A colour slides of boys in the garden of Blamey House, Burke Rd, during a summer holiday camp in 1958. Blamey House was used for camps over summer holidays for many years. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of camps being organised for children.Colour slide photo of a group of boys in a garden at Blamey House in a cardboard Kodachrome mount.Handwritten on front 'Boys relax at Blamey House' and '1958' in blue pen. Imprinted '12' in black ink. Printed on reverse 'Kodachrome Transparency / Processed by Kodak' with a red outline on edge of slide. Handwritten on reverse 'Boys at Blamey / 3 / SET 2' in pen.camps, blamey house

8 colour photographs of Staff and Students at a pub. Includes photograph of Phil Tulk with Karen van Laack (Finance Officer) anf Paula Cave (Gardener), Richard Green (Finance Officer.) Extra photographs in spares box.staff, students, pub, celebration, farewell, kalvin carpenter, phil tulk, karen van laack, finance officer, paula cave, gardener, richard green

Yields information about the lower end of Sturt St, south side and the City Loop.Digital image from the Wal Jack Ballarat Album of a photograph of No 42 running to the Gardens and No. 28 in the parking loop in the lower end of Sturt St. Has the Ballarat Gas Company and Paterson, furniture stores in the background. Photo by Alwyn Marshall. Possibly printed by Wal Jack as it has his handwriting on the rear. See image i2 for rear of photograph.On rear of photograph in ink "SEC, Ballarat, No. 42 to Gardens, No. 28 in parking Loop, Sturt St, Ballarat 1960 A. Marshall photo"trams, tramways, sturt st, city loop, tram 42, tram 28

Acorn and caps are from a 15 metre high Valonia oak tree (Quercus ithaburensis macrolepis) which was uprooted during a storm on Tuesday, 1st December 1987. The tree was planted in the Geelong Botanic Gardens by the first curator, Daniel Bunce, from an acorn shipped to Charles Ibbotson from Southern Europe in 1861. Ibbotson was the Chairman of the Management Committee of the Gardens and a woolbroker and merchant who founded the company Dalgety, Ibbotson and Co. with F.G. Dalgety in 1852. The acorns arrived in poor condition, but later established well. Very few Valonia Oaks were successfully propagated in Australia. Valonia oak caps were an important species which were used in the European tanning industry and Australian tanners were eager to grow the oak here.Five immature acorn caps from a Valonia oak, first planted in the Geelong Botanic Gardens in 1861 from acorns forwarded by Charles Ibbotson. Acorn and cap from a Valonia oak, first planted in the Geelong Botanic Gardens in 1861 from acorns provided by Charles Ibbotson. geelong botanic gardens dennys, lascelles limited city of greater geelong, tanning, valonia oak, ibbotson, mr a. charles, the heights, newtown, geelong.

The interview is one of a series recorded in 2013-2014 to document memories and experiences of the Williamstown Botanic Gardens, surrounding areas and Fearon ReserveA primary source of information on memories of the Gardens and witness to changes in the Gardens over those years. CD and transcript of interview with Ken Speakman. Also present was his daughter, Nola Wilson. His son visited part of the way through the interview. Ken’s family moved to Williamstown in 1918 when he was a baby and he has lived in Williamstown, close to the Gardens since that time. He was a keen lacrosse player, playing on Fearon Reserve. Ken was interviewed for his memories of the Gardens and its relationship to Fearon Reserve. ken speakman, nola wilson, fearon reserve, lacrosse, 1918, bill crowe, william crowe, bird cage, bandstand, ramsay’s café, horses, harry stitt, cannons, aci glassworks, woollen mills, oil refinery, sims cooper, abattoir, mobil, palms, williamstown botanic gardens, hobsons bay city council

Used as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 69. The caption in the book reads, "George Russ among some of the dahlias, of which he was such an excellent judge." "Demonstrator in Horticulture from 1910 to retirement in 1936. An Englishman thoroughly trained in the old school and highly respected by all who were privileged to know him." E.B. LittlejohnColour photograph of a b/w photograph on a table of George Russ, Head Gardener standing in a bed of Dahliasgreen grows our garden, a.p. winzenried, george russ, dahlias, demonstrator in horticulture

c 1980 Parks and garden staff mowing Central Park Oval. No 2 Grandstand has its roof on. Also at the right end of the Grandstand is the Railway foot bridge which was demolished in 1991.. The Football Clubrooms built in mid 1960's is just in view on the right side. Photo of oval with garden staff mowing. No 2 Grandstand and just a section of the Football Clubhouse in view. c 1980'sstawell sports

