Showing 1185 items
matching oil paintings
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Latrobe Regional Gallery
Painting, FORBES, Rodney, Newport with Fogbank, 1989
Oil on canvasSigned R. Forbes in lower left corner. Verso: 1989 upper corner. -
Latrobe Regional Gallery
Painting, BELLANY, John b. 1942, Port Seton d. 2013, Untitled, 1983
... gippsland - Oil on canvas Untitled Painting Painting BELLANY, John b ...Oil on canvas- -
Latrobe Regional Gallery
Painting, BELLANY, John b. 1942, Port Seton d. 2013, Untitled (Self Portrait), 1983
... of painting. Oil on canvas Untitled (Self Portrait) Painting Painting ...Oil on canvasSigned and dated 'Bellany '83' top right corner of painting. -
Latrobe Regional Gallery
Painting, BELLANY, John b. 1942, Port Seton d. 2013, Bon Aventure, 1983
Oil on canvas- -
Latrobe Regional Gallery
Painting, Gippsland Twilight 54, 2011
Oil on linen-gippsland, view, twilight, suburban, sky -
Latrobe Regional Gallery
Painting, HAMMOND, Kirrily b. 1975, Newcastle, New South Wales, Gippsland Twilight 53, 2011
Oil on linen-gippsland, twilight, local, suburban, sky, urban structures, shadows, clouds, street lights -
Latrobe Regional Gallery
Painting, LINCOLN, Kevin b. 1941 Hobart, Tasmania, Untitled, Not dated
... gippsland Signed top left corner of work. Oil on canvas Untitled ...Oil on canvasSigned top left corner of work. -
Latrobe Regional Gallery
Painting, LINCOLN, Kevin b. 1941 Hobart, Tasmania, Still life with covered bowl, 1983
... gippsland Signed top left of painting. Oil on canvas Still life ...Oil on canvasSigned top left of painting. -
Latrobe Regional Gallery
Painting, BOYD, Arthur b. 1920 Murrumbeena d. 1999 Melbourne, The Ascension (study), 1965
Oil on composition board.- -
Latrobe Regional Gallery
Painting, JACKSON, James Randalph b. 1882 Palmerston, New Zealand. d. 1975 Sydney, Sydney Harbour, Not dated
... . Oil on canvas Sydney Harbour Painting Painting JACKSON, James ...Oil on canvasSigned 'James R Jackson' in lower left corner of painting. -
Latrobe Regional Gallery
Painting, COLVILLE, George b. 1887 Aberdeen, Scotland. d. 1970 Melbourne, Untitled Landscape, Not dated
... gippsland Signed 'Geo. Colville' lower right corner of painting. Oil ...Oil on canvas Signed 'Geo. Colville' lower right corner of painting. -
Latrobe Regional Gallery
Painting, DE KESSLER, Thomas b. 1925 Budapest, Hungary d. 2008 Melbourne, The Legions, 1967
... of painting. Oil on board The Legions Painting Painting DE KESSLER ...Oil on boardSigned 'T de Kessler 1967' in lower right corner of painting. -
Latrobe Regional Gallery
Painting, DE KESSLER, Thomas b. 1925 Budapest, Hungary d. 2008 Melbourne, Portrait of (Dr) Baron Anthony Szeleczky, 1962
... of painting. Oil on canvas board Portrait of (Dr) Baron Anthony ...Oil on canvas board Signed and dated 'T De Kessler 1962' in lower right corner of painting. -
Latrobe Regional Gallery
Painting, MEYER, Mary b. 1878, d. 1975, Door in the Brick Wall, Not dated
Oil on canvas board.Not signed. Not dated. -
Latrobe Regional Gallery
Painting, ARMSTRONG, Ian b. 1923 d. 2005, Portrait of Judith Rodriguez, 1975
Oil on canvas.Signed and dated upper right corner 'Armstrong '76' -
Latrobe Regional Gallery
Painting, FAULKS, Philip b. 1959 St Albans, England, We had a Baby, 1988
Oil on canvasSigned and dated on reverse. -
Latrobe Regional Gallery
Painting, COLLINS, Mark, Figures on the Landscape, (n.d.) earliest date 1981, latest date 1986
Oil paint and pastelNot signed, not dated. -
Latrobe Regional Gallery
Painting, HENG, Euan b. 1945 Scotland. Arrived Australia 1977, Jeeralang Still Life I, 1985
Oil on canvasSigned and dated on reverse top left "Euan L Heng 85" -
Latrobe Regional Gallery
Painting, SERWAN, Peter b. 1962, Morwell 2, 1996
Oil on paperSigned lower left of paint "Serwan" -
Whitehorse Historical Society Inc.
