Showing 2544 items
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Beechworth Honey Archive
Publication, Keeping bees on forested lands: a code of practice. (Benecke, F. S.). [np], [nd]
9 pages. -
Beechworth Honey Archive
Publication, The Australasian Beekeeper. (Pender Bros Pty. Ltd.). Maitland, 1939-2014, 1939
Volumes 41 (1939) to 47 (1946) and volumes 89 (1987) to 91 (1989) donated by Steve Lipscome. Volumes 73 (1971) to 74 (1972) bound in green cover donated by John Tenny, Wirrabara SA. -
Tatura Irrigation & Wartime Camps Museum
Book, On Guard with the Volunteer Defence Corps, 1944
Hard grey cloth covered book with B&W & coloured illustrations and pictures/ photos. Black printing. Red print on front cover & spine. Logo or crest on front cover, in red.tatura, volunteer defence corps, books, military -
Beechworth Honey Archive
Publication, Australia's Honeybee News. (New South Wales Apiarists' Association). Leichhardt, 2008-2014, 2008-2013
Formerly known as Honeybee News. Imperfect holdings. Volume 3 (2), 2002 to Volume 6 (2), 2005 only.honeybee, news, nsw, apiarists', association, beechworth honey -
Beechworth Honey Archive
Publication, Australasian Beekeepers' Supplies. (Pender Bros. Pty. Ltd.) West Maitland, 1938
32 pages, illustrated.Distributed by WJ and F Barnes Pty, Ltd. 536-556 Swan Street, Burnley, Melbourne. publication, pender bros, bee-keepers, supplies, australasian, victoria, beechworth honey -
Beechworth Honey Archive
Publication, Australasian Beekeepers' Supplies. (Pender Bros. Pty. Ltd.) West Maitland, 1972
35 pages, illustratedDistributed by WJ and F Barnes Pty, Ltd. 536-556 Swan Street, Burnley, Melbourne. publication, pender, bee-keepers, supplies, australasian, victoria, beechworth honey, publication, pender, bee-keepers, supplies, australasian, victoria, beechworth honey -
Beechworth Honey Archive
Publications, Australian made Honey......Extractors and pumps: directions for their care and attention and the ordering of extractor parts. (Pender Bros. Pty Ltd). West Maitland, 1946
26 pages, illustrated.publication, pender, extractors, pumps, bee-keepers, supplies, australasian, victoria, beechworth honey -
Beechworth Honey Archive
Publication, Australasian Beekeepers' Supplies. (Pender Bros. Pty. Ltd.) West Maitland, 1941
32 pages, illustrated.publication, pender bros, beekeeping supplies, publication, pender bros, beekeeping supplies -
Beechworth Honey Archive
Publication, Australasian Beekeepers' Supplies. (Pender Bros. Pty. Ltd.) West Maitland, 1939. 47th edition, 1939
32 pages, illustratedDistributed by WJ & F Barnes, 550-556 Swan Street, Burnley, Victoria.publication, pender bros, beekeeping supplies. -
Beechworth Honey Archive
Publication, Pests and diseases of honey bees. (Annand, Nick and Somerville, Doug). [Sydney], 2008
1 volume (various paginations), illustrated -
Tatura Irrigation & Wartime Camps Museum
Photographs, Wittenberg, Emil, the artist, The "Dunera" Story, c. 1942 for sketches
The original sketches were used by the Tatura Museum for an exhibition c.1997, and were photographed before their return to Wittenberg's nephew, who verbally approved of the use of these copies for any purpose by the Society.Four A4 photographs of colour sketches mounted in a timber frame with glass front. Photo of sketches displaying life on the "Dunera" barracks, bunks and toilet facilities in the internment camps.The "Dunera" Story, Sketches by Emil Wittenberg."dunera", hay internment camp, internment camps, tatura, camp 2, world war ii, emil wittenberg -
Tatura Irrigation & Wartime Camps Museum
Currency - Bank note, 1st March 1941
