Showing 803 items
matching sheep - australian
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National Wool MuseumBook, South Australia: its history, productions and natural resources, 1883
"South Australia its history, productions and natural resources" - J P Stow, 1883.William J Vandenbergh South Australian Legislature Sold 10-10-95 ..[.]..Library Comm..teewool - history sheep stations - history, wool - history, sheep stations - history -
National Wool Museum
Book, The Australian wool industry
"The Australian wool industry"-H Munz, 1964.wool - history sheep breeding - history sheep stations - history wool - characteristics wool marketing, wool - history, sheep breeding - history, sheep stations - history, wool - characteristics, wool marketing -
National Wool MuseumBooklet, American merino rams recorded in the American Merino register, selected by W.G. Markham
American merino rams recorded in the American Merino register, selected by W G Markham, Avon, NY, USA from the best American flocks. Consignee Alfred Hay, esq, Boomanoomana, Mulwala, New South Wales, Australia. Shipped from San Francisco, California June 1883 by steamer, City of New York.sheep breeding merino sheep - history sheep - american, hay, mr alfred, sheep breeding, merino sheep - history, sheep - american -
National Wool Museum
Book, With a Passport and Two Eyes
"With a Passport and Two Eyes" by V.C. Buckley, c.1930. An account of the authors travels around the world, including an extensive chapter on Australia, with references to the Western District, farming, country life, city life, retail stores and wool.farming sheep stations, farming, sheep stations -
Koorie Heritage Trust
Book, Burrows, William, Adventures of a mounted trooper, 1986
Contents: Arrival in the colony & visit to the diggings; Road-making in Victoria; The tents and their occupants; Mounted police and their operations; Government Land Surveying; The mounted police again; The sessions at the diggings; Australian Birds; Birds Continued; Australian Animals; The Aboriginal inhabitants; Sheep and cattle stations; Climate and vegetable productions of Australia; Melbourne and its suburbs; Adventures narrated by a log-fire; A voyage to China; Three months in China and voyage to Sydney. Prehistory, early culture contact and history -- Early European contact -- Exploration and expeditions -- Colonisation -- 1851-. Other: Mounted Police -- Black Forest -- Wood End.143 p. ; 21 cm.Contents: Arrival in the colony & visit to the diggings; Road-making in Victoria; The tents and their occupants; Mounted police and their operations; Government Land Surveying; The mounted police again; The sessions at the diggings; Australian Birds; Birds Continued; Australian Animals; The Aboriginal inhabitants; Sheep and cattle stations; Climate and vegetable productions of Australia; Melbourne and its suburbs; Adventures narrated by a log-fire; A voyage to China; Three months in China and voyage to Sydney. Prehistory, early culture contact and history -- Early European contact -- Exploration and expeditions -- Colonisation -- 1851-. Other: Mounted Police -- Black Forest -- Wood End.burrows, william, 1830- -- journeys -- victoria. | victoria -- description and travel -- 1851-1900. -
National Wool MuseumTool - Drench Gun, 1940-1950
There are several different designs of drench guns within the NWM Collection that show the change in their development over time. On the left side of this gun white paint indicates the adjustable dose lever. It is a sliding scale from 10 to 0 cubic centimetres of liquid (now typical measure in millilitres). It also has a large diameter curvature suggesting this gun was typically used for dosing ewes as opposed to lambs. The manual adjuster helped to minimise cases of overdosing which can be fatal for livestock while the additional curvature helped to ensure the liquid reached the desired location within the sheep’s mouth. This desired location is on the left rear of the sheep’s tongue (from the sheep’s point of view) as this is where the oesophagus is located. The main risks are that drench may be delivered into the lungs via the trachea or “windpipe”, which can also prove fatal. The opening to the trachea which leads to the lungs is in the middle of the back of the throat. Another risk is the throat can also be damaged due to rough handling.Silver metal with black finishing drench gun. Large curvature tip on gun protrudes from the body which feature a thin squeezable trigger to the front of the body. The main bulk, which the trigger is squeezed towards, has badge which reads “Manufactured and designed by N.J. Phillips Pty Ltd, Sydney”. Behind this body is silver tubing featuring attachment point for the tubing which would have carried the liquid drench into the gun. The small section of tubing still attached has a yellow/orange appearance from remanence of drench which would have been this colour.Left lettering: 10CC 5CC 0/ 7.5 2.5/ Left rotated lettering: MANUFACTURED/ & DESIGNED BY/ N.J.PHILLIPS PTY. LTD./ SYDNEY . AUSTRALIA/sheep drenching, veterinary instruments -
National Wool MuseumDrench Gun
