Small waist length portrait of a man. He is wearing a jacket, shirt and a waistcoat which buttons to the neck. He has a white tie? He also has a beard. The photo has a blue border and the photographer's name printed in blue. On the back, printed in blue, is the photographer's name and address, some decorative work with a crown at the top and a bird on each side.J. W. Burrows, next Commercial Hotel, Pall Mall, Sandhurstphotograph, portrait, male, portrait of a man, j w burrows

Black and white photograph of Carlisle, Long Gully mine. Mullock heap in foreground, partial view of poppet head, fairly substantial building in background. Inscriptions: hand written on back - Carlisle, Long Gully, 3,340 ft.A W Mc Gibbony, London Pharmacy, 117 Pall Mall, Bendigotopic, mining, carlisle, long gully

Centenary Commemoration 1901 - 2001. Commemoration of the Centenary of the Opening of the nave on 29th September 1901. Sacred Heart Cathedral Bendigo.W. P. Lomas, M. J. Nolan, K. MN. Sorensen.church, centenary, sacred heart cathedral, church history

8659.1 - Green leather bound book- Medical Botany - Herbal guide to health - W. L Simmonite A. M.

This appears to be a draft copy of half- yearly reports on these students, possibly handed to each teacher to make comments from which the class teacher compiled the final report.An unofficial record of these students, as the final report sent home to parents would be the official record. It is an example of the reord keeping used in the 1960sBlue exercise book with Preston Technical College name and logo on front cover. Handwritten individual class reports throughout, includes a thumbnail photograph of each student.On front cover: 'W. Ruzic / From Book 1965 / 1J Comments"preston technical college, ptc, reports, report writing, student records, nmit,