This children's book was produced to document the construction of the Nature Play Space in Warrnambool Botanic Gardens in 2020. It tells the story of what great community spirit, persistence and excellent teamwork can achieve; a nature play space for all to enjoy. The project was funded by the Victorian Government's 'Pick my Project' initiative and overseen by the Friends of Warrnambool Botanic Gardens in conjunction with the Botanic Gardens team and Warrnambool City Council.This book is significant as it documents the construction of the nature play space in Warrnambool Botanic Gardens. It is one of few locally produced children's books.Soft cover book with image of Warrnambool Botanic Gardens which wraps around to the back cover. The image shows the lake with children feeding ducks and trees in autumn colours.The title text is black and sub-title and author's name in grey.children's literature, garden construction, children's playgrounds

Circa late 1800s early 1900s a horse-drawn plough, potato digger, is one example of the implements that were widely used by early market gardeners in the Shire of Moorabbin. The flat plate, seen to the right of the photo, dug down into the ground below the potatoes and "scooped" them up. Behind the plate, two driving chains on cogs, (these chains are missing from our exhibit), then "rocked' the dug potatoes to loosen the soil from the "spuds". The potatoes were then harvested by hand. Very large tracts of land in the Shire of Moorabbin were planted with potatoes. Harvesting commenced in October, into November and on into December. Potatoes were a necessary food staple. The market gardeners were always in a rush to be first to get their potatoes to market, and hence the best price. Some market gardeners were so keen to be the first to market, (and get the most money), that they dug their potatoes "green" (or new). The only downside of this practice was that these early potatoes had to be handled with extreme care as their skins were very loose, and came off easily - so decreasing their profits.As well as taking their produce to the Melbourne and St Kilda markets, they also sent produce off to Sydney markets. It is interesting to note that a group of Chinese market gardeners were the first to access the Sydney market. .Following the 'Dendy's Special Survey' 1841 and the Crown Land Sale of 1852, land allotments were sold to pioneer settlers who established market gardens in the area of Moorabbin Shire. During the 1850s gold-rush population boom the number of market gardeners increased significantly spreading throughout the Moorabbin Shire. Potatoes were considered a staple foodstuff, so crops were regularly sown throughout the whole Moorabbin area. Circa late 1800s early 1900s. A horse-drawn plough potato digger is an example of the machines used by early market gardeners in Moorabbin Shiremelbourne, sydney, markets, vegetables, potato, dendy henry, st kilda, market gardeners, gold rush, moorabin, chinese gardeners, ploughs

The bust of Gough Whitlam had gone missing from the Prime Ministers' Avenue, in the Ballarat Botanic Gardens.The Prime Ministers' Avenue in the Ballarat Botanical Gardens is unique and the Ballarat community are proud to have this commemoration of Australian Prime Ministers. In 1975, there was great concern expressed about the missing bust. Also, the Whitlam Government lost office amid a constitutional crisis in 1975.Black and white cartoon depicting the busts of two Prime ministers, William McMahon and Gough Whitlam and two Ballarat Council workers in the Ballarat Botanical Gardens published in the Age? newspaper, Melbourne. Vic.In faint pencil, right hand bottom of page, 10/10/75the bust of gough whitlam, prime ministers' avenue, vandalism to statues, prime ministers' busts in the ballarat botanical gardens, john garner collection, garner, dr, ballarat botanical gardens, gardens, ballarat

High St Charlton 1989. Garden bed in front of Tippett's Haberdashery and Furniture Shop (later House & Home). Across the street is the Westpac Bank and Arundell's Shoe Shop. The photo was taken by Jenny Pollard for the Shire of Charlton 1989.Colour photograph of garden bed showing stone edging and brickpaving. Large tree and petunias growing in bed. Westpac Bank across the road.tippett, arundell, westpac, high street, charlton

