The Tawonga branch of the C.W.A. commenced on the 7th Feb. 1946 and often combined activities with the other branches in the Kiewa Valley. The C.W.A. aimed to improve health, welfare and education for women and children in the country. The Tawonga ladies competed in Handicraft and Home Industries Exhibitions during the 1990's and were very successful. Women living in Tawonga were mostly on farms and, in 1946, when the branch commenced would have been feeling more remote with WW11 having had an effect on available workers and the well being of the women and children.Small photo album with Country Women's Association Prize Cards for handicraft and Home Industries Exhibition enclosed. Each Prize Card is filled out with (Third) Prize; Name; No.; Section; Branch - all Tawonga; and points. Some of the cards have been won from other CWA groups displays e.g.. Yackandandah. The album has several blank pages left over. The cover is a picture of a boat on a lake with red flowers in the foreground.country women's association of victoria. tawonga. handicraft. home industries. exhibition. kiewa valley group.c.w.a.

Tawonga C.W.A. was involved in dressmaking and other home industries.The Tawonga branch of the C.W.A. commenced on the 7th Feb. 1946 and often combined activities with the other branches in the Kiewa Valley. The C.W.A. aimed to improve health, welfare and education for women and children in the country. This was achieved by getting together and exchanging ideas on dressmaking while providing for their families and the local community, possibly selling their products at fetes.Women living in Tawonga were mostly on farms and, in 1946, when the branch commenced would have been feeling more remote with WW11 having an effect on available workers and the well being of the women and children.Small white and grey book with picture of tape measure and cotton reel on the cover. It has 15 pages including the cover which is printed on too. It has general instructions for sewing. Held by 2 staplesCover: Woman's Realm presents / Dressmaking / made easy / Simple instructions and / step-by-step diagrams for / making your own clothes tawonga. country woman's association of victoria. dressmaking. woman's realm. c.w.a.

The Tawonga branch of the C.W.A. commenced on the 7th Feb. 1946 and often combined activities with the other branches in the Kiewa Valley. The C.W.A. aimed to improve health, welfare and education for women and children in the country. The members achieved these aims by being involved in handcrafts of all kinds.Women living in Tawonga were mostly on farms and, in 1946, when the branch commenced would have been feeling more remote with WW11 having an effect on available workers and the well being of the women and children.The book has a cover with Autumn colours of flowers in a vase with the title in block letters of pale yellow. It has 47 pages bound by 2 staples. The crafts involve the use of plants in creating decorations.tawonga. country woman's association of australia. crafts. plant crafts.c.w.a.

The Tawonga branch of the C.W.A. commenced on the 7th Feb. 1946 and often combined activities with the other branches in the Kiewa Valley. The C.W.A. aimed to improve health, welfare and education for women and children in the country. Doing craft helped the women achieve these aims as they would get together and learn from each other. Women living in Tawonga were mostly on farms and, in 1946, when the branch commenced would have been feeling more remote with WW11 having an effect on available workers and the well being of the women and children.Hard covered book with a yellow and black sleeve. The sleeve has a picture of a lady sitting on a lounge chair under a lamp admiring her glove. Inserted in the book is a page with further instructions on glove making. The book is bound and has 90 pages. The first and last 3 pages consist of advertising.Cover page "Country Womens' Association / of Victoria" stamp with purple ink Title: Clove-Making / At Home / by Frances Staite / Sir Isaac Pitman & Sons, Ltd 5/- net.tawonga. cwa. gloves. craft. country women's association of victoria

The Tawonga branch of the C.W.A. commenced on the 7th Feb. 1946 and often combined activities with the other branches in the Kiewa Valley. The C.W.A. aimed to improve health, welfare and education for women and children in the country. The Roper family were very involved for many years in the activities of the branch. Clare Roper collected and documented the history of the Tawonga C.W.A. and the Kiewa Valley C.W.A.. Women living in Tawonga were mostly on farms and, in 1946, when the branch commenced would have been feeling more remote with WW11 having had an effect of available workers and the well being of the women and children.Black wooden plaque sloped to a narrow gold coloured border surrounding a black surface with a gold badge shaped plaque. The plaque has writing etched into it and painted white.Tawonga Branch C.W.A. / honours its Members / Kiewa Valley / Group Presidents / Annie V. Roper 1958 - 60 / (Mrs Bert) / Clara J. Roper 1964 - 66 / (Mrs Jack)tawonga. country woman's association of victoria. clara roper. annie roper.

