Showing 8165 items
matching a albert
-
Canterbury History Group
Pamphlet - "Coorinyah", 150 Mont Albert Road, Canterbury, c2001
Real estate pamphlet for the sale of "Coorinyah" 150 Mont Albert Road, Canterbury, includes two extra pages giving description and history of the property and coloured photographs of the interior and exterior.canterbury, mont albert road, coorinyah, elgar's special survey, great railway estate, mellor family, best> sir robert, ussher> beverley -
Melbourne Tram Museum
Photograph - Colour Print, c1985
Colour print of A class tram 259 running as a Special in High St Kew at the junction with the Mont Albert line, c1985. Has a Coles store and Maton's Pharmacy building in the background.trams, tramways, a class, kew, high st, tram 259 -
Phillip Island and District Historical Society Inc.
Photograph, Telegraph camp, Phillip Island 5/12/1910, 1910
Card was possibly sent by Bert Finlay to Albert [Bert] West. HistoricalSepia photo of 4 canvas tents with trees in background. 4 men standing outside each tent. Also a bicycle and items inside tents.Telegraph camp. Phillip Is. 5/12/10 With best wishes for a bright & happy Xmas 1910. From Bert F. Addressed to Mr A. West.Cowes P. O. Phillip Islandbert west, sepia photograph, camping, bert finlay -
Eltham District Historical Society Inc
Photograph, First Communion at Our Lady Help of Christian's, Eltham, c.1950
L-R: ? , ? , ? , Charlie Layfield, Kenneth Ingram, ? , Albert Feldbaueralbert feldbauer, charlie layfield, holy communion, our lady help of christian’s primary school, pam thoonen (nee ingram) collection, kenneth albert ingram -
Bendigo Military Museum
Photograph - PHOTOGRAPHS, 1939-45
Albert Edward Corrie VX47191, 6th Div Postal Unit.1. Black & White Photograph - Cemetery, Memorial, Headstones. 2. Black & White Photograph - Truck on Road 3. Black & White Photograph - Sand Hils, vehicles and 3 men on road, 4. Black & White Photograph - 3 uniformed soldiers.1. War Cemetery Jerusalem. 2. On the road to the Dead Sea. 3. Some of the hills on the road to the Dead Sea. 4. Hec McKinnon, CAPRT Cohen, Kirk White.photographs, ww2, postal unit -
Federation University Historical Collection
Drawing, Albert E. Williams, Design for an Art Gallery for a Provincial Centre, 1940
Albert E. Williams was a teacher at the Ballarat Technical Art School.Framed Design for an Art Gallery for a Provincial Centre ballarat technical art school., albert e. williams, art gallery design, art teachers' certificate, a.e. williams -
Federation University Historical Collection
Drawing, Albert E. Williams, Study in Colour of a Flowering Plant from Nature, c1940
Albert E. Williams was a teacher at the Ballarat Technical Art School.Framed Study in Colour of a Flowering Plant from Naturealbert e. williams, art gallery design, art teachers' certificate, a.e. williams, ballarat technical art school, staffmember, flora, aqualegia, available -
Federation University Historical Collection
Photograph, Commemorative Building Plaque for the Mt Helen Union Building Redevelopment - Stage 1, 2000, 06/09/2000
The Mount Helen Union Building was renamed the Albert Coates Centre.Photograph of a polished silver plaque commemorating the opening of the Mt Helen Union Building Stage 1 Redevelopment by Olympian Peter Blackburn.Union Building Redevelopment - Stage 1 was opened by Mr Peter Blackman Olympian on 6th September, 2000 Professor David Caro, AO OBE Professor David James Chancellor Vice Chancellor University of Ballaratunion building, university of ballarat, david james, peter blackburn, david caro, plaque, mount helen campus, albert coates centre -
Tatura Irrigation & Wartime Camps Museum
Photograph - Pte Albert Russell
17th Battalion AMF Garrison Sentry. Private Albert Russell.Black and white photograph of soldier on sentry duty outside camp. The soldier is in full uniform and holding a rifle with bayonet. A small corrugated iron hut. a large wire gate, supported by timber poles. Accommodated huts are inside the fence.camp, 17th garrison battalion, albert russell, mould, russell, tatura -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, R. Priester, Pte. Albert Stiles, 1945
Portrait of Private Albert John Stiles, internment camp 1.Khaki and brown pencil and water colour sketch of man in Army uniform with dagger like weapon and part of a rifle. Bullet belt over one shoulder.R. Priester 1945 private albert john stiles, r. priester, internment camp artists -
Tatura Irrigation & Wartime Camps Museum
Leisure object - Board game - chess, Alfred Jahn, Chess Set, 1940's
