Yields information about the appearance of trams parked in the City loop during early 1960's and the construction of the Big W store.Black and white photograph of Ballarat trams 21, 33 and 26 in the City Loop. Dated 13/12/1961. Printed on Agfa Gevaert paper in a postcard format. 21 - has a roof advertisement fort A. H. Collins of Sebastopol for Timber and The Age and another on the dash panel. 32 - has roof adverts for Penfold Cream Sherry cream and Eureka Terra Cotta tiles. In the background, a building (possibly the future Big W) is under construction in Grenville St. Photo by Lloyd Rogers.In ink "Ballarat trams Nos. 21, 33, 26, Sturt St 13/12/1961 and 3/19". In pencil: "21 - ex 10 Alaide, 33- ex M 189, 26 - ex M 111"trams, tramways, city loop, sturt st, tram 21, tram 33, tram 26

Yields information about the appearance and activities of the BTPS mid to late 1980's, includes photos of St Aidans Drive terminus and one of active members - John Phillips.Set of three colour prints of photographs taken by Earl Ewers mid to late 1980's. Printed on paper, donated to BTM Christmas 2009. .1 - Trams 33 and another single trucker at St Aidans Drive - 33 has a Peters Ice Cream and Eureka Roof Tiles roof advertisement. .2 - Tram 33 at ditto with John Phillips standing alongside with the handles. .3 - Tower truck on access track, probably with Peter Winspur working on the overhead with tram 18 in the background.On rear in ink "E. Ewers"trams, tramways, access track, st aidans drive, overhead, btps, tram 18, tram 33

Diggers & Mining. The gold licence. The Government Camp. (As a result of the widespread dissatisfaction with the licence system which culminated at Eureka, the licence system and the system of goldfields administration by Goldfields Commissioners were abolished in 1855. For the rest of the gold decade, the digger was required to take out a miner's right - which cost 1 pound per year. The various systems of goldfields administration adopted after 1855 are set out in Unit 8 of this series.) Markings: 41 994.LIF. 4. Used as a teaching aid.hanimounteducation, tertiary, goldfields

The library committee had already commissioned a portrait of Sir Redmond Barry when they purchased this bust of Barry along with that of Justice Fellows. The library still holds the receipt for this purchase of 24 pounds. The purchases were probably part of the program of outfitting the library interiors and may have been purchased for the niches, that were later covered with the portraits, ironically one of these was of Barry. Redmond Barry is an important figure in colonial Victorian history, responsible for the establishment of key cultural institutions as well as a Supreme Court Judge for nearly 30 years, presiding over both the Eureka trials and the trial of Ned Kelly.The bust of Redmond Barry is of some interest as part of the original furnishings of the library. It represents one of a number of bust portraits of Barry and is of some significance as it portrays Barry, an important figure in Victorian history. The bust is also of interest as a work of James Scurry, most well known for his architectural sculpture.Plaster bust of Justice Redmond Barry. The bust itself is painted white. The pedestal has been painted for a red and black marble effect. Barry's name appears in gold lettering. The Bust is larger than life size. The head is finely detailed with Barry in contemporary clothing with a bow tie and his orders on his chest.Sir Redmond Barry

The Miner’s Right has a long history in Australia. Still in use today, it was first established in Victoria in 1855, as a replacement for the Gold License (which had been introduced in Victoria in 1851). The Miner’s Right was subsequently adopted by other Australian colonies. Unlike the Gold License, the early Miner’s Right, in addition to the right to prospect for gold, also carried with it certain other advantages, such as property rights and voting rights. The Miner’s Right came about as a recommendation of a government-appointed commission, which had been appointed on 1854 to look into the troubles on the Victorian goldfields, especially regarding the Eureka Rebellion.Three Miner's Rights / Residency Permits for leases on the corner of Holdsworth Road and Wood Street, Long Gully, Bendigo (Area known as American Gully - downstream of the American Mine): a and b No 72 Sarah Harvey, dated 23/01/1913 c and d No 23148 Evalina Gifford Vivian Harvey, dated 14/09/1926 e and f No 23149 Thomas George Harvey, dated 14/09/1926 Issued by the Victorian Government at a cost of two shillings and six penceVictorian State Governmentwes harry collection, miner's right, bendigo, history, long gully bendigo