First curator's cottage, was built in the gardens early 1860's, later moved to 1414 Gregory St, now relocated back to the Northern Gardens and used by the "Friends of the Ballarat Botanical Gardens" for meetings and Botanikids activities.The Cottage is important as an early structure in the Ballarat Botanical Gardens. It is one of the early works of the Ballarat pioneer architect, Cassini. Its removal from Gregory Street back to the Gardens is testament to the generosity and enthusiasm of the Friends of the Ballarat Botanical Gardens. Its renovation was funded by the Ballarat City Council and the Friends of the Botanic Gardens as an important landmark from the past. It is now visited, used and enjoyed by the community. Many original features of the Cottage are intact with a modern extension.Blurred photograph in parts especially lower half of the photograph.Back of black and white photograph in biro, longhand print, "North Lodge - Geo.Longley First Curator- Residence. From 1863 to 1867 Gardens Cottage Built." Now located at 1414 Gregory Street. In faint print, THORNTON RICHARDjohn garner collection, garner, dr, george longley, longley, curator, curator house, ballarat botanical gardens, ballarat, gardens, north lodge, cassini, architect, northern gardens, longley family

Elaine Pearce (1937) designed the garden in Hobart, Tasmania, for her parents after her Graduation, when she could not find work. See Elaine Pearce Box 101B for handwritten notes.Set of 19 colour photographs. One of Elaine Pearce (1937) taken by A.P. Winzenried in 1991 and 18 of the garden in Hobart, Tasmania designed for her parents after graduation when she could not find work. Also taken in 1991. (12) Appears as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 64. Also see her handwritten notes.elaine pearce, a.p. winzenried, hobart, tasmania, green grows our garden, a.p. winzenried, garden design

Photograph of Ivy May Child aged 19 years sitting in a garden playing a banjo mandolin. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Ivy married Henry William Burgess (1906 – 1968) in 1944. Sepia coloured photograph of a young woman sitting in a garden sitting with a banjo mandolin.On reverse: IVY CHILDivy may child, ivy child, banjo mandolin, banjo, child family, child, burgess, william henry burgess, ted child, ethel madden

These hand tools are examples of early to mid-20th century garden cultivators, designed for home gardening, small-scale agriculture, or kitchen gardens. Their full-metal construction suggests they were built for durability and could be used in tough soils where wooden-handled tools might break. The minimalist yet practical design would have made them ideal for weeding, soil aeration, or root work in garden beds. Such tools were commonly found in household sheds and were often homemade or locally manufactured by blacksmiths or rural toolmakers. – Roy SCHMIDT resided with his siblings Mabel and Jack at ‘Parklands’ 85 Lake Avenue Natimuk home of Heinrich Friederick ‘Heiny’ & Minna Christina SUDHOLZ nee LANGE and their children Louis, Sophie, Alma, Lena (Roy's Mother), Florence 'Florrie' and Edward ‘Ted’.The image shows two vintage hand garden forks or cultivators, each constructed entirely from metal, including coiled wire handles. The implements are similar in size and style, but differ in tine configuration: [1] Handmade Garden Fork Straight Prongs: Has five straight, flatter tines, more like a rake, and is better suited for fine cultivation, weeding, or breaking up soil clods. [2] Handmade Garden Fork Claw Prongs: Features three thick, curved tines arranged in a spiral and claw-like fashion. These tines are more widely spaced and likely used for loosening tough or compacted soil, or for aerating.gardening

