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matching framed painting
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Benalla Art Gallery
Painting, W. B. MCINNES, Volendam fisher folk, Not dated
... frame. Volendam fisher folk Painting W. B. MCINNES ...Born: St Kilda, Victoria, Australia 1889; Died: Melbourne, Victoria, Australia 1939ImpressionismLedger Gift, 1985Expressive brushstrokes in muted colours of two figures fishing in foreground with buildings, tower and trees in background. Timber frame.Recto: Signed "McINNES" in dark brown oil in l.r.c of composition; Not dated; Not titledpaintings, rural, buildings, figures, clouds -
Benalla Art Gallery
Painting, J. H. CARSE, Mountain River, 1866
... Gardens Bridge Street Benalla high-country Victorian Painting ...Born: Edinburgh, Scotland c.1818; Arrived: Melbourne, Victoria, Australia c.1867; Died: Sydney, New South Wales, Australia 1900VictorianGift of Mrs E.E. Ledger, 1985Rural landscape with dirt track, narrow stream, trees and steep mountains. Gold brushed and painted timber frame.Recto: Signed and dated “J H Carse / 1866” in brown oil, l.r.c of composition; Not titled painting, landscape, mountains, river, clouds, sky, trees -
Benalla Art Gallery
Painting, Frederick MCCUBBIN, The artist's home, South Yarra, Not dated
Born: Melbourne, Victoria, Australia 1855; Died: Melbourne, Victoria, Australia 1917Heidelberg SchoolLedger Gift, 1987House on top of hill in rural landscape with sloping hill to a pond and trees and grasses in foreground. Copper brushed timber frame.Recto: Signed "F. McCubbin" in brown oil in l.r.c of composition; Not dated; Not titledpainting, waterscape, hills, house, landscape, water, impressionist -
Benalla Art Gallery
Painting, John Ford PATERSON, Miner’s cottage, 1884
Born: Dundee, Forfarshire,Scotland 1851; Arrived: Melbourne, Victoria, Australia 1872; Lived and worked: Scotland 1875-1884; Died: Carlton, Victoria, Australia 1912VictorianLedger Bequest, 1993Oil on canvas on composition board, depicting a rural landscape and miner's commune off a dirt road. Gold brushed timber frame with decorative gesso edges and corners Recto: Signed and dated “J FORD PATERSON / 1884” in blue oil in l.r.c of composition; Not titledpainting, landscape, house, trees, path, road -
Benalla Art Gallery
Painting, E. Phillips FOX, Spring blossoms, Not dated
... blossoms in a field. Carved gold brushed timber frame Spring ...Born: Fitzroy, Victoria, Australia 1865; Lived and worked: France and England 1887-1892, France 1901-1913; Died: Melbourne, Victoria, Australia 1915ImpressionismMajor Basil MacNay Bequest, Gift of Arts Victoria, 1998Oil on wood panel depicting pink spring blossoms in a field. Carved gold brushed timber frameRecto: Signed "E. Phillips Fox" in purple oil in l.l.c of composition; Not dated; Not titledpaiting, landscape, garden, trees, cherry blossom, fence, impressionist -
Benalla Art Gallery
Painting, Joseph BACKLER, Henry Johnson (portrait pair), c. 1843
Born: London, Middlesex, England 1813; Arrived: Sydney, New South Wales, Australia 1832; Died: Sydney, New South Wales 1895VictorianBennett Bequest, 1999 Oil on canvas depicting portrait of seated Henry Johnson in black suit and bowtie. Polished timber frame with gold gesso inlayRecto: Not signed, not dated, not titled painting, portrait, colonial, man, face, hands, figure -
Benalla Art Gallery
Painting, Joseph BACKLER, Caroline Johnson (portrait pair), c. 1843
Born: London, Middlesex, England 1813; Arrived: Sydney, New South Wales, Australia 1832; Died: Sydney, New South Wales 1895VictorianBennett Bequest, 1999 Oil on canvas depicting portrait of seated Caroline Johnson in grey dress. Polished timber frame with gold gesso inlayRecto: Not signed, not dated, not titled painting, portrait, colonial, woman, face, dress, flower, figure -
Benalla Art Gallery
Painting, Peter PURVES SMITH, Burke and Wills, c. 1937
... Gardens Bridge Street Benalla high-country Surrealism Painting ...Born: East Melbourne, Victoria, Australia 1912; Lived and worked: England 1935-1949; Died: Melbourne, Victoria, Australia 1949SurrealismBennett Bequest, 1999 Explorers Burke and Wills rest against a large rock with a bottle at their feet. Gold and grey brushed timber frameRecto: Not signed, not dated, not titled painting, figures, abstract, rock, water, bottle -
Benalla Art Gallery
Painting, Rupert BUNNY, (Landscape, France), Not dated
