Hankerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five hankerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother. This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as hankerchiefs to their loved ones at home. Cream silk handkerchief with cream blanket stitched edge with three cream and one pink flower embroidered in each corner. Stems and leaves worked in green.redman, hankerchief, warrnambool, ww1 hankerchief, souvenir ww1

John R. NEESON (1948- ) Between 2003 and 2005 John R. Neeson was a part-time lecturer at the Federation University Arts Academy. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a red apple exhibited in the travelling exhibition 'Imaging the Apple, curated by John Neeson.art, artwork, john neeson, neeson, apple, fruit, still life, john r. neeson, staffmember

queensland

A leaflet produced to raise awareness of white canes. On the front a man's hand holds a white cane. Inside the leaflet reads "Bear in mind the white cane is a symbol of the visually handicapped" and was produced by the White Cane Committee, 247 Vulture Street, South Brisbane, Q, 4101.1 page with illustration of white caneIllustration of a hand holding a white cane on the front pagewhite cane day, advertising

Black and white photograph of Australian surfer Nat Young with Hawaiian surfing legend Duke Kahanamoku at Bondi Beach. The Duke was guest of honour at the 1963 Australian Surfing Championships which were run from 22-23rd November.A rare photographs of two surfing legends together. Young was three years away from winning his World Title in San Diego while the Duke played a key role as an Elder to the surfing community world wide during the twilight years of his life.Black and white photograh of Nat Young and Duke Kahanamoku in 1963 at Bondi Beach, Sydney, AustraliaBlack and white photographnat young, duke kananamoku, 1963 australian surfing championships, bondi beach

Anna ROBIESON & Perc WHITE at the launch of the Women of Port Melbourne Exhibition & book, October 2005. Anna ROBIESON & Perc WHITE at the launch of the Women of Port Melbourne exhibition18/10/2005 Anna Robieson, Perc Whitewomen of port melbourne, anna robieson, perce maguire-white

Janet BOLITHO & Perc WHITE at the launch of the Women of Port Melbourne Exhibition & book, October 2005.Janet BOLITHO & Perc WHITE at the launch of the Women of Port Melbourne exhibition18/10/2005 Janet Bolitho, Perc Whitewomen of port melbourne, perce maguire-white, janet bolitho

A photo of Anzac Day in London in 1956 from a Comradeship photo album. It identifies Sir Thomas White at the East door of Westminster Abbey after the service. The caption says Sir Thomas White was the 3rd President of Melbourne Legacy. He had also been the Australian High Commissioner in Britain until 1956, so he was soon to return to Australia. According to a biography website he died the next year (1957). http://adb.anu.edu.au/biography/white-sir-thomas-walter-12013 This photo and several others (see 01029 - 01031) of Anzac services in London are part of a photo album to of Comradeship activities (from 930 to 1977). A menu card at 01298 shows that Group Captain White was given a farewell dinner when he left Australia for the post in London and it was attended by many legatees.A record that Legatees often held prominent positions such as High Commissioner of Britain. The Comradeship photo album was put together by the Comradeship committee and records events that Legatees did and places they lived or visited. Some appear to be trips to visit other Legatees living overseas and social occasions held in different places. It shows the bond that Legatees have with each other.Black and white photo of Anzac Day in London in 1956.Handwritten in the border: Sir Thomas White (3rd President Melb Legacy). On the back: "Anzac Day London '56. / Sir Thomas White leaving Westminster Abbey after the Anniversary Service."anzac day, comradeship

Black and white photograph taken by Jack Eden of Sylvia Hoogeveen surfing at the 1965 Warrilla Championships. Hoogeveen is a goofy foot surfer riding an 8 foot plus longboard.Rare photograph of a female surfer competing at regional surfing contest in 1965. The photograph is part of a limited edition, collection of images created by noted Australia surf photographer Jack EdenBlack and white photograph by Jack Eden of Sylvia Hoogeveen riding a surfboard in 1965.Black and white framed photograph signed by Jack Eden (number 10) jack eden, sylvia hoogeveen, warrilla beach, 1965 warrilla championships

This book was used in pencil drawing classes in primary schools.A book with a grey cover and black lettering and drawings. It was used as a drawing book with a pencil drawing on the first page.Top LH corner written in pencil "PHILLIPA WHITE"white, phillipa, primary school, teaching, state education, george evans collection

8/13 Victorian Mounted Rifles was equipped with White Scout Cars in 1960s.The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Black and white photograph of two White Scout cars painted in a distinctive camouflage pattern suggested by the Troop Sergeant who had seved with Panzer Corps in Russia during WW2." 2TP Puckapunyal White Scout Car."