Published by Nucolorvue Productions, Mentone, Victoria. Inside the folder is a printed note on Ballarat, with a note that it was just embarking on its second century, and has a population of 40,000 people. Printed c1955. Inside the folder was a two sided strip of 12 photos, that was glued to the folder. Features photos of the Botanic Gardens, Eureka stockade, floral clock in Sturt St, a view from the Town Hall with a tram parked in the City Loop, Civic Hall, the crown at Shell House, Sturt St at Lydiard St with a tram parked at the City centre and the Arch of Victory. See item 9120 for another similar production.Demonstrates a postcard folder produced by Nucolorvue.Printed colour postcard folder titled "Ballarat The Begonia City", featuring a photo of begonias on the cover and an address box on the rear of the folder. trams, tramways, sturt st, postcards, gardens, lake wendouree, begonia

Published by Nucolorvue Productions of Moorabbin Vic. Features photos the Imperial Crown at the Shell House, Ballarat Post Office, looking west up Sturt St with a number of trams in the City Loop. It would appear that the trams have been fitted with dash canopy lightings which dates the photo to early 1960s to mid 1960s. As well Eureka Stockade, Civic Hall, Lake Wendouree, Bridge St from Stones Corner that shows the tramway overhead and signals, Arch of Victory, Sturt St Statuary and Gardens, Begonia House, The Gardens and the Floral Clock with the Town or City Hall. Demonstrates a postcard folder produced by Nucolorvue.Printed colour postcard folder titled "Ballarat The Begonia City", featuring a photo of begonias on the cover and an address box on the rear of the folder.sturt st, city loop, postcards, gardens, lake wendouree, begonias, eureka stockade, shell house

35mm Kodachrome cardboard mount slide of Ballarat No. 40 southbound in Lydiard St North, crossing the railway level crossing. In the background is Kennedy Murray General Carters building, the main signal gantry and a Walker Rail car - 280HP?. No. 40 has roof advertisements for Eureka Roofing Tiles and "Electricity Best for Cooking". Photo taken early 1960's. Photo from the Eldon Hogan collection. See email with worksheet from R.Gilbert date 29/12/2000 and Fares Please!, May 1995. In ink on the top of the slide "Bogie car at Ballarat Station"tramways, trams, railway station, lydiard st north, signals, tram 40

Yields information about Ballarat c1925 from an aerial photograph looking west.Digital photograph of Ballarat looking West c1925, aerial view, looking along Sturt St and Bridge St, taken from about Eureka and Kings St. Shows both the Alfred Hall, the Railway Station, Sunshine Biscuits and the Coliseum. Shows two single truckers at the east end of Sturt St and two at the west end of Bridge St or Grenville St. See email from Alan Bradley dated 28/7/2012 re date. See also Reg Item 5453 for another similar photograph.trams, tramways, ballarat, aerial views

Dr. Anne Beggs-Sunter is an historian who lectures in the School of Arts at Federation University Ballarat in Wathawurrung country. Her major interests are in Australian social, cultural and political history. Her special interests relate to the colonial era, to the history of Ballarat and its heritage conservation, and the significance and commemoration of the Eureka Stockade. Anne is actively involved with a number of cultural institutions, including the Art Gallery of Ballarat, the Gold Museum and the Buninyong Historical Society, and serves on a number of City of Ballarat committees. She has written a number of books, exhibition catalogues and articles for different audiences ranging from specialised academic journals to newspapers.women of note, dr anne beggs-suntar, historian, school of arts, federation university, social cultural political histories, history of ballarat, heritage conservation, eureka stockade, ballarat art gallery, gold museum, author, books articles, lecturer, historical studies

Identification not certain. Original copy of photograph in catalogue was identified only as "Mr Lewis Snr", but the same photograph in the Lewis family file is named as "George Lewis Snr" (George Lewis 1855-1935). Maker's name on photograph, "Will S. Anderson" suggests it is of William Lewis. (William Snowdall Anderson was an itinerant photographer in Victoria in the 1890s. He advertised his services in the Camperdown Chronicle in 1895. If photograph which shows a reasonably elderly man was taken in the 1890s, subject would be too old to be George Lewis.) William Lewis married Ann Keating at Gnarkeet in 1853. He is said to have been present at the Eureka Stockade.Sepia photograph of an older man with beard, wearing suit, seated with right leg crossed over left and right hand resting on right knee.william lewis, george lewis

