Augustus Bostock was the 9th child of Robert & Rachael Bostock of Vaucluse Epping Forest, Van Diemen’s Land. He was only 4 years old when his mother died. He was inspired by his father to seek his fortune in the Western District of Victoria. He arrived around 1850. He married Margaret Aitkin in July 1865. Augustus owned several properties in the district and leased others. He sat on the court of Warrnambool, Mortlake or Hexham as required. He resided at Marramook in Hawkesdale and later moved to Vaucluse in Hopetoun Road Warrnambool, where he died in 1920 at the age of 87. He was involved in many aspects of life in the Western District, racing, cricket, and social activities to name a few. This flyer is advertising the sale of 12000 sheep, 30 cattle, 10 horses and station plant at the expiration of the lease of Coomete. It states that Coomete has been in the possession of Mr. Augustus Bostock for over 30 yearsThis is one of a number of documents which relate to the Bostock family who were one of the most important pioneering families of the Western District. They owned and leased various properties around Warrnambool and were involved in many aspects of social and business life. This document contains a detailed view of the stock owned by Augustus Bostock at Coomete. From a social perspective the details provided show that it was an event of some importance in the farming area.Cream paper with heading and title in large font at the top with Coomete Estate in uppercase inside banner lines underneath with details of stock and numbers to be sold in smaller print below. Mercer printer Geelong. For further particulars apply to Armstrong, Howe & Co Geelong and Terang, James Jellie Warrnambool.coomete, warrnambool, augustus bostock, coomete lease, 1894

Augustus Bostock was the 9th child of Robert & Rachael Bostock of Vaucluse Epping Forest, Van Diemen’s Land. He was only 4 years old when his mother died. He was inspired by his father to seek his fortune in the Western District of Victoria. He arrived around 1850. He married Margaret Aitkin in July 1865. Augustus owned several properties in the district and leased others. He sat on the court of Warrnambool, Mortlake or Hexham as required. He resided at Marramook in Hawkesdale and later moved to Vaucluse in Hopetoun Road Warrnambool, where he died in 1920 at the age of 87. He was involved in many aspects of life in the Western District, racing, cricket, and social activities to name a few. Significance This is one of a number of documents which relate to the Bostock family who were one of the most important pioneering families of the Western District. They owned and leased various properties around Warrnambool and were involved in many aspects of social and business life. Augustus died at “Vauclause” in Hopetoun Rd Warrnambool, 20th August , 1920. The obituary states that although he never took an active part in municipal or political life, his affable and courteous disposition won him troops of friends and he will be sadly missed. This is one of a number of documents which relate to the Bostock family who were one of the most important pioneering families of the Western District. They owned and leased various properties around Warrnambool and were involved in many aspects of social and business life. This obituary of Augustus Bostock has significance from a social and historical perspectiveSmall newspaper cutting pasted on larger sheet of paper.Warrnambool Standard 21st August 1920.warrnambool, bostock brothers, augustus bostock

The Warrnambool Standard newspaper was started in 1872 by William Fairfax and Henry Laurie. It continues in that context today as a daily newspaper for the Western District. This copy is dated July 1 1905 and covers items of interest and advertisements for current businesses many which continued as household names until the latter part of the 20th Century. These include the following: J Younger, E Battarbee, Beattie and Phillips,Wm Ardlie, H G Wilkinson Cramond & Dickson, F Tozer, Wm Swinton, Bruce & McClure. There are reports covering items of local, national and International news events.This paper provides a snapshot of history in the given era from a Warrnambool perspective. It shows the wide range of businesses operating at the time 1905 and the general interests of the people.Four pages of newsprint with the mast head of the Warrnambool Standard . the paper is dated Saturday July 1, 1905. The Warrnambool Standard with which is incorporated the Warrnambool Examiner, circulating throughout the Western District of Victoria. Price -One Penny. The words printed on a banner run below the masthead groups of cattle horses and sheep and reads "By these we thrive". Advance Australia is similarly written underneath a Coat of Arms. warrnambool standard 1905

Bartley's Brewery, Howlong Road, Chiltern (photograph of a painting by Fanny Bartley) Property owned by Benjaming Jackson Bartley 1834-1899Australian Impressionism, Naturalism, Colonial Art, Folk ArtA small, rectangular painting with a wood frame in a basic relief styleSignature in bottom right corner of paintingaustralian landscape, landscape, farm

Book: "Where The Twain Meet" by Mary Gaunt, 1922, publisher John Murray Albermarle Street, W.1, LondonThe book "Where the Twain Meet" is written by Mary Gaunt, a member of the prominent Gaunt Family who were active in the Indigo Shire during the nineteenth century. Her writing depicts in great detail the social structure and the ongoing changes that faced the people of Jamaica before and after British colonial rule. It is a historic perspective of Jamaica's reckoning with the slave trade. A hardcover book bound in navy blue fabric with gilt embosses titles and decals. Image one: WHERE/ THE TWAIN/ MEET/ _ MARY GAUNT/ JOHN MURRAY Image three: Sister Bessie Smythe/ Dear Bushwanderer/ With love from/ aunt Prue/ Gb. Wood/ Jan. 16 1923/ Image four: (embossed) WITH Mr MURRAY'S COMPLIMENTS/ WHERE THE TWAIN MEET/ BY MARY GAUNT/ Author of "Alone in West Africa,""A Woman in China,"/ "A Broken Journey,""The Uncounted Cost," etc./ LONDON/ JOHN MURRAY, ALBEMARLE STREET, W.1/ 1922/mary eliza gaunt

Soft cover bookJournals written by (or from the perspective of) a First Nations person called Nanbaree, describing his experiences of the British invasion of Australia.first fleet, first nations

