Contains: newspaper articles on school centenary 1970; 1970 Staff photo, 1971 Staff; 1971 3W; 1971 5E; 1973 Staff; newspaper report on demolition of old school; 1973 Class 8; 1974 Gr 6; 1975 Groups 7, 8 & 15 (n); 1975 Group 6; 1975 Prep-1; 1975 Group 1M (n); 1975 Group 14 (n); 1975 Group 3; 1975 Group 11; 1975 Group 7, 8 & 15C; 1975 Group 7, 8 & 15B; 1976 Staff; 1976 Gr 4; 1976 Gr 1 & 2; Moondarra Excursion 1976; 1976 Gr 3 (n); 1976 Gr 2 (n); 1976 Gr 5; 1976 Gr 5 & 6; 1976 Gr 3 & 4; 1976 Gr 4; B&W photos of school grounds; LV Eisteddfod Award 4 Ring, black plastic cover labelled "1970 -1980" on front and on spine

Returned Soldier's Ball held in Wangaratta on 9th August 1937 Captain Mulder and Jim Boyd were floor stewards. A special set of four couples in full regimental dress danced the Quadrilles and other set dances.First Military Ball held in Wangaratta and due to its success it was decided to make it an annual event. Black and white unframed photograph of large group of men and women in front of stage with flags in background mounted on brown cardboardA momento of the Ret. Soldiers Ball Wangaratta 9.8.371937, wangaratta, returned soldier's ball

In July 1909, a modest 12-page booklet was put together by members of the fledgling Old Ruytonians Association (ORA) and distributed to the Ruyton Girls' School community. It was one of their first projects, and their aim was to nurture continuing interest in the School among former and current students. They named it "The Ruytonian." At first, The Ruytonian was produced twice yearly, and always bore a plain cover with a simple name banner. Initially, it was the work of volunteer editors from the ORA, but in 1913 they handed the publication over to the first student editors, Esther Gibson and Lucy Tickell. Since that time, the style and content of The Ruytonian has continuously evolved. The biggest shifts occurred in 1942 when it transitioned to a yearly publication, and in 1969 when it moved to a larger A4 format with a cover image specifically selected for that year.The record has strong historic significance as it pertains to the fourth oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Due to the age of the record dating back to 1976, we can infer it is one of the few remaining complete, intact and original examples of The Ruytonian from this period. Therefore, it can be considered an outstanding representation of its type, and is a reference example for research in early Victorian school history. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Black and white publication printed on white paper. 36 pages.Front Cover: R / u / y / t / o / n / i / a / n / 7 / 6 /ruyton girls' school, the ruytonian, kew, old ruytonians association, yearbook, school, publication, girls school, junior school, senior school, journal, students, teacher

In July 1909, a modest 12-page booklet was put together by members of the fledgling Old Ruytonians Association (ORA) and distributed to the Ruyton Girls' School community. It was one of their first projects, and their aim was to nurture continuing interest in the School among former and current students. They named it "The Ruytonian." At first, The Ruytonian was produced twice yearly, and always bore a plain cover with a simple name banner. Initially, it was the work of volunteer editors from the ORA, but in 1913 they handed the publication over to the first student editors, Esther Gibson and Lucy Tickell. Since that time, the style and content of The Ruytonian has continuously evolved. The biggest shifts occurred in 1942 when it transitioned to a yearly publication, and in 1969 when it moved to a larger A4 format with a cover image specifically selected for that year.The record has strong historic significance as it pertains to the fourth oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Thus, the record can be used as a reference example for research into Victorian school history. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Colour publication printed on white and black coloured paper. 47 pages.Front Cover: R / U / Y / T / O / N / I / A / N / '81 /ruyton girls' school, the ruytonian, kew, old ruytonians association, yearbook, school, publication, girls school, junior school, senior school, journal, students, teacher

Rev. Norman Faichney (1910-) was Moderator of Victoria in 1958 and Moderator-General of General Assembly of Australia, 1967-70. Rev Stephen E. Yarnold (1903-1978) was Moderator of Victoria in 1963.Gloss, black and white photograph of Rev. Norman Faichnay and Rev. Stephen Yarnold.presbyterian, moderator, moderator-general, faichney, n., yarnold, s. e., general assembly of australia

