Showing 1026 items matching "oil paintings"
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Latrobe Regional Gallery
Painting, HAMMOND, Kirrily b. 1975, Newcastle, New South Wales, Gippsland Twilight 53, 2011
Oil on linen-gippsland, twilight, local, suburban, sky, urban structures, shadows, clouds, street lights -
Latrobe Regional Gallery
Painting, LINCOLN, Kevin b. 1941 Hobart, Tasmania, Untitled, Not dated
... gippsland Signed top left corner of work. Oil on canvas Untitled ...Oil on canvasSigned top left corner of work. -
Latrobe Regional Gallery
Painting, LINCOLN, Kevin b. 1941 Hobart, Tasmania, Still life with covered bowl, 1983
... gippsland Signed top left of painting. Oil on canvas Still life ...Oil on canvasSigned top left of painting. -
Latrobe Regional Gallery
Painting, BOYD, Arthur b. 1920 Murrumbeena d. 1999 Melbourne, The Ascension (study), 1965
Oil on composition board.- -
Latrobe Regional Gallery
Painting, JACKSON, James Randalph b. 1882 Palmerston, New Zealand. d. 1975 Sydney, Sydney Harbour, Not dated
... . Oil on canvas Sydney Harbour Painting Painting JACKSON, James ...Oil on canvasSigned 'James R Jackson' in lower left corner of painting. -
Latrobe Regional Gallery
Painting, COLVILLE, George b. 1887 Aberdeen, Scotland. d. 1970 Melbourne, Untitled Landscape, Not dated
... gippsland Signed 'Geo. Colville' lower right corner of painting. Oil ...Oil on canvas Signed 'Geo. Colville' lower right corner of painting. -
Latrobe Regional Gallery
Painting, DE KESSLER, Thomas b. 1925 Budapest, Hungary d. 2008 Melbourne, The Legions, 1967
... of painting. Oil on board The Legions Painting Painting DE KESSLER ...Oil on boardSigned 'T de Kessler 1967' in lower right corner of painting. -
Latrobe Regional Gallery
Painting, DE KESSLER, Thomas b. 1925 Budapest, Hungary d. 2008 Melbourne, Portrait of (Dr) Baron Anthony Szeleczky, 1962
... of painting. Oil on canvas board Portrait of (Dr) Baron Anthony ...Oil on canvas board Signed and dated 'T De Kessler 1962' in lower right corner of painting. -
Latrobe Regional Gallery
Painting, MEYER, Mary b. 1878, d. 1975, Door in the Brick Wall, Not dated
Oil on canvas board.Not signed. Not dated. -
Latrobe Regional Gallery
Painting, ARMSTRONG, Ian b. 1923 d. 2005, Portrait of Judith Rodriguez, 1975
Oil on canvas.Signed and dated upper right corner 'Armstrong '76' -
Latrobe Regional Gallery
Painting, FAULKS, Philip b. 1959 St Albans, England, We had a Baby, 1988
Oil on canvasSigned and dated on reverse. -
Latrobe Regional Gallery
Painting, COLLINS, Mark, Figures on the Landscape, (n.d.) earliest date 1981, latest date 1986
Oil paint and pastelNot signed, not dated. -
Latrobe Regional Gallery
Painting, HENG, Euan b. 1945 Scotland. Arrived Australia 1977, Jeeralang Still Life I, 1985
Oil on canvasSigned and dated on reverse top left "Euan L Heng 85" -
Latrobe Regional Gallery
Painting, SERWAN, Peter b. 1962, Morwell 2, 1996
Oil on paperSigned lower left of paint "Serwan" -
Whitehorse Historical Society Inc.
Painting
Painting - lake scene with mountain in background.Canvas - prepared by Windsor and newton 98 Rathbone Place London.illustrations, oil -
Whitehorse Historical Society Inc.