The Kettle Drum Drenching Gun was invented and predominately used in the 1940s and 1950s. The Drench Gun was likely used to drench sheep with carbon tetrachloride for internal parasite control. These guns were widely used in Australia. There were problems with the design of the kettle Drum Drench Gun, however, which contributed to its demise. On hot days and/or if the sheep struggled while being drenched, some fluid would miss its intended target and go into the windpipe and onto the lungs of sheep, often with fatal results. At times nearly one-third of a flock could be found dead. Inexperienced operators, overdoses and weather were often blamed for the deaths when it was often the design of the Drench Gun itself. Kettle drenching gunOn handle: Pest Arrestor -
National Wool MuseumShearing Handpiece
Shearing handpiece. Sold in the US by Stewart Machines Chicago, Flexible Shaft Co. Sold by Cooper in Australia, model is air cooled and has no numbers or identifiable marks on handpiece. Manufactured between 1912 and 1924.shearing, sheep stations management, sheep stations - management -
National Wool MuseumMap, Map of Western Australia Showing the Principal Sheep and Cattle Stations, 1921
... Map of Western Australia Showing the Principal Sheep and...MAP OF / WESTERN AUSTRALIA / Showing the Principal / SHEEP... stations of Western Australia as of 1921. sheep stations MAP ...Map showing the principal sheep and cattle stations of Western Australia as of 1921.MAP OF / WESTERN AUSTRALIA / Showing the Principal / SHEEP AND CATTLE STATIONS / 1921 / COMPILED & DRAWN BY HOPE & KLEM / Surveyors & Draughtsmen / 23 Barrack St, Perth, WAsheep stations -
National Wool MuseumCollage, Jimba on Manooka
Framed collage of Australian raw wool by wool artist Pauline Osborn. Titled "Jimba on Manooka" (Sheep on Hill). Work specially made for the National Wool Museum after a visit by the artist in 1991.Wool collage of pastoral scene entitled "Jimba on Manooka" (English translation - Sheep on Hill). Framed and glazed.handicrafts -
National Wool MuseumPhotograph
Depicts the old Canowie Shed showing the roof line and entrance for the sheep. Taken by John Bailey in South Australia at the request of Gael Shannon (former NWM employee). -
National Wool MuseumPhotograph
Photo was taken on location of the filming of the mini series "The Dunera Boys". The photographer was Paul Baitz who was an extra working amongst the sheep in the pen on a freezing cold December day. Taken: ?December 1984. (this photo appears in a circular format on the title page of "Wool and the Australian Imagination") -
National Wool MuseumBook, Australia's First Lady: the story of Elizabeth Macarthur
... and her role in the Australian wool growing industry. Sheep ..."Australia's First Lady: the story of Elizabeth Macarthur" - L. Bickel, 1991. This book is a biography of Elizabeth Macarthur, wife of John Macarthur, and details her early life and her role in the Australian wool growing industry.AUSTRALIA'S / FIRST LADY / THE STORY OF / ELIZABETH MACARTHUR / LENNARD BICKELsheep breeding - history, macarthur, mrs elizabeth -
National Wool Museum
Book, Wool in the Australian Imagination
This book is the catalogue from an exhibition titled "Wool in the Australian Imagination", an evaluation of the social history and popular culture associated with wool. This exhibition was instigated by the Historic Houses Trust of New South Wales in 1994. The cataIogue contains essays regarding wool in art, wool in music, science and wool, wool and fashion, mutton and pastoralism. The National Wool Museum lent several collection items to this exhibition (which are mentioned in the checklist of the catalogue) and Rachel Faggeter, the first Director of the Wool Museum, curated the exhibition.Wool / in the Australian Imaginationmerino sheep - history sheep breeding - history wool - history, historic houses trust of new south wales, merino sheep - history, sheep breeding - history, wool - history -
National Wool Museum
Ribbon
Awarded at Agricultural show.SASH PRESENTED BY THE AUSTRALIAN SOCIETY OF BREEDERS OF BRITISH SHEEP VICTORIAN BRANCH For the Champion Lincoln Ram SHEPPARTON ANNUAL SHOW 1957agricultural shows, australian society of breeders of british sheep, shepparton, victoria -
National Wool MuseumSlide, Corriedale
Slide of a Corriedale sheep. Corriedales are a large framed sheep which are favoured as wool and mutton producers in good pasture country in Australia and New Zealand. Corriedale sheep has been exported to South America. Formerly stored in presentation folder as part of "Merino & Australasian Breeds of Sheep Set No. A866" series by the Audio Visual Education Centre, Education Department of Victoria.Slide of a Corriedale sheep.Merino & Australasian Breeds / of Sheep / Set No. A866 / No. 7 / Corriedale VISUAL EDUCATION CENTRE / EDUCATION DEPT. OF VICTORIAcorriedale sheep, slide -
National Wool MuseumSlide, Cheviot
Slide of a Cheviot sheep. The Cheviot is known as a hill breed sheep and is found mainly in hilly country with high rainfall. It has not become very popular in Australia. Slide printed by Audio Visual Education Centre, Education Department of Victoria. Formerly stored in presentation folder as part of "British Breeds of Sheep Set No. 448" series by the Audio Visual Education Centre, Education Department of Victoria.Slide of a Cheviot sheep.BRITISH BREEDS OF SHEEP / Set No. 448 / No. 12 / Cheviot VISUAL EDUCATION CENTRE / EDUCATION DEPT. OF VICTORIAcheviot sheep, sheep, british, slide, sheep - british -
Whitehorse Historical Society Inc.
