Mrs Blanche Cornell, wife of Frank Cornell, at the beach with 2 of her children, ? c1905 Frank Cornell was first listed in Surrey Hills in 1906 at (6) Lorne Parade. In 1908 the listing gives his occupation as a clerk. He was born in 1869 in Richmond, Victoria and died 15 April 1917 in Surrey Hills. Blanche Annie Parsons Cornell (nee Bracher) was born in 1869 in Hokitika, New Zealand; she died on 21 January 1940. Children were: Gilbert Frank Cornell (b1894, Hawthorn; d1908, at Frankston beach, an accidental drowning) Ruth Amelia Cornell (b 1899, Kew; d 29 May 1977, Kew) Lorna Amy Cornell (b 1906, Surrey Hills; d unknown) Patience Blanche Cornell (b1907, Surrey Hills; d unknown. Frank and wife Blanche are buried in Box Hill Cemetery - CE-*-1058. Ruth Amelia married David Ellis, c1922 in Surrey Hills. David was a dentist who practised in Surrey Hills for many years. Patience (Pat) Blanche married Norman Henry Brewer (1893–1975) in 1931 in Surrey Hills. Given the children's dates of birth, it is likely that it is Gilbert and Ruth in the photo. A black and white photograph of a lady dressed in an ankle length skirt, long sleeved blouse and wearing a hat. She is sitting on the beach and drying off one small girl. There is another small girl or boy to the left of the lady.clothing and dress, 1908, (mrs) blanche cornell, beach, (mrs) blanche annie parsons cornell, (miss) blanche annie parsons bracher, box hill cemetery

Photo was taken in front of the front door of 'Camelford', 7 Norris Street. The presence of the red cross suggests that it was taken during the First World War. Two of the couples' surviving sons served in the war - Frederic George Bate (SERN 1945); Richard Alfred Bate (SERN 695); the third was rejected because he had lost a finger in an accident. Richard Bate came to Australia in 1868 from Cornwall - the house was named after the town there. He was a cabinetmaker and settled in Angaston, SA for a year before coming to Melbourne where he worked as a builder. He built ‘Avondale’, 176 Union Road (dem.) circa 1883 as a display home for the Davies family, subdividers of the first land auction in Surrey Hills. He built many houses including his retirement home at 7 Norris Street (demolished after 2000). In the 1880s Richard also built the Shire Hall in Station Street Box Hill, replaced in 1934 by the Box Hill Town Hall. Two of his sons were also carpenters. Richard died in 1937 aged 93 and his wife Annie Matilda died in 1935 aged 83; both are buried in Burwood Cemetery. House was rented out until probate was settled. Occupied in 2000 by Julie Ellis. REF: Letter to Julie Ellis from Jack Bate of Mildura, grandson of Richard and Annie Bate, dated 29/2/2000.A black and white photocopy of a photograph of a man dressed in a suit, standing beside a lady, seated, wearing a long sleeved, light coloured blouse and a long ankle length skirt. They are in front of a front door with lead light windows.mr richard bate, mrs annie bate, norris street, house names, camelford, avondale, union road, box hill shire hall, builders, ms julie ellis, davies family, annie matilda bate, richard alfred bate, frederic george bate, burwood cemetery, jack bate

Knitting book produced by the Lincoln Mills, Coburg and containing knitting patterns for women's garments.Knitting book, 16pp. Front cover printed in colour with a photograph of a woman wearing a blue knitted cardigan with a matching blue knitted skirt and blue knitted hair band. Contains photos and patterns for women's knitted garments.Lincoln / BOOK 28 / THREE SHILLINGSknitting, lincoln mills (australia) limited, coburg, patterns, fashion

This dress belonged to Mary Grace Medbury (nee Matthews, 1885-1967). Mary was born in Kansas, USA, and as a teenager travelled to Devon, England, before she came to Australia with her family and married Walter Ambrose Medbury (1887-1947). They lived together in Cheel Street, East Oakleigh. Walter, a building contractor, worked on numerous construction projects in the Melbourne area, including the Oakleigh Methodist Church, the HMAS Cerberus naval base and - closer to home - the former Brighton Courthouse, which was built in 1936 and still stands at 15 Boxshall Street. Mary gave the dress to her granddaughter, Fiona Nissen, when Fiona was a teenager. A Brighton local, Fiona donated it to the Society in 2013.White cotton muslin day dress with three-quarter length sleeves and square neckline, both edged with lace. The dress features white floral embroidery on the sleeves, skirt and front of bodice. Hook and eye fastenings at back.mary grace medbury, mary grace matthews, fiona nissen, migration, 1900s

