From Chapman Family Album18 Studio Portraits 1 Memorial Card 1 Postcard of cousins 1 Agricultural SceneStudio Markings on some photographs

On 18th June 1853 the 839 ton ship 'Earl of Charlemont' was wrecked near Barwon Heads. Her 450 passengers and crew struggled ashore without loss of life. Among them were John and Anne Morton, their 3 sons and 5 daughters. Before leaving Ireland, their eldest son George Pickering Morton, had married Anne Eliza Burrowes. Their son, Thomas Richard Burrowes Morton, born in Melbourne on 12 March 1854, was usually known as ' T.R.B.' Aged 26 he married Louisa Mary Esther Morgan. In 1909 Louisa Morton had a cottage built at Points Lonsdale and named it 'Dorrington', surname of her Welsh Grandmother. During previous holidays the family stayed at the 'Terminus'. They travelled by train from Blackburn to Port Melbourne, paddle-steamer to Queenscliff and horse-bus to Point Lonsdale.Black and white copy, No. 18 of set of 27 - Bobbie and Jack (dressed) at beach. Surnames not recorded.morton thomas richards burrowes

Black and white photo of Game Family Home, 18 Gordon Crescent, Blackburn C.1909.game, gladys, tom, kate

From Betty McPhee Collection of Sewing Equipment.Packet of Sewing Needles. Size 18/24 0- Best nickel plated wool needleH Milward & Sons, Redditch Englandhandcrafts, equipment, handcrafts, dressmaking, handcrafts, embroidery, handcrafts, needlework, domestic items, sewing

Hand tinted photograph of Vera Allen at 18 years of age of Myer Street Lakes Entrancegenealogy

Assorted terracotta building blocks of various shapes and colours, 18 in total with cardboard box & patterns.toys, general, blocks

Diggers & Mining: Bendigo. Bendigo Town Hall. Markings: 18, DEC74M10. Used as a teaching aid.Kodachromeeducation, tertiary, bendigo

18 issues of 'World Tennis' magazine, dating from 1978. Materials: Ink, Paper, Metaltennis

18 issues of 'World Tennis' magazine, dating from 1983. Materials: Ink, Paper, Metaltennis

Annual report of the Heidelberg Golf Club. Includes annual report, balance sheet and accounts to 31/01/1971. Annual General Meeting held 16/04/1971.Annual reports found in this collection begin in 1933-34.18 page document. Typed text and black and white photographs. Bound in cream card cover. annual reports, financial reports

Diaries of Tim Burstall November 1953 to December 1954. Tim Burstall lived in Eltham. Tim Burstall, the celebrated director of Stork, Alvin Purple and numerous other definitive 'ocker' comedies, is credited with shaking the moribund Australian film industry out of its torpor. But long before that, in the early 1950s, he began keeping a diary to record the world of the group of 'arties' and 'intellectuals' he was living among in Eltham, then a rural area outside Melbourne, where cheap land was available for mudbrick houses and studios, and where suburban rigidities could be mercilessly flouted. Burstall was in his mid-twenties, with two young sons and an open marriage with his wife, Betty. Eager to become a writer, to go against the grain, he kept a record almost daily-of the parties and the talk in pubs and studios, about art and politics and sex, of Communist Party branch meetings and film societies, of political rallies and the first Herald Outdoor Art Show. Somehow, while holding down a public relations job in the Antarctic Division and juggling his love affairs and obsession with the beautiful, brainy Fay, he wrote 500 words almost every day. Betty, according to the diaries, kept the show on the road, feeding friends after the pub, milking goats and working in her pottery making bowls and mugs, which Tim sometimes decorated at weekends. These Memoirs of a Young Bastard, as Burstall dubbed himself and them, are among the most evocative Australian diaries of modern times. Burstall can write. He has an eye for the telling detail, an unerring ear for cant and pomposity and, most endearingly, an ability to mock himself-always from the perspective of a bloke of his generation. Source: Publisherxxiv, 343 p., [18] p. of plates : ill., maps, ports., facsims. ; 27 cm.ISBN 9780522858143diary, motion picture director, film director, author

The Eastern Spinebill is found along the eastern coast of Australia, from Queensland to South Australia. It lives in wooded areas. It is an insectivore and also eats nectar, which is why its beak is a long slender shape. Females and males have slight aesthetic differences; the males have more distinct markings on the head. The female birds build nests and incubate eggs, but both parent birds will feed the young. The Eastern Spinebill has a bright rust coloured belly and throat, with black wings, crown and tail. Its back is light brown. There is a white stripe on its chest which stretches up underneath its eyes. The eyes are red. This taxidermy specimen is not a good representation of the live bird because it is considerably faded and their feathers are very ruffled. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.There are two birds on a wooden stand. One has its beak in the air and the catalogue tag attached to its foot (main bird). It has some minor pest damage around its eye. The opposite bird looks straight ahead. The birds are placed next to each other, facing opposite directions. They are faded and have some ruffled feathers. 60a/ Spine Bill / See catalogue, page 18taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, eastern spinebill

A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it. All we known about Richard Routledge is that he was a tool maker and retailer that operated a business at either 23 or 64 Bull St Birmingham between 1869 to sometime in the early 20th century. There are many of his tools including decorative moulding planes of all sizes and designs for sale around the world and that his tools in particular moulding planes are well sought after by collectors of vintage tools. A vintage tool used before routers and spindle moulders came into use after World War ll, a time when to produce a decorative moulding for a piece of furniture was done by hand using one of these types of plane. A significant item from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture was made predominately by hand and with tools that were themselves hand made shows the craftsmanship used to make such a unique item. Plane, Moulding, Hollow Size No 18 Routledge Maker (Owner "J.A.S.Burden")flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Pamphlet contains psalms, hymns, lessons, commemoration of the fallen, rear page has suggestions for Committees making local arrangements.Pamphlet “Peace Celebrations” and order of Thanksgiving to Almighty God, off white colour rectangular shape, 7 pages all print in black.On the front, “For the Blessing of Peace after the War of 1914 - 18”pamphlets, peace celebrations

Item relates to H E HEWSTON No 40, 3rd Pioneer Battalion AIF. Refer Cat No Cat No 2759.2 for his service history. Part of the HEWSTON collection WW1 & WW2.Square cream silk handkerchief with a scalloped lace edging heavily embroidered with coloured flowers & a blue bird.Embroidered: “Souvenir of Belgium 1914-18 War AIF”costume accessories, military history - souvenirs, belgium, silk

B/W photograph, in the style of a post card. Shows a standing soldier wearing a peaked cap. Has crowns on his badges. Charles Eric Phillips = White Hills Bendigo. Prints of postcard by Kodak Australia.Rear is marked 'Eric in uniform age 18 years'. photography-photographs, uniforms

Cardboard cylinder with green wrapper marked Veritas XXX quality Ramie Gas Mantle No 6841 British Manufacture.Veritas Incandescent Mantle Works London SW.18.lighting, gas, mantle

Janne RAY & Rose COLUCCIO at the launch of the Women of Port Melbourne Exhibition & book, October 2005, Janne Ray & Rose Coluccio at the launch of the Women of Port Melbourne exhibition18/10/2005 Janne Ray+ Rose Colucciowomen of port melbourne, janne ray, rose coluccio

Group at the launch of the Women of Port Melbourne Exhibition & book, October 2005.L-R - Unknown, Dina MANN, Jan SOLDATAS in front of painting of Jerri MANN.Group in front of portrait of Jerri Mann at the launch of the Women of Port Melbourne exhibition18/10/2005 Dina Mann, Jan Soldataswomen of port melbourne, jerri mann, dina mann, jan soldatos

Liana THOMPSON and Norah HOWARD at the launch of the Women of Port Melbourne Exhibition & book, October 2005.Liana Thompson & Norah Howard at the launch of the Women of Port Melbourne exhibition18/10/2005 Liana Thompson, Norah Howardwomen of port melbourne, liana thompson, norma howard

Jan McDONALD & Terry KEENAN at the launch of the Women of Port Melbourne Exhibition & book, October 2005.Jan McDONALD & Terry KEENAN at the launch of the Women of Port Melbourne exhibition18/10/2005 Jan McDonald & Terry Keenanwomen of port melbourne, jan mcdonald, terry keenan

Anna ROBIESON & Perc WHITE at the launch of the Women of Port Melbourne Exhibition & book, October 2005. Anna ROBIESON & Perc WHITE at the launch of the Women of Port Melbourne exhibition18/10/2005 Anna Robieson, Perc Whitewomen of port melbourne, anna robieson, perce maguire-white

Janet BOLITHO & Perc WHITE at the launch of the Women of Port Melbourne Exhibition & book, October 2005.Janet BOLITHO & Perc WHITE at the launch of the Women of Port Melbourne exhibition18/10/2005 Janet Bolitho, Perc Whitewomen of port melbourne, perce maguire-white, janet bolitho

Robyn CLINCH on violin at the launch of the Women of Port Melbourne Exhibition & book, October 2005.Robyn CLINCH & her group playing at the launch of the Women of Port Melbourne exhibition18/10/2005 Robyn Clinch & her groupwomen of port melbourne, robyn clinch

colour photographDeauville Flats, 18 Princes St, St Kilda

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. New Coventry Cathedral, Coventry, England 1950. (Architect: Basil Spence.)Made in Australia / 18 / AUG 64M / 20 (Handwritten)slide, robin boyd

SoftcoverTo Davy with love Peter Ryan 18/8/72redmond barry, australian - judge, walsh st library