Embossed black leather bible with gold lettering on spine. The bible has 2 embossed gold labels on the front end paper. On spine: "Holy Bible". End paper: "PRESENTED TO THE REV. N. BENNETT AT THE CLOSE OF HIS YEAR OF OFFICE AS PRESIDENT OF VICTORIA AND TASMANIA WESLEYAN CONFERENCE JANUARY 1889. JAMES W. CRISP President. E. WATSON NYE Secretary." "PRESENTED TO THE BUCKLEY PARK METHODIST CHURCH BY Mrs A.H. Mitchell DUAGHTER OF THE ABOVE FEBRUARY 18TH. 1928."bennett, natheniel, rev., crisp, james w., rev., nye, edward wason, rev., wesleyan methodist conference

The seals were used on glass drink bottles which didn't have re-sealable stoppers.3 bottle seals - red, yellow and aqua are fastened onto yellow cardboard and wrapped in plastic. The seals clip onto bottles. The inscriptions are in black.PRESS DOWN FIRMLY / KORK-N-SEALfood and drink storage, bottles, bottle seals, domestic items, george evans collection

Note by T.H. Kneen 20 February 1991," 2 female students working at edge of shade house. Student at left is Muriel Haigh 1947-48."2 copies black and white photograph of the Shade House/Bush House with 2 students working in it.On reverse, "Photograph by Publicity Branch Victorian Department Of Agriculture Ref. N. A513."female student, muriel haigh, shade house, students working outside, bush house

Note by T.H. Kneen 26 February 1992, "Photograph taken about time of occupation of new building early 1949."2 copies black and white photograph. Western side of the building before any planting.On reverse, Commercial Photographic Co. Pty. Ltd. 217 Queensberry Street, Carlton, Melbourne, N.#. FJ 5266 When Ordering Further Prints Please Quote-No K370-8.administration building, west side of administration building, landscaping

Note by T.H. Kneen 26.2.1992, Library in new College building immediately after occupation in 1949. Note inkwells carried over from Commonwealth Reconstruction Training Scheme which operated from 1946-1951.Black and white photograph. Old library in the Administration Building On reverse, Commercial Photographic Co. Pty. Ltd. 217 Queensberry Street, Carlton, Melbourne, N.#. FJ 5266 When Ordering Further Prints Please Quote-No K370-3.inkwells, commonwealth reconstruction training scheme, old library, administration building

2 copies black and white photograph. Looking South along the ground floor passage from the Principal's Office towards the Hall at the end. Fruit Preserves behind windows on the right side. Stairs up to first floor.On reverse, Commercial Photographic Co. Pty. Ltd. 217 Queensberry Street, Carlton, Melbourne, N.#. FJ 5266 When Ordering Further Prints Please Quote-No K370-2.administration building, fruit preserves, hall, interior administration building, interior main building

Note by T.H. Kneen 26.2.1992, View looking North to Principal's office. At left is Fruit Preserving Branch Show Room & Display Windows Circa 1949. Moved to Head Office in Queen Street, Melbourne in 1974.Black and white photograph. Ground floor passage inside Administration Building looking north towards the Principal's Office. Fruit Preserving showroom on the left.On reverse, Commercial Photographic Co. Pty. Ltd. 217 Queensberry Street, Carlton, Melbourne, N.#. FJ 5266 When Ordering Further Prints Please Quote-No K370-1.principal's office, fruit preserving branch, show room, display window, administration building, main building, interior administrastion building, interior main building, fruit preserving

Note by T.H. Kneen 4 March 1992, students Peter Trudgeon, Oliver Frost, Thea Rimmer, Dian Durrant, Lex Hodge. 2 copies black and white photograph. Same students as B91.166, B94.835. 5 students in a Chemistry class.On reverse, Photograph by Publicity Branch Victorian Department Of Agriculture Ref. N. c.1695.0.students in class, peter trudgeon, oliver frost, thea rimmer, dian durrant, lex hodge, chemistry