Born: St Kilda, Victoria, Australia 1864; Lived and worked: England and France 1884 - 1933; Died: Melbourne, Victoria, Australia 1947ImpressionismGift of Mr Alan Harris in memory of his wife Lynette Harris (née Burnell), 2004Oil painting on board depicting rural landscape with trees and farmhouses. Gold brushed timber frame with decorative gesso corners.Recto: Not signed, not dated, not titled painting, landscape, buildings, tree, impressionist, hills -
Benalla Art Gallery
Painting, Rupert BUNNY, (Coastal landscape), Not dated
Born: St Kilda, Victoria, Australia 1864; Lived and worked: England and France 1884 - 1933; Died: Melbourne, Victoria, Australia 1947ImpressionismGift of Mr Alan Harris in memory of his wife Lynette Harris (née Burnell), 2004Oil painting depicting coastal landscape with buildings and cliffs in background. Gold brushed timber frame with decorative gesso cornersRecto: Not signed, not dated, not titled painting, landscape, sea, trees, impressionist, buildings, cliff -
Benalla Art Gallery
Painting, George W. LAMBERT, The actress, c. 1913
Born: St Petersburg, Russia 1873; Arrived: Sydney, New South Wales, Australia 1887; Lived and worked: England, France, Wales, Egypt, Palestine 1900-1921; Died: Cobbity, New South Wales, Australia 1930EdwardianGift of Mr Wayne N. Kratzmann, 2005Oil painting on canvas depicting figure in a red dress, looking at her face in a mirror held by cherubs. Gold brushed, carved timber frame with decorative corners and edges.Recto: Not signed, not dated, not titledpainting, woman, figure, angels, cherubs, clouds, glove, mirror, face, flowers -
Benalla Art Gallery
Painting, Henry BURN, Studley Park bridge over the Yarra, c. 1860
Born: Birmingham, Warwickshire, England 1807; Arrived: Melbourne, Victoria, Australia 1853; Died: Melbounre, Victoria, Australia 1884RomanticismGift of Beverley Brown, 2015Oil painting on board, depicting sparse rural landscape by a river and bridge.Gold brushed timber frame and decorative gesso inner corners. Recto: Not signed, not dated, not titledpainting, landscape, figures, boat, tree, bridge, river, animals, water -
Bendigo Art Gallery
Painting, Albert TUCKER, The Kiss, 1989
l.r; Tucker 89painting, australian artist, surreal, moon, kiss, figures, tucker, face, composition frame -
Bendigo Art Gallery
Painting, Stephen BUSH, The Lure of Paris #22, 2002
(verso) frame rebate; The Lure of Paris #22, Stephen Bush, 2002painting, australian artist, elephants, babar, crown, cliff, cliff face -
Clunes Museum
Painting, David Williams, 2003
Timber framed collage of historic Clunes painted in watercolourshistoric clunes, watercolour, artist -
Clunes Museum
Print - FRAMED PRINT, BREAKING THE NEWS
FRAMED PRINT OF JOHN LONGSTAFF'S PAINTING OF "BREAKING THE NEWS" (ORIGINAL PAINTING - OILS ON CANVAS NOW LOCATED IN A GALLERY IN WESTERN AUSTRALIA) COPY OF PAINTING FROM SUPPLEMENT TO THE AUSTRALIAN SKETCHER JULY 12, 1887FRONT TOP - BREAKING THE NEWS FRONT BOTTOM - SUPPLEMENT TO "THE AUSTRALIA SKETCHER" JULY 12, 1887john longstaff, breaking the news -
St Kilda Historical Society
Painting - Watercolour, Watercolour image of the St Kilda Foreshore
Donated to the St Kilda Historical Society by Mrs ??? 1977framed watercolour -
Geelong Cycling Club
Road Bike, 1929
Track cycle won by Jack Phillips 1929 in the Melbourne - Ballarat - Geelong - Melbourne Road Race. This was the first open road race won by a Geelong Amateur Cyclist. The Amateur Cycling Club was formed in 1929. This bike was restored by Ken Dickie who did his apprenticeship in fine line restorations and the painting was by Fred Cook. Hand grips by Harry Clarke. They used photographs from Jack Phillips of the original bike to restore the bike to its original colours and appearance.Track cycle one by Jack Phillips - the first of the big open road races won by an amateur.Restored Malvern Start Road Bike from 1929. Painted in red with the words Malvern Star highlighted in white on a blue background on the frame. The stem features two silver stars on a blue background. Single speed with wooden wheel rims. It has a leather saddle and rubber hand grips (formerly used as gas masks in WWI)"Malvern Star"jack phillips; geelong amateur cycling club; malvern star; geelong cycling club; 1929; -
Clunes Museum
Painting