Article, History off the sheep's back, 22/02/1989 12:00:00 AM
A graduate degree in Chinese enabled Mrs Faggetter to work for 2 years in China teaching English to Chinese scientists.A graduate degree in Chinese enabled Mrs Faggetter to work for 2 years in China teaching English to Chinese scientists. She established the National Wool Museum in Geelong, the Children's Museum in the Museum of Victoria. Was first female vice-master of Ormond College.A graduate degree in Chinese enabled Mrs Faggetter to work for 2 years in China teaching English to Chinese scientists. museums, faggetter, rachel, australian wool museum, geelong, ormond college, cuttler, bob, children's museum -
Ballarat Heritage ServicesPhotograph - Image, Shearing Time, Burrawong Station, New South Wales, c1916, c1916
Image of a number of shearers working in a timber shearing shed.shearing, burrawong station, shearers, sheep, shearing shed, farm -
Unions Ballarat
Eureka : The songs that made Australia, 31 cm
Songs of Australian heritage for voice. Melody line only with chord symbols. Includes guitar tablature for chords. Convicts, transportation and sea shanties. Pioneering, goldrush days and bushrangers. Shearers, drovers and bush life. Swagmen, Victorian expansion, sporting life and disasters. Contents: • According to the Act • The Albury ram • Another fall of rain • Australia's on the Wallaby • The bald-headed end of the broom • The ballad of Ben Hall • The ballad of the Kelly Gang • The banks of the Condamine • The big-gun shearer • The black velvet band • The blackboys Waltzing Matilda • Bluey Brink • Bold Jack Donohue • Bound for Botany Bay • Brisbane ladies • Cain killed Abel • The cane-cutter's lament • The carrier's song • The Catalpa • Charlie Mopps • Click go the shears • The cockies of Bungaree • Colonial experience • Coming down the flat • The convict maid • The currency lasses • The death of Alec Robertson • The death of Ben Hall • The death of Willie Stone • Denis O'Reilly • The drover's dream • The dying aviator • The dying stockman • Eight little cylinders • The Eldorado mining disaster • The exile of Erin • Farewell to Greta • Flash Jack from Gundagai • The flash stockman • Frank Gardiner • The freehold on the plain • The gaol song • The girls of the Shamrock Shores • The golden gullies of the Palmer • The gumtree canoe • The Hamfat man • Heenan and Sayers • Henry's downfall • Here's adieu to all judges and juries • I've been to Australia, Oh • Jim Jones at Botany Bay • Jog along til shearing • John Kanaka • The Lachlan Tigers • Leave her, jollies, leave her • Les Darcy • The limejuice tub • Look out below • Maggie May • Maids of Australia • Man of the Earth • The Maryborough miner • Moreton Bay • The morning of the fray • Morrisey and the Russian sailor • Musselman • The mustering song • My name is Edward Kelly • Nails • The new chum Chinaman • Nine miles from Gundagai • The nose on my old man • Oh, give me a hut • The old bark hut • The old bullock dray • One of the has-beens • The overlanders • Pint Pot and Billy • Pity poor labourers • Radcliffe Highway • The rigs of the time • Rolling home • The Ryebuck shearer • Sam Holt • Sign-on day • Sixteen thousand miles from home • South Australia • The springtime it brings on the shearing • The stockman's last bed • The Sunshine Railway disaster • Tambaroora Ted • The tattooed lady • Ten thousand miles away • The tent poles are rotten • Travelling down the Castlereagh • Tumba-bloody-Rumba • The two professional hums • Van Diemen's Land • The wallaby brigade • When we get our tuppence back • The wild colonial boy • Woolloomooloo Australian culture, folklore and history in songs.Paper; paperback book. Front cover: multicoloured background; picture of swaggy with guitar; picture of Eureka flag; black and green lettering. Back cover: red, orange and white background; Eureka flag; picture of a shearer with sheep; picture of a person in Ned Kelly armour playing a guitar on a horse; picture of woman facing the Ned Kelly figure; brand with the message "unsurpassed Australian made".Front cover: author's name and title. Back cover: author bio; praise from Jack Pobar, swagman.songs, btlc, ballarat trades and labour council, ballarat trades hall, convicts, transportation, sea shanties, pioneering, gold, goldrush, bushrangers, shearers, drovers, bush life, sporting life, disasters, music -