Designed by Dunera internee, Teltscher, and printed by Riverine grazier at Hay internment campFacsmilie. Encapsulated/laminated bank note to the value of six pence, with blue colour design(s) on white background with black printing. Features emblem of kangaroo, emu and merino ram above banner of the words "Camp seven bank". Display in plastic stand frameC41937, Printed on back of bank note "This note is valid only within the boundaries of Camp 7 Internment Camp Hay" "The bank is under no obligation to honour this note if presented by holder outside the Camp".tatura, numismatics, notes -
Tatura Irrigation & Wartime Camps Museum
Book, Australian Migrant Ships - 1946-1977, 2006
Contains information on ships that brought migrants to Australia - 1946-1977, including ten pound poms.Yellow soft cover with photo of "New Australia" on the front and "Fairstar" with the author in the foreground and precise of the contents of the book on the back. Black, red and white text.migrant ships, books, maritine, ten pound poms -
Tatura Irrigation & Wartime Camps Museum
Book, Haywire - The Wartime Camps at Hay, 2006
A collection of first hand reports, artworks, newspaper articles, photos and other documents from files of Hay Historical Society.White card cover, WW Camp scene on cover. "Hay Historical Society". Back cover has a picture of a member of the Garrison Battalion at Hay, Hay Railway Station and remarks written by internees. 2 copies.With Best Wishes to Tatura Historical Society. A donation from Hay Historical Society. April 13th, 2006. Elizabeth Gibsonhaywire, hay historical society, tatura, ww2, hay internment camps -
Tatura Irrigation & Wartime Camps Museum
Book - Italian Prayer book, L'Amico del Prigioniero, 16 May 1943
Black book titled "L'Amico del Prigioniero" in red paint. Italian internee - Valente WW2 Catholic prayer bookHand written comments inside of front cover and last 2 pages. -
Tatura Irrigation & Wartime Camps Museum
Sculpture - Wood Carving, Kurt Lewinski, The Stacker, 1940's
Depicts a member of the AMF 8th Employment Co. Made by former camp 2 Tatura internee after his release in January 1942. At the 8th employment company at Tocumwal. Kurt Lewinski was a Dunera boy. Formerly a refugee of England 1938, originally from Berlin. Transported to Australia in 1940.Wood carving or sculpture of a man stacking boxes at a railway station.K. Lewinski 1944 Huon Pine (stained)wood sculpture, internee hand craft, dunera boy, kurt lewinski -
Tatura Irrigation & Wartime Camps Museum
Sculpture - Wood Carving, Kurt Lewinski, Man with Wheelbarrow, 1998
From the bequest of the late K. Lewinski, a German Ort boy from Berlin, refugee in England 1938 - June 1940. Interned and transported to Australia 1940, interned in camp 2. Released in January 1942 to 8th employment co at Tocumwal.Wooden sculpture featuring a man wearing a peaked cap, pushing a wooden wheel barrow filled with round logs, fixed to a wooden rectangular base. 2 pieces.K. Lewinski 1998 Timber: man - kwila, barrow - blackwood, firewood - teak kurt lewinski, wood sculptures, ort boy, internment camp 2, 8th employment co -
Tatura Irrigation & Wartime Camps Museum
Book, The Dunera Tapes, 1990
Printed on the occasion of the 50th anniversary of the arrival in Australia. Interviews with 69 of the original Dunera men and their families done by 15 Hay students from Hay War Memorial School.Light blue covered folio side bound in black. Contains 70 pages of printed text and photos. Black and white picture on cover. Title in black ink above picture. Black taped spine.The Dunera Tapes Conversations on a Windy Day in Hayhay internment camp, 50th anniversary of dunera arrival, hay war memorial school, internment camp interviews, peter alsberg, paul altmann, max arnott, herbert barber, michael brent, gerald cunningham, peter danziger, reinhold eckfield, peter feistmann, adi felder, henry felder, john fletcher, werner frank, fred freitag, ernest green, john gresham, dennis goodman, frank heymann, horst jacobs, ernie katz, walter kaufmann, jimmy king, heinz kuehlenthal, george lederer, kurt leiser, kurt lewinski, hans loewe, franz menzel, rudi meth, albert meyer, martin moore, fred parkinson, fred reich, howard rickenberg, ernest rodeck, max rubinsohn, fren schonbach, ernest schonfeld, henry seaman, martin shelton, mike sondheim, ralph stern, george strauss, henry teltscher, roy thalheimer, herbert treidel, harry unger, fred warschauer, harold weinberg, mendel weisser, victor wieselmann, walter weyl, ernst wolf, christoph wolkenstein, oswald wolkenstein -
Maldon Vintage Machinery Museum Inc
Fridge, circa 1960
Cream enamel fridge with large chrome handle. Small, box-like freezer compartment inside.Serial number on plate "500-2185". On front of freezer box, "BEAUTY POWER STAMINA PRESIDENT" in a circle with image of an eagle in centre of lettering. -
Mansfield Historical Society
Book, "The Harbour" Newspaper & Publishing Co Ltd, Southern Cross Catalogue 1939-40, 1939
The Southern Cross Organisation had its origin in a small Foundry in Toowoomba, Queensland, in 1871, and has grown into a Commonwealth-wide organisation with a selling network serving the whole of Australia and supplying Southern Cross Products as far away and Deccan, in India.This object is significant because it is complete and the pages are clean, straight & unmarked with the binding is in good condition.Soft Red CoverSouthern Cross Catalogue for 1939-40windmills, petrol engines, kerosine engines, pumps, milking machines, tanks, lighting plants, home light batteries -
National Wool Museum
Textile - Blanket, Challenge Woollen Mills, Clan Murray series of Challenge, c1950s
Collector says - "Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display." " For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Checked blanket, pink, blue and lavenderClan Murray series of Challenge/Lambswool 'Perma-nap' blankets/All pure wool/Super Grade blanket, blanket fever, wool, challenge woollen mills -
National Wool Museum
Archive - Advertisement, Challenge Woollen Mills, 1961
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Advertisement, Challenge blankets, ElectracolourFirst Time Ever!/Clan Murray Challenge Blankets/Bring You New Colours Glowing like Early Morning Sunlight/Electracolour/from New Swiss Miracle Dyes/Still with the Super Luxury of Kitten-soft Double "Perma-Nap" Finishwool, blanket, blanket fever, challenge, advertisement, australian women's weekly -
Clayton RSL Sub Branch
soft cover non-fiction book, Arcturus Publishing, 6 June 1944 D-Day Dawn of Heroes, 2004
Tells the story of Operation Overlord, the largest most meticulously planned seaborne invasion in the history of warfare.soft cover non-ficton book -
Flagstaff Hill Maritime Museum and Village
Equipment - Speaking Tube, Morts Dock & Engineering Co. Ltd, circa 1941
This brass speaking tube or voice pipe was used by the crew to communicate within the ship. It was recovered from the wreck of the Royal Australian Navy vessel, HMAS Warrnambool in 1948. The HMAS Warrnambool J202 was commissioned by the Royal Australian Navy for use as a minesweeper during World War II. The Bathurst Class Corvette, fitted out with a range of armaments, was launched in Sydney 1941 and was. The ship began service in Bass Strait in 1941. At the end of the year it called into its namesake city, Warrnambool, where the crew paraded for the public marching eastwards along Timor Street. A gift of books for the ship’s personnel and a plaque bearing the City of Warrnambool’s Coat of Arms were presented to the ship. The ship was involved in evacuating a family of nine from the Dutch East Indies that was later successful in its challenge of Australia’s Immigration Restriction Act (White Australia Polity). The ship had many other appointments around Australia. On 13th September 1947 HMAS Warrnambool was leading a flotilla of minesweepers in northern Queensland’s coastal waters, clearing mines previously laid to defend Australia. The ship hit a mine, which exploded and very quickly sunk the ship. Boats from the nearby ships rescued most of the seamen although one was killed at the time. The survivors were taken by the HMAS Swan II to Darwin, and they went from there to hospitals in Brisbane and Sydney. Three of these men later died from their injuries. A number of items were recovered by Navy divers in 1948 including the ship’s bell and a plaque with Warrnambool’s Coat of Arms. In 1972-75 the wreck was sold and other items were salvaged. In 1995 a memorial plaque was erected in Warrnambool near the RSL. NOTE: The RAN built a second HMAS Warrnambool FCPB204, launched in 1981 and decommissioned in 2005. There was also a steam ship SS Warrnambool built in London 1892 and broken up in 1926. [A more detailed history can be found in our Collection Record 3477.] This speaking tube is an example of communication used in the mid-1900s on board a vessel. It is significant is significant for its association with Royal Australian Navy and its vessel, HMAS Warrnambool (J202). The HMAS Warrnambool played a nationally significant role in overturning Australia’s Immigration Restriction Act 1901 (colloquially known as the White Australia policy). The ship rescued, and brought to Australia, Samuel and Annie Jacob and their family after they evacuated Dutch East India. The family was threatened with deportation and made the first successful appeal to High Court regarding that Act. The HMAS Warrnambool has - Local significance for being the namesake of the City of Warrnambool - Local significance, having docked in Warrnambool Harbour - Local significance, the crew having paraded in Timor Street, Warrnambool - State significance for its first patrol being in Bass Strait. - National significance, being present in Timor at the Japanese surrender - National significance, shown by the significance of the ship’s bell being curated as Military Heritage and Technology at the Australian War Memorial. - National significance as part of Australia’s defence force history, being one of only four Bathurst class corvettes lost while in Australian service, the only Bathurst class corvette lost after World War II, the only RAN vessel to be sunk by a mine, and associated with the last four Navy deaths of WWIISpeaking tube or voice pipe, brass, conical shape, broken off at base. Wide end has a rolled edge. Recovered from HMAS Warrnambool, sunk on 13-09-1947.flagstaff hill, maritime village, maritime museum, warrnambool, shipwreck coast, mort's dock & engineering co ltd, h.m.a.s. warrnambool, hmas warrnambool, hmas warrnambool i, hmas warrnambool j202, hmas swan ii, j202, world war ii, bathurst class corvette, royal australian navy, ran, sydney built ship, bass strait patrol, sea mine patrol, mine sweeper, mine clearance, navy divers, great barrier reef, cockburn reef, southern cross diving and salvage, warrnambool city council, cr j r astbury, mayor j r astbury, warrnambool patriotic fund, seal, coat of arms, ship’s bell, hmas warrnambool 1941, shipwreck by sea mine 1947, sinking ship, sunk ship, sea rescue, life saving, lifesaving, speaking tube, voice pipe, communication on ship, marine technology, marine equipment, minesweeper -
Phillip Island and District Historical Society Inc.
Photograph - Post Card, 1933 - 38
One of two photograps donated by Dr CookBlack & White photograph of people on Cowes beach with four beach umbrellas in the foreground. Trees and grass to the left of photograph."The Beach, Cowes". Valentine, Series No. 2267 Copywrightphillip island, cowes beach, dr cook -
Warrnambool and District Historical Society Inc.
Tins, Gramophone Needles HMV, Early and mid 20th century
These gramophone needles were manufactured by The Gramophone Company Limited for use in gramophones that had an arm in which to insert a needle to play an old shellac record. The Gramophone Company was an early recording company based in the United Kingdom and was the parent organization for the His Master’s Voice label of recording devices. The company was founded in 1897 and merged in 1931 with another company to form E.M.I. (Electric and Musical Industries) but the name The Gramophone Company continued in Britain until the 1970s. Gramophones were a popular household item from the late 19th century until the mid 20th century when more sophisticated recording and playing devices were invented. These gramophone needles is of some interest as an example of entertainment devices of the past. It will be useful for display. .1This is a metal box with a lid containing an image of a dog and a phonograph (‘His Master’s Voice’) painted in white and brown on a dark blue background. Inside the tin are about 150 metal gramophone needles, most of them being a little rusted. The needles are covered with a sheet of brown paper with yellow printing. The tin itself is rusted and the printing is discoloured. There is a paper sticker on the back of the box with an early catalogue number (almost obliterated). .2 Small rectangular plastic container with picture of white polar bear with blue background. It contains approximately 30 needles which have red ends and silver points. .3 small plastic bag with a number of needles..1 Front of box: ‘His Master’s Voice, Extra Loud Tone’ Back of box: Approximately 200 English gramophone needles manufactured by The Gramophone Company Limited, Sydney, Australia’. Inside: ‘Use each point once only’ (printed twice). .2 50 semi- permanent needles on front of box. On bottom Made in Germany. gramophone needles, warrnambool, e.m.i., electric and musical industries -
Warrnambool and District Historical Society Inc.
Badge, Warrnambool & District Pipes & Drums, Late 20th century
This badge comes from the Warrnambool and District Pipes and Drums and is presumably attached to an item of clothing. The Warrnambool Pipe Band was formed in 1906, originally to popularise Scottish music and later to foster a taste for bagpipe music. Simon Fraser, the first Pipe Major, held the position from 1906 to 1910. The band appears to have gone into recess during the latter years of World War One and was apparently re-formed in 1935. Again in World War Two the band was in recess The band has had several changes of title but is today known as the Warrnambool and District Pipes and Drums. The badge is of interest as an example of one of the badges belonging to Warrnambool & District Pipes and Drums, an important and long-serving band in Warrnambool. This is a multi-coloured cloth badge, circular in shape. The outside edge is machine stitched in yellow and there is a blue band with the wording in yellow ‘Warrnambool & District Pipes and Drums’. In the inner circle there is an image, in colours of white, red, yellow, black and dark blue, of two drums, a staff and bagpipes stitched on a blue background. The back has a paper label with the details of the maker. ‘Warrnambool & District Pipes and Drums’ ‘Action Badges Pty Ltd, 34 Tooronga Terrace, Beverly Hills, N.S.W., 2209, Telephone (023) 502 4077’ warrnambool & district pipes and drums, badge -
Bendigo Military Museum
Photograph - GROUP PHOTOGRAPH KAPOOKA 1967, Aust Army, c1967
Item in the collection re Tony Cornelius, refer Cat No 1874.2 for his service details.Group photograph of 6 Pl & Staff A Coy 1 RTB KAPOOKA November 1967. They are in four rows, seated and standing. The man in the centre of the front row is holding a cane under his left arm. On his left is a Corporal. Between them is a little statue of a man, opening his outer shirt revealing Infantry crossed swords T-shirt. The statue has a title at it's base which appears to read "Rec Fitness". The photo is mounted in a folding cardboard cover and one the cover are the names and positions of the men.photo, platoon a.coy, vietnam war -
Bendigo Military Museum
Plaque - PLAQUES, HMAS COONAWARRA & HMAS SUCCESS
1. Wood, centre, metal painted gold, black, blue with a world map in blue painted centre crown on top with white and red decoration, crown on top. 2. Wood, centre, metal painted gold, black, blue and brown. Crown on top with white, brown, red and green decoration.1. "COONAWARRA" "SWIFT AND SECURE" 2. "SUCCESS" "STRIVE TO WIN".plaque, hmas coonawarra, hmas success -
Bendigo Military Museum
Uniform - BATTLE DRESS, WINTER, ARMY, 1967
Refer to Cat 58251. Jacket - Thick woollen material - brown khaki colour, two breast pockets, held shut with a button on each. It has epaulettes and long sleeves, on the shoulders are red curved, sewn on, badges "Royal Australian Infantry". 2. Trousers - thick woollen material -brown khaki colour. Button fly. 3. Grey cord lanyard. Inside jacket is label 3795952, Patterson written in blue ink.winter uniform, vietnam war, army