Painting - Panel Painting
... Schwerkolt to purchase the block, they where given this painting ...In the early 1920s Reginald and Gladys Skelton rented Schwerkolt Cottage. When they left to live in their new home on Deep Creek Road, having been encouraged by Mrs. Louis Schwerkolt to purchase the block, they where given this painting which was on a panel on the door of the eastern room. When the Nunawading Council was refurbishing the Cottage in 1964, Mr Skelton returned the panel. This information was provided by Lyn Davies the daughter - in - law of Mr. and Mrs. Skelton.Painting depicting a rural scene with a river and a bared tree in the foreground and a house, fields and hills in the background.illustrations, oil -
Dandenong/Cranbourne RSL Sub Branch
Framed Print, Between 1920 and 1922
Anzac The Landing 1915 is an oil on canvas painted by George Washington Lambert. Painting depicts Australian soldiers of the covering force ( 3rd Infantry Brigade) climbing the seaward slope of Plugge's Plateau which overlooks the north end of the Anzac Cove. The view is to the north toward the main range. The yellow pinnacle is "The Sphinx " and beyond is Walker's Ridge which leads to Russell's Top. The white bags each soldier is shown carrying has two days rations which were issued especially for the landing. George Washington Thomas Lambert ARA. Born 13th September 1873 - died 29th May 1930. Australian artist known principally for portrait painting and as a war artist during the 1st World war.Framed print of an oil on canvas " The Making Of A Legend ". Depicting the Landing at Anzac Cove at dawn on the 25th April 1915.The print has inscribed below the painting the story of Anzac Cove with descriptions of numbers of casualties inflicted. -
Dandenong/Cranbourne RSL Sub Branch
Painting - Oil painting "Tobruk 1942"
... Oil painting "Tobruk 1942"... Dandenong melbourne Painting Oil painting "Tobruk 1942" ... -
Dandenong/Cranbourne RSL Sub Branch
Painting - Oil Painting HMAS Tobruk
... Oil Painting HMAS Tobruk... Dandenong melbourne Painting Oil Painting HMAS Tobruk ... -
Parliament of Victoria
Portrait of Sir James Patterson, Coutts, Gordon 1865-1938, Premier James Patterson, 1893
Premier 23rd January 1893 – 27th September 1894. Born in Alnwick, England, Sir James Patterson (1833-1895) migrated to Victoria in 1852 to try his luck on the goldfields. After little success he turned his hand to farming, and later operated a slaughter yard at Chewton. Patterson served on the Chewton local council, being elected mayor four times before moving with his wife Anna and family to Melbourne in 1870. Patterson established a real estate business, and after two unsuccessful attempts to enter parliament in 1866 and 1868, he won the by election for Castlemaine in the Legislative Assembly in December 1870. He would hold this seat until his death 25 years later. Patterson served in Sir Graham Berry’s brief August to October 1875 government as Commissioner of Public Works and Vice-President of Board and Land Works. He repeated these roles two years later in Berry’s second government and additionally served as Postmaster-General, and in Berry’s third government was Commissioner of Railways and again Vice-President of the Board of Land and Works. In April 1889 after a time in Opposition, Patterson became Commissioner for Trade and Customs in Duncan Gillies’ Government. The following year he returned to the familiar positions of Public Works, Board of Land and Words and Postmaster-General. By 1891 Patterson was leader of the opposition, and when William Shiels’ government succumbed to a motion of no confidence, led by Patterson, he became premier on the 23rd of January 1893. During his premiership, James Patterson was also Chief Secretary and Minister for Railways. His term as premier coincided with a period of severe economic depression, and his enforced economies earned Patterson few public admirers. In May 1893 his government attempted to prevent a run on bank withdrawals and stabilise the sector, by declaring a 5 day 'bank holiday'. Patterson was awarded a knighthood in May 1894, however this did not increase public confidence in his government who were not returned to power in the August 1894 election. Again leader of the opposition, James Patterson died suddenly of influenza on the 30 of October 1895.This portrait was presented to Sir James Patterson by 'grateful citizens of Victoria' in appreciation of his services during the land boom depression. In 1929 the painting was donated to the Victorian Parliamentary Library by H. Lavinia Patterson, the wife of Sir James Patterson's nephew Colonel George Patterson.Oil on canvas, framed. Frame: ornate wood, gesso mouldings, unglazed. Signed on bottom right corner "G. Coutts" Stamped inscription along inner edge of canvas: "WINSOR AND NEWTON". Inscription on canvas, handwritten in ink: "13 1 92" from reverse.patterson, james brown (1833-1895) -
