Showing 1237 items
matching patch
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Dandenong/Cranbourne RSL Sub Branch
Ceremonial object - Patch, cloth, embroided
Cloth patch with embroidery of UK and Australian flags and yellow emu. Centre of badge has background of a blue sky and yellow sand with an 'atomic' explosion in red with a white 'mushroom' cloud above it.Embroidery in gold around the badge is "AUTOMIC EX-SERVICEMAN'S ASSN." -
Dandenong/Cranbourne RSL Sub Branch
Ceremonial object - Patch, cloth, embroided
Maralinga & Monte Bello Association embroidered patch. Background is largely green. Depicted are a Union Jack, the Australian flag, a tank, a submarine and a aeroplane. In the centre is a mushroom cloud created by an atomic bomb."MARALINGA & MONTE BELLO ASSOCIATION" -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph - Guidon framed
The 8th Light Horse (Indi) Regiment superseded the 16th Light Horse in 1919. It had its headquarters at Benalla with sub-units throughout the Upper Murray and Northeast Victoria. In December 1941, the regiment converted from horse to mechanised, initially as 8th Reconnaissance Battalion then in July 1942 it became 8th Cavalry Regiment and served in Northern Territory. As Japanese threat to the mainland declined the regiment was disbanded.Good display object Framed colour photograph of Eighth Light Horse ( Indi ) Regiment guidon. Red with gold fringe badge in centre. Blue over colour patch with battle honours of the Eighth Light Regiment.Guidon of the Eighth Light Horse ( Indi ) Regimentmilitary, guidon, ceremonial, light horse, wwi, wwii -
Ringwood RSL Sub-Branch
Badges
Display board covering shoulder patches, Rising Sun, Australia shoulder badge, RSL badge and two pieces of shrapnel belonging to Keith Ernst NX137463 126 General Transport Company -
8th/13th Victorian Mounted Rifles Regimental Collection
Uniform - 13th Armd Regt
The 13th (Gippsland) Light Horse, a Citizen Military Forces unit was raised following WWI, and trained as a cavalry regiment till August 1940, when it converted from horse to mechanised initially as 13th Motor Regiment then 13th Armoured Regiment. It trained in Victoria and, as the Japanese threat to the mainland declined, was disbanded in October 1943 with men going to other units.Khaki woolen tunic with colour patches of 13th Armoured Regiment, metal buttons, Rising Sun collar badges and metal 'Australia' titles; fabric ribbon bar and overseas service chevrons.military, wwii, world war two, tank, gippsland -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Award - Framed Colour Patch and Badge, 5/6 RVR
Black square box frame with inset Royal Victoria Regiment hat badge mounted over a cardbord representation of the 5/6th Bn colour patch. Black over red rectangles. -
Kilmore Historical Society
Book, Baron Ferdinand von Mueller et al, EUCALYPTOGRAPHIA. Fourth Decade, 1879
A descriptive atlas of the Eucalypts of Australia and the adjoining islandsLight card cover with worn blue cloth backstrip, tearing at top and bottom. Widespread moisture, mildew and fungal staining throughout. Small patches of insect damage to cover. Poor conditionnon-fictionA descriptive atlas of the Eucalypts of Australia and the adjoining islandsbotany, eucalypts, australia -
Bendigo Military Museum
Uniform - SHIRT, TROUSERS, NECKTIE, SERVICE DRESS - ARMY, Australian Defence Industries, 2006
1. Shirt - light khaki colour cotton/polyester fabric. Long sleeves, shoulder epaulettes, two front pockets with button down flap. Plastic buttons. Left sleeve - oval fabric patch embroidered Rising Sun Badge "THE AUSTRALIAN ARMY" - fabric patch, embroidered, crossed rifles. Right sleeve - fabric patch embroidered, Parachute Wings. Left and Right sleeve fabric patch embroidered, Australian Coat of Arms - Warrant Officer, 1st Class, white cotton manufacturers label below collar - illegible. 2. Trousers, Khaki colour wool/polyester fabric. Service Dress style with fob pocket, two side pockets, one back pocket with button down flap. Plastic buttons, metal zipper fly, khaki colour polyester fabric waist and pocket lining. White cotton manufacturer's label back pocket. 3. Necktie - khaki colour, polyester/viscose fabric with polyester fabric lining, necktie manufacturer's label - black cotton with white print.uniform, army, service dress -
Warrnambool and District Historical Society Inc.