Black and white photograph is of the Prentice and Southern Mine. Colour image is of a painting identified as The Angelus by Jean-Francois Millet.Two postcards pasted onto either side of a piece of green cardboard, probably cut from an album. One photo is a black and white photograph. One is a colour reproduction of a painting.At bottom of black and white photograph: "The Prentice and Southern Gold Mine, Rutherglen"prentice and southern gold mine, angelus, gold mining, millet, painting

This White Goshawk is the white colour morph of the Grey Goshawk. Is a moderate-sized hawk that measures 38 - 55 cm in length, and has a wingspan of 70 - 110 cm. It is native to Australia, and found in rainforest, forests, open forest and thickly-wooded watercourses. It mostly occurs in southeastern and northwestern Australia, and in Tasmania, all Grey Goshawks are white-phase. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This White Goshawk is white all over, with hints of beige around its eyes. The bird's legs are a yellow-beige colour, and its beak grey and white. This specimen stands on a perch, mounted upon a wooden platform, and has an identification tag tied around its leg.Swing tag: 5. / White Goshawk / See Catalogue, page 2 / Mount: 5 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, hawk, white goshawk, accipitridae

Black & White cigarettes were produced in England, Virginia Tobacco, or Flue-cured tobacco, is named after the US state where it was first cultivated. It is also called ‘bright tobacco’ because of the yellow to orange colour it achieves during curing. It grows particularly well in subtropical regions with light rainfall, such as Georgia, Florida and the Carolinas in the USA, Southern Brazil and Zimbabwe. In Australia, blends are predominantly Virginia, for example, Dunhill and Winfield. Virginia blends contain only flue-cured Virginia tobacco A tin with a hinged lid for 'Black & White' Cigarettes. a black silhouette of a man in a top hat is the trade mark BLACK & WHITE / 'MARKOVITCH' / VIRGINIA / CORK TIPPEDcigarettes, tobacco, cheltenham, moorabbin, bentleigh, early settlers

The White Winged Triller is a small member of the Campephagidae family. They can be found all over the Australian mainland, but there have also been sightings in Tasmania, Papua New Guinea and Indonesia. Their breeding season is from September to December, when they migrate to southern Australia for the warmer months. The males can be very noisy during this time, when they 'trill' all day, granting them their name. Throughout the winter they can be found in northern Australia. This species can be found in open areas with shrub and lots of ground cover, in woodlands, forests, scrub and waterways. The males and females are noticeably different, particularly when breeding. Breeding males are the most conspicuous, with black on their heads, bodies and wing coverts, with a white body, lower face and lower wings. Females are brown, with a light body, a faint brow and a dark line through their eyes. When not in the breeding season, males are similar to females, though they have a greyer rump. These birds have a netted pattern on their wings. When in flight they undulate, and when they land they often shuffle and re-fold their wings. This species predominantly forage for insects on the ground or tree foliage, but also 'hawks' insects from higher perches. They build nests on horizontal branches or forks, and can be found sometimes using empty nests of other birds. Many of these birds can be found nesting in the same tree as a colony, and both parents incubate and brood their two to three nestlings. This specimen is a male White Winger Triller, which is apparent from his black and white colouring. While missing some plumage, the distinction between black wings, tail, cap and wing covert are still clear against his white body and under-wings. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male White Winged Triller has a black cap on its head. It has black wings with black wing coverts, and a black tail. It has a white lower face and body, a white shoulder bar and white under-wings. This specimen stands upon a wooden post, attached to a wooden post and has an identification tag tied around its leg. Swing-tag: 22a / White shouldered Campephagidae/ See catalogue, page 11. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, triller, white winged triller, campephagidae, australian birds