Painting
Painting - lake scene with mountain in background.Canvas - prepared by Windsor and newton 98 Rathbone Place London.illustrations, oil -
Whitehorse Historical Society Inc.
Painting - Panel Painting
... Schwerkolt to purchase the block, they where given this painting ...In the early 1920s Reginald and Gladys Skelton rented Schwerkolt Cottage. When they left to live in their new home on Deep Creek Road, having been encouraged by Mrs. Louis Schwerkolt to purchase the block, they where given this painting which was on a panel on the door of the eastern room. When the Nunawading Council was refurbishing the Cottage in 1964, Mr Skelton returned the panel. This information was provided by Lyn Davies the daughter - in - law of Mr. and Mrs. Skelton.Painting depicting a rural scene with a river and a bared tree in the foreground and a house, fields and hills in the background.illustrations, oil -
Dandenong/Cranbourne RSL Sub Branch
Framed Print, Circa 1965
Sir Ivor Henry Thomas Hele CBE is a noted war artist famous for his portraiture of war scenes. He is Australia's longest serving war artist and completed more commissioned paintings than any other painter. The artist was born on the 13th June 1912 at Edwardstown South Australia. He died on the 2nd December 1993 at Bedford Park South Australia. He was educated at Prince Albert College at Westbourne Park in South Australia.Framed print of an oil on canvas war scene. " Operation Bulimba ".Inscribed Operation Bulimba ( 2/15th Battalion attack near Tel El Eisa Egypt in September 1942. Artist Sir Ivor Henry Thomas Hele CBE. -
Dandenong/Cranbourne RSL Sub Branch
Framed Print, Between 1920 and 1922
Anzac The Landing 1915 is an oil on canvas painted by George Washington Lambert. Painting depicts Australian soldiers of the covering force ( 3rd Infantry Brigade) climbing the seaward slope of Plugge's Plateau which overlooks the north end of the Anzac Cove. The view is to the north toward the main range. The yellow pinnacle is "The Sphinx " and beyond is Walker's Ridge which leads to Russell's Top. The white bags each soldier is shown carrying has two days rations which were issued especially for the landing. George Washington Thomas Lambert ARA. Born 13th September 1873 - died 29th May 1930. Australian artist known principally for portrait painting and as a war artist during the 1st World war.Framed print of an oil on canvas " The Making Of A Legend ". Depicting the Landing at Anzac Cove at dawn on the 25th April 1915.The print has inscribed below the painting the story of Anzac Cove with descriptions of numbers of casualties inflicted. -
Dandenong/Cranbourne RSL Sub Branch
Painting - Oil painting "Tobruk 1942"
... Oil painting "Tobruk 1942"... Dandenong melbourne Painting Oil painting "Tobruk 1942" ... -
Dandenong/Cranbourne RSL Sub Branch
Painting - Oil Painting HMAS Tobruk
... Oil Painting HMAS Tobruk... Dandenong melbourne Painting Oil Painting HMAS Tobruk ... -
Parliament of Victoria
Portrait of Sir James Patterson, Coutts, Gordon 1865-1938, Premier James Patterson, 1893
Premier 23rd January 1893 – 27th September 1894. Born in Alnwick, England, Sir James Patterson (1833-1895) migrated to Victoria in 1852 to try his luck on the goldfields. After little success he turned his hand to farming, and later operated a slaughter yard at Chewton. Patterson served on the Chewton local council, being elected mayor four times before moving with his wife Anna and family to Melbourne in 1870. Patterson established a real estate business, and after two unsuccessful attempts to enter parliament in 1866 and 1868, he won the by election for Castlemaine in the Legislative Assembly in December 1870. He would hold this seat until his death 25 years later. Patterson served in Sir Graham Berry’s brief August to October 1875 government as Commissioner of Public Works and Vice-President of Board and Land Works. He repeated these roles two years later in Berry’s second government and additionally served as Postmaster-General, and in Berry’s third government was Commissioner of Railways and again Vice-President of the Board of Land and Works. In April 1889 after a time in Opposition, Patterson became Commissioner for Trade and Customs in Duncan Gillies’ Government. The following year he returned to the familiar positions of Public Works, Board of Land and Words and Postmaster-General. By 1891 Patterson was leader of the opposition, and when William Shiels’ government succumbed to a motion of no confidence, led by Patterson, he became premier on the 23rd of January 1893. During his premiership, James Patterson was also Chief Secretary and Minister for Railways. His term as premier coincided