Very badly damaged red cloth covered hardcover book, The Christian Endeavour Hymnal. The title is written at the top of the front cover in gold and black lettering with the symbol E in a circular pattern in the middle. Black lines surround the edges. 532 p.non-fictionThis hymnal is issued under the auspices of the Council of the Christian Endeavour Union of Great Britain and Ireland. It is noted to have been recognised in the great Australian Commonwealth.religious books, hymnals

This photograph is taken in a Hospital ward and shows a meeting between a patient, an RDNS Liaison Sister; and the Hospital staff, L-R, a Doctor, a Physiotherapist, a Social Worker and an Occupational Therapist. The group are discussing with the patient the ongoing care she will require when shes goes home. The Sister. has an RDNS information leaflet open in her hands which will be given to the lady. From those present, the Sister is ready to write, on the clipboard, any information required to be passed to the RDNS District Sister to carry out the nursing care needed when the lady goes home. The Sister is wearing the RDNS winter uniform of a light blue.grey skivvie under a darker blue/grey V neck tunic style dress made from herringbone winter material.Liaison had occurred between doctors and the Trained nurses (Nurses) of the Melbourne District Nursing Society (MDNS), from its inception in 1885. This increased when Midwifery was introduced in August 1893 with close liaising with the Women’s Hospital. As District nursing grew it was recognized closer liaising between many Public Hospitals would be beneficial, for not only the MDNS, later called Royal District Nursing Service (RDNS),Trained nurses (Sisters), but also for the patients and the hospitals. In August 1964 a Liaison Officer commenced at the Alfred Hospital. This soon increased to Liaison Officers working full time at several Public Hospitals. They facilitated the smooth transition from hospital to home for many patients who required ongoing nursing care. Liaison Sisters regularly attended discharge planning meetings, interviewed prospective patients, coordinated discharge, and booked the first visit by the visiting RDNS Sister. At the time of a patient’s discharge, the Liaison Sister forwarded information on their diagnosis and instructions regarding the care required at home to the appropriate RDNS Centre, and in turn the attending District Sister wrote a report of progress and any queries to the Hospital Doctor, via the Liaison Sister, at the time the patient was attending outpatients. Any new instructions were then sent back to the District Sister. Liaising also occurred between District Sisters and Doctors when patients were referred by General Practitioners and did not attend a hospital.On the left of this black and white photograph is a Royal District Nursing Service (RDNS) Sister who is seated and has her curly dark hair head, turned to her left looking at a lady who is resting in a hospital bed. The Sister, who is wearing a light grey skivvie under a darker V neck tunic style dress, is holding an open folded page with typed writing seen, in her hands; a pen is sitting between the fingers of her right hand and a clipboard is on the bed. The elderly lady, to her right, is sitting propped up against white pillows on her hospital bed and is looking, and smiling, at the Sister. She is wearing glasses; has curly grey hair; and is wearing a light coloured nightdress. The light coloured bedclothes cover most of her body. On the right of the bed, and from its head down, L-R is:a man who is standing; he has short dark hair and is wearing a leather type jacket over a dark skivvie and plaid trousers. Next, sitting, is a lady who has short slightly waved dark hair; she is wearing a grey round neck sleeveless frock over a light coloured long sleeve blouse. Next, seated, is a male who has short dark hair and a short dark beard.He is wearing a dark grey suit jacket over a light grey shirt and patterned tie. Next, on the far right, standing, is a lady who has curly dark hair and is wearing a hospital white coat over a light coloured skivvie. A Hydronic heater is attached to the lower part of the wall behind the bed and a monkey bar is attached to the centre of the bed. Some flowers are also seen behind the bed and a drawn curtain is behind the staff on the right hand side of the photograph.Barry Sutton LO12royal district nursing service, rdns uniform, rdns liaison

Wanting to improve upon the limitations of existing Braillers, the Perkins School for the Blind resolved to develop a new machine that would produce uniformity in embossing, was lightweight and was easy to use. By the 1940's, David Abrahams (a teacher at the school) had developed his prototype, but manufacturing restrictions created by World War 2 halted proceedings. In the waiting period, students at the school used the prototype and Abrahams perfected his device. During the post-war era, Howe Press agreed to take on production of the Perkins Brailler and it became of the most popular and commonly used Braillers around the world since it's commercial release in 1951. Also included is a booklet of photocopied instructions with honeycomb binding.Metal Braille writer with nine grey keys, carriage return key and paper rollers on either side, with grey vinyl cover, and photocopied instruction booklet.'Perkins Brailler' embossed on front of machine and in silver on cover. Sticker on top of machine reads "This equipment remains the property of Braille and Talking Book Library 31-51 Commercial Road, South Yarra 3141 Phone: (03) 267 6022." Metal plate attached to front below keys "Designed by David Abraham, Manufactured and Distributed by Howe Memorial Press, Perkins School for the Blind, Watertown, Mass. U.S.A." Stamped on base of front: G0345braille equipment, perkins school for the blind