Household, Badges, Early 20th century
Of the seventeen items on this board, most appear to be from British military units – Rifle Regiments, Despatch, etc. They appear to be shoulder and arm patches or badges. One appears to be of German origin and two come from Italy. This item is of great interest, firstly because it is a good example of the crude, but effective way, items were organized for display at the Warrnambool Historical Society in the 1960s and 70s. Secondly, the display contains an interesting variety of military insignia, many requiring further study.This is a piece of cardboard covered with black cloth which has been stitched to the board with black cotton. Attached to the cloth by metal clips are 17 metal and cloth badges and insignia from military units. The cloth material is red, white and green. ‘Gott Mit Uns’military insignia, history of warrnambool -
Australian Commando Association - Victoria
Banner, WW2 Commando Association (Victoria) banner
Commando Association M Z Commando Units Eleven sewn-on Commando Unit colour patches, and the M - Z double diamond logo and wording as above. -
The Beechworth Burke Museum
Animal specimen - New Holland Honeyeater, 1860-1880
The New Holland Honeyeater can be found throughout southern Australia, from about Brisbane, Queensland to just north of Perth, Western Australia. They are native to Australia and are named after Australia's first name (new Holland). This specimen is mounted correctly but looks different to the typical images of this bird because it is a younger New Holland Honeyeater and is; therefore, brown in colour instead of the typical black. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Young New Holland Honeyeater is brown in colouring and has grey glass eyes (like this one) while adults are black and white with white eyes. Both have a large yellow wing patch and yellow sides on the tail. It has a small white ear patch, a thin white whisker at the base of the bill. This honeyeater is an active bird, and rarely sits still long enough to give an extended view. Sexes are similar in looks, but females are slightly smaller in size.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, new holland honeyeater, brown, black, yellow, australia, new holland -
The Beechworth Burke Museum
Animal specimen - Musk Lorikeet, Trustees of the Australian Museum, 1860-1880
The Musk Lorikeet is a bright coloured bird which commonly resides in south-eastern Australia. They also live in the drier areas of Tasmania. These birds are common in suburban and urban areas and are nomadic, meaning they are willing to travel significant distance to find flowering trees. The bright colours of this Lorikeet enable the bird to camouflage in dense foliage. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Musk Lorikeet is a beautiful species of parrot with mainly green plumage. it has a patch of yellow on the side of the breast which has faded to a grey on this specimen. This could be due to the impact of the taxidermy process or a product of time. The bird has an orange patch on the forehead and band through he eye to the ear coverts which has also faded from a brighter red colour. The crown of this bird is grey and would have been a grey-blue colour originally.87a / (89a)? Musk Lorikeet / See catalogue, page 24. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, lorikeet, musk lorikeet -
The Beechworth Burke Museum
Animal specimen - Musk Lorikeet, Trustees of the Australian Museum, 1860-1880
The Musk Lorikeet is a bright coloured bird which commonly resides in south-eastern Australia. They also live in the drier areas of Tasmania. These birds are common in suburban and urban areas and are nomadic, meaning they are willing to travel significant distance to find flowering trees. The bright colours of this Lorikeet enable the bird to camouflage in dense foliage. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Musk Lorikeet is a beautiful species of parrot with mainly green plumage. It has a patch of yellow on the side of the breast which has faded to a grey on this specimen. This could be due to the impact of the taxidermy process or a product of time. The bird has an orange patch on the forehead and band through he eye to the ear coverts which has also faded from a brighter red colour. The crown of this bird is grey and would have been a grey-blue colour originally.88a / Musk Lorikeet / See Catalogue, page 24. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, lorikeet, musk lorikeet -
Australian Queer Archives
Uniform - Textiles, Mann, Roger, Roger Mann's Griffin Motor Club overlay, c1970s-1980s, 1976-1996
Blue denim overlay (sleeveless jacket), with main back patch for the Griffin Motor Club, Canberra. Additional patches on the back include an Australian flag, and on the front include South Pacific Motor Club (SPMC), SPMC 20th Anniversary, Griffin MC 20th Anniversary, Griffin MC Associate Membership, Jackaroo MC Associate Membership, Southern Cross MC Associate Membership, Jackaroos Tasmania Run 1981, BMW, Australian National University (ANU) and unidentified.motorcycle club, gay, canberra -
Federation University Historical Collection
Costume, Paterson Powell Pty Ltd, Ballarat Teachers' College Blazer, 1948
