German POW's: Back row - Gerhard Zirkler, Kurt Zimmermann, Adolf Wilkie, Helmut Hempel, Siegfried Scheffzouk, Ludwig Gernoth. Front row - l-r - Manfred Mueller, Herbert Morr, Wolfgang Neugebauer and Gustav Pohlig.Black and white photograph of 6 stand and 4 seated POW's in front of hut they are in. The number 171 centre frontkurt zimmermann, gerhard zirkler, adolf wilkie, helmut hempel, siegfried scheffzouk, ludwig gernoth, manfred mueller, herbert morr, wolfgang neugebauer, gustav pohlig, camp 13, internees

Photograph of Hoefer family with Anna Sawatsky. Left to right at back: Rudolf and Helene Hoefer; front: Karl Heinz, Traude and Uli Hoefer and Anna Sawatsky. Camp 3 internees.Black and white photograph of 3 adults and 3 children. Two adults are standing. Tree in background with hut behind that.791 on sign in front centrerudolf hoefer, helene hoefer, karl heinz hoefer, traude hoefer, uli hoefer, anna sawatsky, camp 3 internees

One of thirteen photographs related to the 1955 International Wool Textile Research Conference in Australia.Centre/ W R Langwool - research, gordon institute of technology, lang, dr w. roy

B/W photograph of brownies in radio room with equipment on shelves in backgroundGentleman in Centre Fred Glissonguides

Wooden shield with green plastic Leviathan (7 headed dragon or Lotan) and boomerang with inscription.JUNGLE TRAINING CENTRE on boomerang

historic areaCivil engineering drawingInscription at bottom centre of drawing

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Ornately decorated dragon depicted on a plum coloured background circle. R in diamond centre bottombookplate, australian bookplate design awards, keith wingrove memorial trust

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland. (http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html)Black and white Bookplate made with the etching process featuring a nude woman in a spherical frame. The figure 08 appears on the sphere.Signed lower centre [illegible]keith wingrove memorial trust, bookplate, australian bookplate design awards, john gartner, printmaking - etching, nude, life drawing

Hand-tinted black and white photograph of a man in a suit. He has dark hair parted on his right and a dark moustache. His suite is black and he is wearing a white shirt with short pointed collar and a black bow tie. Portrait is of head and upper body. Framed in a oval frame, mounted on a curved board mount, behind curved (convex) glass. Frame is wood and decorative plaster moulding in gold paint.Front: (no inscriptions) Back: J.J. Crouch (pencil, centre) 10/1/25 (pencil, centre).

Port of Portland Authority archivesFront: (no inscriptions) Back: WILLIAM SWEETLAND( pencil, centre) Will Sweetland/ Chairman (blue pen, centre)port of portland archives, william sweetland

Award of achievement for Ballarat Tramway Museum's interpretive centre presented at the Conference of Tramway Museums Australasia in New Zealand 2023.Demonstrates the recognition of the work done by the 2023 Ballarat Tramway Museum team in the creation of the museums exhibitions. Clear perspex, multi-faceted, four-sided, free standing award with inscription.Logo - COTMA Conference of Tramway Museums of Australasia Bill Kingsley Award for Achievement 2023 Ballarat Tramway Museum for Building a new Museum Interpretive Centre Further Logos: BRILL, BI, BT.H, OB, GEballarat tramways, btm, awards, bill kingsley award

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 2/3 Centre Rd., Vermont South This property is listed as having sold for $207,000 in 2001 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house with a concrete footpath in front and along the right hand side leading to a back gate in the background. There is greenery along long the left, right and bottom edges of the drawing.2/3 Centre Rd., Vermont South Margaret Picken © 2001 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south

This painting was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. The Church was operated by the Mission to Seamen organisation. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen was an Anglican charity that served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This painting is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The painting is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of this painting to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Painting, oil on board, behind glass framed with wood. Portrait of a child dressed in white, kneeling in prayer, within a dark room. The artist, P Butcher, titled the picture "The Infant Samuel". This object is part of the St Nicholas Seamen's Church Collection. Painted at centre bottom edge "THE INFANT SAMUEL.", and right bottom edge "B. BUTCHER"flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, painting, oil painting, religious painting, infant samuel, p butcher