used by POW's at camp 13, made by Albert Jahn, an internee.Carved wooden miniature chess set (31 pieces). 2 kings, 2 queens, 4 bishops, 4 knights, 4 rooks, 15 pawns. A khaki bag with a draw string top for storage. 15 pieces made of dark coloured wood. 16 pieces made of light coloured wood. (1 piece missing)albert jahn, chess set, miniature chess set, pow games, internment camp board games -
Malmsbury Historical Society
Photograph (Item), B/W Nancy Hooppell With Father, Malmsbury
People - "Hooppell, Albert & Nancy" Associated with - Jessie Swainston Collection -
Ballarat Heritage Services
Digital Photograph, Wooden Gates, 2016, 20/09/2016
There are many wooden gates with carvings at the Victoria and Albert Museum, London. timber gates, london, victoria and albert museum, wooden gates, carving -
City of Ballarat Libraries
Photograph - Card Box Photographs, Gas Works, Ballarat circa 1968
These gas works were located on the corner of Albert and Dana Streets.gas works, aerial view, manufacturing, albert street, dana street -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, M Holding, 1/04/2011 12:00:00 AM
Vere Baylis named on Honour Board Also Albert HowlettColour photograph of Johnsonville Honour Role Board after being repatriated to the Public Hall Johnsonville Victoriaworld war 1914-1918 aif -
Kilmore Historical Society
The Life of the Prince Consort, The Life of the Prince Consort - People's Edition, 1882
The life of His Royal Highness the Prince Consort, Prince Albert.Brown leather-bound hardcover book. Wear and tear to corners of front & back covers. Title in gold on spine. Some spots on front pages otherwise clean and intact. Evidence of spine detachment to rear cover. Some insect damage to front & rear pages. 435 pp. Index. Good condition.Facing front cover '90' (crossed out), '60'. Kilmore Mechanics' Institute stamps to front & back pages.kilmore mechanics institute library. -
Eltham District Historical Society Inc
Journal, Angry Penguins, Editors: Max Harris-John Reed, December 1944
Contains articles by Alan Marshall, Albert Tucker and Clem Christesen (prior to his settling in Eltham) and an art review by Paul Haefligler on Seven Paintings From the 6th Annual Exhibition of the Contemporary Art Society of Australia (including Albert Tucker's "Images of Modern Evil")Alan Marshall, Albert Tucker and Clem Christesen were all notable identities of the Shire of Eltham districtSoftcover; 114 pages; 27.6 x 21 cmalan marshall, albert tucker, angry penguins (journal), clem christesen -
Eltham District Historical Society Inc
Photograph, George Coop, Railway line from Mont Albert to Box Hill, c.1956
Railway line from Mont Albert to Box Hill, c.1956 - Churchill Street, Mont Albert on right Prior to the Eastern Suburbs Railway Development which added a third set of tracks down the alignment to Box Hill (Dec. 1971). This photo was taken at the same time as the 1956 Mont Albert Railway Station (behind the camera view) See also EDHS_04674-03 both taken from the same location. adjacent to the end of present day Trafalgar StreetDigital TIFF file Scan of Kopdak 620 black and white negative transparencygeorge coop collection, churchill street, mont albert railway station -
Surrey Hills Historical Society Collection
Digital image from a photocopy, Isabel and Shirley Mair, 1931, Original: c1931
These are the youngest two children of Dave and Lily Mair. Geoffrey, Beryl and Gwynne were born while they lived in East Melbourne. Isabel may have been born in Mont Albert after they moved to Louise Avenue. Shirley was born after they moved to 20 Barton Street, Mont Albert. The children attended Mont Albert Central School. Isabel Lillian (1921-1997) and Shirley Inez (1928-1968). This is part of a large collection relating to the Deakin, Mair and Young families.This is part of a large collection relating to the Deakin, Mair and Young families with many connections to Surrey Hills and Mont Albert.A black & white image of 2 young girls seated in a garden setting; the younger one is in the lap of the other and is holding a bunch of flowers.On a label adhered to the top of the original: "Isabel & Shirley Jan. 1931" Rear in lead pencil: "Isabel Lilian Mair / nursing her young sister / Shirley Inez Mair / 1931"isabel lillian mair, shirley inez mair, children -
Wyndham Art Gallery (Wyndham City Council)
Painting, Tony Albert, Interior Composition (with Appropriated Aboriginal Design Vase) IX, 2022
