The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This evening gown is one of a number of items donated to the Collection by Rosemary-Vaughan Smith.Full length ivory satin evening gown, possibly used previously as a wedding dress. Inset figured brocade panel on front of skirt and bodice, with flared plain satin panels at sides. Bodice has a wide rounded neck decorated with bands of pleated satin, and broad satin shoulder straps. evening dresses, women's clothing, vaughan-smith collection, evening wear, australian fashion - 1950s

Black and white photograph of Horse Tram No. 1, photographed at the front of the depot about June 1989. Saloon body framing, with panels in position, end windows and sliding doors have been fitted ate both ends, no side windows or internal panels. Dave Macartney photographed by the end of the tram.trams, tramways, horse tram no. 1, btps, tramcars, reconstruction , tram 1

October 1955 Bringing up Bailey panelsRecord of various Shire of Eltham infrastructure works undertaken during the period of 1952-1962 involving bridge and road reconstruction projects, sometimes with Eltham Shire Council Project Reference numbers quoted. It was during this period that a number of significant improvements were made to roads and new bridges constructed within the shire that remain in place as of present day (2022). In many situations, the photos provide a tangible visible record of infrastructure that existed throughout the early days of the Shire. The album was put together by or under the direction of the Shire Engineer, J.A. McDonald.infrastructure, road construction, shire of eltham, 1955-10, bailey bridge, bridge construction, dixons creek bridge, dixon's creek road

Taken from a curtain panel. Australian animal.Cream Fillet Lace. Australian design of Koala Bear sitting in a gum tree, set in centre of square.domestic items, ornaments / decorative, handcrafts, lacemaking

Photo taken by a member of the public.Sepia photograph of the panel at Menin Gate Memorial showing names of 38th Battalion 1 AIF soldiers with unknown graves. Names and Ranks of members of 38th Battalion 1st AIF.passchendaele barracks trust, photograph, menin gate memorial, 38th battalion

Oval in section, aqua tinted clear glass bottle with text embossed on side panel. Cork stopper in bottom of bottle.'J. BOSISTO & Co PTY LTD REGD No 3990' on side.eucalypotus oil, bosisto

White painted, lockable. Two double doors with glass panels on sloped base. White base, 4 arched legs.

Dates from gold-mining period in Queenstown (St. Andrews) Caledonian Diggings. Used for lift ore to the surface by windlass in small-scale shaft mines.Heavy leather bucket with iron reinforcing and handle. Panels are stitched and joined with thonging Ironwork is hand-forged and rivetted in place.

Coloured photo of Crafts People admiring erection of First Panel of Bicentenary Leadlight Mural in Nunawading Arts & Entertainment Centre.nunawading arts centre, bicentenary leadlight mural, arrowsmith, ted, athey, glenda, walder, nola, wright, david, curlis, sean, kane, karen, treeby, george, riddell, bev, stone, graham, chase, dorothy

Heritage Trail funded by grant to the City of Whitehorse from Commonwealth of Australia to celebrate 100 years of Federation.Coloured photograph of Display Panel commemorating the first inhabitants at opening of Whitehorse Heritage Trail at Gardiners Creek Reserve, Burwood.whitehorse heritage trail, city of whitehorse

Photo of Harry Tinson who was winemaker at Baileys in Glenrowan from 1968 until 1982. An ageing Alan Bailey (greatgrandson of founder Richard Bailey) sold the winery to Davis Consolidated Industries (mainly a gelatine producer). At the time Harry Tinson, with a Master’s degree in physical engineering, was in the corporate planning department of Davis. The board had decided it wished to diversify into wine production and Tinson was charged with the responsibility of finding a suitable target. He came up with Baileys, and was instructed to negotiate the purchase of a 50 per cent share in the business. Bailey said “all or nothing” ! (James Halliday – news article 22/01/2011)Colour transparency photograph of a man standing in front of a timber panelled wall, featuring an advertising poster for Baileys Bundarra Vineyardswineries, north east victoria, wine industry, baileys, winemaker

Ted Lynes and friend read a Ballarat Teachers' panel at Dana Street Primary School during Ballarat Heritage Weekend.ballarat teachers' college, ted lynes, dana street primary school

The fashion and design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. The collection includes numerous fashion accessories including items of lace clothing.Machine embroidered broderie anglaise dress front with lace edging hanging from a shoulder to shoulder broderie anglaise panelwomen's clothing, lace, jabots

Pyrograph on wood panel, of woman in c.1900 costume serving ball with tennis racquet. Materials: Wood, Pigment, Metaltennis

A wood fretwork paddle. Handle reinforced on both sides with fretwork panels attached with small screws. Materials: Wood, Metaltennis