Black and white photograph of a lecture theatre with a man standing and leaning on the bench in front of numerous students. The students are sitting down at seats with long benches in front of them with notebooks open and writing content down. A small photograph of a McKesson Nargraf chart with writing on it from the Alfred Hospital has been glued to the top of the photograph and grey paint has been added around the chart, covering the original section of the photograph.•Black paper label glued on bottom front of photograph and written in white ink, captioned: A FORMAL LECTURE TO MEDICAL STUDENTS IN / THE THEATRE ADJOINING THE MUSEUM •Handwritten in black ink on reverse: Frame 13. •Handwritten in grey pencil on reverse: 15. [13 has been crossed out.]medical students, lecture, mckesson nargraf chart

Weaving sample folder: JOHN YANG (1967) RANGE 2 and contains "LADIES COATING OR FURNISHING FABRICS" pattern sheet and 3 patterned cloth samples (light grey, medium grey, red).JOHN YANG (1967) RANGE 2 (ink) LADIES COATING OR FURNISHING FABRICStextile production weaving, textile production, weaving

Framed pastel titled: "Fauna in the night" painted by Dorothy Turnball. Features a possum perched on a branch amongst red blossoms. Set in grey card window mount with red and grey trim. Grey painted wood frame. Brass engraved plaque affixed to lower edge.

This photo depicts the rescue of three local skiets that became trapped on Mt Bogong during a blizzard and became known as the Cleve Cole tragedy . Mick Hull Howard Michell and Cleve Cole where skiing on Mt Bogong and could not find their way off the mountain via Staircase Spur due to Blizzard conditions and ended up in the Mitta Valley. Howard Michell walked to the Battys farm to get help for his weak and injured friends. Cleve Cole died shortly after arriving at Omeo hospital. This photo is historically significant as it tells the rescue story of this tragedy. The photos are of the people involved which add to the story. Mt Bogong Victoria's highest mountain is accessed from the Kiewa Valley and near by high plains and over shadows Mt Beauty township therefore is a local story. The photo comes from the rescue party which is a rare photo and thus has great interpretive capacity . The skiing history is one of KVHS main themes and this photo is part of our Skiing Across Country exhibitionBlack and white photo of several men in the bush near Mt Bogong. Photo is glued on to cardboard with a dark grey border and light grey wider border on the outside.Handwritten on back "The Discovery of Cleve Cole / up the Big River (Below Paddy's Flat) / Cole is arrowed / Cyril Rootsey / Jack Batty / Bill Batty / Paul? Bitner / Tom Fitzgerald / Etc. / (I think dad is the one with his hand up to his face)" Back - red stamp - "Herald Feature / Service / Melbournecleve cole. mt bogong. big river. paddy's flat.

.1) 2/23rd Batt AIF Patch used from 1942-46. .2) If viewed as a diamond shape white over red it is possibly 2/24th Batt AIF. Items belonged to Frederick CARLETON VX33476. Refer Cat 142 (medals) for his service history. .1) Felt colour patch, T-shaped; light blue, dark blue on grey. .2) Felt colour patch, square; diagonal white and red on grey.uniform, army, colour patches

The small tubes were used to hold lipstick which could be carried in the handbag or small evening bag.A small grey and silver lipstick container. The grey cover slips over the silver base. There is a small lever at the side of the base which released the lipstick up the tube.PAUL / DUVALcosmetics, make-up, paul duval, duval, paul, personal effects, george evans collection

This advertising card was designed by Slawa Horowitz-Duldig. It was printed by 'Frisch, Wein 1'. Slawa undertook a number of sculpture commissions after graduating from the Akademie der Bildenden Künste Wien (Viennese Academy of Art) where she studied under Professor Hans Bitterlich from 1925-1929. She also undertook design commissions such as this card for the Cosmetic Institute which sold beauty creams. Reminiscent of the work of Austrian painter, designer and ceramic artist Berthold Löffler, in Slawa’s card her stylish typography, colour and design unite to create a unique work.This is an example of Austrian graphic design work between the wars and is of historical and artistic significance. Grey card front with print of single tone line stylised drawing of woman with red lips holding flowers - inside printed inscription in grey and red highlights Back logo - Printer's name (Frisch, Wien, 1) and artist's name ( S Duldig) credited

The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.A grey woven raffia woman’s hat featuring a wide brim. A narrow grey ribbon is used at the base of the crown. A posy of ivory coloured flowers is attached to the rim.Nilsun hats, women's clothing -- hats, headwear, straw hats