Tony Albert’s 2022 solo exhibition at Sullivan+Strumpf, Remark, continues the artist’s investigation into the imagery and identification of appropriated Indigenous Australian iconography in domestic decoration and design. Incorporating fabric from his extensive collection of ‘Aboriginalia’, Remark sees Albert expand on his acclaimed Conversations with Margaret Preston series dimensionality, critically engaging with the fabric in his own right. Like the fabric of Australian society, the appropriated Indigenous imagery printed on souvenir tea towels intertwines in a complicated web of national identity. These are not images by Aboriginal people and our voices and autonomy continued to be silenced through the object’s inauthenticity. As a country we must reconcile with these objects’ very existence. They are painful reiterations of a violent and oppressive history, but we also cannot hide or destroy them because they are an important societal record that should not be forgotten. As an artist this juxtaposition and tension fascinates me. Tony Albert’s multidisciplinary practice investigates contemporary legacies of colonialism, prompting audiences to contemplate the human condition. Drawing on both personal and collective histories, Albert explores the ways in which optimism can be utilised to overcome adversity. His work poses important questions such as how do we remember, give justice to, and rewrite complex and traumatic histories. Albert’s technique and imagery are distinctly contemporary, displacing traditional Australian Aboriginal aesthetics with an urban conceptuality. Appropriating textual references from sources as diverse as popular music, film, fiction, and art history, Albert plays with the tension arising from the visibility, and in-turn, the invisibility of Aboriginal People across the news media, literature, and the visual world. australian first nations art, colonialisation -
Wyndham Art Gallery (Wyndham City Council)
Painting, Tony Albert, Interior Composition (with Appropriated Aboriginal Design Vase) VII, 2022
Tony Albert’s 2022 solo exhibition at Sullivan+Strumpf, Remark, continues the artist’s investigation into the imagery and identification of appropriated Indigenous Australian iconography in domestic decoration and design. Incorporating fabric from his extensive collection of ‘Aboriginalia’, Remark sees Albert expand on his acclaimed Conversations with Margaret Preston series dimensionality, critically engaging with the fabric in his own right. Like the fabric of Australian society, the appropriated Indigenous imagery printed on souvenir tea towels intertwines in a complicated web of national identity. These are not images by Aboriginal people and our voices and autonomy continued to be silenced through the object’s inauthenticity. As a country we must reconcile with these objects’ very existence. They are painful reiterations of a violent and oppressive history, but we also cannot hide or destroy them because they are an important societal record that should not be forgotten. As an artist this juxtaposition and tension fascinates me. Tony Albert’s multidisciplinary practice investigates contemporary legacies of colonialism, prompting audiences to contemplate the human condition. Drawing on both personal and collective histories, Albert explores the ways in which optimism can be utilised to overcome adversity. His work poses important questions such as how do we remember, give justice to, and rewrite complex and traumatic histories. Albert’s technique and imagery are distinctly contemporary, displacing traditional Australian Aboriginal aesthetics with an urban conceptuality. Appropriating textual references from sources as diverse as popular music, film, fiction, and art history, Albert plays with the tension arising from the visibility, and in-turn, the invisibility of Aboriginal People across the news media, literature, and the visual world. australian first nations art, colonialisation -
Wyndham Art Gallery (Wyndham City Council)
Painting, Tony Albert, Interior Composition (with Appropriated Aboriginal Design Vase) X, 2022
Tony Albert’s 2022 solo exhibition at Sullivan+Strumpf, Remark, continues the artist’s investigation into the imagery and identification of appropriated Indigenous Australian iconography in domestic decoration and design. Incorporating fabric from his extensive collection of ‘Aboriginalia’, Remark sees Albert expand on his acclaimed Conversations with Margaret Preston series dimensionality, critically engaging with the fabric in his own right. Like the fabric of Australian society, the appropriated Indigenous imagery printed on souvenir tea towels intertwines in a complicated web of national identity. These are not images by Aboriginal people and our voices and autonomy continued to be silenced through the object’s inauthenticity. As a country we must reconcile with these objects’ very existence. They are painful reiterations of a violent and oppressive history, but we also cannot hide or destroy them because