Coloured street map of Greater Ballarat, including Sebastopol, and portions of the Shires of Ballarat, Buninyong, and Grenville.ballarat, map, greater ballarat association, sebstopol, canadian, eureka, alfredton, wendouree, ballarat east, mount pleasant, zilles print

Collection of photographs and articles telling the history of Ballarat from the 1800sNewspaper - tabloid1838 pastoral period, first settlers, anderson family, ballarat pioneers, aborigines, goldfields, eureka, school of mines, technical school, ballarat clubs, victorian city

The portrait was commissioned in 1884, near the end of Stawell's term of office. The portrait was commissioned at the same time as those of Redmond Barry and Justice Molesworth. The total cost of all three paintings was 1200 pounds. Sir William Stawell arrived in Victoria in 1842; he quickly established a reputation for himself at the Bar. After the separation of the Port Phillip colony from New South Wales, Sir William served as the attorney general in the first representative government and was the leading prosecutor in the Eureka trials. Sir William was appointed as Chief Justice of the Supreme Court in 1857, serving 29 years in the post. In addition the township of Stawell was named after the recently appointed Chief Justice in 1858. The portrait is of historical significance as a portrait of Sir William Stawell.Full length portrait in oils of Sir William Stawell. Stawell is seated and dressed in his judicial robes. Signed and dated 1887 lower right hand corner of the painting. Plaque identifying subject. The Hon. Sir W.F. Stawell.K.C.M.C Chief Justice of the Supreme Court 1857-1886judges, william stawell

Lisa Green and Lisa Morcom of Ballarat College of Advanced Educatiion contributed to this report.275 page landscape study of Ballarat including Trees in the Victorian Landscape; Plant sources early Ballarat nurseries, Botanical Gardens, Lake Wendouree, Fairy Gardens, Victoria Park, Ballaarat Old Cemetery, Eastern Oval, City Oval, Ballarat East Town Hall Gardens, Eureka Stockade, Observatory, Yarrowee, Black Hill, Sovereign Hill, Cheek Channels, Canadian Creek, Poverty Point Reserve, Goldmining Relics, Woah Hawp, Buninyong, street plantings, Russell, Victoria, Bridge Mall, Sturt Street Gardens, Avenue of Honour, Webster, Elms, ballarat, trees, nursery, r.u. nicholls, francis moss, ballarat botanical gardens, victoria park, lake wendouree, ballaarat old cemetery, eastern oval, ballarat east town hall gardens, ballarat school of mines botanical gardens, eureka stckade recreation reserve, ballarat observatory, yarrowee creek, black hill reserve, sovereign hill, ballarat avenue of honour, victoria street plantings, bridge mall plantings, george longley

Black and White photograph contained with Reg. Item 1902 - Photo Album from Keith Kings to Les Denmead 1970. Photograph of SEC Ballarat tram 40 at corner of Sturt St and Lydiard St. North, City. Tram showing destination "Victoria St". Has Eureka Roofing Tiles and 'Everything's under control in my electric kitchen" roof advertising boards. Photo taken 3/3/68 Keith Kings No. 28-31 Scanning: i - image file, p - presentation file, b - back of photograph.Stamp in top left hand corner and handwritten number with "K.S. Kings No.28-31 Copyright reserved". Had crossed out number J(u)(12) In blue ink "Ballarat / No. 40 / Sturt St at Lydiard St. North, City / 3/3/68"trams, tramways, ballarat, sturt st, city, tram 40

Yields information about Ballarat tram 40 and the Sebastopol terminus.Black and white print of Ballarat 40 at the Sebastopol terminus. Two copies. Photo by Doug Colquhoun, 17/5/1971. Trams has the destination of Lydiard St Nth and roof advertisements for Eureka Tiles and Bliss Bombs (To read pack: Tilt Tram"). Also has the houses in the background and shows the overhead arrangements. Photo print courtesy of Port Dock Railway Museum, now the National Railway Museum. See worksheet 4311 for letter and details of prints sent to Bill Scott, 19/10/2001. Any photo credit to mention NRM Collection.On rear of copy 1 "SEC Ballarat / 40 / Sebastopol terminus / 17/5/71 4179 / D.A. Colquhoun" . Copy 2 "Douglas Colquhoun / 5.1971 National Rly Museum" in ink, bottom right hand corner and in the top left hand corner in ink "Car 40 SEC Tramways Ballarat Vic 3350"trams, tramways, sebastopol, tram 37