Black and white copy of original portrait of a family group consisting of a standing man with a large dark moustache, a seated lady wearing a white blouse and dark skirt holding a baby. Three other children are in front of the man.robert simeon nelson 2nd, mrs nelson (nee elizabeth rankin allan)

Worn by Dame Marie Breen DBE OBE, Federal Senator for Victoria and Brighton resident. A passionate member (and founder) of many community organisations and charities, Marie Freda Breen (nee Chamberlin, 1902-1993) had her first experience of public life when her husband Robert became Mayor of Brighton in 1940. She became involved in the fledgeling Liberal Party, and Robert encouraged her to run for office. Marie because Victoria's first female Federal Senator in 1962. In Parliament, she was a vocal advocate for women and families and supported building a stronger relationship between Australia and Asia. In 1965 she became the first woman to chair a Senate committee. Marie retired from politics in 1968, after Robert was badly injured in a car accident. He died shortly after and she re-dedicated herself to community service, raising funds for UNICEF and serving on the Victorian Consultative Committee on Social Development and the Australian Advisory Council of Elders. In 1959 she was appointed an Officer of the British Empire for her work in the role of State President of the National Council of Women (Victoria) and in 1979 she was appointed Dame Commander of the Order of the British Empire. Marie and Robert had three daughters, one of whom, Jeannette Patrick, was the Liberal Member for Brighton (1976-1985) and Parliamentary Secretary of the Liberal Party, (1979-82).Sleeveless black cotton voile dress printed with large cream and apricot coloured roses. Dropped waist; bias-cut triangular draping applied to back neck; two horizontal bands of black voile inserted into skirt.dame marie breen, 1920s, liberal party of australia, australian senate, politics, robert breen

A black and white photograph of unnamed Bendigo Teachers' College students in 1946. The men are dressed in suits with ties and the women are in suits, skirts with twin sets or dresses with jackets. The women are all wearing stockings or socks. See 3320.100bendigo, education, bendigo teachers' college students, la trobe university bendigo collection, collection, bendigo, education, tertiary education, teacher training, students, bendigo teachers' college, costume, fashion, attire, clothing, photo, photographs, photograph, photography, ms. j.c. burnett, mr. geoff pryor

Part of S E Surman collection (album) page 19. Maggie Roberts, born 1863, and Georgie Roberts, born 1873 were daughters of Digory Pendray Roberts. Maggie married William Cornish in 1894, and Georgie, who became a teacher, married Ernest William Bulte in 1897.Sepia photograph of two young women wearing high necked long sleeved waisted outfits with long skirts and flowers on bodices standing one behind one in front of ornate rail hands resting on rail or by side.On back of mounted photograph: "Sisters of Mabel May Roberts / Maggie LHS m. Cornish / Georgie m. Bulte".maggie roberts, georgie roberts, surman collection

Huttley - Martin FamilyB/W Group portrait 2 rows of females 'white Blouses, dark skirts & stockings/tights' dark lace up shoes. Centre gril with plait holding hockey stick. right end girl with tieDrury's Elite Studio Stawell Back: Kath Healy, Vera Shaw?, Jean Ransom, Jouen? Davidson, Jean Bryant, lilla S..wood? front: Lena Byron, Rachel Lindsay, Madge Huttley, agnes Gcragg, Ruby Abbott.huttley, martin, students, sport, education

From left to right the women are: Miss Vine (dark dress, draw cord at waist with pom-poms on end), Miss Hocking (dress with large spots), Mrs Thomson (light coloured dress with dark sash at waist) and Mrs Paddy Smith (light coloured blouse and dark skirt).The photo shows four women, standing in line from shortest to tallest, standing in front of bushes.people

The dress was made by Mrs Alloway of Coburg. The dress was made from two dresses which appeared in 'The Bride' magazine; the top from one photo and the skirt from another. Joan Lorraine McGahey wore this dress when she married Francis William Kerry on 28/03/1959.1959 Full length white lace and net over white taffeta slip. Long sleeves are lace to wrist and has light covered buttons. Front has square neckline with lace appliqued to bodice which falls to dropped waistline. Front panel is lace onto net flounce measuring 30 cm. Back has three net flounces falling from waist to form a train which is attached with lace bow. Back of neck has 8 buttons and loops.costume, female ceremonial

