Queen Alexandra and Queen Mary were photographed holding these fans.|In 'Feather Fans - Collectors Guide to Fans' by Susan Nayer - 'In1880 feather fans returned to fashion -- remained in use until 1930s at court presentations. Also known as Japanese Fans.`Women's fan. Blue and green peacock feathers in circle. Handle wrapped in blue ribbon. Used indoors beside the fire to protect a ladies complexions against the heat.costume accessories, female

novel set in the civil warThe novel is known for its distinctive style, which includes realistic battle sequences as well as the repeated use of color imagery, and ironic tone. Separating itself from a traditional war narrative, Crane's story reflects the inner experience of its protagonist (a soldier fleeing from combat) rather than the external world around him. Also notable for its use of what Crane called a "psychological portrayal of fear",[1] the novel's allegorical and symbolic qualities are often debated by critics. Several of the themes that the story explores are maturation, heroism, cowardice, and the indifference of nature. The Red Badge of Courage garnered widespread acclaim, what H. G. Wells called "an orgy of praise",[2] shortly after its publication, making Crane an instant celebrity at the age of twenty-four. The novel and its author did have their initial detractors, however, including author and veteran Ambrose Bierce. Adapted several times for the screen, the novel became a bestseller. It has never been out of print and is now thought to be Crane's most important work and a major American text.Red hard cover fiction novel

p.410.fictionBeau Geste is an adventure novel by British writer P. C. Wren, which details the adventures of three English brothers who enlist separately in the French Foreign Legion following the theft of a valuable jewel from the country house of a relative. Published in 1924, the novel is set in the period before World War I. It has been adapted for the screen several times. england - fiction, french foreign legion

Yellow, black and red abstract printPurchased from Corio Rotary Arts Festival 1974

Image of the newly opened Mentone Picture Theatre located on Point Nepean Road in Mentone. Local picture theatres abounded in the in the suburbs of Kingston from the 1920s through to the late 1950s. The New Mentone Picture Theatre was dreamt up and developed by Albert Lydford who along with other promoters, formed a company that provided the finance for the erection of a large cinema right at the junction of Balcombe Road and Point Nepean Road. The New Mentone Picture Theatre operated in competition with a council owned facility on Brindisi Street and within three years of opening, the council theatre was closed. The New Mentone Theatre flourished until the late 1950s. It offered three changes of program each week. Two movies screened on Mondays and Tuesdays. On Wednesday a new bill went on for just one night, and then the main feature of the week, a movie the likes of Casablanca, was shown from Thursday through to Saturday. During its heyday there were full houses almost weekly. Saturday night shows were often booked out in advance and some families had permanent bookings at weekends. Locals treated the place as a centre of social activity, a venue for an enjoyable night out that did not involve great expense or long travel times. The advent of television in the 1950's, saw the theatre close forever in 1960.Sepia toned image of the New Mentone Picture Theatre, located on Point Nepean Road, Mentone.theatre, movies, mentone, entertainment

A programme for a showing of film footage of Queen Elizabeth's coronation a couple of weeks after the coronation. In the 1950s few households had televisions so although the Coronation was broadcast, many people may not have had the opportunity to watch it live. A screening at South Melbourne Town Hall on 23rd June 1953 was for Junior Legatees. Approximately 1,200 children attended with their mothers (from 'History of Legacy 1953' at 01491). The Governor Sir Dallas Brookes was unable to attend due to illness and his wife, Lady Brookes spoke and read a message from him.Junior Legatees pledged allegiance to the Queen at rallies and classes, so they would have been excited to see the Coronation screened.White paper programme with a colour photo of the Queen and black type, folded in half.coronation, gala performance

This memo was distributed to Legatees as a guide to Legatees. When contacting widows, Legatees could follow the script to ensure that the important points were addressed. At the bottom of the page the document lists the number of phone calls made to widows and follow up visits to widows in need of a visit (1986 and 1987). Note item "k" in the document. The switch refers to the person manning the telephone switchboard. This person would make a written or mental note that the Duty Legatee was not available. Leaving a recorded message on the phone was not available at this time.That Legacy tried to ensure that all Duty Legatees could follow the same script. Technology for a message that popped up on the computer screen was not available at the time.White paper with black type of a memo about duty legatees.duty legatee, policies

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total