Soft cover bookPoems about the impacts of British invasion on First nations people written from the perspective of a young man called Nanbaree.aborigine, aboriginal, first nation

Robin Boyd met architect Neil Clerehan at the end of 1943 when they were both in the army. They worked together on Victorian Small Homes Service and were friends.Watercolour of a mining building in an outback landscape.On the reverse side "Neil Clerehan, 1945" on top left in blue pen, and "No 8" on bottom right in pencil.neil clerehan, robin boyd, ohm2022, ohm2022_29

In 1961 Robin Boyd designed the Tower Hill Reserve Visitors Centre to fit naturally within the surrounding terrain. The building’s shape reflects a volcanic cone. The windows allow a 360-degree view of the park. The Centre opened just after Robin Boyd’s death in October 1971.Project: Tower Hill Lake Reserve Museum drawn by Robin Boyd of Grounds, Romberg & Boyd. Drawing no 3. Watercolour on dyelinetower hill, robin boyd, ohm2022, ohm2022_15

Investigates 13 languages under threat. Two most improtant questions asked 1) what is the current demographic and functional status of each of the threatened languages 2) what is the best way to understand its future prospects?B&w illustrations, tablesendangered languages, language revival, language research, sociolinguistics

Various authors: studies of wider patterns in Aboriginal language and culture, including migration, tool exchange, and particularly the role of linguistic evidence in establishing historical connections between Australian tribes as well as further afield in the Australasian region.B&w illustrations, b&w photographs, maps, word listsanthropological linguistics

language and learning, language and culture, south australian department of education

b&w photographsnganyaywana, gumbaynggir, dhan-gadi, murri education, north queensland, central queensland, university of new england, tertiary education

18cm tall paperback book with ogrange strip from top to 7cm down the cover with the Title in Bold capital Yellow font, then a cream strip of approx 9cms picturing cartoon farm charaters - a man on a horse back view a farmer with his fists raised, his wife next to him with a rifle and seven children and two dogs scattered across the scene in several different poses., and othe orange strip 1.5 cm to the bottom of the cover with the author and lillustrators names in bold black font.non-fictionStory of the author's childhood years as one of 12 children on a farm in the Victorian Wimmera district during the 1920s and 1930s.farm life -- victoria -- wimmera -- history., country life, family relationships, short story, growing up, biographies & true stories, humour--comedy, rural life, autobiographies

18cm tall paperback book with ogrange strip from top to 7cm down the cover with the Title in Bold capital Yellow font, then a cream strip of approx 9cms picturing cartoon farm charaters - a man on a horse back view a farmer with his fists raised, his wife next to him with a rifle and seven children and two dogs scattered across the scene in several different poses., and othe orange strip 1.5 cm to the bottom of the cover with the author and lillustrators names in bold black font.non-fictionStory of the author's childhood years as one of 12 children on a farm in the Victorian Wimmera district during the 1920s and 1930s.farm life -- victoria -- wimmera -- history., country life, family relationships, short story, growing up, biographies & true stories, humour--comedy, rural life, autobiographies

Imam is represented in the Nillumbik Shire Art Collection and was the winner of the 2015 Nillumbik Prize for her work "Diagram of sentiment #1" (judged by Linden New Art Director Melinda Martin). She was also a finalist in the Nillumbik Prize 2016, 2015, 2013 and 2010. Imam completed a residency at Laughing Waters in 2011. Imam works within photography, the moving image and installation to create works centred on themes of embodiment and the female perspective. In this work she participates in a dialogue between her body and the Finnish Archipelagos in order to develop a relationship with the islands as both a place and an organic body [of land] where flux and change occurs. Photograph of the artist immersed from the waist down in green moss (landscape).N/Afinnish, archipelago, inkjet, print, photographic, body, island, moss

This 1977 Jubilee Year publication was a special project undertaken by the Form 5 Politics Class at Salesian College, Rupertswood, as part of the school’s commemorative efforts to reflect on its past, present, and future. Created during a year of celebration and reflection, the project was both a civic and educational exercise, allowing students to explore the structure and culture of their school through the lens of political systems. Organised under the themes of Legislative, Executive, and Judicial branches, the publication presents a unique and structured interpretation of the college’s operations and community life. It includes contributions on key aspects of the school such as the Salesian order, the Parents and Friends Association, academic and sporting programs, the media, and the Old Boys’ Association. The project reflects the educational ethos of the time—encouraging inquiry, collaboration, and pride in one’s school. It also highlights the role of student voice in shaping the narrative of the college’s history. As a student-led initiative, this publication stands as a testament to the creativity, engagement, and reflective spirit of the 1977 cohort.This 1977 Jubilee Year publication, compiled by the Form 5 Politics Class at Salesian College, Rupertswood, is a significant historical document that captures the voice, perspective, and civic engagement of students during a milestone year in the college’s history. Created as a special project, the publication reflects a thoughtful and structured examination of the school’s identity through the lens of political systems—Legislative, Executive, and Judicial—demonstrating both creativity and critical thinking. The document is notable for its student-led authorship, its comprehensive scope—including reflections on the Salesians, the Parents and Friends Association, media, agriculture, academics, sport, and alumni—and its collaborative spirit. It offers a rare and valuable insight into how students of the time understood and interpreted the structure and culture of their school community. As a preserved artifact, this publication contributes meaningfully to the archival record of Salesian College. It not only documents the educational and social environment of the late 1970s but also highlights the enduring values of participation, reflection, and pride in community that continue to define the Rupertswood legacy.A 27 page stapled document, with a yellow front page (cover), detailing the history of Salesian College, Sunbury to 1977.salesian college, rupertswood, sunbury, 1977, jubilee

Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.