Showing 2053 items
matching 1920s
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Wycheproof & District Historical Society Inc.
Photograph, Harrington, The Storey Dance Orchestra, (estimated); 1937/38
The Storey Dance Orchestra was formed in the 1920s by Arthur Storey, playing voilin & banjo, sister Rita-saxaphone,Jean and brothers Bob and Ben. Later, their mother, also Jean, an accomplished pianist and supporter of the orchestra, filled the pianist role after Jean left home to further her career. The car in the photograph was paid for with orchestra earnings. Their music involvement enabled a large family to sustain the farm during the 1920s and 1930s. World-War-Two intervened, this saw the Storey Orchestra disperse, Bob joined Jean in Melbourne, where they continued their musical careers. Ben joined the war effort, leaving Arthur on the farm. Con Taylor played on with a local Dance Band.The photograph tells of the important part that music played in the social structure of families and the wider community, and provided another means of income in the depression years of the 1930s.B&W print of the Storey-Dance-Orchestra, 1937/38, Ben Storey-banjo, Jean Storey-piano, Bob Storey-saxaphone-clarinet, Con Taylor-saxaphone, Keith Baker-trumpet, Jack Proctor-drums. The car,a Ford Rego.No Vic 21695 Noneclothing, musical instruments, storey, men women, dance orchestra, 1937 38, motor vehicles -
Frankston RSL Sub Branch
Band, Cap
An embroidered cap band (known as a tally band) worn by sailors to identify the vessel on which they are serving. This black silk tally band is machine embroidered in gold thread with the following inscription : "Kreuzer Emden" . Kreuzer Emden was the third vessel to bear the name Emden. A light cruiser built for the German Reichsmarine in the early 1920s, Kreuzer Emden was commissioned into the German fleet in October 1925. The ship served during WW ll, was scuttled in 1945 and broken up for scrap in 1949.embroidered with the inscription : "Kreuzer Emden" -
Tennis Australia
Ball container, Ball, Circa 1937
A Slazenger (UK) 'Lawn Tennis Ball' box. Printed on lid: 'BRITISH MADE / MADE ACCORDING TO / THE REGULATIONS OF THE / LAWN TENNIS ASSOCIATION / AND OFFICIALLY AUTHORISED'. On front of box is printed: 'EXCLUSIVELY USED AT/THE CHAMPIONSHIPS/WIMBLEDON/ SINCE 1902'. Colour advertisement adhered to underside of lid, depicting 1920s/30s tennis racquets. Contains all six unbranded balls, probably original. Balls contained in a string net bag inside box. Materials: Ink, Cardboard, Paper, Rubber, Wooltennis -
Tatura Irrigation & Wartime Camps Museum
Photograph, Tennis Club 1905
Tatura Tennis Club 1905.|The Tatura Tennis Club was first formed in 1889, but early records are scarce; the first President on record being A.B. O'Connor for the season 1899-1900, when the matches were played on "lawn" courts.|Asphalt courts were put down in 1923, and Church Club proliferated in the 1920s and 1930s: Methodist (1921), Sacred Heart (1923), Anglican (1933) and Presbyterian (1938).|The Lawn Tennis Club was officially opened in Albert Street in November 1948.tatura, recreations, sports, games, costume, female, male -
Whitehorse Historical Society Inc.
Magazine - Article, Nunawading's Historic Orchard Study, 1/12/1992
Article in Trust News. In 1988 Nunawading City Council purchased 2.5 hectares of an historic property which has been owned and occupied by the Matheson Family since 1914. It is one of the last working orchards in Nunawading. A Management Plan includes an environmental living program which aims at providing an overnight experience for children, giving both an experience how the property was operated as an orchard in the 1920s and 1930s. There will also be a public information display from oral histories taken from orchardists.orchards, matheson, charles, gilfedder, francine, mcconville, chris (dr), butler, graeme, bicentennial orchard, strathdon community -
Ringwood and District Historical Society
Photograph, Coach and Horses Hotel, Ringwood circa 1940
Black and white photograph of Coach and Horses Hotel in Maroondah Highway, west of New Street, now adjacent to Eastlink Freeway, on northern side. There are two duplicate photos. Certainly the photo was taken post-1940 as the previous Coach & Horses Hotel, on the south side, burnt down in 1940. The telephone pole indicates that era, with limited lines. The style of the building was Art Deco that generally existed in the 1920s-1930s but did continued in Australia in the 1940s. The building has the appearance of being newly-built. Was H4, in the old cataloguing system. -
Warrnambool and District Historical Society Inc.