Fare board panel from Melbourne Cable tram saloon, from the inside or internal framing panels around a door. Made from soft wood, cut and assembled with wood screws, glued and then varnished. Part or panel that fitted over the end saloon window - fitted with hinges to allow access to the saloon door slide mechanism. Internal part of this part has a light colour finish on the rear. Details the fares for the Carlton / North Carlton routes. Also provides information on luggage and parcels. Issued by the MMTB. For detailed image of the panel, see the pdf file. Something not quite right when dB text opens it, open with a pdf reader to see the full text.trams, tramways, cable trams, components, fares, carlton, north carlton

Hexagonal in section clear amber glass bottle with rubber stopper and white paper label with red text adhered to side. Bottle has three plain sides, two sides of panels of 'x' stippled pattern either side of a central panel of embossed text. Embossed monogram, with numerals and letters on base.Paper label, (part undecipherable) '............Tincture of Iodine............STATION PHARMACY...........LOCK, Pharmaceutical CHemist..........Hawthorn 2774..........AUBURN'. embossed text on side of bottle 'NOT TO BE TAKEN', numeral '1' on plain side near base'. On base AGM monogram over 'M452M'.amber glass, pharmacy

Small square gilt finished pressed metal compact. Top of lid features a plastic covered panel of Petite Point embroidery in a design of curtiares roses and blue flowers. Inside the lid is a square mirror with a spring hinged metal flap over powder compartment, fitted with pink nylon mesh panel.Inner top edge: 'Patented'|Inner lower edge below mirror: 'Made in England'|On inner metal flap initials: 'RC/I/U'personal effects-toilet requisites, cosmetics

This late 19th century maritime lamp is an example of lighting on ships, wharfs and other outside areas around docks and shipyards as well as on vessels.Lamp, brass plated copper, with three flat glass panes, one side panel hinged for access, wooden grip on handle. The chimney lid flips upwards. The right-side door frame has a sliding latch, and the edge behind has a sliding panel to allow air flow. Ca. 1886.warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, ship lighting, maritime equipment, lamp, wall lamp, lantern

The 8/13 VMR was raised in May 1948 and was a participant in the Anzac Day marches in the district from that day forward. The sailor is John Neale wearing his WWII RAN uniform; the airman is Jack Larkin wearing his WWII RAAF uniform. The soldier (as yet unknown) also had WWII service. The colour party commander is Lieutenant Ian (Kiltie) McKie; the flag bearer is Hal Slaney.Photograph of social and historic interest to the Albury community showing citizen soldiers including returned servicemen who had volunteered for the Citizen Military Forces in the period immediately following the Second World War. It signifies the return of citizen soldiers to Albury following the war.Two black and white photographs (one framed) of colour party drawn from 8th/13th Victorian Mounted Rifles Regiment at the Anzac Day march at Albury NSW 1951. Three members of the front rank are dressed in WWII uniforms representing Navy, Army and Air Force. The flag bearer is carrying a Union Jack. The party photographed forming up in Dean Street near the intersection with Spencer Street and later passing Albury landmark, Mates Corner in Dean Street.Panel at lower centre of frame: "ANZAC Day Albury 1951 / All services represented by serving members of 8/13 VMR"anzac day, albury, neale john, larkin j d jack, slaney hal, mckie, mate's corner

All Holden's were fitted with engines that met the new anti pollution rules (Australian design rule 27A) The first Holden to have driver control stalks for wipers ,High beam and indicatorsBuilt by Holden 21/07/1976, 110,669 builtFour door HX Holden Kingswood sedan Chamois in colour, black bump strips both sides front to rear.Holden Lion emblem front grille, Kingswood badge both front quarter panels and left hand side boot lid.vehicle, hx holden, kingswood

Coffee coloured silk and lace ladies dickey. front lace panel of lace. Deep V shaped neckline. Centre seam to waist. Three 1cm gold coloured decorative shank buttons at centre front below V neckline. Silk back panel with centre opening at centre back with a 10cm slit. fastened at top with one press stud. Lower edge of back panel has .7cm ribbon attached forming ties at either side (50cm and 60cm) to fasten garment at centre front.costume accessories, female, coffee coloured ladies dickey

This banner was one of five banners gifted to the Beechworth Chinese community in recognition of their support of the Hospital and Benevolent Asylum in 1875, from the Carnival Committee. These banners had been purchased in China by a social envoy from Beechworth then presented to the Chinese community during the Beechworth Fine Arts Exhibition in May of that same year, by Donald Fiddes, President of the Ovens District Hospital. The Burke Museum's Chinese Collection presents the history of Chinese settlement in Beechworth from 1856 and its involvement in local community affairs in the second half of the 19th century. In settling in the area they formed their own community with distinctive Chinese cultural traditions, forming their own 'camps' with laid out streets, housing a Temple, Chinese Theatre and restaurants, hotels, stores, gambling houses and dwellings. Members of the Chinese community took an active interest in town affairs and were generous donors to the appeal to build the Ovens District Hospital in 1856/7. The vibrant colours and dynamic graphics of the silk embroidered Chinese banners were a highlight of Beechworth Charitable processions that took place in the main street. Two of the Chinese banners were conserved for the Burke Museum in 2006 by Carol Campbell of Phoenix Conservation Services with funding from Victoria’s Heritage Grants. In 2015, with the enormous support of the Copland Foundation and fundraising activities by the Friends of the Bur Museum Committee, conservation of the third banner was undertaken by Artlab Australia in Adelaide.The banners display traditional Chinese textile techniques and are visually beautiful and very rare and are considered of local and national significance, with the potential to be deemed internationally significant.Multi panelled banner with embroidery and applied design motifs on front. The front panels have been constructed using strips of various weaves and colours of silk that have been embroidered or had a design applied prior to the overall construction of the piece. The embroidery is predominantly gold work with both plyed and floss silk threads.beechworth, burke museum, chinese, benevolent asylum, ovens district hospital, beechworth carnival processions, carnival, processions, beechworth chinese community, beechworth fine arts exhibition, donald fiddes