A competition was announced to design a suitable building for the proposed Melbourne International Exhibition in December 1877. Eighteen entries were received. The winner of 300 pounds was Joseph Reed of the architectual firm Reed and Barnes. The foundation stone was laid by Governor Sir George Bowen on 19 February 1879. Prominent Melbounre builder David Mitchell, father of Dame Nellie Melba, won the tender to construct the main building. Exhibitors were able to move in by May 1880. On 01 October 1880 the Melbourne International Exhibition opened, when over 6000 people entered the main hall to see the Governor, the Marquess of Normanby open the show. Thirty three nations participated and ofver 32,000 exhibits were displayed. At the close of the exhibition on 30 April 1881 over 1.3 million people had visited the exhibition. In 1881 Victoria's population was just over 250,000. The management of the Exhibition Building and eight hectares of the Carlton Gardens was handed to the Exhibition Trustees by the Melbourne International Exhibition Commissioners on 01 OCtober 1881. The Trustees maintained the building for 'future public exhibitions and ... general public instruction and recreation' until 1996 when management of the building was transferred to Museum Victoria. In 1901 when the Australian colonies federated there was no capital and no federal parliament building. The Federal Parliament moved into the Victorian State Parliament building, and the State Parliament moved into the Western Annexe of the Exhibition Building for 26 years. After World War One, on 04 February 1919, the exhibition Building was turned into a hospital to treat Melbournians struck down with the Spanis 'Flu'. Initially housing 500 beds, the hospital grew to accomodate 2000 patients. Femals were located between the concert platform in the western nave and the done; male patients occupied the spaces beyond. The basement was used a a morgue. With the departure of the State Parliament in 1927 the western annexe became home to the Country Roads Board. In 1932 it was joined by the MOtor Registration Branch, and the Transport Regulation Board in 1934. They co-existedin cramped offices until the 1960s. In 1949 the oval at the rear of the ExhibitionBuilding was leased to the Commonealth Government for the establishment of the Migrant Reception Centre. When it closed in 1961-62, the centre comrised 29 bungalows over 1.4 hectare. The centre provided temporary accomodation for thousands of new arrivals from Britain. On 01 July 2004 the Royal Exhibition Building and Carlton Gardens were inscribed on the World Heritage List. It is the only 19th century Great Hall to survive largely intact, still in its original landscape setting, and still used as a palace of industry. The Melbourne International Flower and Garden Show is a flower show held annually since 1995 in early April each year, in Melbourne, Australia. It is located in the World Heritage Site of Carlton Gardens and the Royal Exhibition Building.[1] It is the largest horticultural event in the southern hemisphere, attracting over 100,000 visitors. It is rated among the top five flower and garden shows in the world. (Wikipedia)Colour photograph of the interior of the Melbourne Exhibition Buildings during the 2019 Melbourne Flower and Garden Show.melbourne international flower and garden show, carlton gardens, melbourne exhibition building, royal exhibition buildings

The Peterson family were early settlers in Moorabbin Shire and established a market garden in East Boundary Road East Bentleigh. Horse drawn wagons traveled along Plateways to take their crops to the Melbourne Markets . With the advent of the motorcar the market gardeners gradually purchased trucks to transport their crops. Roads were being surfaced but ruts and flooding caused upsets and bogging of these trucks. The journey was quicker but unlike the Horses, these trucks could not drive themselves back to the farm.The early settlers like the Petersons and Marriotts, in the Parish of Moorabbin County of Bourke after Henry Dendy's Special Survey Brighton 1841, established market gardens, fruit & flower gardens, poultry & dairy farms, vineyards as well as shop businesses, blacksmiths, chemists, nursing homes and schools & Churches.Black & White photograph of a Vulcan truck driven by Vic Peterson, loaded with Cauliflowers from his market garden in East boundary Road East Bentleigh c 1929.Back Handwritten information unsgnedwagons, vulcan trucks, draught horses,, peterson vic, marriott dick, cauliflower crops, vegetable crops, poliomyelitis epidemics 20thc , elster creek, plateways moorabbin shire, smith j l; smith mary ann, stanley helen, smith vic chaff cutter, horse drawn carts, toll gates brighton, motor cars 1900, steam engines, early settlers, bentleigh, mckinnon, parish of moorabbin, city of moorabbin, county of bourke, moorabbin roads board, shire of moorabbin, henry dendy's special survey 1841, were j.b.; bent thomas, o'shannassy john, king richard, charman stephen, highett william, ormond francis, maynard dennis, market gardeners, vineyards, orchards

Photograph made in 1990 by A.P. Winzenried for, "Green Grows Our Garden," p41.3 copies colour photograph. Copy of sepia photograph on an album page made in 1990 by A.P. Winzenried. Edna Walling standing in the Ornamental Gardens holding a tool over her shoulder. A male student walking in the background.On reverse, "Edna Walling as a student at Burnley, 1917 Courtesy of Noelle Kendall." ( Vaughan.)a.p. winzenried, green grows our garden, edna walling, female students, noelle kendall (née vaughan)

Miranda of the Weekly Times visited Schwerkolt Cottage and described the furnishings and period style garden that has appeared since her previous visit.Miranda of the Weekly Times visited Schwerkolt Cottage.schwerkolt cottage, shaw, h. t., faggeter, pat

A regular event for the widows was a concert by the Police Band in the Fitzroy Gardens. Held in March for many years. Held on the 1st March 1993 with around 600 ladies from all over Victoria in attendance. The Victorian Police Band was led by Inspector Mike Pyne and performers Daina Jowsey and Brian Carberry sang. The Victoria Police Pipe Band also played. The photos show the widows sitting in the sunshine and the band including the police horse Gendarme.A record of regular events for widows to attend and enjoy together.Colour photo x 2 of a Police Band concert in Fitzroy Gardens in 1993 and an article in the Answer.widows, concert, activities, answer, police band

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.30 / ‘Scene in the Melbourne Botanical Gardens’ / Albumen silver photograph mounted on boardOn Reverse: ‘The Scene of the present illustration is taken from the Hill on the South Yarra side of the Gardens, shewing in the distance the Government Domain. In the centre of the picture a portion of the Lake may be seen. This Lake is of considerable extent, and being surrounded by hills, the slopes of which contain many beautiful Fern Groves and Vistas of the densest foliage, adds greatly to the beauty and picturesqueness of the surrounding scenery.’nicholas caire (1837-1918), australia - landscape photography

William Dower brought his family to the Dandenongs in 1898, taking up 10 acres. His property was Cambridge Gardens located between the present Mt Dandenng Tourist Road and Yarrabee Road. William and his wife Elizabeth had seven boys (Will, Harry, Bert, Walter, Joe, Edgar, Robert) and four girls (Emmy, may, Ada and Ruby). This photograph shows raspberry picking at Cambridge Gardens c1907. The Dower Homestead is visible. The boys in the floppy felt hats are from Burwood Boys Home. Ruby Dower is centre front. Will Dower right of picture and Walter Dower left of picture.Ada, Carrie, Elizabeth, May and Emmy are also in the photo.Black and white photograph showing raspberry pickers at the Dower property Cambridge Gardens at Mt Dandenong. Printed from an image supplied on a CD.dower, william dower, ruby dower, raspberry, raspberry crop, cambridge gardens, walter dower, mt dandenong

Layout of Richmond Park showing railway line, Pic-Nic Station, Swan Street extension and Horticultural Society's Garden. 3 photocopies of plan surveyed and drawn by A.L. Martin, Authorised Surveyor. Photolithographed at Dept of Lands and Survey by J. Noone 6th Sept. 1872. Showing the entire park and the Horticultural Society's Garden.richmond, parks, a.l. martin

Note by T.H. Kneen 18 December 1991, "Students in photos are of the 1944 graduating year."Black and white photograph. Students seated on an upturned ladder watching an instructor pruning tree in the Orchard. Garden Staff member standing behind.On reverse," Burnley Horticultural College 1936 L to R Tom Trahair-Garden Labourer, Dennis Greiger-Student. Students: Bob Grant, Ian Ball, Grace Douglas (Mrs Tom Walker), Beth Nutting (Mrs Coutts), Gwen Watson (Mrs McCarthy). Lecturer Perc Trevaskis-F.A.I.P.R."burnley horticultural college, 1936, tom trahair, garden labourer, dennis greiger, students, bob grant, ian ball, grace douglas, mrs tom walker, beth nutting (mrs coutts), gwen watson (mrs mccarthy), lecturer, perc trevaskis, f.a.i.p.r., 1944, student outside class, pruning demonstration

This plan of Lum Road Estate includes layout of roads, gardens, building and carparks. From 1970 until August 1971 Robin Boyd and his practice Romberg & Boyd Architects worked on designs for housing on the Lum Road Estate, Wheelers Hill. Berenice Harris, Linley Vellacott and Karl Fender drew many of the sketch plans for the project homes, while Robin Boyd drew the perspectives. This colour plan of the estate was drawn by Robin Boyd, but not signed. Frederick Romberg later annotated the drawing with details of its authorship. Colour plan of Lum road estate. Includes layout of roads, gardens, buildings and flora.Inscribed lower right on recto in black ink, 'Robin Boyd original / 12/6/86 F.R' ; Inscriber upper left on recto, grey pencil, '3400'.architecture, design, rmit design archives, domestic architecture