This book was a donation to Federation University Australia's Professor David Battersby from Vice-Chancellor Professor Scott Bowman of Central Queensland University.Soft cover. Front cover with some red. 80 pages. Back cover Plan of Ballarat Map. Photographic plates. Brief history of Ballarat and the topics photographed. . Ballarat City Municipal Chambers . The Ballarat Banking Company Limited . Art Gallery Ballarat . The Ballarat Trustees, Executors & Agency Company Limited . John MacLeod & Coy Pty Ltd . The Ballaarat Gas Coy . Ballarat's Homes . J. J. Goller & Co. . Ballarat East Views . Star Office . The Ballarat Courier . Morshead's . M. B. John Ballarat - The largest Inland Brass Foundry in Australia . Rowlands Koomah Spa . Huttons the Jewellers . Botanical Gardens Ballarat . Millers the Clothiers . Jas Smith Agricultural Machinery . Views of Lakes Learmonth & Burrumbeet . Coles & Pullum Stock & Station Agents . Harry Davies & Co. . Views about the City . Benoit's Sun Foundry . Ballarat College (for Boys) . Wm Paterson's . Lydiard Street Views . Eureka Terra-cotta & Tile Co. of Australia Limited . Churches of Ballarat . The Ballarat Woollen & Worsted Co. Ltd Sunnyside Mills . Red Shop Tea Rooms . Tyler's - Bridge Street, Ballarat . Allchin Bros Ballarat . Loreto Abbey Mary's Mount Ballarat . Brinds - Dunnstown . Ballarat Brewing Co. . Turnbridge's Arcade . Zoological Gardens Ballarat . A. Cant Plumber & Gasfitter . Interiors of some Ballarat Churches . Hugh Jones & B . W. F. Coltman . Views in Eureka Reserve . Loveland & Haslem, Moter Engineers . Public Institutions Ballarat . G. Warner & Co. Prop. Ltd . The Electric Supply Company of Victoria Limited . Ballarat East Views . Longhurst's Specialities . P. C. Thornton Proprietor Sturt St Ballarat . Cowley's Eureka Ironworks Pty Ltd . W. Owen Sports Depot & Tobacconist . Clarendon Ladies' College . Crocker's . Evening Echo Office . London Bank Chambers . Proprietors of Business . Broadbent Bros & Co. Gifted by Vice-Chancellor Professor Scott Bowman Central Queensland University, 2014.ballarat, school of mines, evening echo, john scullin

Yields information about the appearance of tram 40 at the Sebastopol terminus and the overhead pan helped to locate the trolley pole.Set of two Agfa colour slide, white blue plastic mount. Photograph by David Verrier of tram No. 40 at the Sebastopol terminus. .1 - end on photograph showing the destination sign ready for the return trip to Lydiard St North and the terminus overhead pan used to assist the location of the trolley pole. .2 - similar. Tram has roof advertisements for Eureka Roof Tiles and an SEC Electric Cooking advert. On the dash panel is an advertisement for Dancing at the Civic Hall. In the background is the Royal Hotel and the a Milk bar with a telephone box outside. Photo taken 6/10/1964.On back of slide in pencil "Tues 6/10/64 Ballarat, No. 40 Sebastopol Terminus" on both slides.tramways, trams, sebastopol, albert st, tram 40

Point to Sky is one of Akio Makigawa’s final works, the commission was completed posthumously. It is the only public artwork by the celebrated Australian-Japanese sculptor of this scale located in regional Victoria. You will see two stainless steel forms, a smaller more rectangle form and the towering geometric form, with seed pod shapes at the peak. These forms represent the house, the artist is expressing that home is a shelter and also a place for gathering. The house form grows into a tower to symbolise the achievements of mankind and the action taken to protect the rights of the community during the Eureka Stockade. The top seed pod is gold, referencing Ballarat as the centre of the gold rush in Victoria, as well as representing the sun as the source of life. The paving of the forecourt was designed in bluestone, typical of the work of Makigawa. Stainless steel panelling and shaping on armature. Set into raised platform of bluestone pavers.Point to Sky, 1999 / Akio Makigawa (1948-1999)/ stainless steel/ Born in Japan, Akio Makigawa arrived in Australia in 1974. He worked as a sail maker in Perth before studying sculpture at the Claremont School of Art and WAIT (now known as Curtin University). He moved to Melbourne in 1981 to do post graduate studies in sculpture at the Victorian College of the Arts and set up his studio. From 1984 he was involved in many public commissions in Victoria and interstate and Japan. / Commissioned by the Victorian Government and the City of Ballarat in 1999. point to sky, akio makigawa, modern, australian sculpture