The Tawonga branch of the C.W.A. commenced on the 7th Feb. 1946 and often combined activities with the other branches in the Kiewa Valley. The C.W.A. aimed to improve health, welfare and education for women and children in the country. Women living in Tawonga were mostly on farms and, in 1946, when the branch commenced would have been feeling more remote with WW11 having an effect on available workers and the well being of the women and children.Round green and white badge with the CWA logo in the centre of a green triangular shield. The logo is in gold. Around the triangular shape it is white with Victoria in gold at the top and 2 slim leaves on each side of the other sides. The badge has a green border. The back is gold and two of them have a pin attached. The third has a ring attached at the top. On the back each one has a different inscription and all are hard to read. Each badge is very slightly different in texture and depth of colour perhaps indicating that they were made at different times."Victoria / CWA" On the back - 1. Inscribed in oval shape 'Morgan Swann' but upside down to each other. 2. Inscribed - 'Stoker' 3. Inscribed - 'Stokes' or 'Stones'tawonga. country woman's association of victoria. badge. cwa logo.

The Tawonga branch of the C.W.A. commenced on the 7th Feb. 1946 and often combined activities with the other branches in the Kiewa Valley. The C.W.A. aimed to improve health, welfare and education for women and children in the country. Women living in Tawonga were mostly on farms and, in 1946, when the branch commenced would have been feeling more remote with WW11 having an effect on available workers and the well being of the women and children.Slim rectangular shaped gold badge with a 'v' shape at each end. Its border is wavy. The writing is in green capital letters. At the top in the middle there is a 2 link chain. On the back is a pin.Branch Secretarytawonga. country woman's association of victoria. cwa. badge. branch secretary.

The SECV constructed the Kiewa Hydro Electric Scheme which included the building of Rocky Valley Dam on the Bogong High Plains near Falls Creek. H.H.C. Williams, construction engineer, Kiewa wrote to the Ski Clubs at Falls Creek outlining the dangers arising with the filling of Rocky Valley Dam. He lists 5 warnings in the interest of safety.The plan and letter provide the dates for the completion of Rocky Valley dam and its effect on the people living and working in the area including miners and ski clubs. It describes some of the features of Kiewa Works Area at the time.Plan No. K 6612 of Fall Creek showing Rocky Valley Dam's shape when it is full. Letter dated 6th April 1959 from H.H.C. Williams to Ski Clubs at Falls Creek re public safety as Rocky Valley fills. Refers to roads, transmission lines, pole lines etc in the Kiewa Works Area.Written in ink at top of letter - "Secretary / Mt Beauty and District Progress Association"rocky valley dam, falls creek ski clubs, h.h.c. williams, khes 1959, safety

This is an album of Australian official photographs of Australian participation in World War One. Enlargements of the photographs could be obtained in the 1920s from the Australian War Museum in the Exhibition Buildings in Melbourne. World War One (1914-1918) was a highly significant event, not only in world history, but also in Australian history – a time when Australia participated to a strong degree, with a great number of Australian men and women dying in the war. These photographs were important in the 1920s as they showed war scenes and military activities that were not available to the public when the war was in progress. They are still important today showing Australian military action in World War One, a signal event in Australia’s history. The number of World War One War Memorials in most Australian towns and small settlements is an indication of the effect on the Australian people of the sacrifice of the lives of so many young people. Warrnambool was just one place in Australia that built a war memorial in the 1920s and continues today to remember World War One heroes as well as those from later wars. This is a brown photograph album containing 72 black and white photographs of Australian soldiers in World War One (Gallipoli, Palestine, France etc). The photographs have been commercially produced. There are four photographs to each page mounted on card. The cover is cardboard and the pages are bound with multi-coloured string. The cover has an imprint of a lady (ancient Greek style).Stamp of Warrnambool & District Historical Society world war one, history of warrnambool

