Church, Farnham. 6. Castle Street, Farnham. 7. The Church House, Farnham. 8. Parish Church, Farnham. 9. Farnham Castle. 10. Red Hill Hanger, Farnham. Handwritten in black ink on back: 'Letter to R.H. Baron's sister - no date.' 11. South Street, Farnham. Handwritten in black ink on back: 'this part of the place I spent my leave at this is where Florrie is.' 12. Farnham Parish Church. Handwritten in black ink on back: 'Letter to R.H. Baron's mother - dated 24 July 1918.' 13. Castle Street, Farnham. Handwritten in black ink on back. 'I think you will know where this is as I have told you quite a lot about Farnham, it is where Florrie is. I spent my leave here. This is Castle Street and the castle is right on the top of the hill.' 14. Borough, Farnham. Handwritten in black ink on back. ' This is the place where Florrie lives. I spent my last leave their (sic), Bob.' 15. West Street, Farnham. Handwritten in pencil on back. 'Pte R.H. Baron, 57 Battalion, Australian Imperial Forces Abroad.' 16. Lower Bourne Valley, Farnham. Handwritten in black ink on back: 'Partial letter from R.H. Baron to his sweetheart.' 17. The Avenue, Farnham. Handwritten in black ink on back: 'Partial letter from R.H. Baron to his mother.' 18. Recreation Ground, Farnham. Handwritten in black ink on back: 'Letter to Doris from R.H. Baron - no date.' robert h. baron, cooper collection, postcards, farnham uk

One of a collection in an album donated by Bernard GraydenColoured Postcard of a Chicory Kiln on Phillip IslandOn Back: "Phillip Island, Victoria" "chicory is one of the Island's numerous crops; this scene shows a chicory kiln.chicory kiln, phillip island, bernard grayden, postcards

Upper Main Street Looking East 1886. From left J Allingham Drapers. J Chadwick & Co Drapers. Bank of Victoria partly obscured, Commercial Hotel, Oriental bank, Punchard's Furniture. On right is the side of Mechanics Institute obscured. B.S. Dawson Chemists & Wadsworth Watchmaker. English Scottish & Australian Bank . Upper Main Street scene with people standing in roadway, Side of cart visible on left. c 1880stawell streetscape

Small square tin, used for tea leaves. Cream colour with gold & black printing. Paintings.Teedose. English Afternoon Tea. 250g net. Painting of an afternoon tea scene with mother & two children.

Sepia coloured scene with some coloured areas, the sky, moon, water and the campfire. The scene is a gypsy camp with wagons, horses, donkey, people and dog. They are camped in a wooded area with a windmill in the distance. Card and insert held together with white cord.person, greeting cards, malone collection, malone collection, greeting cards

The painting was donated to ANZCA in 1995 by Dr Bernard Dunn. Bruce Fletcher, from Melbourne Victoria, studied under William Dargie, who had been an official war artist during the second world war. Fletcher followed the same pathway as his mentor and was the first of two official war artists appointed during the Vietnam War. His artwork are held in the art collection of the Australin War Memorial, Canberra. The title of the painting, 'Dust Off' is a term adopted in Vietnam which refers to the medical evacuation of sick or wounded soldiers, from the field, by a helicopter. It was originally a radio call sign selected from a US Navy Signal Operations book in 1963. [ref. 'Medicine at War. 1950-1972'].In June 2012, a Royal Children's Hospital Anaesthetic Registrar attended a College Tour conducted by Dr Rod Westhorpe when he saw the painting and informed us that the term 'Dust off' emanates from the Korean War and is in fact the acronym for Decisive, Unwavering, Support to our Fighting Forces'. The painting was based on a black and white photograph taken in Vietnam in 1971. An image of the photograph is located in the electronic supplementary file. Oil painting on board of a scene in which a military helicopter is about to land with a group of soldiers in the foreground, one wounded and one soldier standing. A cargo military helicopter is in the distance flying away from the scene. The painting is set in a gold frame.[plaque affixed to centre front of frame] DUST OFF \ BY BRUCE FLETCHER \ DEPICTING THE MEDICAL EVACUATION \ OF WOUNDED SOLDIERS FROM THE FIELD \ IN VIETNAM \ PRESENTED BY \ DR BERNARD L. DUNNpainting, dunn, bernard, fletcher, bruce, vietnam war, dust off