Community information book issued by City of Ringwood for 1992 - covering the facilities and activities of the Ringwood Council and other local organisations and associations. Includes two Aquatic Centre entry vouchers valid until June 30th, 1992.CONTENTS: (page no.) 1991/92 COUNCIL REPRESENTATIVES 4 1992 CALENDAR 51 AQUATIC CENTRE 8 AQUATIC CENTRE VOUCHERS 49 CHIEF EXECUTIVE'S REPORT 6 CIVIC CENTRE TELEPHONE INDEX — DIRECT DIALLING 53 COMMUNITY DIRECTORY 35-47 COMMUNITY SERVICES 17-19 COUNCIL & COMMITTEE CYCLES 4 COUNCIL FINANCES & 1991/92 RATES 16 COUNCILLORS 3 FUNCTIONAL RESPONSIBILITIES 15 HISTORY OF RINGWOOD 5 HOUSING & RESIDENTIAL DEVELOPMENT 29-30 INFRASTRUCTURE 34 LOCAL, STATE & FEDERAL GOVERNMENT ELECTIONS 32 MANAGEMENT TEAM 14 MAYORAL MESSAGE – Cr. Max Williams 1 NEIGHBOURHOOD MAP 26-27 NOTES 52 PAPER & CARDBOARD COLLECTION SERVICE 22 PARKS & RESERVES — PUBLIC FACILITIES 31 PROTECTING OUR COMMUNITY 23-24 PROTECTING THE ENVIRONMENT 20-21 RINGWOOD FESTIVAL & HIGHLAND CARNIVAL 13 RINGWOOD GOLF COURSE 7 STRATEGIC BIKE PLAN 11 STREET INDEX A-L 25 STREET INDEX L-Z 28 THE LIBRARY 12 THE RINGWOOD CONVENTION & PERFORMING ARTS CENTRE 10 TRAFFIC MANAGEMENT 33 YOUR PERSONAL DIRECTORY 50 rinx

A pictorial history of Surrey Hills based on information collected and based at the Surrey Hills Neighbourhood Centre. It includes early rural properties and diaries, the coming of the railway, land sub-division and early homes, schools, parks and recreation.A pictorial history of Surrey Hills based on information collected and based at the Surrey Hills Neighbourhood Centre. It includes early rural properties and diaries, the coming of the railway, land sub-division and early homes, schools, parks and recreation.surrey hills, railways, land use, migrants, spanish communities, transport, houses, wattle park, festivals and celebrations, churches, education, water supply, fire stations, hospitals, (mr) george klepper, ainger family, (mr) john woodhead, (mr) h. breedon, medical services, real estate agents, businesses, musical events and activities, entertainment, parks and reserves, scouts, guides

This photograph depicts the interior of the Coles Variety Store within Bentleigh's Centre Road shopping precinct in 1956. Signage represents the pre decimal currency era. The Record Bar advertises the availability of standard and microgroove vinyl records.In this era, the Centre Road Bentleigh shopping strip provided consumers with access to many of the major retail outlets and provided for a wide range of shopping needs. By the 1960s, Chadstone Shopping Centres (opened 1960) and Southland (opened 1968) had been established which created changes to the way in which people shopped.Black and white photograph of interior of Coles Store in Centre Road, Bentleigh displaying prominent signage predating decimal currency. Other signage includes the Coles Record Bar indicating the sale of standard and microgroove vinyl records.Handwritten in blue ink: Coles Bentleigh Sep 1956 B Black printed text on white round adhesive sticker: 202 Handwritten in red ink: 80%shopping strip, strip shopping, bentleigh, city of moorabbin, coles stores

The Kiwanis Club - Nunawading, a service club, operated in the City of Nunawading and Whitehorse from 1979 to 2000. They were particularly involved with Winlaten Training Centre C. 1980.|ND6702 gives their history of community service.Purple and Gold Kiwanis International Service Club Banner. Printed Gold Map of Australia in centre of banner with Kiwanis logo inside map. Nunawading and Australia printed above and below map - wood holder and string cord for hanging.societies, service clubs