Tilly Aston playing a reed organ, often referred to as a harmonium. An unidentified woman sits next to the organ. In this informal shot a middle-aged Tilly is wearing a checked jacket with white collared blouse and long skirt. The organ has a number of photographs upon it and appears to be in someone's lounge room.B/W photograph of Tilly Aston playing organtilly aston, association for the blind

Green and gold shot silk dress. Hemline is edged with a binding of black velvet - one cm wide. Bodice lined with cream linen, sleeves lined with cream cotton, skirt lined with cream linen(?) or cotton(?). Long sleeves are shaped in a ""semi-circular'' shape at the elbow, and taper in at the wrist. Sleeves are trimmed with green fringing, and a flat green satin bow. Wrist is trimmed a 2cm wide band of cream cotton lace. Top of sleeve at shoulder is also trimmed with green and fringing encircling the sleeve top.High round neck is faced with a 1cm band, and a row of the cotton lace. Two bands of fringing give a rectangular "style'' effect on the front bodice, which is fastened at centre front with ten metal hooks, and nine hand stitched ''holes'' to fasten, and one hand stitched loop at the neckline. Fringing continues over the shoulder, into a 5-sided shape across the shoulder blades. Skirt has two pleats on RHS front and two on left hand side of back and a 7cm centre panel of tight pleating. Skirt extends into a train at back. An inside pocket is accessed from under a pleat in the RHS skirt.costume, female, victorian full length dress with train

A dress belonging to the family of George Ward Cole in the late 1800s; possibly his wife Thomas Anne Ward Cole or one of his daughters, Margaret or Agnes. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn, brown silk, evening dress, circa 1860, consisting of a bodice and skirt. The bodice features an off the shoulder neckline edged with cream lace. A chevron design of black velvet trim, passes from the shoulders to the centre front waist, then hangs loosely to the hip line. The black velvet trim on the sleeves and the skirt is edged with a black fringe. The bodice (.1) base is finished in a v-shaped front at the natural waistline. There are short puffed sleeves also feature the black velvet fringed trim and lace at the edge along with three epaulette style strips, which pass from the shoulder seam to the edge of the sleeve. Each strip finishes with a decorative bobble. The bodice lining is cream glazed silk with steel boning, cotton tabs sewn into both sides have four eyelets for lacing. The dress has a full, floor length unlined skirt (.2) which is slightly longer at the back creating a modest train. The skirt has horizontal bands of the velvet trim and finishes with a box pleated trim of the dress fabric. The dress is fastened at the back using two connecting rows of black velvet covered buttons.brighton, st ninian's, 1860s, evening dress, george ward cole, thomas anne ward cole, margaret morison ward cole, agnes bruce ward cole

Margaret Law (nee Bartholomew) was born on 3 December 1837 in Stirling, Scotland. She emigrated to Australia with her family aboard the Ticonderoga, arriving in Melbourne on 22 December 1852. Around one hundred passengers died of typhus during the journey, and around seventy more after arrival. Two of Margaret's siblings were among the casualties. The Bartholomew family settled in Ballarat. Around 1861, Margaret married James Nicol Law in Ballarat. They had several children, the youngest of which was James Lindsay Gordon "Lin" Law, (1881-1963). James Nicol Law was killed in a train accident in Fingal Tasmania in July 1886. Lin Law married Elsie Russell on 12 January 1915 (BHS also holds a bridge jacket given to Elsie by Lin; see T0047). They settled in Brighton, moving into 'Blairgowrie', 306 St Kilda Street, in 1920. The eldest their four children, Pauline Margaret Law (born 15 December 1915) ultimately purchased the house with her husband Hugh McLean in 1956 and lived there until 1965 when the house was demolished. In 1906, Lin and his business partner James Kerr Pearson (also a Brighton local, who lived at 12 Moule Avenue) established the shirt manufacturing company Pelaco. In 1922 the company established its factory at 23 Goodwood Street on the top of Richmond Hill; the 4.3 metre high neon 'Pelaco' sign, erected in 1939, is today heritage listed. The company was known for its innovative approach to efficiency and labour relations, discontinuing Saturday morning work in 1908 and appointing an industrial relations officer in 1928.An orange pink (salmon) with cream spot, very fine silk organza dress from circa 1840. The dress features a wide scooped neckline, almost to the shoulder. The sleeves are set low with a gathered head to the sleeve and finished with a flounce, dropping to just above the elbow. The bodice is shaped and fitted to the body and features a centre front detail of the bodice fabric that is gathered, ruched and tapers in a v to the waist. The waistline of the dress sits on the true waist at the sides and tapers to a v at the centre front and centre back. The full skirt is gathered to the piped waistline and falls to the floor. The skirt features three horizontal pleats in the skirt fabric in between four bands of cream floral self embroidered detail. The dress is open at the back where it is boned and features lacing holes. The lacing is missing from the item. The bodice of the dress is lined with a very fine cotton lawn and boned.james nicol law, brighton, pauline margaret law, elsie russell, james lindsay gordon law, margaret bartholomew, pelaco

