Showing 3889 items
matching flowers
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Bendigo Historical Society Inc.
Slide - GARDEN (FLOWERS) 12 HOPE STREET, Dec 1968
Slide. Garden (Flowers) 12 Hope Street. Beauty Bush.slide, bendigo, garden (flowers) 12 hope street., garden (flowers) 12 hope street. -
Bendigo Historical Society Inc.
Slide - GARDEN (FLOWERS) 12 HOPE STREET, Dec 1968
Slide. Garden (Flowers) 12 Hope Street. Hedges & plants.slide, bendigo, garden (flowers) 12 hope street., garden (flowers) 12 hope street. -
Bendigo Historical Society Inc.
Slide - GARDEN (FLOWERS) 12 HOPE STREET, Dec 1968
Slide, Garden (Flowers) 12 Hope Street . Arum Lily.slide, bendigo, garden (flowers) 12 hope street., garden (flowers) 12 hope street. -
Bendigo Historical Society Inc.
Slide - GARDEN (FLOWERS) 12 HOPE STREET, Dec 1968
Slide, Garden (Flowers) 12 Hope Street. Bella Donna.slide, bendigo, garden (flowers) 12 hope street., garden (flowers) 12 hope street. -
Bendigo Historical Society Inc.
Slide - GARDEN (FLOWERS) 12 HOPE STREET, Dec 1968
Slide, Garden (Flowers) 12 Hope Street. Mudlark in tree.slide, bendigo, garden (flowers) 12 hope street., garden (flowers) 12 hope street. -
Victorian Aboriginal Corporation for Languages
Book, Laura Levens, Wildflowers in the Dandenong Ranges : a beginner's guide, 1997
Small format book. Chapters organised according the colour of the flowers.Colour photographs, glossarywildflowers, plants, dandenong ranges -
Stawell Historical Society Inc
Memorabilia - Realia
White China Bed Chamber Pot self patterned with flowersstawell -
Stawell Historical Society Inc
Memorabilia - Realia
Domestic Pottery - Blue Ornament (Vase) with Birds and Flower designsstawell -
Stawell Historical Society Inc
Memorabilia - Realia, c1950's
Square Butter Dish with English woodland scene, Trees and flowersstawell -
Clunes Museum
Postcard
A CLOCK WITH VIOLETS ALL AROUND IT ,THE CLOCK AND THE FLOWERS ARE ALL EMBOSSEDlocal history, greeting card -
Clunes Museum
Postcard
WEDDING POSTCARD WITHCOLOURED FLOWERS WITHA BOWL OF FRUIT AS A CENTREPIECETO MABEL AND CLAUDE BEST LOVE FROM DAD AND MABELlocal history, document, postcard, -
Clunes Museum
Postcard
BLUE BACKGROUND WITH A HAND AND BIRD ON FRONT WITH SMALL GARLAND OF FLOWERSGREETINGS FROM LINDA 28.9.1908local history, document, postcard -
Clunes Museum
Postcard
A NEW YEAR CARD WITH A CHILD HOLDING TWO BASKETS OF FLOWERSTO C. J. SINCERE GOOD WISHES FROM E W A HAPPY NEW YEARlocal history, document, postcards, postcards -
Clunes Museum
Painting, Richard Ford, 1956
Richard Ford was a local artist heavily involved in the local community, famous for the theatrical backdrop in the Clunes Town Hall as well as the WWI mural on the west wall of the same building.This painting is an example of the type of work that was produced by a Clunes local artist. This painting was a gift from Richard Ford to the Late Reg Kinnersly who was a pupil in Richar Ford's "Sloyd" , arts and craft style classFramed painting "Still Life" of vase and flowers dated 1956Signed by artist Richard Fordrichard ford, artist, mural, wwi -
Stawell Historical Society Inc
Photograph, L & M Christmas Cheer
Salvation Army Mrs Hughes, Joan Hughes, Mrs RichardsThree Ladies, Two In Uniform other holding Flower Basketreligion -
Stawell Historical Society Inc
Photograph, Wedding portrait of bride and groom
Collected by Dorothy Brumby in relation to Great Western ResearchMan seated in suite with white gloves. Bride standing with flowers.W.J. Chapman -
Stawell Historical Society Inc
Photograph, Ian McCann, Parades
Float with children seated on green material, side decorated with flowers. -
Slovenian Association Melbourne
pattern, Marcela Bole Hazelbush pattern, 1925
Pattern using hazel bush as the base flower, arranging it in a circlepattern, geometrical, marcela bole -
Whitehorse Historical Society Inc.
Document, Tunstall Flower Farms, 1905
Tunstall Flower Farms.Information pertaining to the Jones Flower Farm, Mount Pleasant Road.Tunstall Flower Farms.flower farm, tunstall, jones, walter, nunawading south state school no. 4808, mount pleasant road -
Whitehorse Historical Society Inc.
Photograph, Flower Farm, 1971
Black and white photo of Flower Farm in Morack Road, Vermont.flower farm, morack road, vermont south, vermont -
Whitehorse Historical Society Inc.
Decorative object - Embroidery, Picture, c1800
Embroidered picture of bunch of flowers, darned embroidery on fine linen.handcrafts, embroidery, needlework -
Mt Dandenong & District Historical Society Inc.
Photograph
Photograph shows Ivy Child standing in a garden - probably at the Child property holding a large bunch of daisies. Ivy had her own garden at the family home. Photograph c early 1940s. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Ivy married Henry William Burgess (1906 – 1968) in 1944.Black and white photograph of a woman holding a large bunch of flowersivy child, ivy may child, child family, garden -
Southern Sherbrooke Historical Society Inc.
Furniture ornament
Original use unknown. Found underneath the St Martins Anglican Church Hall building when it was moved from Belgrave South Primary School to Belgrave Heights in 1994.Five-sided piece of wood with carvings of vines and a flower at the centre. -
Kew Historical Society Inc
Decorative object - Embroidered tray cloth
Embroidered tray cloth. Pink and yellow flowers in each corner. tray cloths, household textiles -
Kew Historical Society Inc
Household Textile, Table Runner
White rectangular table runner hand-embroidered with coloured flowers. household textiles, household linens, table runners -
Kew Historical Society Inc
Clothing - Brocade Evening Top, Thea Sartori, 1960s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This brocade top was made and worn by Thea Sartori.Brocade evening top highlighted with flowers of orange, blue and purple. evening wear, evening tops, australian fashion -- 1960s, thea sartori -
Stawell Historical Society Inc
Memorabilia - Realia, c1850
Hand Knitted Woven Flowers in Glass Dome on wooden base stawell -
Montsalvat
Metalwork Mandala, Untitled
Metalwork mandala of a decorative design with central flower with seven petals. Nonematcham skipper, metalwork, mandala, decorative design -
National Wool Museum
Uniform - Tie, Wendy Powitt, 1992 Barcelona Olympic Games Official Occasions Male Tie, c1992
About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Floral tie with cream, red, green native flower design.On label - Woven & manufactured in Australia by "Tee-Dee" exclusively for the Australian Wool Corporation1992 barcelona olympics, uniform, tie, australian wool corporation -
Port Fairy Historical Society Museum and Archives
Photograph
This Soldiers Memorial was erected in the centre of the town as the original Memorial stands at the top of the hill on the busy Princes Highway. This made the site difficult to police and march to because of the traffic passing through the town.Coloured photograph of Soldier’s memorial with flowers during Anzac Daymemorial, bank street, railway place, soldier