Parliament of Victoria
Portrait of Prince Albert, Coutts, Gordon 1865-1938 et al, Prince Albert, after Winterhalter, 1896
In 1895 artist Gordon Coutts was commissioned by Elizabeth Harding (Mrs. Silas Harding), a wealthy pastoralist, to paint this portrait of Prince Albert. The portrait was completed by 1896 and is a copy of an original by German artist Franz Xaver Winterhalter (1805-1873). In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Queen Victoria’s appreciation of Winterhalter began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. There are a number of notable differences in the original Winterhalter work and this painting. The local artist Coutts has changed the colour of the Prince’s cloak from deep blue/black to red (perhaps as a result of working from a black and white photograph). Other differences include extra satin shoulder ribbons, a simplification of the furnishings, notably the floor, and an inexact representation of the medallions worn; collars of the Order of the Garter, Bath, and the Golden Fleece. The painting is framed to match the official copy portrait of Queen Victoria, with the coat of arms of Prince Albert of Saxe-Coburg and Gotha, fixed atop the frame in place of the royal crown.Framed portrait, oil on cotton, of Prince Albert. The Prince Consort wears the robes of the Order of the Garter, holds a Field-Marshal’s baton, and is posed in front of a curtain and colonnade. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. The coat of arms that sits on top of the frame is a combination of carved timber and composition elements.Signed lower right corner in red brushpoint: ‘after Winterhalter / By Gordon Coutts / 1896’.albert, prince consort of victoria, queen of great britain, 1819-1861, winterhalter, franz xaver, 1805-1873, coutts, gordon (1865-1938) -
Tatura Irrigation & Wartime Camps Museum
Painting - Oil Painting, Flowers, 1942
... Oil Painting...oil painting... has a gold frame and with linen matt. Flowers Painting Oil ...The flowers in this painting were grown and tended to with love by Hans Beck in Tatura Camp 3.A glass vase containing orange, white and yellow flowers. The vase half filled with water and is sitting on a wooden table. The background is a mustard colour. The painting has a gold frame and with linen matt.C Rippertstill life, oil painting, flowers -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Oil, Australian Birds
... Painting - Oil... wooden frame. Australian Birds Painting Painting - Oil ...The painting belonged to the Wied family who were in Camp 3 Tatura. Artist unknownThree budgerigars, one blue, one yellow, one green sit on a thin branch of a tree with a Major Mitchell Cockatoo to the right of the picture. Another bird is in the air attempting to land on the branch. The sky is blue and the landscape is yellow with a tinge of green. A blue mountain range is on the horizon. Painted on board with a brown wooden frame.major mitchell cockatoo, australian birds, budgerigars, australian landscape -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Painting, Oil, Deutscher Wald
... Painting, Oil... it Deutscher Wald Artwork, other Painting, Oil ...This artwork was painted by Charlotte Rippert who was interned in Camp 3 with her whole family. The painting was painted in camp. Charlotte Rippert was a German Lutheran Missionary in Egypt, arrested as a security risk in Cairo, 1941. Transported on Queen Elizabeth to Australia and interned at Camp 3 1941-1945.green and yellow forest with a natural path coming from the left side and 6 prominent trees along itBack: (in pencil) 'Deutscher Wald. gemalt in Tatura (Australia) Charlotte Rippert.', a sticker for the Tatura and District Historical Society Museum, another sticker that reads - 'Gerd Aberle, 40 London Street, Bentleigh Vic 3204. Artist Charlotte Rippert Camp 3 -
Old Colonists' Association of Ballarat Inc.