Celluloid was the first plastic. The first Celluloid experiments began in 1856 by Alexander Parkes in Birmingham, England. Later in the same year, he patented his invention "Parkesine". By 1868, no advancement was achieved, and Parkes' labor and efforts were ended. In 1869, Englishman Daniel Stills created a company called Xylonite to experiment and create a product similar to Parkesine. These efforts ended in 1874 when Stills went bankrupt. Celluloid was made into toiletry articles, novelties, photographic film, and many other mass-produced goods. Its popularity began to wane only toward the middle of the 20th century, following the introduction of plastics based on entirely synthetic polymers. This item is an example of a personal effect made from celluloid.A creamy yellow xylonite backed hand mirror with a narrow handle. The back is decorated with a swirling pattern (initials?).

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Originally named Crofthead or The Croft Head, later changed to Balranald according to Melbourne Mansions database.From Victorian Heritage Database citation for HO136 13 Poath Street MURRUMBEENA https://vhd.heritagecouncil.vic.gov.au/places/35389 as at 30/10/2020 "Croft Head" is situated at no. 13 Poath Road, Murrumbeena, and was built in 1887 for the accountant Edward Tweddell. It is historically and aesthetically significant. It is historically significant (Criterion A) as a substantial and now rare (Criterion B) surviving late Victorian villa residence east of Booran Road within the Municipality and demonstrating the attraction of Melbourne's rural fringe as a residential location rendered accessible by the opening of the railway between South Yarra and Oakleigh in 1879. It is aesthetically significant (Criterion E) as one of the Municipality's finest late Victorian polychrome brick villas, comparing with ''Fresch'' and ''Monkleigh'' both erected in 1899 at nos. 11 and 12 Gladstone Parade, Elsternwick respectively, ''Hartington'' (1888) at 15 Gladstone Parade and ''Hengar'' (1889) at no. 356 Glen Eira Road, Caulfield South. Elements of stylistic significance include the ornamentation of the brickwork in polychrome work with tiled panels, the effect of the banding being especially striking and representative of the period.Page 166 of Photograph Album with three photographs of Balranald on Poath Road.Handwritten: "Balranald" 13 Poath Road [top right] / 166 [bottom right]trevor hart, decorative brackets, chimneys, verandah, porch, poath road, arches, cast iron columns, return verandah, croft head, balranald, victorian villa, restoration, 1880's, edward tweddell, murrumbeena, hughesdale, cast iron frieze, victorian style, cast iron work, rendered brick, house names, polychrome brick, poath street, crofthead, the croft head

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Church of Christ, 514 Dandenong Rd, Caulfield https://vhd.heritagecouncil.vic.gov.au/places/43594 The Dandenong Road Church of Christ has regional importance as a landmark building along the Dandenong Road. It successfully addresses its triangular site by placing the belltower at the apex, deploying Romanesque and Gothic elements freely and to dramatic effect, heightened by the symbolism of the Cross (compare Robert Haddon's St Stephens in Balaclava Road of 1926).Page 4 of Photograph Album including three black and white photographs of properties on Alma Road. Two photographs are in the top half of the page and the third is in the bottom left hand side.Handwritten in black pen: Alma Road [top right of page] / 325 Alma Road [above top left photograph] / Church of Christ Caulfield North 14 Dec 1972 [above top right photograph] / 323-325 Alma Road [above bottom left photograph] / 4 [bottom right]caulfield north, trevor hart, alma road, houses, churches, church of christ caulfield north, dandenong road, bell towers, romanesque architectural style, gothic architectural style, bi-chromatic brickwork, cast iron work, verandahs, victorian architectural style