The post office was situated on site at this Pall Mall location from 1887 until 1997. Early on the building housed a variety of government services included sub treasury, police, water, lands, post and telegraph and quarters for the resident postmaster. With federation in 1901 the building became the Commonwealth Postmaster - General's Department's Bendigo Post Office. In 1975 postal services were taken over by the Australian Postal Commission and in 1989 Australia Post was corporatised.Colonial era postal uniform possibly worn by the Post Master at the Bendigo Post Office. Single breasted frock coat. Scarlet jacket with contrasting royal blue collar, lapel cuffs and pocket flap. Body and skirt section lined with lighter red cotton fabric, pockets lined with cream coloured cotton fabric, sleeves lined with brown, blue and white striped cotton fabric. Five brass buttons on front, two brass buttons on the top of the centre back pleat, each button with a crown and VR. Typically of frock coats of the 19th century the coat has a two distinct sections, a top jacket and skirt. The shoulder seam is bias cut and runs at an angle down the back. The back is cut in four sections and the skirt in two sections. There are no side seams in the coat, instead there is a seam placed further back than the actual side of the wearer.Any possible text on the label on inner top of collar has disappeared.australia post, city of bendigo post office, city of greater bendigo commerce

A novelty postcard with pull-out strip of 9 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.A novelty postcard with pull-out strip of 9 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.FOR LUCK from/ MARYSVILLE 1852 VALENTINE'S/ MAILING NOVELTY From VALENTINE'S "MAILING NOVELTY" POSTCARD. COPYRIGHT. Postal Rates/ within Australia Enclosed in/ Envelope 2 1/2"/ Sent Open/ with only/ Name and/ Address of/ Sender 1 1/2 Mt Kitchener House/ Marysville/ 31.1.51 Dear Nancy & Albert/ Well I thought that while I had a/ chance I would drop you a few lines to/ let you know that we are having a good/ time. I read in the Herald last night about/ Uncle Will's death, but he had suffered such/ a lot, that I guess he is better off. When/ Dad & I went to see him last Tues week/ he really looked dreadful. This is a very/ nice place to stay the meals and accommod-/ ation is very nice & they are a very nice/ crowd staying here. Beryl & I went to Alexander/ yesterday with some friends of Beryl's and tomorrow/ we are going the Reefton Spur trip, ? and the Eildon Weir/ trip and then Frid the Cumberland Valley Trip./ Well I must close so for the present lots of Love/ Violetmarysville, victoria, souvenir, postcard, valentine publishing co, cumberland valley road (image 1), taggerty river (image 2), acheron way (image 3), the old ford marysville (image 4), nicholl's lookout (image 5), main street marysville (image 6), mount margaret (image 7), stevenson falls (image 8), cumberland falls (image 9)

This beautiful costume was the 'going-away' dress worn by Mrs John Russell at her wedding in c.1884. It has been passed down through the Russell family and was donated by her grand-daughter Mrs David Nixon. John Russell was an early Orbost blacksmith in Orbost, and director of the Orbost Butter Factory for 50 years. He came to Orbost in c. 1890 at the invitation of another early settler, James Nixon, became a blacksmith, and later a farmer and landholder. Many of his descendants still live in the Orbost area. This full length female costume is made of moroon satin with gold velvet inserts. It has a small train at the back, scalloped folds with lace edging down the front of the skirt, and two rows of 14 buttons each down the bodice.going-away-dress 1890s-dress

Royal Australaian Army Nursing Service Sergeants Mess Dress(Beret H161, BowtieU879d, Shirt U 879, Cummerbund U879c, Skirt U879a, Shoes U880, Cape U879f, Mess jacketU879b Stockings U879n, Shoes U879euniform, 1990, army

Small, full length portrait of a lady standing beside a table with her right hand resting on the table with a book on it. Her dress is long with the back of the skirt longer than the front. It has wide gathered sleeves with lace on the cuffs.Bent late Batchelder, Centre of Pall Mall, Sandhurstphotograph, portrait, female, portrait of a lady, bent late batchelder

