Re-produced tool catalogueReproduced catalogue of Stanley Tools 1892.Improved labor-saving carpenters tools manufactured by Stanley Rule & Level Co. New Britain Conn.tools, carpentry, history

Unit Citations awarded to the Australian Army Training Team Vietnam. On the left, U.S Meritorious Unit Commendation. On the right, South Vietnamese Cross of Gallantry with Palm. Citations were awarded to Murray Stanley Metherall. Refer 590.2.Citations X 2 joiined, with pin and clips for uniform. Gold edging on both. One has plain red ribbons, second has red with yellow/red vertical stripes with palm leaf.awards, citations, vietnam, u.s

This book covers the civic and industrial development of the shire of Nunawading since the first overlanders in 1830's. It includes photographs, maps, a bibliography and an index.non-fictionThis book covers the civic and industrial development of the shire of Nunawading since the first overlanders in 1830's. It includes photographs, maps, a bibliography and an index.shire of nunawading, blackburn, vermont, mitcham, nunawading

Standard item issued during the conflict in Vietnam. A pair of tan coloured leather flying boots. Size 10. Rubber sole. Laces attached.Made in Australia Label inside boot161 reconnaissance flight, flying boots

Soldiers Pay book, brown plastic covers, 48 pages, front cover has white sticky label on front right hand corner with No. "206" in pen, inside rear cover stapled, photo of person taken on "28 JAN 72".On front: "3802697. HARTLAND, Colin Albert".book, pay, soldiers pay

Refers to the service of William David Patterson No. 3795952. N.S. Vietnam War. 1 A.R.U. 2-4-70 - 20-5-70. 8 R.A.R. 21-5-70 - 12- 11-70. 6 PL B Coy then HQ B Coy.Military Issue kit bag. Two carry handles made from cotton webbing. Long metal zip. Printed on one side are two large brown rectangles. 1. Top rectangle painted in orange paint is 3795952. Pte W. D. Patterson. 2. The bottom triangle is painted brown as well. On that is painted numbers 1473 in red paint. Under that are 3 trapezoid shapes - green, red, yellow. Under these is a red Kangaroo with apparent letters A.M.F.vietnam war, 1962-1972, army kit

Clothing. .5 cm ribbon, looped into flowers, which have 2 cm long stems (2of) with tiny pearls on the ends. There are two stems of these flowers wrapped together with cotton thread - these stems are 12.5 cm long and possibly curved over the bridal veil.costume accessories, female, wedding head piece.

Issued to RAR's for attachment to Armalite weaponsAmerican bayonet for M8A1 rifle or carbine Plastic chequered handle steel scabbard with webbing belt fittingOn bayonet USM4 TMN On scabbard USM8A1 / VIZ

Princes Highway looking down to North Arm bridge with town in distance, people camped on North Arm foreshore and car towing caravan in foreground Lakes Entrance VictoriaColour postcard taken from Princes Highway looking down to North Arm bridge with town in distance, people camped on North Arm foreshore and car towing caravan in foreground Lakes Entrance VictoriaGreetings from Lakes Entrancebridges, roads and streets, township, vehicles

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Marcuse / Beechworth Old Courthouse / Reverse: B4 / BEECHWORTH OLD COURTHOUSE / BW - 09 (on masking tape) COURTHOUSE / BEECHWORTH / VICTORIA / NATIONAL TRUST / CLASS (A) ERNEST MARCUSE / 17 CADDOCK AVE / CAUFIELD / VIC / 53-7374 001 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

This hat is part of another Navy uniform (00088).White Cap, black rimmed with gold laurel containing crown and anchor.

Coloured slide transparency. Image is of a bush area. There is dense medium scrub in the background and dense low growing flowering yellow wattle in the foreground. The words, Wherrakee Wattle Regeneration Bagshot area Lot 18 (Robertson) are handwritten along the bottom border.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

When the numerous gold mines declined in production, the eucalyptus oil industry became an important source of work. The first eucalyptus oil producer in Bendigo was a chemist called Richard Sandner who operated a plant and refinery in Bridge Street from 1876. By 1900, many other distillers operated on the northern edge of Bendigo and in the Whipstick. In 1926, the Forest Commision established a eucalyptus distillery at Gunyah in Wellsford State Forest. See the Wellsford Forest Note for more information. Today, there are just two eucalypt distilleries operating in Bendigo. Most of the world’s eucalyptus oil is now produced overseas. Peter Ellis Collection: eight slides of Whirrakee Wattle regeneration near Bagshot, Eucalyptus History museum, Ruedin's Steam Traction engine, Eucalyptus oil condensor and a Mallee roller to rip out the eucalytpus trees. Peter was a chemistry lecturer at the Bendigo Institute of technology.history, bendigo, peter ellis collection, bendigo institute of technology, b.i.t., whipstick bendigo, bendigo state forests, eucalyptus oil, malle roller, whirrakee wattle, bagshot, steam traction engine, eucalyptus oil condensor

ill, p.43.non-fictionA history of the R class 4-6-4 steam locomotive on the Victorian Railways.steam locomotives - victoria- history, r class locomotive - victoria - history

Ill, index, maps, p.1235.non-fictionJapan's Imperial Conspiracy completely shatters all previous accounts of Japanese history before and during World War IIjapan - history - 1912-1945, japan - foreign relations - 1941-1945

A5 size publication of the Gipps-Land Gate, February 1973. 16 pages, featuring an old picture of Dandenong on the cover. A Mini History Of Dandenong History of the Law "Laural Lodge" Dandenong's First Doctor Had Engineering as well as Medical Skills Turning Back The Pages 75 Years Origin of Dandenong Street Names The Keys Family History (concluded) An interesting group of Early Dandenong Personalities, Places and Eventshotel history, early education in dandenong, interesting milestones

Red binder containing coloured magazines on WW11 Published in WW11 Printed text containing coloured and black and white photographs