The Ballarat School of Mines was the first school of technical education in Australasia.Large format brown scrapbooks with newsclips relating to the Ballarat School of Mines.ballarat school of mines, newsclips, art examinations, ballarat west art school, st john ambulance association, andrew anderson, university affiliations, university of melbourne, professor kernot, geological cause and effect of faults, cassilis chlorination works, electric rock drills, museum, ballarat school of mines museum, latham watson, william barnard, krause, blucher amalgamator, f.m. krause, photography, ludovico hart, pyrites works, ballarat school of mines puries works, pyrities roaster, ballarat east school of art, art gallery association technical art school, hannay electro-cyanide process, x-ray, roetgen x-rays, xray, bairnesdale school of mines, technical education in germany, ballarat amateur photographic club, moonta, moonta excursion, moonta visit, broken hill visit, broken hill excursion, wallaroo excursion, ballarat west election, ballarat mechanics' institute, dr kenworthy, james oddie, william b. withers, william collard smith, duncan gillies, john phillips, james long, ballarat industrial institute

Page with a photo showing the effects of Scalebuoys on the Divining Rod. Beside it is two more photos, one showing a column of water and the other showing the effects of Scalebuoys on the same column of water.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, scalebuoy

Ill, maps, p.127.non-fictionCome see my little dugout - way up on the hill it stands, Where I can get a lovely view of Anzac's golden sands.' The Anzac Book was the finest 'trench publication' produced during the Great War and was an instant bestseller when first released in 1916. Created by soldiers under enemy fire and in extreme hardship, the illustrations, stories, cartoons, and poems were intended as a Christmas and New Year diversion for soldiers facing a harsh winter in the trenches on Gallipoli. The way these young men powerfully captured their felt experiences and struggles in the trenches had a huge emotional effect on readers back home in Australia. From Desk to Dugout explores this particular moment in Australian literary and educational history and its intersections with the war at Gallipoli and the history of ANZAC.world war 1914-1918 - campaigns - gallipoli, gallipoli campaign - personal narratives

Index, bibliography, notes, ill, maps, p.712.non-fictionAbout 1300 Australians died in the desert campaigns of World War I, while another 3500 died in North Africa and the Middle East during World War II. Thousands more carried the wounds of war for the rest of their lives. Countless families were left behind to mourn the dead and comfort the injured. A ripple effect of grief passed down the generations. This is the story of Australia's desert wars as never before told. Using letters, diaries, interviews and unpublished memoirs, Desert Boys provides an intensely personal and gripping insight into the thoughts, feelings and experiences of two generations of Australian soldiers. In many cases these were fathers and sons going to successive wars with all the tragedy, adventure and hardship that brought.australian army - desert campaigns, desert warfare - 20th century

Index, notes, bibliography, ill, maps, p.421.non-fictionThis landmark publication commemorates the centenary of the Great War's Gallipoli campaign, 25 April 1915 to 9 January 1916. 'ANZAC Treasures' approaches the subject of Gallipoli not only from a military perspective but also in terms of its social impact and its role in commemoration and nation building. It does so through the Memorial's immensely rich and varied National Collection, which provides a tangible link to ANZAC and gives an unparalleled insight into its many facets. The legend and reality of ANZAC are encapsulated within the relics, photographs, artworks, documentary records, personal diaries and letters that are displayed to dramatic and moving effect in a beautifully designed and produced commemorative volume.australian war memorial, world war 1914-1918 - gallipoli campaign

Index, ill, p.207.non-fictionRecount, chronologically, the stories of 50 of the most significant advances in military technology. Discuses the specific engagements or campaigns in which they had the most effect. military art and science - history, military weapons - history

