Cardboard with prickings to mark out lace patternhandcrafts, lacemaking

Oval china plate with pink flower pattern.domestic items, crockery

Pink Doll's hat with pattern and small brim.dolls, dolls clothing, wool, knitting, toys

Pattern 37 canvas ammo pouches (pair)

Michael O’Connell (1898-1976) arrived in Melbourne in 1920 with no professional training apart from that of a soldier on the Western Front. During the 1920s however he discovered a talent for design and, returning from a visit home to England via France and Italy in 1929, focussed on textile design with his wife Ella. This fragment of a wall hanging shows clear indebtedness to the School of Paris, Matisse in particular, and other designs from the early 1930s indicate that O’Connell was familiar with the work of Raoul Dufy who had created some successful and popular fabric designs for Paul Poiret.Textile piece featuring women and geometric patterntextile design, rmit design archives, mid-century modern

Webbing, Pattern 44, British Army - 1944equipment, ww2, army

Small Pouch for Webbing Belt. 44 patternequipment, 1990, army

Canvas and leather haversack - damaged, Pattern 15equipment, ww1, army

White porcelain jelly mould with pattern inside."496 Wedgwood RIH 514"jelly moulds

Opaque long neck bottle with twisted patternbottles

Small silver glove button hook with pattern.buttonhooks, gloves

Used by Mrs. W. J. SebireLarge glass patterned comport, with scalloped edge.comports, fruit bowls

Patterned blue and white plate with scalloped edge.china, plates

Pair cream gloves with flower pattern on top.costume accessories, glove accessories

Belonged to Anne Barry, collector and friend of Valda Arrowsmith, a member of the SocietyReflects the bolder designs and colours of the 1960s and 1970sMcCalls Needlecraft book of cross stitch patternsbooks, poetry

Created by William de Morgan & Co c.1890 and painted by Charles Passenger this small plate is an example of the Persian Ware produced by De Morgan.Arts & Crafts movement 1880sA stylised duck central surrounded by a carnation pattern.WDE.MORGAN & CO in painted in black with CP all in blue and turquoise concentric circles on verso.charles passenger, pottery, earthenware, arts and crafts, william morris

See NA359Green glazed border tile with border pattern.364 (on back)ceramics, earthenware

Green glazed rectangle tile with mottled pattern'Patent/England'ceramics, earthenware

Glazed tile with dark green mottled pattern'England/Patent 1502'ceramics, earthenware

Collection of newspaper cuttings from 1910-1060s compiled into scrapbookA3 sized scrapbook of newspaper clippings with hand-drawn cover, donated by Meredith Happold (nee Stacey) (Willow Hill). Undated. The Newspaper clippings are yellowed and glue marked. Better copies of most of the images or the original newspapers are available elsewhere in the RDHS Archives.

This photograph was taken during the flood of 1934 in Orbost. The people in the photograph are related to Billie and Ilma Nixon and Charlie Johnston. Damage estimated at £500,000 was caused by the 1934 floods in the Orbost district. This 1934 flood was devastating, destroying a section of the 1922 Orbost bridge, wrecking fences, bridges and roads, dumping silt and debris on the rich river flats and drowning cattle.This item is a pictorial record of a significant event in Orbost's history. It is associated with local families.A black / white photograph / postcard of floodwaters. On the right is a young man with four young boys sitting on a log. In the bckground is a rowing boat with one man rowing and three others sitting on the edges . A field of maize / corn is in the background and a large willow tree on the right.on back - "M. C. Rice Orbost 19 /1/20 M Gilbert. Mostly Billy Nixons & Charlie Johnstons 1934" [Note alteration: W C Rice rather than M C Rice].floods-orbost-1934 nixon-william johnston-charles

Photo printed on Jumbo card by Murray Views, Gympie QLDColour photograph showing swing bridge on Latrobe River, shows north facing side of bridge, willows on opposite bank on site of Latrobe River wharf, river running very high, two red gum trees in water on left. Longford Victoriabridges, waterways

This Minton floor tile is from the wreck of the Loch Ard and is currently on display in the Great Circle Gallery at Flagstaff Hill. The iron hulled clipper ship from the Loch Line was heading for Port Phillip from London, when it ran into the cliffs of Mutton Bird Island near Port Campbell. The Loch Ard was laden with a high value cargo including luxury goods intended for display at the Melbourne International Exhibition in 1880. One notable survivor from the ship’s freight manifest was the well packed Minton porcelain peacock, a two meter high ceramic masterpiece of vivid glazed colours. (This is also on display in the Great Circle Gallery). The almost total loss of life and property from the Loch Ard registered as a shocking tragedy for the Colony of Victoria, at a time when social confidence and economic optimism were otherwise high. Wealth generated from Gold and Wool was increasingly being spent on grandiose private residences and imposing public buildings. The demand for quality furnishings and fittings was therefore strong. Among the products consigned to burgeoning colonial markets by the Milton pottery at Stoke upon Trent, were their new range of colourfully patterned but very durable floor tiles ideal for the high-traffic spaces in the large civic buildings then being constructed in Australia and America. These new floor tiles were “encaustic”, meaning that their designs and colours were encased “within” the depth of the tile. Rather than their decorative patterns being glazed onto the surface of the tile, their inlaid designs were created during the manufacturing process, as “coloured slips” (or liquid clay) were poured into a deep pre-molded casting. When fired, the resulting tile was colours-fast and design-fast. The Minton floor tile is significant for its hard-wearing yet attractive design. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulations of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collections of objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history. A square Minton floor tile with a dark brown, beige and white pattern. The tile has a piece broken off along one side and some chipping along the edges. This ‘encaustic’ floor tile was recovered from the shipwreck of the LOCH ARD. Branded "... MINTON&CO Patent ..."flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, minton floor tile, encaustic tile, melbourne international exhibition, floor tile

Page 4 features list of 13 graduates of the University of Ballarat Advanced Diploma of Graphic Design (2 years). Introduction by Paul Mah (co-ordinator / teacher). Teaching staff listed: Sam Harmer, James Baker, Selena Shillito, Travis Price, Jill Hyatt, Ben Sanders, Anthony Woodward, Alister Heighway, Peter Lambert, Paul Mah. Cover design by Kylie Findlay (student). Student work featured throughout along with student names, photos and contact details. 32pp + 4pp cover saddle-stitched booklet. Full colour cover, gloss varnish pattern, gold foil. Full colour offset pages. Promotional catalogue for graduating students of the University of Ballarat (TAFE), Advanced Diploma of Graphic Design, 2011. 32-page + 4-page cover saddle-stitched booklet. Full colour cover, gloss varnish pattern, gold foil. Full colour offset pages.university of ballarat, federation university, graphic design, tafe, advanced diploma, arts academy, camp street campus

Off white cotton crocheted collar - full circle. Pattern of multiple trebles. Scalloped edge with points. Cuffs - full circle. Pattern of multiple trebles.costume accessories, female, crocheted collar and cuffs.