with a period of severe economic depression, and his enforced economies earned Patterson few public admirers. In May 1893 his government attempted to prevent a run on bank withdrawals and stabilise the sector, by declaring a 5 day 'bank holiday'. Patterson was awarded a knighthood in May 1894, however this did not increase public confidence in his government who were not returned to power in the August 1894 election. Again leader of the opposition, James Patterson died suddenly of influenza on the 30 of October 1895.This portrait was presented to Sir James Patterson by 'grateful citizens of Victoria' in appreciation of his services during the land boom depression. In 1929 the painting was donated to the Victorian Parliamentary Library by H. Lavinia Patterson, the wife of Sir James Patterson's nephew Colonel George Patterson.Oil on canvas, framed. Frame: ornate wood, gesso mouldings, unglazed. Signed on bottom right corner "G. Coutts" Stamped inscription along inner edge of canvas: "WINSOR AND NEWTON". Inscription on canvas, handwritten in ink: "13 1 92" from reverse.patterson, james brown (1833-1895) -
Parliament of Victoria
Portrait of Prince Albert, Coutts, Gordon 1865-1938 et al, Prince Albert, after Winterhalter, 1896
In 1895 artist Gordon Coutts was commissioned by Elizabeth Harding (Mrs. Silas Harding), a wealthy pastoralist, to paint this portrait of Prince Albert. The portrait was completed by 1896 and is a copy of an original by German artist Franz Xaver Winterhalter (1805-1873). In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Queen Victoria’s appreciation of Winterhalter began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. There are a number of notable differences in the original Winterhalter work and this painting. The local artist Coutts has changed the colour of the Prince’s cloak from deep blue/black to red (perhaps as a result of working from a black and white photograph). Other differences include extra satin shoulder ribbons, a simplification of the furnishings, notably the floor, and an inexact representation of the medallions worn; collars of the Order of the Garter, Bath, and the Golden Fleece. The painting is framed to match the official copy portrait of Queen Victoria, with the coat of arms of Prince Albert of Saxe-Coburg and Gotha, fixed atop the frame in place of the royal crown.Framed portrait, oil on cotton, of Prince Albert. The Prince Consort wears the robes of the Order of the Garter, holds a Field-Marshal’s baton, and is posed in front of a curtain and colonnade. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. The coat of arms that sits on top of the frame is a combination of carved timber and composition elements.Signed lower right corner in red brushpoint: ‘after Winterhalter / By Gordon Coutts / 1896’.albert, prince consort of victoria, queen of great britain, 1819-1861, winterhalter, franz xaver, 1805-1873, coutts, gordon (1865-1938) -
Tatura Irrigation & Wartime Camps Museum
Painting - Oil Painting, Flowers, 1942
... Oil Painting...oil painting... has a gold frame and with linen matt. Flowers Painting Oil ...The flowers in this painting were grown and tended to with love by Hans Beck in Tatura Camp 3.A glass vase containing orange, white and yellow flowers. The vase half filled with water and is sitting on a wooden table. The background is a mustard colour. The painting has a gold frame and with linen matt.C Rippertstill life, oil painting, flowers -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - oil, Family Barracks at Camp 3
... Painting - oil... at Camp 3 Painting Painting - oil ...Vagarini was an Italian painter at Camp 3 Tatura. He was arrested in Palestine and sent to Australia on the Queen Elizabeth.ModernistFour rows of huts. Flower gardens are planted at the front of the first hut. Rows of red dirt in the foreground. Bright blue sky and a large tree growing at the back of the first hut and is in the centre of the picture. R. Wied wrtitten on back of painting.Cesare Vagarini -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Oil, Australian Birds
... Painting - Oil... wooden frame. Australian Birds Painting Painting - Oil ...The painting belonged to the Wied family who were in Camp 3 Tatura. Artist unknownThree budgerigars, one blue, one yellow, one green sit on a thin branch of a tree with a Major Mitchell Cockatoo to the right of the picture. Another bird is in the air attempting to land on the branch. The sky is blue and the landscape is yellow with a tinge of green. A blue mountain range is on the horizon. Painted on board with a brown wooden frame.major mitchell cockatoo, australian birds, budgerigars, australian landscape