This blazer was worn by John Freckleton at the Ballarat Teachers College in 1949. The Ballarat Teachers' College was established after the Victorian State Government and the State Education Department decided to establish two provincial teachers' colleges, at Ballarat and Bendigo. On 04 May 1926 W.H. Ellwood (Principal), Miss A. Bouchier, and Mr A.B. Jones, welcomed the first enrolment of 61 students to undertake the one year course. In 1927 the College moved to the former Ballarat East Town Hall in Barkly Street, which was remodelled for their use. It closed in December 1931 due to the Great Depression. In 1946 Ballarat Teachers' College reopened and relocated to the Dana Street State School. It was originally planned to open as a women's college, for whom the residence at 130 Victoria Street was purchased, but the decision was made to admit resident men from Ballarat. Mr T.W. Turner was appointed as Principal in 1951 and directed the introduction of a two year course for the Trained Primary Teachers' Certificate. The former one year course was terminated at the end of 1951. In 1958 the College was relocated to a custom built facility at Gillies Street, in close proximity to the Ballarat Botanical Gardens. Numbers increased with the introduction of the Trained Infant Teachers' Certificate course under the guidance of Mary Egan. With the introduction of a three year Diploma Course in 1968 accommodation became cramped. The introduction of the Diploma of Teaching (Primary) led to the Trained Infant Teachers' Certificate being discontinued in 1969, and the end of the Trained Primary Teachers' Certificate in 1969. Secondary Art and Craft students began studies at Ballarat Teachers' College in 1969 under Mr Ted Doney. In 1971 Mr D. Watson was appointed Principal. The State College of Victoria was proclaimed by Order in Council on 24 July 1973, and Ballarat Teachers' College became a constituent college of the State College of Victoria, and was known as State College of Victoria, Ballarat. By 1975 the College moved to Mount Helen as part of the Ballarat College of Advanced Education. Pre service teachers currently undertake their studies on the Mount Helen Campus of Federation University. ("Ruffians Attempted to Carry of the School Tent: A History of State Education in Ballarat", 1974, p73-4.)This unlined, 3 buttoned, royal blue woolen blazer is bound with twill tape in a matching colour. It has a patch pocket on either side near the bottom hem line and a breast patch pocket with an embroidered emblem of the Ballarat Teachers College. Under this emblem is embroidered in stem stitch 'B B' in brown and yellow. The pockets are all bound at the top and the sleeves have a trim binding about 8.5 cm from the cuff. The inside seams are all bound.The fabric label says - Paterson, Powell Pty Ltd Ballarat Attached to the shoulder seam is a tape with a handwritten - Georgeballarat teachers' college, blazer, costume, textiles, uniform, embroidery -
Bendigo Military Museum
Headwear - HAT, SLOUCH, Oct 2006
Slouch hat, khaki fur felt, cotton khaki coloured pugaree, brown leather chin strap with brass clip and clasp, colour patch square, green over yellow, size 56.slouch hats, kahki fur felt -
Bendigo Military Museum
Uniform - TIE, Anafico, c.WWII
2nd 8th Battalion AIF colour patch tie. White over red, split background horizontally with grey border on navy blue background. Navy blue lining one end of tie.On label: "makers name & 100% polyester"costume - male ceremonial, military history - army, passchendaele barracks trust, 2/8th -
Bendigo Military Museum
Memorabilia - PHOTOGRAPH, Post 1941
Photo is Kingsley William Allen VX109839 2nd AIF. Refer 2192.4, 2195 for service history also 2193. Same photo as in 2121.2P.Photo, sepia tone, Soldier in uniform with peak cap, uniform shows unit colour patches, crossed tongs and hammer on one arm and two Service Chevrons on the other. Soldier is leaning on a chair.photography, military -
Bendigo Military Museum
Accessory - CUFF LINKS, Post 1945
.1) Gold cuff link blue face blue face crown with wings under. .2) Same as .10 .3) Silver cuff link- black and grey face. Similar to colour patchaccessory, cuff links -
Glenelg Shire Council Cultural Collection
Functional object - Diving Suit, n.d
Australian 12 stud Robertson diver's suit, circa 1946. Fabric (cotton) and rubber. One knee patch separated from suit placed inside neck. Gorman tyre 12 studdiving suit, marine, maritime, harbour deep sea -
Warrnambool RSL Sub Branch
Great War framed poster, Early 1920s
A framed poster which has the records of Australian Voluntary effort in the Great War of 1914 to 1919. It comprises photos of the main Generals in charge at the end of the War and the unit colour patches and our casultiesCopy Righted J W Sanders ( Late AIF ) -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Uniform Complete
WW2 Volunteer Aid Detachment Nurse Colour Patch 1st Aust Gen Hosp,jacket (U184a)with service ribbons,skirt(U184b) (needs white shirt, navy tie,shoes,stockingsuniform, ww2, army -
Tatura Irrigation & Wartime Camps Museum
Document - Documents, Kenneth K Liston
Records pertaining to the service of Gunner Kenneth Kurt Liston from1954 to 1959.HistoricPlastic sleeve containing 4 sheets of A4 paper. Copies of Certificate of Service, Statement of Service, Statement of Service with photograph of awards received and one piece with pictures of flashes and insignia and shoulder patch.kenneth kurt liston, gunner liston, 3721515, certificate of service, australian army medals, australian army patches, australian army insignia, statement of service -
Ringwood RSL Sub-Branch
Printed Item Reunion Tag, 1937
Thought to have belonged to the same donor who gave us a tunic, item no 00050 and also their unit banner which was carried on Anzac Day. He was a past member of this RSL Sub Branch.Artillery Reunion Tag dated Wed. 29th September 1937. In the shape of the Red and Blue Colour Patch of the 4th Brigade Australian Field Artillery. Numbered No 21 on the reverse. Suspended on a yellow ribbon. -
Whitehorse Historical Society Inc.