The shopping centre in Mt Beauty, both buildings and streetscape, have undergone significant changes since 1973. The kindergarten has undergone extensive remodelling, The Chalet has been replaced by Svarmisk Resort and Accommodation Spa. Tawonga hospital has undergone extensive renovation and is now Mt Beauty Hospital AND Kiewa Valley House. The Workman’s Club changed name to the Country Club and has since closed down. Hospital and Kiewa Valley House now occupy what is shown as a vacant lot opposite the motel which is now called Mt Beauty Motor Inn.The houses in Mt Beauty were brought in by the State Electricity Commission of Victoria when they constructed Mt Beauty Town for their workers building the Kiewa Hydro Electric Scheme. Mt Beauty is unique began as a construction town in the late 1940's.Colour photographs of various buildings in Mt Beauty taken in 1973 1. Workman’s Club 2. View over the pondage 3. Tawonga Hospital (Mt Beauty) 4. Mt Beauty Chalet 5. Mt Beauty Kindergarten 6. The Merjei Motel 7. 8 Valley Avenue 8. Shopping Centre Handwritten in ink on the back of photos 1. Workman’s Club 1973 (after the brick makeover) From the sports oval – the high school is to the right 2. A view over the pond 1973 3. Tawonga Hospital 1973 (Mt Beauty) 4. Mount Beauty Chalet 1973 5. Kindergarten 1973 6. The Merjei Motel 1973 7. Our house at 8 Valley Ave 1973, Owner after us erected the car port, let the front hedge run amok and vanquished the vegetable garden and citrus trees Dad created. 8. Shopping Centre 1973. At the end of the street is the hospital (believe it is now Mt Beauty Bush Nursing Hotel) mt beauty, workman's club, chalet, tawonga hospital

Alison Watson was the daughter of Peg and Harry Watson of Cromie Street Murtoa and would have been seven years old when this certificate was granted at the Murtoa Swimming Baths. The Baths were adjacent to Lake Marma and filled with water from the lake. There was a wooden pontoon in the centre of the pool which was removed for swimming competitions. Alison's father was the swimming coach at the time - 1956.A rectangular light blue/green certificate with navy blue writing with letters highlighted with white accents. There is an illustration with Neptune, a mermaid, and a dolphin at the bottom centre with scrolls on either side.The applicant (Alison Watson); the location (Murtoa Baths); the date(6th January 1956) the local president (N.T. McQueen) and the Secretary (F.C. Bradshaw) are hand written.certificate, learn to swim, learn to swim certificate, alison watson, murtoa, murtoa swimming baths, swimming baths, swimming pools

Notes for the opening of the Discovery Centre - Science and Technology Centre at the Marketplace Two A4 printed sheets

The image at the centre of this plaque is the logo of the American College of Obstetricians and Gynaecologists (ACOG). ACOG was founded in 1951, the date featured on this plaque.Rectangular glass plaque. Centre of plaque features as image of a female figure in a cape, crouching down and holding a baby over her head. The number '1951' in engrave on the plaque to the left of this image. Text encircling this image reads 'THE AMERICAN COLLEGE OF OBSTETRICIANS AND GYNAECOLOGISTS/ WOMEN's HEALTH CARE PHYSICIANS.'

Slide of a fine Merino ewe. Fine merinos produce slightly longer and stronger wool than the super fine, but are found in the same higher rainfall areas ie. Western District of Victoria, the midlands district of Tasmania, New England and Yass districts of NSW. Formerly stored in presentation folder as part of "Merino & Australasian Breeds of Sheep Set No. A866" series by the Audio Visual Education Centre, Education Department of Victoria.Slide of a fine Merino ewe.Merino & Australasian Breeds / of Sheep / Set No. A866 / No. 2 / Fine Merino Ewes VISUAL EDUCATION CENTRE / EDUCATION DEPT. OF VICTORIAmerino sheep, slide

Slide of a medium Merino ram. Medium or Peppin merinos are found in the vast inland of Australia where rainfall varies between ten and twenty inches annually. Peppin-type sheep produce the greatest quantity of wool of any breed or type of sheep in Australia. Formerly stored in presentation folder as part of "Merino & Australasian Breeds of Sheep Set No. A866" series by the Audio Visual Education Centre, Education Department of Victoria.Merino & Australasian Breeds / of Sheep / Set No. A866 / No. 3 / Medium Merino Ram VISUAL EDUCATION CENTRE / EDUCATION DEPT. OF VICTORIAmerino sheep, peppin merino sheep, peppin-merino sheep

The postcard photograph shows PMTT No. 34 a Maximum Traction bogie, drop centre and drop ends at the Malvern Burke Road terminus. Has the driver and conductor standing by the front of the tram. There is a large "1" in the front window, indicating the route number and the destination of Burke Road.Yields information the PMTT Tram No. 34 and the Malvern Burke Road terminus.Postcard - divided back with hand written note on the rear.In pencil "8 wheel maximum traction bogie, end saloon, drop centre loading, 48 pass, Duncan and Fraser builder 1912, to MMTB as C34, 1920"tramcars, tramways, pmtt, mavern burke road, tram 34