Painting - Image, T. Stanton Bowman, William Irwin, c1900
William Irwin arrived in Australia on 09 February 1850 on the [[Faugh-A-Ballagh]]. He was a publican in Ballarat.Portrait of William Irwin, Treasurer of the Old Colonists' Association of Ballarat. He wears the medallion of that organisation. The 1894 minutes of the Old Colonists' Association read "Acknowledgement was given to the gift of Mrs Irwin and family ‘for their kindness and liberality in presenting to the Association the portrait in oil colour of the late William Irwin who was a highly esteemed member and Trustee of the Association.’ W. Irwin, Treasurer, O.C.A.old colonists' association ballarat, stanton bowman, t. stanton bowman, william irwin, thomas stanton bowman -
South Gippsland Shire Council
Framed oil painting, McDonalds Property Toora, 1983
... Framed oil painting... Toora Framed oil painting ...Painted by Bianca Biesuz in 1983 The art work features cattle and trees in the foreground and Wilson's Promotory in the distance. Brown wood frame with gold edging. -
South Gippsland Shire Council
Painting, Oil, Walter Tuck, 1976
... Painting, Oil.... Walter Tuck Painting, Oil ...Framed portrait of Walter Tuck. Set in cream vinyl window mount with gold edging and ornate gold painted wood frame. -
South Gippsland Shire Council
Painting, Oil, A Mirboo Sunset, 1998
... Painting, Oil... on edges. A Mirboo Sunset Painting, Oil ...Framed watercolour painting titled: "A Mirboo Sunset" painted by Neila Peart 1998. Features a landscape with sunset, trees and sky. Painted in shades of browns, pinks and greys. Cream window mount with gold edging. Wood frame with gold on edges. -
South Gippsland Shire Council
Painting, Oil, In the Bush
... Painting, Oil... with white and gold border. In the Bush Painting, Oil ...Landcsape - Australian bush scene. Mounted & framed. Gold painted wood frame featuring textured light brown window mount with white and gold border. -
Otway Districts Historical Society
Painting - Oil painting, framed, The Luncheon Rooms at Melba Gully, 1981
... Oil painting, framed.... Gully Painting Oil painting, framed. John Driver ...Forming the headwaters of the Johanna River and noted for its majestic Myrtle Beech and Blackwood trees, in 1921 the property came into the possession of Mrs Jessie Fry, wife of Mr Thomas Fry, a well-known and respected local bushman and timber getter. Here the family lived and it was Mrs Fry who named the place 'Melba Gully'. Sometime in the late 1920s Mrs Fry was approached by Pioneer Tours, the bus company, to see if she would provide lunches and afternoon teas for their passengers travelling between Apollo Bay and Port Campbell. Mrs Fry rose to the challenge; the Melba Gully Luncheon Rooms were built adjoining the Fry home and she was in business. Mrs Fry was unfailing in her courtesy and kindness. She was also a splendid cook, known for her feather-light scones and sponges. Home-produced strawberries and cream were a special treat. Visitors were also taken on a tour of 'The Gully', often guided by one of her young sons. Melba Gully Visitors Book is testimony to her many satisfied customers. Tom and Jessie Fry sold the property on her retirement in 1947 and the tearooms ceased to operate. It again changed hands in 1958 to Otway residents Mr and Mrs Axel Madsen, and in 1975 they made the magnificent gesture of gifting the 48 hectare Melba Gully to the people of Victoria..Framed painting in oils of a weatherboard house with picket fence, before a backdrop of forest. A figure chopping wood is at the right.Signature of artist John Driver, 1981melba gully, jessie fry, thomas fry, buses, tours, weatherboard house, john driver