Matron, Miss N Griffiths, 1935-1939, Ballarat Base HospitalMatron, Miss N Griffiths, 1935-1939, Ballarat Base HospitalPhoto - black & whitematron, griffiths, ballarat, 1939

PREMIERSHIP 1958 .1 BLACK AND WHITE PHOTOGRAPH OF CLUNES FOOTBALL TEAM. PREMIERS CLUNES FOOTBALL LEAGUE 1958 MOUNTED ON CARDBOARD .2 COPY OF PHOTOGRAPHPRINTED UNDER THE BLACK AND WHITE PHOTO; BACK ROW - W HUDSON, D COULTON, D FINNIS, N MILLGATE, J CLARKE, W JONES, R MILLGATE, D PEARSE, T FRASER, T COON, K SENOY, J MCLENNAN, J HIGGINS, I MAHER MIDDLE ROW - E STEART, J MITCHELL, R JONES, K STEART, R ANDREWS, I LEISCHMAN, F COLLINS, B BELL, R FLYNN, R FAWCETT, K OULTEN, A STEART, K RIDLEY FRONT ROW - B ANDREWS, G MCLENNAN, R DOLAN, L QUINTON local history, photographs, sport, football

PHOTOGRAPH TAKEN IN CLUNES BOWLING CLUB CLUBROOM AT CELEBRATION CLUNES BOWLING CLUB CENTENARY ON JUNE 1ST, 1978BLACK AND WHITE PHOTOGRAPH OF CLUNES BOWLING CLUB 1978 REAR - K. KINNERSLY, J. HILL, B. KINNERSLY, K. DELMENICO, C. HENDER, R. DOLAN, B. DOLAN, T. HARDEN SEATED - B. DELMINICO, K. FRASER, D. HILL (PRES) I. HILL, F. BOURKE, N. HILLlocal history, photography, photographs, sport, bowling club clunes

This etching by British engraver Arthur Willmore was created from Russian born artist Nicholas Chevalier’s original watercolour landscape of Bontharambo, Wangaratta (Chevalier’s watercolour is held in the collection of the National Library of Australia). Chevalier moved to Australia during the Colonial period and is famous for his landscape paintings, which were most commonly commissioned by wealthy landowners or merchants wanting to record their material success. Bontharambo is a historic property located in Wangaratta which was made famous by pastoralist Joseph Docker who took up the Bontharambo run in 1838 and has remained in the family since. The historic homestead on the property was built between 1857-1859 and was designed by architect Thomas Watts.ColonialWangaratta Art Gallery CollectionA rectangular landscape etching of the homes on Bontharambo station printed in black ink on off-white paper.Obverse: N. Chevalier/ A. Willmore/ THE OLD & NEW HOME STATIONSwangaratta art gallery, arthur willmore, nicholas chevalier, bontharambo, wangaratta

Sanders was a well-known local potter who worked for a time with David Boyd at the Martin Boyd Pottery, before returning to Melbourne where he had some association with Arthur Boyd, at the pottery in Murrumbeena. Sanders set up a studio in Eltham in the early 1950s and made the first of a series of architectural ceramic murals with painter and print maker Lawrence Daws in 1956. In 1957 he left for Europe and while there was inspired by the Spanish artist Joan Miro’s unconventional painting style and large scale murals, in particular Wall of the Moon (1957). After returning from his travels in Europe to Australia in 1964, he began to work solely on creating ceramic murals, some of which were commissioned for Southland Shopping Centre in Cheltenham, Melbourne, 1968 (now demolished), the National Mutual Centre, Melbourne,1964-5 (now demolished), Dee Why Library, Sydney 1966, Woden Valley High School, ACT, 1967, Tullamarine Airport Melbourne, 1969-70 (now demolished), Perth Concert Hall, 1971 and The University of Melbourne,1975 (with John Olsen). This mural is one of only three remaining in the public realm by Tom Sanders (the others are at the Perth Concert Hall (1971) and at the University of Melbourne (1975). Ceramic mural (earthenware tiles) consisting of a playful/organic abstract design similar in style to the Spanish artist Joan Miro. Shades of blue, yellow and black glazes are layered onto matte black and shiny bronze tiles. N/Amural, public art, earthernware, pottery, ceramics, glaze, eltham, ekphrasis2017, eltham town square, joan miro