Black and white photo of ESCo No. 12 outside Wendouree Parade depot, post the 1912 installation of Motorman's windscreens. Both blinds rolled up. Has a roof advertisement for "Carter & Werner Opticians" and a step ad for "Eureka Cos. BO Punch". Seat backs face passengers to sit on the outside of the tram., that is have yet to be relocated to face inwards only. See image 757.2 - which shows this. Three copies of the photo - both from a copy neg. Copy 1, circa 1980, Copy 2, by John Phillips, 1993, Copy 3 ex Ken Magor, sent by Wal Jack to Ken. The rear of this print has extensive details on rear. See item 9468 for a glass plate negative.Yields information about the appearance of one of the Museum's tramcars at the time of fitting windscreens and demonstrates the evolution of the ESCo's tramcars, and advertising. Image 757.2, is different to others in that it is fitted with a chain along the sides and a pay as you enter sign at the rear.Series of black and white photographs of ESCo tram 12. 757.2 - on rear in ink "24a)", top left hand corner and along bottom edge "Car 12 at Lake Wendouree near depot Sydney Harvey" and "William F Scott" address label in the bottom left hand corner., See image i4 for details of Wal's notes on back of photo.trams, tramways, esco, windscreens, tramcars, roof ads , tram 12

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Montrose Cottage was build c1856 by John Alexander, builder. He was a Scottish stone mason. It was built with bluestone and hand-made bricks. It is on the Historic Buildings Register, National Trust (Victoria). It is important as a substantial and very early stone cottage. The house is now open to the public. It also provides short term accommodation - self contained apartments. Montrose Cottage and the Eureka Museum were winners for the third time of the Tourism Victoria Award. Article was published in Ballarat News, July 31, 1996Front page article from Ballarat NewsWednesday july 1996zilles printers, montrose cottage, eureka museum, tourism victoria, award, ballarat news, laurel johnson

This apron was designed for the Ballarat Apron Festival by local designer Clare Schreenan of Clasch Designs Ballarat. The tartan fabric was designed by Art Gallery of Ballarat for the 2014 exhibition “For Auld Lang Syne: Images of Scottish Australia, from the First Fleet to Federation”, and is officially registered with the Scottish Register of Tartans. The colours are highly significant: grey being chosen for the basalt plains on which Ballarat is built upon; Blue and white representing the Eureka Flag; and yellow for the gold that has made Ballarat so famous. Born in Ballarat, Schreenan attended Loreto College before studying fashion at Melbourne College of Textiles. She has worked extensively in Sydney, travelling to Paris, London and Los Angeles for work projects. She returned to Ballarat in 2006, launching Clash Design. Featuring the official, highly symbolic Ballarat tartan, and made by highly renowned local designer Clare Schreenan, this contemporary apron is of local significance to the Ballarat community. Grey, blue, white and yellow wool tartan fabric apron with asymmetrical design. Velco closures on back with zipper detailing. ballarat, tartan, apron

This letter book contains letters written by representatives of the Warrnambool Lance Patent Pan Company to agents in Western Australia during the period 1896 to 1913. This company was formed to market the Lance Patent Cess Pan produced by George Lance in Warrnambool. The Western Australian venture did not prove profitable for the company. George Lance was a Warrnambool plumber and gasfitter who produced the Eureka Pump and the Lance Patent Cess Pan. The latter sold widely in Victoria with the Warrnambool Council owning 1700 of these pans in 1896. George Lance was also prominent in Warrnambool as a musician, artist (eleven of his works are in the Warrnambool Art Gallery)and local history writer. He was also involved in the development of the Warrnambool Mechanics Institute and the establishment of the Warrnambool School of Art and Design and the Warrnambool Art Gallery. This letter book is of considerable interest as it gives details on one aspect of the George Lance invention of the Patent Cess Pan (its marketing) and George Lance played an important role in Warrnambool's late 19th century history.This is a letter book of 506 pages. It has a hardboard cover with a mottled red pattern and red binding on the spine. The pages contain an alphabetical index and copies of letters handwritten in black ink. There are many blank pages. The letter book cover is torn at the edges.george lance patent cess pan, george lance warrnambool, warrnambool plumbers, cess pan patents

A Mechanics Institute in Bacchus Marsh dates from sometime in the 1850s. The foundation stone for this hall dates from 1858. The hall was located on the corner of Young Street and Bennett Street on land donated by James Young. In 1883 a new and larger Mechanics Institute Hall was built in Main Street. The old hall was purchased by Thomas Anderson and for some years was a private residence. It was later bought by the Royal Antediluvian Order of Buffaloes (RAOB) and became a Lodge for that order. In its later years it was known locally as 'The Buff's Hall'. It was eventually demolished in the late 20th century. Built in Young Street on land owned by James Young, a prominent citizen of Bacchus Marsh, this Hall was the venue for the commencement of the political campaign of Alfred Deakin, and later for the campaign of Peter Lalor, a leader of the Eureka Rebellion.Small sepia 'carte de viste' style unframed photograph on card with gold border framing photograph. Housed in the Jeremeas Family Album which contains photographs of Bacchus Marsh and District in 1883 by the photographers Stevenson and McNicoll. The photo is of a single-storey brick building. The front has a gabled entrance with a central doorway and two windows, one on either side of the door. A plaque has been inset in the gable above the door. The hip roof is shingled. Three windows run along the side of the building. A picket fence on very uneven footage runs along the front. The entrance gateway has two steps up to the entry and is decorated with an ornate lantern supported by a slim metal framework. Another lantern is fixed to the left of the front door.Printed On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, mechanics institutes, halls, bacchus marsh mechanics institute

Yields information about the City of Ballarat and its involvement in the promotion of the city through the Begonia Festival. Yields information about the tramway through a map.Programme or book, 16 Quarto pages, centre stapled full colour on semi gloss paper, titled "Ballaarat 70 Begonia Festival" for the 1970 Begonia Festival. 27/2/1970 to 9/3/1970. Gives details of the city, the begonias, industry, how to grow them, Festival activities, agriculture, map showing the city roads, a suggested tour route, tram lines, Eureka stockade, Historical Park (Sovereign Hill), 3BA, The Courier, BTV6, Education and sporting facilities. Really a City spruiking document with many colour photos. Note all words with Ballarat in them are spelt with the aatrams, tramways, begonia festival, ballarat, map

Colour photograph of BTPS trams 27 and 33 crossing at the Depot Loop, c1980. Tram 27 southbound (showing St Aidans Dve, with the APM Paper roof advertisement) and tram 33 (showing Gardens via Sturt St. W, with Eureka Tiles advertisement, a SEC roof advertisement and a Twin Lakes sign) northbound through the loop. Tram 33 being driven by Carolyn Dean. Photo by John Phillips Colour photocopy, laminated, of this photograph on display 5/2000 at 02-02-06, but accidently cut off part of tram 27 in the photocopy. 2nd copy added for display purposes 24/10/05.btps, gardens loop, wendouree parade, tram 27, tram 33

3347.1 - Newspaper clipping from The Courier, Ballarat, 10-03-2006, page 1 and page 2. Page 1- "Noisy protest greets baton", when visiting the Eureka centre, has photo of Peter Blackburn at Sovereign Hill. Page 2 - "Borner's takes a special tram ride" with a photo of Ray Borner leaning out of tram 671, with the Commonwealth Games, Queens Baton Relay baton. It was the beginning of Day 44 of the relay in Australia. Article by Andrew Jefferson. 3347.2 - part of a series of photos of the Baton Runners for the day, with the same image of Ray Borner on No. 671, titled "Our Baton Runners".queens baton relay, btm, commonwealth games

Yields information about the Bakery St Hill on the Victoria St route.Digital image, black and white, of No. 26 at Stones Corner, junction of Bridge, Victoria and Main St, Bakery Hill. No the young girl in slacks walking in front of the tram, the boy wheeling the bike down the street and the young boy standing in the front door of the tram. In the background is Eureka Dry Cleaners, an old Robur tea ad on a building, F. O'Brien Motors. The tram has the destination of Gardens via Sturt St West and a SEC Briquettes Roof advert. Photo taken by Peter Bruce 1970's and 1971, prior to the closure of the Ballarat tramway system. Peter's Title of image: "No. 26 Victoria and Bridge"trams, tramways, stones corner, bakery hill, victoria st, bridge st, tram 26