An older woman with glasses uses a white cane to step off from a footpath and walk down a road in surburban Sydney.B/W photographs of a female using a white caneFile: Skills Training - O&M A white cane provides blind people with early warning of obstacles. Royal Blind Societyroyal blind society of nsw, white cane day

A black and white image of a group players and supporters of Moorabbin Football Club senior section runner up that came to a draw after a close gameBlack and white image of players and supporters of Moorabbin Football Club with a player in the center holding a football etched with M.F.C 1912Printed in black text a round white sticker: 87 Hand written in red ink: 50%federal football league, football, moorabbin, club, sport

Nickel silver first became popular as a base metal for silver-plated cutlery and other silverware, notably the electroplated wares called EPNS (electro-plated nickel silver). Nickel silver is named for its silvery appearance, but ironically it actually contains no elemental silver. Items inscribed with WEARS WHITE meant that the metal stays white even as it wears.Five items of silver plated cutlery. 2133.1 is a small knife, 2133.2 is a fork and 2133.3 is a spoon. These three pieces are children's cutlery. 2133.4 is salt spoon and 2133.5 is a butter knife. All but 2133.1 have metal handles. The knife handle could be celluloid plastic.nickel silver WEARS WHITEcutlery nickel-silver table-ware

Black and white image depicting two men wearing aprons standing in front of Moorabbin Co-operative Stores, Nepean Highway Cheltenham. Exchange Hotel to the right. Three horse drawn wagons, on the left two white horses with a man holding the reins, one carrying a load with hessian sacks and another on the far right with a man in the seat of the wagon also wearing an apron, suggesting they are workers at the store.Black and white image of two men wearing aprons standing in front of Moorabbin Co-operative Store with three horse drawn wagons, on the left two white horses with a man holding the reins, one carrying a load with hessian sacks and another on the far right with a man in the seat of the wagon also wearing an apron. A sign on the left hand side of the building Havelock Tabacco.Printed in black text a round white sticker: 75 Hand written in red ink: 75%horse drawn wagon, workers, moorabbin, cheltenham, commerce, trade

Geoffrey Kaye gave this jar of Essence of Limes to Dr John Paull in 1982 after describing the preparation of a drink he called "White Lightning" or "White Mule". The drink comprised absolute alcohol and a dash of the essence of limes and is mentioned in Marginson's account of the art treasures of Melbourne University as being shared with Geoffrey by him and Professor R. D. Wright when they were negotiating about the creation of a piece of sculpture for the University grounds. Small clear glass bottle with white metal screw top lid and white label with handwritten text. There is a small amount of yellow/brown liquid in the bottleHandwritten in blue ink on white label adhered to bottle: ESSENCE OF LIMES / G. TRUMPER, / 9 CURZON ST, / LONDON, W.1kaye, geoffrey, trumper, g, london, essence of limes

white paste writing fluid as used Ca 1900As sold and used by Holden and FrostSmall screw top glass jar, with paper label affixed.Le Pages white paste, instrucion's includedjar, glass, ink

'When stockings were first made, black or white were the only colours available. White was usually for Sundays. Lisle was the only type made for many years. Later colours became available'. A brown piece of thick cardboard with five different coloured stocking mending threads wound around branded product cards: white, cream, tan, brown and black. There is a typed explanation piece of paper, see the inscription below. Brands are - 1. The "Creschene" mending Four Strand, Specially made for Lisle, Silk and Art Silk Hose (white thread). 2. Two Steeples Hosiery (black thread). 3. Two samples of Myrene Hose Mending Fashion Shades Superior Quality ( three tan colours). 4. Astor Product Made in Australia, Every Home Super Mercerised Hose Mending. Typed on a piece of white paper, pasted on the card is: 'When stockings were first made, black or white were the only colours available. White was usually for Sundays. Lisle was the only type made for many years. Later colours became available'. As an extra explanation not related to stockings is typed: Pantees for women were not made until the 1800's. A type called "splits" were then made, and improved by Mrs Amelia Bloomer, to the type we know today.'sewing, sewing equipment, stockings, mending