WATERCOLOUR PRINT SIGNED BY j. VANDER. PICTURE IS KEPT IN BLUE TO WHITE. ON LEFT METHODIST CHURCH WITH METHODIST PERSONAGE IN FRONT. PAINTING IS DONE FROME SERVICE STREET. PRINT IS ON A BOARD. PICTURE IS FRAMED WITH TWO GOLD BORDERS ON WHITE. ON THE BOTTOM IS WRITTEN: MY TOWN SERIES JOHN VANDERjohn vander, my town series -
Clunes Museum
Artwork, other - PAINTING
.1 PENCIL SKETCH OF A CREEK, A PUBLIC BATH HOUSEON THE OTHER SIDE OF THE CREEK AND A RAT ON THE BUILDING. A CAT ON THIS SIDE GREY ON BEIGE, GOLD CRACKED FRAME .2 PHOTOCOPY OF THE DRAWING .3 ORIGINAL BACKING OF THE DRAWING WITH PIECES OF WRITTEN NOTES AND NEWSPAPER CLIPPINGS BUT ILLEGIBLE, BROWN PAPER.1 ON SKETCH: CAT:AH MY SOTT!! DERE IS ZE RAT ON ZE HOUSE OF ZE ISLAND, I WILLHAVE A POKE AT HIM BUT - OH - IF I MISSES HIM HE MAY FLY AT ME, SOTTTAM RAT HApencil sketch, cartoon sketch -
Clunes Museum
Painting - PICTURE OF ARTHUR LEAN
.1 A BLACK AND WHITE COPY OF PORTRAIT OF ARTHUR LEAN, HUSBAND OF BEATRICE, IN A DARD-BROWN WOODEN FRAME .2 ORIGINAL PORTRAIT MOUNTED ON MATT BOARDON BOTTOM OF PICTURE: VICTA STUDIO CLUNESvicta studio, arthur lean -
Clunes Museum
Painting - PORTRAIT BEATRICE LEAN
.1 BLACK AND WHITE PORTRAIT OF BEATRICE LEAN NEE HUDSON IN A BROWN WOODEN ORNATE FRAME ORIGINAL COPIED .2 ORIGINAL PHOTOGRAPH MOUNTED ON MATT BOARDbeatrice lean, hudson -
Clunes Museum
Painting - SEASCAPE IN OILS
1 of a pair (see catalogue no. 169) Circular painting on brown painted mounting board, gold inner mount, brown printed frame with gold and black floral and leaf edging.seascape, oils -
Clunes Museum
Painting
Wooden framed watercolour of a scene of a house with a blue roof, a line of telegraph poles a mullock heap with a fence in the foreground, sheep in paddock.Nilwatercolour, artwork, landscape -
Clunes Museum
Artwork, other - PAINTING, GHOST TOWNS OF AUSTRALIA NO. 2
GOLD METAL FRAME UNDER GLASS WITH WHITE MATT SURROUNDS. DRAWING OF CLUNES, BUILDINGS CORNER FRASER AND TEMPLETON STREETS.GHOST TOWNS OF AUSTRALIA NO. 2 CLUNES VIC 2 28/40clunes, buildings -
Tatura Irrigation & Wartime Camps Museum
Painting, Madonna & Child, 1945
Given to Gerard Hillman, an Australian soldier, by the artist.Glass framed portrait of Madonna & Child on a brown coloured backing. Oil on canvas.V Galeavincenzo galea, madonna & child, galea -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Portrait of unknown Internee, 1940
Dr. Leonhard Adam was an internee in Camp 2.Original painting depicting an internee during the artist's time in Internment at Tatura.Portrait of unknown 'Camp 2 Internee', by Leonhard Adam. Cream coloured painted old-fashioned frame (plaster?), with decorative scrollwork on corners. Male subject, brown hair & goatee, blue eyes. Blue/ white background. White shirt.Leonhard Adam Tatura / Vic Weiten 1940tatura, dunera, internee camps, leonhard adam -
Tatura Irrigation & Wartime Camps Museum
Painting - Portrait - Oil Painting, Jacky, 1946
Jacqui Seal was the daughter of the Australian Army Intelligence Officer in Camp 13, Captain Stanley L. Seal. and sometimes visited her father in camp. Mueller asked to paint Jacky her father agreed, and Mueller presented the final work to her.|Jacqui did not like the portrait and pasted newspaper over it, since partially removed.Portrait of a young girl with bow in her hair and the name "Jacky" on her jumper. Portrait on brown paper in plain varnished wooden frame. Partially covered by newspaper.M. Mueller 1946.tatura, camp 13, manfred mueller, german pow, seal -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Musicians' Practice Room, c.1943
Painted in Camp 1 by one of the German internees, Hans Zenker, and acquired by fellow internee Wilhelm Eckles.Water colour mounted and sealed with glass front in light brown stained wooden frame. Hut with gable roofed adjunct in front, trees and grass. Man standing of to the left of the window.Hans Zenkercamp 1 internment camp, tatura, music room, camp 1 orchestra, illustrations, watercolours -
Tatura Irrigation & Wartime Camps Museum
Photograph, Chapel in Camp 3, 1942
Colour photograph of a painting by an internee in Camp 2, and presented to Pastor Strellan of Bendigo who made frequent visits to the camp to take services for the internees. Painting of chapel constructed in Internment Camp 3, Tatura Group by R.T.BColour photograph of a watercolour depicting fabricated altar with bible, cross, candles and flowers. Light brown stained frame, glass front, sealed and mounted.R.T.B 1942pastor strelan, internment camp 3, camp 3 chapel