1. The moral lexicon of the Warlpiri people of central Australia LR Hiatt This paper discusses words that match ?Good? and ?Bad?; examples of ?Good? and ?Bad? behaviour; morality and law; and egalitarianism and dominance. It also presents a comparison with Gidjingarli (Burarra). 2. Mobs and bosses: Structures of Aboriginal sociality Patrick Mullins (Mount Druitt, NSW) A commonality of Aboriginal social organisation exists across the continent in communities as different as those from the Western Desert across to Cape York, from the towns of New South Wales and Western Australia to cities like Adelaide. This is found in the colloquial expressions ?mob? and ?boss?, which are used in widely differing contexts. Mobbing is the activity where relatedness, in the sense of social alliances, is established and affirmed by virtue of a common affiliation with place, common experience and common descent, as well as by the exchange of cash and commodities. Bossing is the activity of commanding respect by virtue of one?s capacity to bestow items of value such as ritual knowledge, nurturance, care, cash and commodities. Mobbing and bossing are best understood as structures in Giddens? sense of sets of rules and resources involved in the production of social systems, in this case social alliances. Mobbing and bossing imply a concept of a person as a being in a relationship. Attention needs to be given to the way these structures interact with institutions in the wider Australian society. 3. Recognising victims without blaming them: A moral contest? About Peter Sutton?s ?The Politics of Suffering: Indigenous Policy in Australia since the 1970s? and Gillian Cowlishaw?s replies Ma�a Ponsonnet (Universit� Paris- 8-Saint-Denis) Peter Sutton?s texts on Aboriginal violence, health and their politicisation are replied to using his methodology, and acknowledging his convincing points. Sutton rightly denounces a lack of lucidity and scientific objectivity in anthropological debates. These inadequacies impede identification of what Aboriginal groups can do to improve their situations for fear that this identification would lead to blame the victims. At the other end of the ethical spectrum, those who advocate a broader use of what I will call a ?resistance interpretation? of violence fail to recognise victims as such, on the implicit grounds that seeing victims as victims would deprive them of any agency, on the one hand, and entail blame, on the other hand. I aim to define a middle road between those views: the idea that victims should be acknowledged as such without being denied their agency and without being blamed for their own condition. This middle road allows identification of the colonisers? responsibilities in the contemporary situation of Indigenous communities in Australia, and to determine who can do what. Secondly, I show that Sutton?s texts convey, through subtle but recurrent remarks, an ideology of blame rather than a mere will to identify practical solutions. As a consequence, some of his proposals do not stand on a solid and objective causal analysis. 4. 'You would have loved her for her lore?: The letters of Daisy Bates Bob Reece (Murdoch University) Daisy Bates was once an iconic figure in Australia but her popular and academic reputation became tarnished by her retrograde views. Her credibility was also put in doubt through the exposure of her fictionalised Irish background. In more recent times, however, her ethnographic data on the Aborigines of Western Australia has been an invaluable source for Native Title claims, while her views on Aboriginal extinction, cannibalism and ?castes? are being seen as typical of her time. This article briefly reviews what has been the orthodox academic opinion of her scientific achievement before summarising what is reliably known of her early history and indicating what kind of person is revealed in the 3000 or more letters that she left behind. 5. What potential might Narrative Therapy have to assist Indigenous Australians reduce substance misuse? Violet Bacon (Curtin University of Technology) Substance misuse is associated with adverse consequences for many Australians including Aboriginal and Torres Strait Islander peoples. Extensive research has been conducted into various intervention, treatment and prevention programs to ascertain their potential in reducing substance misuse within Aboriginal and non-Aboriginal communities. I explore the potential of Narrative Therapy as a counselling intervention for assisting Indigenous Australians reduce the harm associated with substance misuse. 6. Bone points from the Adelaide River, Northern Territory Sally Brockwell (University of Canberra) and Kim Akerman (Moonah) Large earth mounds located next to the vast floodplains of the lower Adelaide River, one of the major tropical rivers draining the flat coastal plains of northern Australia, contain cultural material, including bone points. The floodplains of the north underwent dynamic environmental change from extensive mangrove swamps in the mid-Holocene, through a transition phase of variable estuarine and freshwater mosaic environments, to the freshwater environment that exists today. This geomorphological framework provides a background for the interpretation of the archaeology, which spans some 4000 years. 7. A different look: Comparative rock-art recording from the Torres Strait using computer enhancement techniques Liam M Brady (Monash University) In 1888 and 1898, Cambridge University?s Alfred C Haddon made the first recording of rock-art from the Torres Strait islands using photography and sketches. Systematic recording of these same paintings and sites was carried out from 2000 to 2004 by archaeologists and Indigenous Torres Strait Islander and Aboriginal communities as part of community-based rock-art recording projects. Computer enhancement techniques were used to identify differences between both sets of recordings, to reveal design elements that Haddon missed in his recordings, and to recover images recorded by Haddon that are today no longer visible to the naked eye. Using this data, preliminary observations into the antiquity of Torres Strait rock-art are noted along with recommendations for future Torres Strait region rock-art research and baseline monitoring projects. 8. Sources of bias in the Murray Black Collection: Implications for palaeopathological analysis Sarah Robertson (National Museum of Australia) The Murray Black collection of Aboriginal skeletal remains has been a mainstay of bio-anthropological research in Australia, but relatively little thought has been given to how and why this collection may differ from archaeologically obtained collections. The context in which remains were located and recovered has created bias within the sample, which was further skewed within the component of the collection sent to the Australian Institute of Anatomy, resulting in limitations for the research potential of the collection. This does not render all research on the collection unviable, but it demonstrates the importance of understanding the context of a skeletal collection when assessing its suitability for addressing specific research questions.maps, b&w photographs, colour photographs, illustrations, graphs, chartswarlpiri, sociology, daisy bates, substance abuse, narrative therapy, rock art, technology and art, murray black collection, pleistocene sites, watarrka plateau

maps, b&w photograph, graphs, charts, reproductions of historic items

Chapters entitled History of Aboriginal Art, Imagining Albert Namatjira, Indigenous Renaissance, Creative Revolution, The Art of Les Griggs and The Art of Lin Onus.colour photographs, b&w photographs, colour illustrations, document reproductionsyorta yorta, cummeragunja, albert namatjira, les griggs, lin onus, indigenous art

This report presents the results of historical research into the Aboriginal history of the City of Stonnington.maps, colour illustrations, b&w illustrations, colour photographs, tableswoiwurrung, woi wurrung, boonwurrung, boon wurrung, derrimut, william thomas, stonnington, local history, victorian history

Comprehensive edition including all aspects of Aboriginal history, culture, heritage and environment.maps, colour illustrations, b&w illustrations, colour photographs, tables

Comprehensive text with maps, coloured photos etc., dealing with all of Indigenous Australia. Provides historical references. Details of the Mabo finding.maps, b&w photographs, colour photographs, illustrations, word listsculture, travel guide, tourism, art, food

The Flora and Fauna Names Project is an initiative of the Victorian Aboriginal Corporation for Languages and the Victorian Biodiversity Strategy. The researcher has examined material from the archives of the Department of Natural Resources and Environment (NRE), the State Library of Victoria, the Victorian Public Records Office and the Australian Archives Office. This first stage of the project focussed on the NRE archives, in particular the field notebooks of the earliest surveyors and their maps although other NRE resources, libraries and public records were accessed. A total of 3028 words were found of which a significant proportion have previously been unknown to linguists. It appears that the place names and word lists in early surveyors notebooks, the 1858 surveyors responses to the Surveyor General and an extensive Wiradjuri wordlist by James Baylis have not yet been widely used or published. Fifteen percent of these 3028 words describe flora and fauna and six percent describe habitat. Of particular interest is the evidence provided by these lists of the existence of fauna in the mid nineteenth century in regions where it is now extinct. For example, magpie geese, eastern quolls, bustards and pademelons were assigned names in the Jardwadjali language area of the upper Glenelg and Wimmera Rivers. The outcomes of this project may help to assist in ascertaining the distribution of flora and fauna assets in Victoria.maps, b&w photographs, colour photographs, illustrations, word listswiradjuri, jardwadjali, glenelg river, wimmera river

Forest green hardback bookTextile Design and Colour. Elementary Weaves and Figured Fabrics. W Watson

One of thirteen photographs related to the 1955 International Wool Textile Research Conference in Australia.NORMAN A DANVERS/ NEGATIVE No 8/1318/55 W R Langwool - research, gordon institute of technology, lang, dr w. roy

Madge Frost in AWL Uniform later married Alf Pickford 1939-1945Woman in uniform with AWL on arm.AWL on sleeve. Post Card W. J. Chapman Photo Stawell stawell ww2

State School 502 Special Examination Award William W Telfordstawell education

Major historical significance.Wooden framed photograph with diagram of the Railway. Illustrates the construction of the Railway. Began in October 1942 and completed on October 1943.Presented to Dandenong RSL by J. W. Barker (The Judge) August 1989.

Yields information about the appearance of one of Geelong trams early 1950's with a little information about the background.Black and white photograph of Geelong No. 10 at the East Terminus, with the destination of Chilwell. Note the trolley pan above the trolley pole.On rear in ink "SEC Geelong #10@ ? East" and "W. John Webster".tramways, trams, geelong, east, trolley wire, trolley wheels, tram 10

Silver colored cup with a handle.Warrnambool Rowing Club 1932 The Fairbairn Fours Won by W. A. Russellwarrnambool, warrnambool rowing club, city of warrnambool rowing club, fairbairn, w. a. russell

From laboratory at Foster Valley Mill.One litre Sulphuric Acid, W. Pardey & Co., Geelong (label)valley worsted mill

Written by Robert Gaudion. Australian Military Forces - envelope.Letter to Mrs. T. Gaudion - 3 pages from her son Bob during Second World War. 3rd August 1945.Envelope addressed to Mrs. T. W. Gaudion, Wandin East Vic.letters, personal letters, correspondence

Letter from Ted Best to J.R. Hall thanking him for the opportunity to speak at a Legacy Luncheon. Legatees met regularly and had guest speakers to entertain and inform on different subjects at their Tuesday Luncheons. This document was from a file of information about guest speakers (see also 00812-00822 and 00829-00837). The Programme Committee was responsible for organising the speakers. A record that the speakers at Legacy functions were from very different walks of life and the subjects spoken on were many and varied. Pale blue, notepaper, type letter on Melbourne and Metropolitan Board of Works letterhead.Signed by Ted W. Best (Deputy Chairman of the board) in blue ink.speakers, committee

Henry (Harry) Mitchell, born 1867 at Scarsdale, was the only son of Frederick Mitchell and his first wife Jane McDonagh. He married Ethel Annie Austin in 1902. Henry Mitchell and his wife adopted George Ah Lyee (the name later Anglicised to 'Lee') after the death of his parents. Henry died in Western Australia in 1945. Part of Old Lintonian collection ; No. 10.Photographic portrait of a man wearing a suit and a lady wearing glasses.On back: "Best wishes to L W UR - E H M".henry (harry) mitchell, ethel annie mitchell née austin, old lintonians collection

William FRATER (1890-1974) Born 31 January 1890 at Ochiltree Castle, near Linlithgow, Scotland Arrived Melbourne, Australia in September 1910 In a lecture on modern art in 1925, Frater stated the basic position from which the rest of his oeuvre stems: 'Copying nature is not an art; … to copy effects of light tends to destroy form and colour'. Frater gave aggressive leadership to the small group of modernists in the 1920s. His example, teaching, lecturing and crusty style of polemic did much to disrupt the academic style as the arbiter of pictorial values and to pioneer a change of taste in the community.His approach in the 1930s was markedly indebted to Cézanne, especially in the portraits which predominated until his retirement from stained-glass designing in 1940. (L. J. Course, 'Frater, William (1890–1974)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/frater-william-6239/text10739, published first in hard copy 1981, accessed online 3 May 2016.) Jock Frater was on of the first modern painters who opposed the fashionable and academic schools of painting. During the 1930s he exhibited with the Contemporary Art Group along with Arnold Shore and George Bell. During a very conservative period in Australian Art John Frater advanced the cause of innovation and modernism. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed seated nude study in oil on paper. Lower centre in pencil "W. Frater". In lighter pencil "painted 1932"art, artwork, frater, william frater, life drawing, nude, oil on paper, portrait, jock frater, william jock frater, available

Colour print of Scrubber tram 11W in Plenty Road Bundoora after passing under the Western Ring Road overpass. Tram is a former Sydney scrubber tram and is now located at the Sydney Tramway Museum.Yields information about scrubber tram 11WColour print on Kodak Royal paper, with price lable and details hand written on rear along with the stamp of "Railway Tramway Photography"."11 W Bundoora 29-8-1998" and source stamp on rear.tramways, trams, scrubber 11w, tram 11w, plenty road, bundoora

Alice McGREGOR Born: 1908; unknown parents. Possibly adopted by the Salter family? Electoral Roll 1936: Highland Terrace Kangaroo Flat. Alice Mary Salter and William Robert Salter living together; presumed to be sister and brother. William Robert Salter was killed in a MVA in Bendigo in 1937 aged 26. In Victoria in 1938, Alice Mary Salter married James Thomas McGregor (born Victoria 1917, died Victoria 1983, buried Fawkner Cemetery) Lived: 1968; 22 Wade Street Golden Square Alice McGregor Died: 1999 aged 91 at Anne Caudle Centre, Bendigo Buried: Kangaroo Flat Cemetery See additional research. Postcard Album of Alice McGregor contained 86 post cards.Postcard Album of Alice McGregor containing 86 post cards. See 1400 Colour photo of Dock Road and Beach, Capetown, South Africa. Boats on beach in foreground. Rail wagons in front of tall buildings. Table Mountain in background. Addressed to Miss A. Stapleton, Bendigo, Australia Sender - W. Players (?) Undated postcard, collector, alice mcgregor

Dance card/programme. White card, fluted edges, 'Programme' on front, blue script. Inside, list of dances in blue print. Names of partners in pencil. Back: 'Stewards N. HENRY H. VIVIAN' blue print. Holes on inside of the card/programme.Back: Stamp 'B. W. Vivian Box 103 PORTLAND 33O5betty vivian collection, programme