Menu in the collection of "Frederick Campbell MOLLER" No 2233 AIF. Photo of Reunion refer Reg No 3970. Refer Reg No 1661.3 for his service details.Reunion Dinner folding menu card. Front has colour painting of a couple with an instrument & wine, a table in the background. Picture of a wine cask in bottom LH corner. Inside shows the menu typed and pasted in.Below picture on front: “Reunion Dinner 103RD HOW BATTERY 22nd Sept 1951” “Inside are 18 signatures of personnel attending”card, reunion, 103rd, frederick campbell moller

Business card advertising Hanneberry Bridge Licenced Plumbers & Gasfitters.Grey business card with black text & HB logo.business and traders - plumbers, hanneberry bridge, 42 cambridge street

This a Geelong RSL Membership Card dated 1945This is an original Card, the card was issued to VX20784 Thomas A Bowden, a WW2 Veteran, Rat of Tobruk.An oblong Card, black cover, paper information page insertFront Cover Capitals, Geelong, RSL Badge, RSSAILA

Frederick Napoli Prescott was a prominent Bendigo Optician and Jeweller. He was born and educated in Hobart before joining his father's jewellery and optical business. After studying in Europe to gain further qualifications he returned to Australia and opened a business at the corner of Mitchell and Hargreaves Street Bendigo. He was later in partnership with Mr C.M. Dawe trading as Prescott & Dawe. Jeweller's sample card with six sample of Cameo brooches. Design numbers printed below each design.On the back of the card "From F. PRESCOTT. Artistic Jeweller, BENDIGOcameo brooches, jeweller's designs

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head, attached to a card.Printed lower left hand side of the card "American Studio, 324 Geo. St."tintype, american studio, woman, unidentified woman, women, photograph

Card used by Peter James Dodd No 217842 while serving in South Vietnam. Refer 2436.2P for his service history.Card, folds in 4, light blue colour. 1 side shows a shield with a sword 4 times. The card is a Ration Card put out by US Military Assistance Command, Vietnam. The card is for items re beer, liquor, wine, tobacco & electrical. Persons details are in ink. Also signed by the issuing Officer.DODD, CPL, 217842m 17 Const Sqd GP Jan 71 expirycards, ration u.s

Intermediate section of the carding process in the R S & S carding roomCarding / R S & Stextile machinery textile mills - history textile mills, returned soldiers and sailors mill, carding, kidman, mr g. l., textile machinery, textile mills - history, textile mills

Letter card sent by Alf Ferris to his Mother in Terrick Terrick Victoria. Ferris collection, refer Cat No 4183.3PLetter card with fold out colour photos of Weymouth U.K, print on front in black with PO stamp in black, hand written in purple pencil, rear page has hand written letter.On front, “Souvenir Letter Card WEYMOUTH No 11” Stamped, “AIF Camp P.O MY 27 19” (May 27th 1919)letter cards, weymouth

Carding machine at the R S & S millCarding machine/ beginning of carding process/ R S & Stextile machinery textile mills - history textile mills, returned soldiers and sailors mill, carding, kidman, mr g. l., textile machinery, textile mills - history, textile mills

Bereavement card for GHS member Brian Roberts 1927-2022, with personal note on reverse from his widow June.Bereavement card, black text and image.Personal note on reverse.brian roberts, june roberts, roberts family

Blank small, creamy white card with 4 mm black border on all sides.document, card, sympathy card

.1 Brown leather book with gold embossing on front, spine and back cover. Brass clasp to hold book closed. .2 Membership card in the shape of a shieldnon-fictionRELIGIOUS TEXT - CHURCH OF ENGLAND COMMON PRAY BOOKhull, common prayer book, sabine hendra, 1866, netherdale methodist

Lee-ann's Finito Fashion Clearances business card located at 295 Bay Street, Port Melbourne.White business card with red & black lettering.business and traders, finito, business & traders - manufacturing, bay street

The unusual oak leaf business card for Biggin & Scott advertises their Estate Agent location at 188 Bay Street, Port Melbourne.Business card in the shape of an oak leaf.david lack, business & traders - estate agents

The cards are addressed to Harry Newell from his father. One of the small greeting cards is dated 23 June 1916, France.These cards are the originals that Harry Newell received from his father on special occasions e.g. Birthday, good luck, souvenir, till we meet again. Four Embroired Silk Cards, each card has an opening and inside the 'envelope' is another smaller greeting card.All the cards have Fabrication francaise on the back of the card. Each card is addressed to Harry Newell from his Father.silk cards, harry newell

A tan/gold coloured velvet envelope with a birthday card attached inside. The card has a birthday rhyme, a birthday wish and is illustrated with pansies and violets. The envelope is embroidered with flowers.Bottom left on card 618 T.S. Indecipherable handwriting on right side of first card.birthday-card

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, 6 Sturt St Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head, attached to a card. Printed on the lower edge of the card "Allen & Gove, American Studion, 6 Sturt St, Ballarat"ballarat, american studio, little gem, allen gove, tintype, woman, unidentified woman, photography

Memorial card for the funeral of GHS member Rex Smith. Rex was a local with a great knowledge of the Greensborough Football Club.Coloured card with photo and print. Two copiesfuneral service, rex smith, greensborough football club, smith family