Jug, Souvenir Warrnambool Jug, Between 1921 and 1938
This is a souvenir jug showing an image of the boat sheds (Proudfoots) at the mouth of the Hopkins River, Warrnambool. It would have been purchased in the 1920s or 1930s. These boatsheds were erected for Thomas Proudfoot in 1885. At that time the sheds housed the boats of the local Gordon Rowing Club. This jug is of interest as an example of the type of souvenir available to tourists and locals in the Warrnambool district in the 1920s and 30s. This is a lustre ware china jug with a black handle and a black lip and black edging around the opening. The jug has a squat spherical shape and has gold colouring with an image in black and grey of the boatsheds at the mouth of the Hopkins River, Warrnambool. The lettering is in black and on the base are the maker’s symbols. ‘Boat Houses on the Hopkins, Warrnambool ’23 R.K.G. Made in Cechoslov (sic)’ proudfoots boatsheds. warrnambool, hopkins river, warrnambool, history of warrnambool -
Mission to Seafarers Victoria
Badge, Ladies Harbour Lights Guild - LHLG, 1920-1936
This badge is possibly the earliest example of the membership badge of the Ladies Harbour Lights Guild. The simple discreet design compared to later versions by Stoke suggest it was possibly made in the early post-war 1920s period when resources would have been limited.Earliest known example in the MTSV Collection of an LHLG badgeOval dark blue enamel badge with "LHLG" in large writing at the bottom and "LADIES HARBOUR LIGHTS GUILD" in smaller font running across the top. "K.G. LUKE MELB" on back of badge"LHLG" "LADIES HARBOUR LIGHTS GUILD" "K.G. LUKE MELB" k.g. luke, badge, lhlg, ladies harbour lights guild, mission to seafarers, mission to seamen -
Greensborough Historical Society
Photograph - Digital image, Greensborough Primary School Gr2062 1923 Rounders Team and Grades 1-2, 09/03/1923
Class photographs of Greensborough School in the 1920s. Greensborough Rounders Team has surnames on back of original: Back Row: Fraser, Whiteway, Dorothy Yandell; Middle Row: Hood, Percal, Oakley, Weaver, Pile, Montford, Carlon; Front Row: Thomas, Clayton.Early photographs of Greensborough Primary with some children identified.Digital copy of 2 black and white school photographs. Year written on front.greensborough primary school, yandell family -
Ballarat Tramway Museum
Photograph - Moorabool St at Malop St - tram 4, c1920
The photograph shows Geelong tram No. 4 southbound in Moorabool St at Malop St. Has the Solomons store in the background. In the view is one motor vehicle and some horse-drawn cars. On the corner can be seen a fire alarm and a letterbox. Photo 1910s to 1920s.Yields information about Moorabool St Geelong.Black and white photograph with some details on rear.In ink "No 4 in Moorabool St looking towards Ryrie St from Malop St. Photo before 1930 as No. 4 is shown in its original condition and was altered in early 1931."tramways, trams, geelong, moorabool st, malop st, tram 4 -
Kiewa Valley Historical Society
Hat Pin, circa 1920
Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis pin has a black plastic tear-drop ball at its head (earth shaped). It has diamond like chiseled profile from a centre band to the apex of both ends. The centre region has a herring bone pattern. Identical to Item KVHS 0356millinery, hat pin, female head wear, hat accessory -
Kiewa Valley Historical Society
Hat Pin, circa 1920 - 1930
Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsBrass Pin, two 3.5cm cones, gold coloured tapered down to imitation half peal centre piece Cones stamped with small flower petalsmillinery, hat pin, female head wear, hat accessory -
Kiewa Valley Historical Society
Hat Pin
Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsHead of pin is ball shaped covered blue/silver reflective fastened sequin. Each sequin is attached by a seed bead of dark blue colourmillinery, costume, pin hat accessories, female hair restrainer -
Kiewa Valley Historical Society
Hat Pin
Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsPin head consists of one eight petaled flower, two seed pods half open and one long leaf connecting leaf with seed pods. pin head and shaft are gold coloured. see KVHS 0352 for same pin except details are highlighted with darkened outlines(may be dirt)clothing, millinery, costume, women hat accessory -
Kiewa Valley Historical Society
Hat Pin
Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsPin head consists of one eight petaled flower, two seed pods half open and one long leaf connecting leaf with seed pods. pin head and shaft are gold coloured. see KVHS 0351 for a cleaner itemmillinery, costume, pin hat accessories, female hair restrainer -
Kiewa Valley Historical Society
Hat Pin
Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsElongated pearl on silver coloured pin shaftmillinery, costume, pin hat accessories, female hair restrainer -
Kiewa Valley Historical Society
Pin Hat, circa 1920 - 1950
Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoors This item is similar as the one worn by the "Queen Mother" in the film "The Kings' Speech"Silver coloured pin with a thistle shaped head also in silver/chrome colour. Sleek in appearancemillinery, costume, pin hat accessories, female hair restrainer -
Kiewa Valley Historical Society