Index, bib, ill, p.288.non-fictionhe invasion of Italy by France in 1494 sowed the dragon's teeth of all successive European wars, and accelerated the pressures to devise ever more effective armaments and methods of warfare." "This account of the story of arms over the period covers in detail the development of the handgun and the pike, the use and style of staff-weapons, mace and axe and war-hammer, dagger and dirk and bayonet. Armour is shown attaining its full Renaissance splendour then suffering its later decline; the history of the sword, Ewart Oakeshott's special interest, is followed to the late eighteenth century when it ceased to be part of everyday wear: cause or effect, the far-reaching effects of the Industrial Revolution on military armaments had begun.military technology - history, armour - europe - history

p.192.fictionA full-cast dramatisation of one of the greatest war novels of all time. First published as a novel in 1929, it tells the story of a group of young German soldiers who are enduring, and then coming to terms with, the realities of the First World War. At the age of 19, following the outbreak of the First World War, Paul Bäumer enlists in the German Army. He is deployed to the Western Front, where the experience of life and death in the trenches has an enormous effect on him. He begins to feel disconnected from his past life: his family, his love of poetry, and his feelings. As the war progresses, Paul becomes increasingly lost in battle. world war 1914-1918 - fiction, world war 1914-1918 - campaigns - france

Since the end of the Vietnam War, histories, films, novels and poetry have sought to come to grips with the conflict's devastating effect on Asians and Americans, both those who fought and those who didn't.vietnamese conflict , 1961-1975.

Between 1948, when Australia assumed strategic responsibility for British Commonwealth sea lines of communication to and from Southeast Asia and 1971, when the Five Power Defence Arrangements came into effect, ships and men of the Royal Australian Navy served with almost unnoticed distinction in defending the newly emerging nations of Malaya, Malaysia and Singapore.australia. royal australian navy - history - 20th century, australia - military relations - southeast asia

Geelong West Cycling Club was particularly strong during this period. Russell Mockridge was a magnet as Western District cyclists were attracted to the Club.Shows growth of a stgrong club and effect of strength to build further strength.Triangular pennant flag in red with gold lettering and a tassle attached to the triangular end point. Material appears to be thin vinyl. The base of the flag has tabs three tabs to enable hanging."C.D.A./ Victorian Track/Premierships/Country/1956-57"cda; victorian track races; premierships; country; 1956; 1957; gwcc;

Amateur pennant- Russell Mockridge was a magnet for the Club and just after he had ridden in 1948 Olympic Games, good riders were attracted to the Club.How does a Club grow? We note the effect if a very good rider in Russell Mockridge to inspire others.Two felt pennant flags in blue with white trims."VACU Premiership/Snr Country Road/Won by Geelong/1949" "VACU Premiership: Runners Up/Senior Country Road/ 1951"vacu; premiership; senior country road; won by geelong; 1949;, vacu; premiership; runners up; senior country road; 1951;

Commissioned by Nillumbik Shire Council - 1997 The selection panel in the commissioning process to this 'extraordinary acquisition' was Rhonda Noble, Director of La Trobe University Museum of Art, Jeph Neale, Eltham Roundabout Advisory Group, Chris Marks, NSC Curator of Collections, Geoff Glynn, NSC Manager of Infrastructure Development.'Nest' highlights the indigenous flora and fauna of the Shire. The stiff, coarse grass used to create the nest is indigenous to the area and the eggs are like those of the spotted quail thrush, a ground-nesting bird of the Shire. The circular flow or placement of the eggs recalls the revolution of the seasons and nesting cycles. There is a tall light pole above the eggs, shining down at night. The effect is of a giant incubator. Enrichment and nurturing of the larger environment can be associated with this sculpture. This work resembles a large bird's nest, with three egg-like forms of fibreglass covered in a pebble render, set on sand. The nest is positioned within the paved boundary of the roundabout. The nest shape has been created out of stiff, coarse indigenous grass, periodically trimmed so the view is not obstructed. The eggs are a brown-speckled, creamy yellow colour. The three eggs are arranged in a ring, with the narrow end of each pointing to the large end of the next, in a circle that mimics the flow of traffic. N/Apublic art, nest, eggs, eltham, ekphrasis2017, mosaic, pebbles, roundabout, spotted quail thrush