Sue Ford (1943-2009) was an important practitioner in the wave of 1970's Australian feminist photographers. Ford regularly took intimate and candid pictures of artist friends, such as 'Neil Douglas Research 1964', documenting a time in Eltham when Montsalvat and Dunmoochin played an important part in the early attraction of artists to the Nillumbik area. Artist, conservationist and activist Neil Douglas (1911-2003) is best known for his garden at the Bend of Islands, Kangaroo Ground where he formed a co-operative for like-minded people who wished to live in harmony with the bush and wildlife. His love of nature and the beauty and fragility of the bush are constant themes that often run parallel in his ceramic works and paintings.Sue Ford and Neil Douglas were artists of national significance who both lived in the local Nillumbik area in the mid to late twentieth century. They were part of a community of artists integral in forging a dynamic artistic spirit, heavily inspired by the region's landscape and its people. Black and white silver gelatin photographic print of Neil Douglas plein-air painting in his rose garden at Research. Ed.1/3N/Aford, douglas, silver gelatin photograph, bend of isles, research, kangaroo ground, garden, environment

Certificate awarded to Mr. Charles Wilson Peel from the Geelong Legacy Fleece Show, 1969. The certificate is for Third Prize. Mr Peel owned a superfine merino stud at Gnawarre named Callenondah.Cream coloured stiff paper certificate with navy blue printed text and sketches. Black ink handwritten personalised text to C.W. Peel at Gnawarre. Heading at top of certificate above two symbolic rams. This certificate is for Class N, Section 1.

Stawell Baptist Church group c 1930's Back Row Charlie Carter, Ray Kingston, Alan Reeves, Ted Nikkelson, Bob Blachford, (hidden) Alex Robey, Ernhardt Schubert. Centre Row. Kyle Crossett, Gladys Crossett, Edith Gresswell, Dulcie Corrie, Florence Willy, Maisy Elliot, Phillis Morris, Front Row. Daisy Kennedy, Rev. N. s. Draper, Mrs. Draper, Win Lea. The original photograph belonged to Mr E. R. Nikkelson and taken at the time Rev. N.S. Draper was the minister. Black & White original photograph and copy of Stawell Baptist Church Group c 1930's stawell

Mechanics Institute Main Street Stawell. Used for many years as the library. Built in 1875 after the previous institute was damaged by fire in 1874. Architect Mr. George Inskip. Previous wooden institute destroyed by fire in 1866.Black and white photo of Mechanics Institute Upper Main Street. With white Valient Chrysler in foreground of photo beside bush.Hairdresser Nice "N" Natural Saloon stawell

Bert Ingleton's Log Trucks loaded with Red Gum logs on Mr. G. Hateley's property "Hillcrest" Bellellen via Stawell. Associated with Ingleton's saw mill. The original photograph belongs to Mrs. N. Altmann and was loaned for copying.Black & white photo of a scene depicting 2 trucks loaded with red gum logs in a farm yard. c 1940. A person can be scene standing on the truck behind the driver's door.stawell

Pomonal Methodist Church with group of people standing out the front of the building. Photograph taken on the day the church was opened in 1935. Financial aid from the Methodes Church enabled a building to be erected using voluntary labour. The first service was held by the Methodes' on Sunday Dec. 1st. 1935. Conducted by Rev. N. G. Graham of Stawell and the evening service by Rev. G. Fisher of Ararat. This building now used by United Church.Black and white photo of a building with a large group of people kneeling & standing to the right of the building. stawell religion

Purchased in Bendigo in 1973. Previous history unknown. Provided with laminated account of Sessions clock Co history. Mantle clock black wooden casing with embossed "flourishes" on front base and around the clock face. Fancy gold painted face featuring numbers. Black hands. Detachable back reveals the mechanism. Has key attached inside . In working orderMade in USA on face. Labelled on back, eight day, half hour, cathedral gong, turn back. The Sessions Clock Co successors to the E. N. Welch MFG Co, Forrestville, Conn, USA