This banner was one of five banners gifted to the Beechworth Chinese community in recognition of their support of the Hospital and Benevolent Asylum in 1875, from the Carnival Committee. These banners had been purchased in China by a social envoy from Beechworth then presented to the Chinese community during the Beechworth Fine Arts Exhibition in May of that same year, by Donald Fiddes, President of the Ovens District Hospital. The Burke Museum's Chinese Collection presents the history of Chinese settlement in Beechworth from 1856 and its involvement in local community affairs in the second half of the 19th century. In settling in the area they formed their own community with distinctive Chinese cultural traditions, forming their own 'camps' with laid out streets, housing a Temple, Chinese Theatre and restaurants, hotels, stores, gambling houses and dwellings. Members of the Chinese community took an active interest in town affairs and were generous donors to the appeal to build the Ovens District Hospital in 1856/7. The vibrant colours and dynamic graphics of the silk embroidered Chinese banners were a highlight of Beechworth Charitable processions that took place in the main street. Two of the Chinese banners were conserved for the Burke Museum in 2006 by Carol Campbell of Phoenix Conservation Services with funding from Victoria’s Heritage Grants. In 2015, with the enormous support of the Copland Foundation and fundraising activities by the Friends of the Bur Museum Committee, conservation of the third banner was undertaken by Artlab Australia in Adelaide. The banners display traditional Chinese textile techniques and are visually beautiful and very rare and are considered of local and national significance, with the potential to be deemed internationally significant.Multi panelled banner with embroidery and applied design motifs on front. The front panels have been constructed using strips of various weaves and colours of silk that have been embroidered or had a design applied prior to the overall construction of the piece. The embroidery is predominantly gold work with both plyed and floss silk threads.beechworth, burke museum, chinese, benevolent asylum, ovens district hospital, beechworth carnival processions, carnival, processions, beechworth chinese community, beechworth fine arts exhibition, donald fiddes

This banner was one of five banners gifted to the Beechworth Chinese community in recognition of their support of the Hospital and Benevolent Asylum in 1875, from the Carnival Committee. These banners had been purchased in China by a social envoy from Beechworth then presented to the Chinese community during the Beechworth Fine Arts Exhibition in May of that same year, by Donald Fiddes, President of the Ovens District Hospital. The Burke Museum's Chinese Collection presents the history of Chinese settlement in Beechworth from 1856 and its involvement in local community affairs in the second half of the 19th century. In settling in the area they formed their own community with distinctive Chinese cultural traditions, forming their own 'camps' with laid out streets, housing a Temple, Chinese Theatre and restaurants, hotels, stores, gambling houses and dwellings. Members of the Chinese community took an active interest in town affairs and were generous donors to the appeal to build the Ovens District Hospital in 1856/7. The vibrant colours and dynamic graphics of the silk embroidered Chinese banners were a highlight of Beechworth Charitable processions that took place in the main street. Two of the Chinese banners were conserved for the Burke Museum in 2006 by Carol Campbell of Phoenix Conservation Services with funding from Victoria’s Heritage Grants. In 2015, with the enormous support of the Copland Foundation and fundraising activities by the Friends of the Bur Museum Committee, conservation of the third banner was undertaken by Artlab Australia in Adelaide. The banners display traditional Chinese textile techniques and are visually beautiful and very rare and are considered of local and national significance, with the potential to be deemed internationally significant.Multi panelled banner with embroidery and applied design motifs on front. The front panels have been constructed using strips of various weaves and colours of silk that have been embroidered or had a design applied prior to the overall construction of the piece. The embroidery is predominantly gold work with both plyed and floss silk threads. beechworth, burke museum, chinese, benevolent asylum, ovens district hospital, beechworth carnival processions, carnival, processions, beechworth chinese community, beechworth fine arts exhibition, donald fiddes

1960's shortie pyjama top. Black nylon with pink nylon on reverse side, frilled panel around. Off the shoulder neckline and over the shoulders. Frill around base and top of the panel with pink stitching exposed. Pink rouleau bows on each shoulder and in front of neckline. Elastic inserted around waistHelen Stuart Regd 38costume, female nightwear