Small portrait of a lady sitting on a chair. She is holding a book in her hands. She has curls in her hair and is wearing a small hat. Her dress has long sleeves, a high neckline with a collar and a voluminous skirt .F. Dabis, 51, Park Street, Luton.photograph, portrait, female, portrait of a lady

Small portrait of a lady standing beside a chair with her right hand resting on it. She is wearing a long dress with a high neckline and a small white collar. The skirt is very wide at the hemline. She has curls in her hair.photograph, portrait, female, portrait of a lady

Portrait of a Lady. She is standing with her left hand resting on a small piece of furniture. Behind her is a chair. She is wearing a full skirt with a jacket and a hat with a feather. Sepia portrait on a black mount board. No details on photo.photograph, portrait, female, portrait of a lady

Pale pink nylon 1958 nightdress showing signs of pink roses and green leaves pattern that has been washed out. Gathered under the bust on to a band, frill on top and roulean straps. Gathered skirt of two layers.nilcostume, female underwear

Black and white photo of a mixed group of young people. They are all wearing white trousers/skirts, shirts, dark coloured scarves and white berets with a dark band. A girl in the centre row is holding a small Union Jack flag.photo, group, mixed group, peter ellis collection, group of youn gpeople

Applique on stretched felt, cotton panel printed with image of a female figure in blue & white striped skirt swinging a ca. 1900 tennis racquet. Edged with embroidered flower designs. Materials: Cotton, Ink, Felt, Wood, Threadtennis

A pewter sculpture of female figure with tennis racquet mounted on a square base. Figure has long skirt and hair pulled up onto head, and is in action of backhand stroke. 'KAYSER' imprinted in base. Materials: Pewter/Metal compositetennis

Part of photograph album donated by Mrs Faull. Mr Reilly was Shire of Grenville Engineer 1923-1930 Girls standing in front of Old Shire of Grenville fence.Sepia photograph of two young girls, wearing identical short, skirted outfits, hats and long socks standing beside each other in front of a fence, one on left with hands at waist, girl on right with hands behind back.reilly twins, faull collection

This swimsuit is part of a collection of clothing donated to the Brighton Historical Society by Dr William and Helen Wells. It belonged to William's mother, Dorothy Wells (nee Marshall, 1910-2000). William's family has had a long association with Brighton, dating back to the town's earliest days in 1843 when his ancestors Robert and Eliza Hayball, who had emigrated to Melbourne two years prior, established a wattle-and-daub hut in what is now New Street, close to Tovell Street. Robert established a business as a timber merchant on the opposite side of New Street. His sons, Robert, William and Edwin took over the firm following his retirement, trading as the Hayball Bros. Hayball Court, which runs off New Street, is named after the family. Robert's son William (1855-1926) married Jessie Robertson and had four children. Their eldest, Winifred Grace Hayball (1886-1971), married Andrew Hollingsworth Marshall at the Black Street Congregational Church in 1907. They subsequently lived in Hill Street, Hawthorn, before moving into a house designed by Andrew and Winifred's brother Robert at 39 Bay Street, Brighton in 1915. Their daughter, Dorothy Marshall (1910-2000) married Robert George (Argie) Wells in 1937 at Wesley College Chapel. They lived in East Malvern until 1947, when they moved into a newly built home in Hawthorn Road, East Brighton, where they lived for the rest of their lives. Their son, William Wells (b. 1939) married Helen Pickering in 1968 and the couple have lived together in Brighton ever since.Blue knitted woollen women's one-piece swimsuit featuring a scooped back and braided crossover shoulder straps which thread through loops at the back. Small shorts cover the tops of the thighs, underneath a short modesty skirt.Designer's label near front hem, proper left: a narrow white triangular lance logo, bordered with black and featuring black text: "BLACK LANCE". Small label proper left inside seam: "BLACK LANCE / KNITTED WEAR / 38"wells family, dorothy marshall, dorothy wells, 1930s, swimwear, black lance, melbourne designers, peter o'sullivan, botany knitting mills

Wool Awards was a highlight of Agricultural Show at OmeoColour photograph showing wool awards gown winner of show, woolen skirt and top with overlay of Bird of Paradise and Guinea fowl feathers, a beautiful masterpiece. Omeo Victoria. Plus 2 other photos from same eventwool industry, agriculture, events