Used by donor in the 1970s.Cummerbund, bow tie and handerkerchief in a machine woven brocade, grey and white in geometrical design. fastenings and clips in dark grey plastic. Velcro strips on inside of cummerbund. Cummerbund is lined with dark charcoal grey rayon. All stored in a silver coloured box with clear plastic lid.on lid--- Bottinellicostume accessories, male

This specimen was donated in 1868 by Alfred Selwyn. Olivine is typically found in basic and ultra-basic igneous rocks around the world, in a variety of colours including yellowish green, olive green, greenish black and reddish brown with a transparent to translucent diaphaneity. The luster of the specimen is vitreous, the luminescence non-fluorescent and when fractured the mineral is very brittle producing small, conchoidal fragments. Chromian diopside is normally found in small sizes as the larger the size of the mineral the darker the colour is, almost black rather than green. Chromium is the element that gives chromian diopside and emeralds their rich green colour. Diopside is found across the world in multiple colours however gem-quality chromian diopside is mined in Siberia, Russia and prominent within the jewellery industry as a more affordable substitute to emeralds. Chromium-bearing diopside has been located across Australia. Chromium-bearing Diopside is located across the world found in North America, parts of South America, and across Australia, Africa, Europe and Asia. Chromium-bearing Diopside is mined in Siberia, Russia and is sold as a commercial substitute for emeralds. The stone is often turned into jewellery. This item is one of many geological and mineral specimens that constitute a broader collection obtained from various regions across Australia (as well as some international locales) and generously contributed to the Burke Museum between 1868 and 1880. A significant portion of these specimens originated from Victoria and were acquired as a result of the Geological Survey of Victoria, initiated in 1852 during the Gold Rush era. The primary objective of this survey was to investigate and chart the geological characteristics of Victoria. The procurement of geological specimens played a vital role in advancing our comprehension of the Earth's scientific composition and was instrumental in supporting research and educational institutions throughout Australia, including the Burke Museum, in their efforts to foster further exploration and study. A solid mineral specimen in shades of green, grey and brownburke museum, beechworth, geological, geological specimen

35mm colour positive transparency Mount - Perutz GreyInscribed (i) RYinfrastructure, streets, roads, unidentified

35mm colour positive transparency Mount - Perutz GreyInscribed (i) RYinfrastructure, streets, roads, unidentified

35mm colour positive transparency Mount - Grey and Whitebrougham steet, brougham steet bridge, eltham, infrastructure, roads

35mm colour positive transparency Mount - Grey and Whiteaqueduct, ingrams road, maroondah aqueduct, research (vic.)

35mm colour positive transparency Mount - Grey and Whiteapex way, eltham ambulance station, grand boulevard, infrastructure, main road, montmorency, roads

35mm colour positive transparency Mount - Grey and Whitegrand boulevard, infrastructure, montmorency, roads, olympic avenue, roundabout

35mm colour positive transparency Mount - Grey and Whiteinfrastructure, roads, bible street, eltham, john street

Stereograph photo of Australian Infantry Force in Training at Camp Kitchen Ballarat Lining for DinnerSepia Stereoscopic paper photographs mounted on grey cardboard12.926 Australian Expeditionary Force Camp Kitchen Ballarat Vic Lining up for dinner The Rose Stereographs Copyright Melbourne Sydney Wellington & Londonballarat stereograph photo australian expeditionary force camp kitchen rose stereographs

Stereograph photo of Australian Infantry Force in Training at Geelong Victoria AustSepia Stereoscopic paper photographs mounted on grey cardboard12.930 Australian Expeditionary Force Geelong Some of the Finest Soldiers in the World Ready for Anything, Anywhere The Rose Stereographs Copyright Melbourne Sydney Wellington & London

The 8th Battalion was an infantry battalion of the Australian Army. Initially raised in 1914 for the First Australian Imperial Force during the First World War the battalion was completely recruited from Victoria and formed part of the 2nd Brigade, 1st Division. During the war it fought at Gallipoli and in France and Belgium on the Western Front. It was disbanded in 1919, before being re-raised as a Militia battalion in 1921.Rectangular Black and White Photograph mounted on Grey CardboardFront H. WaL? George Crawford Elcho Farm Lara 1936-1937elcho farm lara 1936 1937 photo george crawford

This manual describes how to hand create "Shaded Relief" or the appearance of hills. This manual was produced by the Aeronautical Chart Information Centre, United States Air Force, St Louis 18, Missouri. Shaded relief was produced by hand at the Army Survey Regiment in the 50's, 60's and 70's so that it could be shown on small scale topographical maps and RAAF Aeronauical Charts. Shaded relief continued to be produced by hand until the mid 1980's when it was replaced by digital production methods.Grey covered Manual, gloss paper, stapled together.royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr