A braille letter, with print above lettering, sent to Auxiliaries in December 1935. It reads: To the President, Executive and Members of the Murtoa RVIB Auxiliary Dear Friends, We, the blind children of the Royal Victorian Institute for the Blind, once again enjoy the great pleasure of thanking you for all you have done for us and the little babies during the past year. Without your help it would be impossible for the Institute to carry on its wonderful work of brightening our lives. We send you and your dear ones our heartiest greetings and sincerest wishes for a Very Happy Christmas and a Bright & Prosperous New Year. With our fondest love and grateful appreciation, We remain, Yours sincerely, The Blind Children Dec. 19351 Braille page with black handwritingroyal victorian institute for the blind, auxiliaries, braille

To give shape to a basket, this frame was used by the weaver to keep the wicker in shape. Basket weaving was an integral part of many blind workshops, and this frame comes from the RVIB workshop in St Kilda Road.1 metal frame for weaving basketsroyal victorian institute for the blind, employment

Edward Pyke and Jean Maurice Glauser invented this machine with the intention of enabling the easy and quiet production of Interpoint Braille. Although widely agreed to be one of the best Braille machines of its time, production of the machines was stopped during the Second World War because of rationing and high material costs. The machine has a keyboard arrangement at one end, the other end folds out to form a platform which is held up by a metal strut with rubber capping. An upward writing model, the paper feeds from the rear and passes under the space bar. The machine has no paper feed rollers. The only movement is that of the carriage that moves from left to right.Painted metal machine with metal keys that move a carriage across inserted sheets of paperRoyal National Institute for the Blind 228 Great Portland St London W1 Pyke-Glauser Braille Writer PG 48braille equipment, royal national institute for the blind

This wooden frame is designed to sit over paper pages. The elastic strands provide a guide to the writer to maintain a straight line of writing, with the beads allowing indication of space between words or sentences. This frame allows those who have deteriorating sight to continue writing handwritten notes.1 wooden frame with elastic and beads and metal cornersassociation for the blind, assistive devices

A wooden ruler with raised metal dots marking the spacings on the ruler. Made prior to 1971, when metric measurements were introduced, this 18-inch ruler is a demonstration of how easily a simple visual measuring tool could be adapted for varying degrees of sight by the use of tactile markings. 1 wooden ruler with metal pins as measurement pointsassistive devices, royal national institute for the blind

This speaking calculator was designed to perform several functions as well as memory, in synthetic voice. With two modes - visual or visual plus voice - it was powered by a nickel cadmium rechargeable battery or by a special adaptor from mains supply voltage. Dark brown rectangular box with numerical and mathematical keyboardTSIassistive devices, audio equipment, office equipment and supplies

Designed to create an impression on paper, the slate allows users to create Braille by guiding the stylus into the correct alignment to produce Braille, through the applied use of pressure that creates a depression on one size of the paper and a raised dot on the alternative side. In this example, the frame has two side hinges which allow it to sit over the paper edge, and four lines of Braille could be written.1 metal Braille frame with two lines of Braille windows and 4 small prongs to keep frame positioned correctly.braille equipment, assistive devices

4 object set. Object 1 a pink glass dish with leaved, V-shaped rim. Clear glass decorative flange underneath overhanging rim. Object 2 pink glass jug, tapered, with clear handle and decorative flange, clear glass decorative feet. Object 3 pink glass bowl, globular, with clear glass decorative peaked trimming around top. Slightly patterned exterior. Object 4 similar to object 3 but with more obvious pattern on main bowl exterior.ornaments, glass, moulded, ornament

This brass goblet has been used by the now-defunct Apex Cub of Warrnambool as a jar to hold the fines money contributed by members at a meeting. It may have been made in India, North Africa or a Middle East country but nothing is known of its origin or provenance.This goblet’s history is sketchy and it may be of use now in displays. The Warrnambool and District Historical Society has other historical material associated with the disbanded Warrnambool Apex Club.This is a brass goblet (a bowl on a pedestal base). It is etched with ornamental patterns and floral shapes. Handwritten on base of object: ‘W’bool Apex Club Fines Jar’. apex club of warrnambool, warrnambool

Framed picture of Mustafa Kemal Ataturk, Founder, President of the Republic of Turkey. Presented by Turkish sub branch of Victorian RSL.Dedication on object starts"Those heroes that shed their blood...………" 1934

This lifebuoy is part of the lifesaving equipment that would be carried on vessels in the late 19th and early 20th century. The strips of cork wood have been joined together to make the ring shape. A lifebuoy, or life-preserver, is used as a buoyancy device to keep a person afloat in the. It is usually connected by a rope to a person in a safe area such a nearby vessel or on shore. The lifebuoy is thrown to a person in distress in the water, allowing the rescuer to pull the person to safety. The lifebuoy is a made from a buoyant material such as cork or rubber and is usually covered with canvas for protection and to make it easy to grip. The first use of life saving devices in recent centuries was by the Nordic people, who used light weight wood or cork blocks to keep afloat. From the early 20th century Kapok fibre was used as a filling for buoys. Light weight balsa wood was used as a filler after WW1. In 1928 Peter Markus invented and patented the first inflatable life-preserver. By WW2 foam was combined with Kapok. Laws were passed over time that has required aeroplanes and water going-vessels to carry life-preservers on board. The lifebuoy is an example of equipment carried on vessels in the late 19th and early 20th century to help preserve life. There were many lives lost in Australia’s colonial period, particularly along the coast of South West Victoria.Lifebuoy, round cork object with no covering. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, life rings, lifebuoy, safety ring, life-saving buoy, ring buoy, life preserver, personal floating device, floatation device, safety equipment

Long handle metal object at the bottom

Metal object. Half dome shape.bendigo, gold mining, qc binks

This item was found in 1980 at Freshwater Creek, Torquay and is believed to be from the Scammell wrecked off Point Danger, Torquay in 1891.The wreck of the Scammell was a significant event in Torquays history.Corroded steel object, pin shaped

Cast iron decorative architectural objecthistoric building, architecture, archaeology

Pattern-bow fair lead wood object grooved at centre with two fins jutting out at either end. Object is painted yellow. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Booklet: 'WRIGHT AND DITSON ILLUSTRATED CATALOGUE OF FINE ATHLETIC GOODS'. Softcover. Also enclosed with object is supplementary material: document discussing object from Larry Lawrence Rare Sports, from who the object was purchased. Materials: Paper, Inktennis

Tin snips metal scissor shaped object flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Rusted Many Slots for holding Objects Handled

6294.1 - Stained amended copy of object No. 6298.

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. Two objects hang from a timber structure.graeme drendel, printmaking, silkscreen

Graeme DRENDEL (1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who believes you should paint what you know. He studied Art Teaching at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing a Diploma of Teaching Art and Craft at Melbourne State College in 1974. While studying in Ballarat Graeme lived in the student hostel 'Beaufort House'. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. The isolation he portrays through his characters may relate back to the isolation he felt on the wheat farm he grew up on. As a prolific user of sketchbooks Graeme Drendel records close observations, which can inform his paintings. Graeme Drendel is regularly a finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. Two objects hang from a timber structure.graeme drendel, printmaking, silkscreen

Black leather-bound bible. Simple embossed line border on covers and 7 lines on spine. "HOLY BIBLE" on spine in gold, with gold edging on pages. Decorative gold embossed vine-leaf pattern on inside of covers at edges.

This item was given to the Historical Society in 1972, with the donor indicating that the spirit level belonged to the Henty family. The Hentys of Portland are regarded as the first permanent settlers in the State of Victoria (1834). Stephen Henty, with his brother Edward, was involved in the whaling industry in Portland. He also had shipping interests, operating a regular Western District shipping service (‘Champion’, ‘Lady Bird’, ‘Western’, ‘Edina’ etc) and a property ‘Cadnook’, near Harrow. Stephen Henty had close connections with Warrnambool not only because of his shipping interests but also because he was the brother-in-law of an early Warrnambool Harbour Master, Captain Frank Helpman. A spirit level was an essential tool for early settlers as they often built their own homes and constructed the roads nearby, needing to ascertain if what was being constructed was on level ground.It does not seem possible to establish whether this item belonged to the Henty family or to a Henty property. But in the Historical Society collection we have a piece of sheet music which includes the handwriting ‘Mrs Smalpaige, Cadnook’, ‘S. J. Henty’ and the date ‘8th August 1859’. Also the Warrnambool Art Gallery has an authentic Henty piano dating from 1837 and Stephen Henty’s wife died in Hamilton in 1906 so it is possible that the spirit level came to us from a Henty family descendant living nearby via Mr N. Kelly. If the Henty provenance can be proved then this item is of high significance.This is an unvarnished wooden spirit level, apparently home made, with a bubble in the centre. The top has been attached with eight screws, now much rusted. There appears to be some letters in the bubble area but they have not been deciphered “Hentys spirit level, oldest in Australia” is written in ink on the back of the objectspirit level, henty brothers portland, warrnambool, henty family

"Highlights what is distinctive about Victoria and increases awareness and appreciation of the State's Heritage. Ensures heritage objects, places and events can be understood, assessed and presented within the context of a broad theme, rather than as singular items of interest" - publisher's website"Highlights what is distinctive about Victoria and increases awareness and appreciation of the State's Heritage. Ensures heritage objects, places and events can be understood, assessed and presented within the context of a broad theme, rather than as singular items of interest" - publisher's websitemigrants, environments, federation (1901), (mr) fletcher jones, land use, immigration, land transport objects, landscapes, landforms, cities and towns, law and order, groups, cultural events and activities

Used to secure rope to stay in a certain position. Found in the stive room. There are wear patterns around holes where rope has been pulled through.Wooden keyhole shaped objects with three holes each.

Albion Mill Whistle – 'The whistle signalled the changes in shifts and Geelong residents regulated their lives by it.' – exhibition label, In the FactoryCylindrical shaped brass object mounted on a wooden base.Printed: STEAM WHISTLE / ALBION WOOLLEN MILLS 1869 - 1964instruments, pressure gauge, albion mill, dane taylor & co pty ltd, south melbourne, geelong, wool industry

Julie MULLEN This work was completed during Julie Mullen's 3rd year studying Ceramics at Ballarat University College (now Federation University). The work was awarded the 1992 Selkirk Prize. The artist wrote the following in the #rd Year Final Exhibition Catalogue: "My first love is clay And together with my inspiration Drawn from the landscape, Sea and human gure, I am able to create. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Terracotta handbuilt form with applied marine inspired objects. art, artwork, mullen, julie mullen, ceramics, selkirk prize, ballarat univesity college, available, available ceramics