Otway Districts Historical SocietyBook, Royal Agricultural Society of Victoria, Schedule of prizes, RASV, 1936, 1936
Schedule of prizes (including Champion prizes of Australia), Sixty-fifth Grand Agricultural Exhibition, 17th to 26th September, 1936. The Royal Agricultural Society of Victoria; Melbourne (Vic); 1936. 336 p.; illus.; index to advertisers. Soft cover. agriculture; horses; cattle; sheep; pigs; poultry; birds; farm produce; machinery; dairy produce; wine; fruits; -
Bayside Gallery - Bayside City Council Art & Heritage CollectionPhotograph - gelatin silver photograph, Jonathan Binns Were, c. 1880
Jonathan Binns Were (1809-1885) was born in Somerset, England on 25 April 1809. Before he migrated to Australia in 1839, he worked with colonial merchants and bankers Collins & Co. in Plymouth. Initially trading under his own name, he formed Were & Co. with his brother George and his brother-in-law, Robert Stevenson Dunsford, then, after 1861, JB Were & Son. Were’s were importers, exporters and agents for shipping, land, cattle, sheep and wool; gold brokers and buyers (after 1851); and share dealers (after 1853). Were went bankrupt twice in 1843 and 1857, the former connected with his association with Henry Dendy and the Brighton subdivision. Were lived in Brighton at Moorabbin House and represented Brighton in the Legislative Assembly in 1856-57. In 1865 Were became the first chairman of the Melbourne Stock Exchange; he was the first president of the Chamber of Commerce and served on the board of many public and private institutions and companies. He was Port Phillip’s first Justice of the Peace; and organiser of the 1881 Melbourne Exhibition. He was knighted by the Kings of Sweden and Denmark.portrait, j.b. were, jonathan binns were, merchant, policitian, melbourne stock exchange, justice of the peace, victorian legislative assembly, stockbroker, c.m.c, m.l.a., j.p., a. bonville were -
Tennis AustraliaRacquet, Circa 1983
An ATP Fox oversize tennis racquet, with Gosen 'Hy-Sheep' netting, and Prince 'Duraperf' handle grip. Materials: Graphite, Synthetic material, Ink, Adhesive tape, Gut, Plastic, Painttennis -
Kew Historical Society IncClothing - Grey silk wedding dress, 1842
This wedding gown was worn by Mary Ann Lawrence at 8.00am on 5 January 1842 at St John's Church, Launceston, when she married Francis Henty. The couple were to catch the tide on their way to Portland two hours later. Francis Henty was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Mary Ann Lawrence's grey silk wedding gown has a v-line waist and a partly smocked bodice. It is lined with muslin throughout. It has hand-tatted cotton lace and handmade piping around the neck and bodice and pleated short sleeves. There was originally trimming on the skirt which was removed at a later date. Orange blossom made of chamois and tiny coiled springs originally decorated the neckline. The outfit was complemented by a bonnet to which a Limerick lace veil was attached. Measurements (mm): Girth - Neck 914, Chest 812.8, Waist 660.4, Cuff 330.2, Hem circumference 3200.4. Vertical - Front neck to hem 1270, Front waist to hem 1016, Back neck to hem 1320.8, Back waist to hem 1041.4, Sleeve length 114.3. Horizontal - Neck to sleeve head 50.8, Chest back 406.4, Underarm to underarm 406.4.mary ann lawrence, francis henty, wedding dresses, fashion -- 1840s, women's clothing -
Kew Historical Society IncClothing - Girl's dress, 1858
This dress belonged to Alice Frances Henty (1852-1932) the youngest daughter of Francis Henty (1815-89) and his wife Mary Ann Henty [nee Lawrence] (1821-81). It is recorded that Alice wore the dress at the age of six. Alice's father, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Girl's two-tone, one-piece cotton voile dress from the 1850s has a high round neck and short sleeves has a lace insert on the front of the bodice and matching lace at the rear. The layered skirt is bordered with lace. Measurements (mm): Girth - Neck 609.6, Chest 635, Waist 558.8, Cuff 203.2, Hem circumference 2108.2. Vertical - Front neck to hem 685.8, Front waist to hem 508, Back neck to hem 723.9, Back waist to hem 534.4, