Donated by Margaret ScarlettWhite cotton pillow slip. 'Baby' embroidered in white on left hand corner with green flowers on stem. Spoke stitched and crocheted on edges.toys, dolls' accessories

Square, white linen supper cloth with a basket of flowers, hand embroidered in satin stitch in each corner of the cloth and green ecru edging.table linen., table ware

Donor's letter: Purchased at the antique market in Moscow. According to the seller, the set's origin is Derbyshire, England, and it moved to Russia with the family of professional immigrants before 1917. Unfortunately, there are no confirming documnets, however, the style of the set is close to the early 19th century.Hand-mirror, hairbrush and clothes brush on metal frames with a floral motif on each, stitched in petit point on gauze (silk?) in a soft green.embroidery, dressing set

White cotton nurse's apron. Bodiec joins a 5 cm wide band and 60 cms long skirt. Skirt is plain in the front, with gathers at the back. Front of the bodice extends in wide 8 cms wide straps, which cross over at the back, and fasten with a button and buttonhole to the back waistband. The skirt of the apron extends right around the body, and overlaps, and fastens with two buttons and buttonholes 14 cms overlap. Worn by Merryn Ellison.Tape stitched inside apron, embroidered with the name: Merryn Ellison.costume, female, nurse's white cotton apron

School tie with shell of navy fabric with diagonal stripes of yellow and light blue. Self tipped. Bendigo High School. Worn by Merryn Ellison.Cotton tape stitched to back of tie. Written in ink ''ELLISON''costume accessories, female, bendigo high school tie

Clothing, khaki coloured WW2 army uniform trousers. Side pockets lined with cream coloured cotton fabric. Front fly opening (27 cm) fastened with six 1.5 cm plastic brown buttons. Four 1.8 cm brown plastic buttons across outside on either side of the centre back of waist band, to fasten braces. Trousers belonged to John Kenneth Martin, padre in 2nd Australian Corps AIF. Served overseas as a Chaplain from 1940-1945. Old box 314Y.Name tag stitched inside waist band at back ''J.K.Martin''.costume, military, army uniform trousers ww2

Clothing. Girl's white long sleeved waisted linen jacket. Front opening jacket with 4 cm band from shoulder to waist forming V shaped neckline. Bodice of jacket has 8 cm vertical lace inserts next to the edge of the bands, continuing over the shoulders and down the back of the bodice to the waist. A 16 cm lace insert runs at right angles to the bodice inserts along the top of the kimono cut long sleeves. The sleeves have an 8.5 cm turned back fabric cuff. From the waistline is an ungathered skirt widening slightly at the hem. The front opening is fastened at the waist with one metal hook and cotton loop.Stitched in red cotton inside back of neck 2/4.costume, children's, girl's white waisted linen jacket

Second War World Khaki cotton drill roll up sewing kit, also known as a housewife. The kit is incomplete except for two wads of khaki colour thread.Sewing kit made from Khaki cotton with bound edging.Pouch has two internal pockets with press studs and cloth ties at one end. Initials or crest in dark brown cotton stitched on front of itemwwii, world war 2, army, australian army, sewing kit, housewife

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Simple blue and white apron embroidered with a border in cross stitch, the same stitch used to create a repeated pattern of dogs and balls in profile.aprons, protective clothing, handmade clothing, costume accessories, lisa sylvan

1. Left hand black AB Parade boot. 2. Right hand black AB Parade boot.Inside right hand boot 14. On underside of sole, MADE IN AUSTRALIA by K.B.F. - SYNTHETIC SOLE, LEATHER UPPER.passchendaele barracks trust, uniform item 94, black parade boots

Copy of a letter from the Minister of Transport Mr. Warner to the Minister of Electrical Undertakings, Mr Bloomfield dated 18/1/1956 about deferring a TRB inquiry into Ballarat and Bendigo trams as made at a cabinet meeting of 16/1. Has a long handwritten note from Mr Mawby to a Hugh dated 2/5/56.Yields information about deferring a TRB inquiry into the tramway systems in 1956.Letter - copy - typed on quarto sheet with large portion missing in top right hand corner.Has a hand written note - see image.tranways, secv, minister for transport, inquiry, trb, enquiry

Lid for shearing hand piece.Lid for shearing hand piece.WOLSELEY 3shearing machinery, wolseley sheep shearing machine co. ltd, de josselin, mr john

hand embroided silk handkerchiefSilk hand embroided handkerchiefCairo Souvenir Quadruple Alliancehandkerchief, first world war, world war one, cairo souvenir quadruple alliance

Black and White postcard of steam ship, hand writing on front "HMS Swift". (SH 272 Ships S)hand writing on front "HMS Swift". flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, hms swift, post card, postcard, steam ship

Foreign exchange slip issued by the Commonwealth bank of Australia Bendigo Branch and used by F.G.Davey to exchange English pound to Australian Pounds. Part of the Frederick Gardner Davey DFC No 410538 RAAF collection. Refer Cat No 3536P for his service details.Proforma D 169978 on blue A5 sized paper in blue ink, hand written details completed in blackHand written details in black inkforeign exchange, pounds

Bronze sculpture of a group depicting Sailor Airman Nurse Soldier whit out streched hands to two childrenIN Safe Hands bu William FEEZ

Possibly purchased by donor in India or Pakistan.Cap (man's or child) hand quilted, navy cotton outer, cream inner lining. Hand tamboured in white and gold metal thread. Geometric star shaped design on crown and wavy border design on edge. hand assembled in white herringbone stitch.embroidery, cap, tambour, metal thread, pakistan, quilting

Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Orlon was developed by DuPont in the 1940s and became the first commercially successful acrylic fibre in the 1950s and 1960s. The development of Orlon coincided with an increase in availability of washing machines in everyday Australian homes. The great appeal of Orlon was that while wool garments still had to be hand-washed, Orlon’s shrink-resistant nature made it machine washable and dryable. This was a very appealing prospect, especially for the seemingly unending task of cleaning active children’s clothing. Machine washable wool would not be available until the development of the ‘Superwash’ treatment by the Australian Wool Board and CSIRO in 1970. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Pink three piece legging suit, consisting of cardigan, lettings and beanie. Cardigan is knitted with textured stitch and has stocking stitch panel bordered with garter stitch at centre front. Two rows of buttons on garter stitch tab, with a fifth button under left collar. Leggings are plain garter stitch with an elastic waistband and a flap that extends onto the top of the foot with elastic to keep it held under the sole. Hat is in same patterned stitch as cardigan, has ear flaps with ties and a white pompom.1) [Label at back neck with blue lettering woven into label] KATHRYN REGD ORLON / 20 /CREATED BY ROBERT BLAKE [sample label] [OBVERSE] STYLE LS/PWO – 3 PCS – LEGGING SUIT – PEARL PATT. – 80% ORLON 20% WOOL SIZE 18” 20” PRICE 48/6 51/6 COLOR BLUE. LEMON. PINK. WHITE. [REVERSE] KATHRYN Garments are • PRE-SHRUNK • STANDARD MEASUREMENTS • FIT EXACTLY • LAUNDER PERFECTLY Designed and Manufactured by ROBERT BLAKE, MELBOURNEknitwear, clothing, children's knitwear, children's clothing, manufacturing, fashion textile production, machine knitting, clothing set, pom poms

Clothing. Royal blue woollen fabric, with revere pointed collar and lapels. Left lapel has one stitched button hole. Breast pocket - depth 17.5 cm, width 14 cms embroidered in light blue, royal blue and gold, a coat of arms with laurel wreath cricket stumps, ball and two cricket bats. Within a shield shape is embroidered BDCA-possibly Bendigo and District Cricket Association. Below the shield shape is an embroidered ''ribbon'' embroidered with PROVINCIAL PREMIERS VCCL 1952, 1.5 cm braid-royal blue and gold trims the sleeves above the cuff.One small internal pocket in left front.All internal seams are bound in black tape. Shoulders of the blazer are lined with black polished cotton type fabric. Sleeves are lined with cream cotton fabric, with fine stripes of blue and brown. Two stitched button holes and two black plastic buttons.Label inside back collar: David Lack Pty Ltd Melbourne & Sydney. Label stitched inside back shouderline: Blazer and Uniform Specialists David Lack Pty Ltd Melbourne , Sydney. NAME….No…costume, male, blazer - bendigo cricket club

Drawing shows the power supply arrangement to the overhead for the VR St Kilda Brighton tramway, including Elwood depot and substation. Has been marked up for removal of the line south of Elwood Depot to Brighton and Dickens St crossover. Shows the isolating and paralleling switches and their pole numbers. Not known when the original drawing was prepared. The tramway or electric street raikway operated from 1906 to 1959, the section south of Elwood depot closing in two stages during 1956. See reference for history of the line.Yields information about the power supply arrangements for the St Kilda Brighton tramway.Drawing dyeline print and hand coloured with a cloth back sheet with two punch holes on the left hand side to enable filing.Has numerous pencil inscriptions that updated the drawing to c1957 and a "Cancelled" stamp in the bottom right hand corner.tramways, vr, victorian railways, power supply, electrical switching, electrical engineering, st kilda brighton tramway, elwood depot

The blouse was made in Greece about 1945. The method used to create this fine embroidery was to copy a design from a cross stitch embroidery book guided by fine white tapestry threads tacked onto the yolk; when the design was finished, the embroiderer would pull out each fine white tapestry thread until only the embroidery remained around the yolk of the blouse.Throughout the centuries and up until the 1970s-80s, the women of Ithaca spun, wove, embroidered and knitted. Mothers prepared their daughters' 'glory boxes' trousseau (prikia), weaving bedspreads, rag mats (koureloudes) for everyday use, finer wool rugs for formal use, as well as linen sheets, pillowcases, blankets, towels and tablecloths. Linen was also woven to make the mattress that the young brides would take to their future homes. Mothers also wove and embroidered the fabric for their daughters' underwear and petticoats, nightgowns, etc. Sewing of the garments was also done by hand. The girls embroidered handicrafts using various stitches, they crocheted lace, netted pillows and even linen carpets. The handicrafts were usually embroidered by hand in cross-stitch using linen and cotton fabric. At the time there were merchants who travelled to the villages to sell machine made goods for the trousseaus, but most of the dowries consisted of the beautifully crafted work of the women. In the 30's the SINGER Company came to Ithaca and taught the girls sewing on the machine. A handwoven silk blouse. Colour - ecru. Hand embroidered, hand sewn, very fine white tapestry was tacked round the yolk; a gusset was sewn under each short puff sleeve at the armpit; two-tone hand made silk thread cords were passed through the hollow border of the sleeves and neckline.

Hand operated pump used on boats. A hand brass sump pumppump, boating

Hand written and drawn invitation to a humorous cultural evening - 150 minutes - with the ensemble LIPA, including Slovenian music and songs, on Saturday, 29th July 1961 at pm at St Bridgit's Hall, Nicholson Street, North Fitzroy.Hand written and hand drawn invitation with the details of the eventinvitiation, cultural program, 1961