Black and white photograph. Garden View of Lily Ponds and Hilda Kirkhope Rock Garden. Glimpse of Summer House.On reverse, "1944-1945 near Hilda Dance's Rockery & looking towards Lily Ponds & French Willows."hilda dance, rockery, lily ponds, willows, garden view, helen dudley, 1991, centenary, hilda kirkhope, rock garden, summer house, luffmasnn ponds

Black and white photograph. View towards Boulevard from the drive. Lagoon paddock is flooded. On reverse, "1944-1945 shot from driveway Paddock looking to Boulevard area often flooded in those days."boulevard, helen dudley, 1991, centenary, lagoon paddock, flooding

Black and white photograph. Lily Pond with waterlilies in flower.On reverse, "1944-1945 Blue lilies in Ponds under Willows."water lilies, ponds, helen dudley, 1991, centenary, lily ponds, luffmann ponds

Black and white photograph of the Principal's ResidenceOn reverse, "1944-1945 Principal's Residence."principal's residence, helen dudley, 1991, centenary

Black and white photograph. Female students collecting hay for the Silo. One student is taking a photograph, one is sitting on the cart holding the reins of Donny the draughthorse. Others are forking the hay into the cart.On reverse, "1944 Collecting the Hay for the Silo - Old Donny in the shafts."hay, silo, donny, helen dudley, 1991, centenary, students working outside, draughthorse

Helen Pallikaros’ multidisciplinary practice aims to engage on an emotional level, exploring feminist themes drawn from the domestic realm and the internal psychological state. A focus of her practice is to use the body for the external mapping of internal conflicts and psychological landscape. She sources forms and images to create a visual dialogue that explores the interconnection between the human emotive conditions and primal origins. The space between the private and public self is explored via the application/negation of the trappings of identity and gender.australian art, photography, feminism, gender, female artist

Brenda Crute married Jim Bywaters 19671967 A delightful bridal gown fashioned in chantilly lace cur on empire lines, fitted sleeveless bodice with boat shaped neckline back and front. Sheath skirt. Chapel length nylon organza coat train with butterfly sleeves & edging of chantilly lace. Headdress - Pearlized orange blossom & leaves mounted to a three-tiered nylon tulle veil.wedding dress, brenda crute, jim bywaters, 1967, textiles - bridal - fashion, stawell - wedding