Pin Hat
Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsGold coloured pin adorned with two curls. One with fourteen small glass/diamond stones one red/ruby type stone three empty stone clasps gold coloured pin shaftmillinery, costume, pin hat accessories, female hair restrainer -
Kiewa Valley Historical Society
Pin Hat, circa 1920 - 1950
Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin has a turquoise glass ball head with a long needle. It is in the same style as items KVHS 0358 and KVHS 0359.millinery, costume, pin hat accessories, female hair restrainer -
Kiewa Valley Historical Society
Pin Hat, circa 1920 - 1950
Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin has a yellow/amber glass ball head. It in is the same style to KVHS 0357 and KVHS 0359clothing, millinery, costume, women hat accessory -
Kiewa Valley Historical Society
Pin Hat, circa 1920 - 1950
Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsA long hat pin with a royal blue glass head. It is in the same style to items KVHS 0357 and KVHS 0358clothing, millinery, costume, women hat accessory -
Kiewa Valley Historical Society
Pin Hat, circa 1940s to 1950s
Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis long hat pin is adorned with a flat, oval-shaped, piece of black plastic. A raised pattern of small distinctively dome shaped molded plastic infill together with three larger shaped domes. Identical to KVHS 0361costume, female head wear, accessories hat pin -
Kiewa Valley Historical Society
Hat Pin, circa 1940s to 1950s
Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis long hat pin is adorned with a flat, oval-shaped, piece of black plastic. A raised pattern of small distinctively dome shaped molded plastic infill together with three larger shaped domes. Identical to KVHS 0360costume, female head wear, accessories hat pin -
Kiewa Valley Historical Society
Hat Pin, circa 1940s to 1950s
Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin has a shiny black ball head, probably plasticcostume female head ware accessories, hat pin -
Kiewa Valley Historical Society
Pin Hat, circa 1940s to 1950s
Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin has the letter "J" as its head.costume female head ware accessories, hat pin -
Kiewa Valley Historical Society
Pin Hat
Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin is adorned with a flat metal circular head. There are two circles of narrow patterns around the outer edge. The centre is decorated with three shiny black faceted shapes producing a spoke like appearancecostume female head ware accessories, hat pin -
Kiewa Valley Historical Society
Hat Pin, circa 1940s to 1950s
Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin is adorned with a black shiny plastic "tear drop" shape head on a long shaft This is identical to KVHS 0366costume female head ware accessories, hat pin -
Kiewa Valley Historical Society
Pin Hat, circa 1940s to 1950s
Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorshis hat pin is adorned with a black shiny plastic "tear drop" shape head on a long shaft This is identical to KVHS 0365costume female head ware accessories, hat pin -
Warrnambool and District Historical Society Inc.
Lady's coat, Frederick Williamson Tailor Warrnambool, Lady's coat (Label Tailor Williamson Warrnambool), circa 1930
Edward Williamson came to Warrnambool in the 1860s and set up a tailoring business. His son Frederick joined his father in the tailoring business and from the 1920s on was operating in Liebig Street. Frederick Williamson was a city councillor on three occasions and was the Warrnambool Mayor in 1942 and 1943.This coat has considerable significance as an example of the tailoring business of Frederick Williamson. The Williamson family operated as tailors in Warrnambool for over 70 years.This is a black cotton cloth lady's coat. It is full length with long lapels, long sleeves, three large black buttons and one small button. It has an insert lining of grey satin. The lining is very stained. Tailor. Williamson Warrnamboolfrederick williamson, tailoring in warrnambool -
Warrnambool and District Historical Society Inc.
Camera, Eastman Kodak Co, Box camers, Early 20th century
This camera is a Premo model made early in the 20th century by the Eastman Kodak company of U.S.A. Premo model cameras were produced in three sizes. Box cameras such as this were produced up to the mid 1920s and were popular with amateur photographers because of the simplicity of the mechanism. This camera has no known local provenance but is retained for display purposes.This is a rectangular-shaped wooden box covered with a black leather trim. On one side is a leather handle attached by two metal buttons. The lid was originally opened by two metal clips at one end and two metal hinges at the other but most of these attachments are now missing. Recessed into the lid are two compartments for storing the film plates. Inside the lid is a glass plate covering the storage area and a spring-loaded lens mechanism with a glass lens and a pleated cloth attached to this lens. The leather on the outside of the box is somewhat scuffed and torn.‘The Premo Camera Made in U.S.A.’ ‘Manufactured by Eastman Kodak Co. Successor to Rochester Optical Co. Rochester N.Y. U.S.A.’