they are an important societal record that should not be forgotten. As an artist this juxtaposition and tension fascinates me. Tony Albert’s multidisciplinary practice investigates contemporary legacies of colonialism, prompting audiences to contemplate the human condition. Drawing on both personal and collective histories, Albert explores the ways in which optimism can be utilised to overcome adversity. His work poses important questions such as how do we remember, give justice to, and rewrite complex and traumatic histories. Albert’s technique and imagery are distinctly contemporary, displacing traditional Australian Aboriginal aesthetics with an urban conceptuality. Appropriating textual references from sources as diverse as popular music, film, fiction, and art history, Albert plays with the tension arising from the visibility, and in-turn, the invisibility of Aboriginal People across the news media, literature, and the visual world. australian first nations art, colonialisation -
Ringwood and District Historical Society
Administrative record - Rate Books, Borough of Ringwood Valuation & Rate Cards for 1944-49 (Assessments 3198-3202), March 2012
Originally stored at Ringwood Council offices, then taken to PROV.Only source of ratepayers in the Borough of RingwoodDigital imagesBarkly Street, Ringwood. For Constance & William Hall, William Hancock (Allman's Estate), Lilian Gawith, James McDonald & John & Beryl Albert. -
Eltham District Historical Society Inc
Photograph - Sepia Print, Albert Jones, Possibly Henley Bridge over the Yarra River, c.1915
Sepi print mounted on cardStamped on reverse: A.J. Spark Collection Photos 1900-1930 Photography Late Albert Jones Diamond Valley Tel: 83 - 3561henley bridge, yarra river, row boat, uniden, unidentified -
Netball Victoria
Photograph, Arthur Aitken, 1930s
Sepia photograph from the 1930s of nine women in netball uniform with the letter V on the uniform. The first woman is holding a brown leather ball. The women are on a grass field, standing alongside a marked line. There is a nondescript building in the background. Sepia photograph of a group of women in netball uniform.On back - stamp with following: "Arthur Aitken Press Photographer 20 Albert Street Petersham 'Phone Late Chief Photographer Tel. Pictorial"womens basketball, women's basketball, netball, netball uniforms, uniforms, 1930s, sport, victorian team, women's netball, womens netball -
Bendigo Tramways (managed by the Bendigo Heritage Attractions)
Book, The Electric Tramcar Handbook, 1909
A brown hard cover reference book, designed for use by Motormen, Inspectors and Depot Workers, by W.A. Agnew.Stamped on first page; Agents for Western Australia. H.B. ALBERT & CO. Book & Music store 20 to 38 Central Arcade, Perth. -
Glenelg Shire Council Cultural Collection
Book, The Cruise of Her Majesty's Ship Bacchante, 1879-1882, 1886
Blue cloth covered spine and cardboard covers. Text and graphics in gold. Vol. I.history, travel, hms bacchante, ship, naval, prince george, prince albert -
Bendigo Military Museum
Currency - CURRENCY, FRENCH, Boulogne, Ville de Lille, Ville de Tourcoing, 1914-1925
Refers to the service of Albert Edwards. British Army 5471, Southhsmpton, UK.1. 50 cents, Chamber of Commerce de Boulogne Sur Mer. Dated 4 June 1920. 2. 10 cents - Ville de Lille Bon Communal. 3. 5 cents - Ville de Lille Bon Communal. (Garanti par la ville). 4. 10 cents - Ville de Tour Coing Bon de Denrees. 5. 5 cents - Ville de Tour Coing Bon de Denrees. 6. 5 cents - Roubaux. Everre de 1914 - 1915 "Bon de Cinq Centimes".ww1, french currency -
Bendigo Military Museum
Currency - CURRENCY, VARIOUS, Governments of Ceylon, Turkey, Greece, 2) 1930, .3) feb 1942
Souvenired by W.O Albert Corrie VX47191, refer Cat No 4847 for service..1) Currency note, ten cents Ceylon, blue and black colours with King George depiction. .2) Currency note, 50 Elli Kurus, Turkish, various colours with depiction of a man in RH corner. .3) Currency note, Greek, 10 (unclear), various colours, depiction on LH corner re an Ancient Greek. All 3 have been laminated..2) In red, “SERI B22 223751” .3) In red/black, “A ? 7 434181”currency, notes, -
Bendigo Military Museum
Currency - CURRENCY, UNITED ARAB EMERATES, C.1939 - 42
Souvenired by WO Albert Corrie VX47191, refer Cat No 4847 for service.1) Currency note United Arab Emirates 5 Dirhams, front has a sketch of a building, colours red, brown, yellow, pink. .2) .3) Currency note United Arab Emirates 10 Dirhams, Arabic writing with image of a dagger, colours greens and black. All have “United Arab Emirates central Bank in large print”.1) In black, “156769584” .3) In black, “065418412”currency, notes, arabic