Photograph, Morack Golf Course, C1970
In 1970, the area now known as the Morack Golf Course was rezoned from 'Rural' to 'Public Open Space'. This allowed planning to go ahead and by 1973 sufficient land had been acquired by the Melbourne and Metropolitan Board of Works. The course was first open on 8 May 1976 as a nine-hole course. This was extended to 15 holes by January 1980, and to eighteen holes by 1981.Two coloured photographs a-b of the early days in the development of the Morack Golf Course. Overview of a hole plus white patches indicating where trees have been planted. Some people practicing.morack golf course -
Numurkah & District Historical Society
Ladies shoes - multicoloured
Ladies shoes with medium heel. Multicoloured patches: aqua, yellow, pink, purple. Blue coloured heel. Open design, just leather around toe, side and ankle. Stored in shoe boxParagini 10shoes, footwear, ladies, -
Ballarat RSL Sub-Branch Inc.
Shoulder Badge
This object relates to James Henry WAYLAND. He was born on 14/10/1883 in Collingwood, VIC. James Henry served in the AMF AN&MEF (306) enlisting on, 14/12/1914 in Collingwood, VIC before being discharged from duties with the 2nd AN&MEF as a AN&MEF Non-Commissioned Sergeant (SGT) on 21/07/1919. James Henry WAYLAND was a prisoner of war. His next of kin is Pearl WAYLAND (Wife)Woven shoulder badge in cream and red thread with cream embroidered text in a convex design with a rectangular border. Reverse is cream with inverse text embroidery visible. Several patches of red thread missing.Embroidered: "Royal Australian Regiment"first world war (ww1), 1914 - 1918, uniforms, ballarat rsl, ballarat -
8th/13th Victorian Mounted Rifles Regimental Collection
Flag - Photograph 20th LH
Framed colour photograph of Twentieth Light Horse ( VMR ) Regiment guidon. Red with gold fringe badge in centre. Purple over yellow colour patch with battle honours of the Twentieth Light Horse.Guidon of the Twentieth Light Horse ( VMR ) Regimentmilitary, light horse, guidon, battle honours, wwii -
8th/13th Victorian Mounted Rifles Regimental Collection
Uniform - 13LH WWI jacket
The 13th Light Horse Regiment (AIF) was raised at Broadmeadows Victoria in March 1915. Following service at Gallipoli the regiment was broken up with squadrons going to France as Divisional Cavalry Squadrons of 2nd, 4th and 5th Divisions. The regiment was reformed as firstly 1st Anzac Corps Mounted Troops and later Australian Corps Mounted Troops.Khaki jacket with 13th Australian Light Horse Regiment colour patches and "A" insignia, Rising Sun collar badges, "Australia" epaulette titles, metal buttons and World War One ribbon bar.uniform, 13th, aif, wwi, world war one, light horse -
National Wool Museum
Textile - Quilt, Child's Cot Cover Insert, Mrs Bertha Emily Nitschke, 1929
This cot cover insert was made during the 1929 depression an a time of financial hardship. It was made by Jean Hepner's Grandmother from used woollen garments. They were hand stitched on to an old woollen blanket. The quilt was used by at least five of the seven children born in to this family and also by grandchildren in later years. It was used with assorted covers which were replaced when needed.Child's cot cover insert (wagga) made from discarded woollen garments such as socks, stockings and vests and stitched in multiple layers on to a woollen blanket. It is mostly cream in colour with patches of blue and brown.quilting, history, depression era, wagga, geelong, quilting - history