R..H. Baron took leave from Herdcott Camp between 4.10.19918 and 8.10.1918 to visit Aldershot. See Catalogue No. 7743 for leave pass details. Relatives lived in the Aldershot area. Part of the 'Robert H. Baron', No.3596 and Cooper Collections. See Catalogue No. 19819 for details of Baron's service.1. Coloured street scene with buildings, groups of people and horse drawn transport. 2. Coloured street scene with buildings, groups of people and horse drawn transport. 3. Coloured street scene with buildings, groups of people. 4. Coloured scene features a canal with boat, tow path, bridge and house. 5. Coloured, Band marching down a street. Spectators lining the road. Church in background. 6. Coloured Group of soldiers in uniform marching along the road. Spectators, church in background. 7. Coloured statue of a man on a horse. Statue located on a hill 8. Coloured scene of gardens surrounded by buildings and a church. Groups of women. 9. Coloured - Large building with a clock tower. 10. Coloured column of uniformed soldiers on horseback. Buildings lining road. Horse drawn transport sharing road. 11. Coloured street scene with red brick building and pedestrians. 12. Coloured Monument with inscription. Buildings in background. 13. Black and wgite street scene. Street lined with buildings. Horse drawn transport. Pedestrians.1. High Street, Aldershot. 2. Wellington Street, Aldershot. 3. Union Street, Aldershot. Handwritten in black ink on back: (Notice how narrow the streets are). 4. Wharf Bridge, Farnborough Road, Aldershot. Handwritten in black ink on back: "I was all over these places with Uncle. I had a good time in Aldershot, Bob. 5. Wellington Avenue (Church Parade), Aldershot. Handwritten in black ink: 'One of the Aldershot bands', R.H. Baron.' 6. Queens Avenue and St. George's Church, Aldershot. Handwritten in black ink on back: 'Soldiers going to church". 7. Wellington Monumental, Aldershot. Handwritten on back in black ink: 'I was right up around this place!' 8. Municipal Gardens, Aldershot. Handwritten on back in black ink: 'This place is very pretty, Bob'. 9. Cambridge Hospital, Aldershot. Handwritten on back in black ink "This is a fine place!". 10. Hospital Hill, Aldershot. 11. Smith Dorrien Home, Aldershot. Handwritten on back in black ink. 'I was all over Aldershot with Uncle. I have saw all these places. Bob.' 12. R.A.M.C. Memorial, Aldershot. 13. Victoria Rd, Aldershot.robert h. baron, cooper collection, aldershot uk, postcards

Block puzzle set in a cardboard box. Contains 9 wood blocks covered with printed paper that can be arranged to make 6 different scenes. Box also contains five picture guide cards (sixth picture guide appears on box lid). One of the scenes is a tennis scene. Complete set. Small logo on lid states 'GERMANY'. Materials: Cardboard, Paper, Ink, Wood, Gluetennis

Postcards collected after WW1 by R.H. Baron whilst serving with 5th Divisional Headquarters (57 Batt) in Belgium. Part of the "Robert H. Baron" No. 3596, and Cooper Collections. See Catalogue No. 1981P for details of Baron's service.Six black and white postcard scenes of Mons, Belgium. Each has perforations down LHS.robert h. baron, cooper collection, postcards, ww1, mons belgium

Shows the extent of the River trade in the Murray Darling River basin in the early 20th Century.Helps show the extent of river trade in the Riverland area of South Australia in the early 20th Century.Copy of an original photograph of a wharf scene with moored river boats. possibly of Morgan c. 1900.Written on back in pencil."boats tied up at Morgan-?"murray river, paddle steamers, river boats, morgan. south australia., riverland