Used to make cast for the metal ring gear for the water wheel which powered the Mill.Slightly arched wooden pattern with wooden ridges along the edge. Three square metal plates with a hole in the centre, bolted on with four bolts. Ten pentagin pieces of wood attached to the face.

Depicts the entrance to camp 14, part of the Loveday Internment Camp Group. The bamboo and wood arch was built by the Japanese internees. Photograph copied from the AWM (accession number 122983).Black and white copy of photograph. Depicting the entrance to Camp 14. Entrance in foreground, with hut to the left behind the entrance. To the right inside the entrance is a garden bed with a stone on which is mounted a round circle with a V in it. On the ground in front of that is CAMP 14 C D. Photograph is on corfu.camp 14, loveday internment camp group, japanese internees, barmera sa, awm, accession number 122983

This religiously themed window is situated in the western (weather) wall of the St. Nicholas Mission to Seamen’s Church building in the Flagstaff Hill Maritime Village. It was crafted circa 1928. ABOUT THE WINDOW This window, once known as the Dr Connell Memorial Window, was a feature of an external wall adjacent to the Women’s Children’s Wards of Warrnambool Hospital. Honorary Doctors had played a significant role in the operation of the hospital between the years 1900 to 1939. One of these doctors was Dr. Connell, who passed away in 1928. The green glass plaque is also a registered object in Flagstaff Hill's Collection. Its inscription dedicates the window to Dr. Connell. The inscription reads: “A tribute to Egbert John Connell M.B.B.S. who for 30 years rendered devoted and valuable service to this institution. Obiit April 4th 1928 A.D." A paragraph in the book ‘A History of the Warrnambool Base Hospital’ by Forth and Yule describes the role of the Honorary Doctors - “At the start of the period the senior-part time medical officer was replaced by the junior resident medical officer and control of beds and the right to operate were given to the honorary medical officers...and these men dominated the Warrnambool medical world in the years before the Second World War.” Dr. Connell leased ‘Ambleside’, 192 Koroit Street, in the early 20th century, following Dr Teed who had previously run his medical practice there. In 1914 Dr Connell purchased the property and continued his private practice there until his death in 1928. He also took a prominent part in hospital work, both as physician and surgeon, and often acted as spokesmen for the Honorary Doctors. According to colleague Dr. Horace Holmes’ subsequent notes, it was after the close of the First World War, and the following years of the world-wide pneumonic influenza epidemic, that Dr. Connell himself contracted pneumonia and died. His family and friends then recognised his work by gifting the memorial window in his honour to the Hospital. By the mid-1970s the old wards at the hospital had been replaced and there was no obvious place for the window. Discussions between the previous and past Hospital managers, the Anglican Diocese, and Flagstaff Hill Planning Board, led to its installation in its present position in St Nicholas Seamen’s Church and the memorial plaque was later installed beside the window. St NICHOLAS SEAMEN’S CHURCH, Anglican Church Flagstaff Hill’s Mission to Seamen was opened in 1981. Its conception was partly motivated by the offer of Stained Glass Memorial Windows from the local Warrnambool and District Base Hospital, which was undergoing multi-storey development in the late 1960’s and early 1970’s. The Manager/Secretary at the time was keen to see the historical windows installed in an appropriate location. The chapel was designed by a local architectural draftsman in conjunction with members of the Planning Board of Flagstaff Hill, and built by Mr Leon Habel. The vision of the designers included the hope that the church be used for formal worship such as weddings and funeral, and for multi-denominational special services such as War commemorations. The design is based on the ‘Mission to Seamen’ buildings in both Portland and Port Melbourne. These types of buildings were often erected to house social and worshipful activities for seamen. The materials used in the building include sandstone recycled from nineteenth-century buildings demolished in Warrnambool and American slate tiles retrieved from the 1908 wreck of the FALLS OF HALLADALE. Most of the chapel furnishings came from the Williamstown Missions to Seamen, which was consecrated in 1946 but later decommissioned. These artefacts range from the altar cloth to the hymn board and include a visually stunning round stained glass widow called ‘Christ Guiding the Helmsman’. However the provenance of this particular artefact, large western window, is local. This stained glass memorial window is of local, historical and social significance, linking local history and heritage with one of Warrnambool's doctors, Dr. Egbert John Connell (d. 1928), who gave 30 years of dedicated, medical service to the local citizens.Stained glass leadlight window in Gothic arched metal frame with six horizontal reinforcing rods. Image depicts a golden flat-bowled baptismal font on a slender stand with foliage proceeding from it. The image is internally framed by a Roman arch of coloured glass and surrounding rectangular and breaking-wave shapes. (The window was previously known locally as the Dr. Connell Memorial Window and a plaque dedicated to Dr. Connell is catalogued separately. See Context notes for details.)flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, chapel window, stained glass window, warrnambool and district base hospital, st nicholas mission to seamen’s church, williamstown mission to seamen, dr egbert connell, ambleside warrnambool, leon habel builder, falls of halladale slate, memorial window, commemorative window, dr connell

A hacksaw is a fine-tooth saw with a blade held under tension by a frame. It is used for cutting materials such as metal or plastics. Hand-held hacksaws consist of a metal arch with a handle, usually a pistol grip, and pins for attaching a narrow disposable blade. A screw or other mechanism is used to put the thin blade under tension. The blade can be mounted with the teeth facing toward or away from the handle, resulting in cutting action on either the push or pull stroke. On the push stroke, the arch flexes slightly, decreasing the tension on the blade.Steel frame for blade. adjustment lever in handle.Dimpled feature on curved sectionhacksaw, tool, ballarat school of mines, trade, cutting, metal, plastics

Souvenir dish featuring transfer print of the Entrance to the Avenue of Honour 14 Miles Long. The print foregrounds the Arch of Victory Ballarat and was made for Ballarat firm of R. Tunbridge & Sons. Early example of fine English porcelain with a new Ballarat landmark for the more discriminating buyer as opposed to the more common mass produced transfer printed items made in Czechoslovakia. The Ballarat Avenue of Honour is the longest surviving such memorial avenue to the Great War in the world and together with its entrance arch was officially opened by the Prince of Wales in June 1920.Souvenir dish made in England for local Australian sales. Evidence of early use of tourism pre-dating later built monuments for an Australian memorial to the Great War.Back stamped "Made in England exlusively for R. Tunbridge & Sons P.L.BALLARAT" with transfer printed Shelley England.porcelain, shelley, tunbridge, avenue of honor, arch of victory.

This photograph was taken on the 5th of June, 1946, and shows the ruins of the St intent church built between 1490 and 1556 in a Gothic style and was known for its vast dimensions. The church also had the uniqueness of owning a bell tower that had not been completed. The building was heavily damaged by a bomb fell in the choir level May 31, 1944 during the Allied strikes announcing the landing. The ruins are still standing today. Allan has also written letters home from this period, describing France as a "mess" at this time. This photograph was exhibited by the Mission to Seafarers as part of the exhibition "Letters from Abroad" in 2012.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Black and white photograph of the ruins of a gothic church bombed during the Battle of Normandy in 1944. It shows the arch of the church left standing in the foreground, with a tower in the background. There is a narrow white boarder about the image.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is a mark "ItI" in pencil.allan quinn, photograph, france, ruins, church, letters-from-abroad, rouen, normandy, ww2, wwii, world war two, 1939-1945, battle of normandy, st vincent church

Charlton Post Office built in High Street in 1979 to replace original Post Office built in Camp St in 1878. A copy from probably the Weekly Times newspaper.Poor quality copy of photograph of Charlton Post Office. Brick building with a three arched entrance. Picket fene on either side. Three men standing on footpath, one is leaning on the lamp post.POST OFFICEcharlton post office

Colour photo: rear of Law Courts building, Bendigo. Three storey storey building , each storey with arches. Demolition site of Police Headquarters in foreground, dirt piled up on LH side.organisation, government, law vcourts

Bendigo Historical Society Newsletters (Marunari) From Feb 2019. Stored in A4 Lever Arch Folder. Compiled by Terry Davidson - member and Committee member. Part of complete set of Society newsletters.BHS Committeesclubs and associations, history, newsletters

VIEW OF POWDER MAGAZINE USED IN MINING DAYS TO STORE EXPLOSIVES. BUILDING MATERIALS SOLID BRICKCOLOURED REPRINT PHOTOGRAPH OF POWDER MAGAZINE EXTERIOR. SITUATED IN A PADDOCK ON SMEATON ROAD APPROX. 2 KM. FROM TOWNSHIP ON LEFT HAND SIDE. SHOWING BRICKED ARCHED ROOF AND END WALL.photography, photographs, mining, powder magazine

Pugh was one of many artists who brought an Australian experience to attention. This work reveals the colour, textures, harshness and inhabitants of the natural bush, with the angular forms found on the ‘black birds’ dominating the composition with dramatic effect. Shanahan, Albert Tucker, Frank Werther and Fred Williams have at one time settled and or work there. Untitled (Black Birds) from the Bodford Terrace Suite 1978, created by Clifton Pugh - a celebrated Australian artist known for his landscapes and portraiture as well as (three-time) winner of Australia’s Archibald Prize. This piece plays a significant role within the Nillumbik Shire Collection due to Pugh’s strong connection to the local land where he settled in Cottle’s Bridge in 1951, purchasing 15 acres and named it Dunmoochin. Artists, potters and others settled at Dunmoochin and formed the Dunmoochin Artists Co-operative in order to collectively protect the land. Numerous renowned artists worked or resided at Dunmoochin including: Rick Amor, Fred Williams, Albert Tucker, Frank Hodgkinson, Mirka Mora, John Olsen, John Percival and John Howley amongst others. Upon his death in 1990 he left an art collection and extensive properties at Dunmoochin to be appreciated and utilised by artists for years to come lithographic print on French Arches paper. Dynamic and expressive depiction of black birds in flight on far left of composition, cropped elements of Australian landscape in blue and red in the background (trees, shrubs, rocks). Inscribed lower right 'Clifton'; 1:1; 179/300clifton pugh, bodford suite, dunmoochin

Colour Photo Stawell Shire Hall built 1866, c1980. The Shire Hall is in Longfield Street Stawell and has had many changes since 1866. Ronald Campbell, the Shire's second president laid the foundation of the hall on 28th April 1866. The contractors were Hutchings and Delbridge. The first Hall and office were the front part of the existing building. These rooms consisted of two 18 ft square rooms with an entrance hall separating them. The facade was almost the same as it is today. The building cost 502 pounds.Colour photograph of Stawell Shire Hall 1866. Very similar view to 0084 the photo clearly showing the two windows and arched entrance door. Landscaping outside the building is exactly the same as in 0084. stawell

Two metal lanterns with metal handles. A 7cm oval glass inserts in each of the 3 sides. A hinged door is on the fourth side. Open arched top on each. A kerosene lamp base inside.One is labelled CRB. One is labelled OCA.

Black metal sewing machine with gold trim on wooden base. Wooden base has a compartment for cotton, needles, etc. Swing machine has handle on the wheel for operating. Arched Wooden Cover.Singer Singer Manufacturing Co Manufactured in Great Britainsewing, sewing machine, hand-operated, hobby

B/W photo of “Swinton” Homestead with two archways with roses on lawnB/W. Photgraph: of a house with verandah. Stone drive flanked with two trees at the gate with a car to the left. Two arches covered with roses one either side of the drive. Humber car c1950?glenorchy

Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. Family homes in an estate for factory employees in Gustavsberg (1938), Stockholm, SwedenGustavsberg, Near Stockholm Sweden / House / One-Family House Estate / Co-op Wholesale Society / Archs. Section: Olof Thunstrom / 1938 / Encircled 18 (All Handwritten)haddon travelling scholarship, haddon, robin boyd, slide

Confectionery king MacPherson Robertson personally funded the £19 000 cost of the steel arch MacRobertson or Grange Road Bridge (1934) as a gift to Victoria for its centenary. (http://www.emelbourne.net.au/biogs/EM00234b.htm)A steel bridge over the Yarra River, Melbourne. The bridge was funded by MacPherson Robertson.macrobertson, bridge

Black and white copy of photo taken by Batchelder. Colonial Bank of Australasia. 2 storey rendered building, with parapet and orbs. 1st floor 3 rectangular windows, ground floor 2 arched windows and central arched doorway. 6 adult males on footpath at front. Single storey shop with verandah at left. Batchelder photographic cart at left front , at right, laneway with gas lamp above. At far right, double storey building. In image ' Manufacturing/Goldsmiths' On back in pencil '41'Batchelderbuildings, bank, colonial bank of australia

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of an unpainted variegated brown brick house with decorative brickwork. Other features include a square porch with 2 open arches, tiled roof, white wooden sash windows and striped awnings.murrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, murrumbeena road, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, beauville historic area, gardens, brick features, arches, sash windows, striped awnings

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.This is a black and white photograph of a man standing beside a river along side a boat which is tied to the wharf, the boat is called Reitz. Behind the man is a three spanned arched bridge. The man is Frank Wright.frank wright

Certification Alan A. Williams admitted to the Degree of Most Excellent Master of The Lord Kelvin Chapter, No. 77 meeting at Melbourne under the Supreme Grand Chapter of Royal Arch Freemasons of Victoria, 23rd May, 1940.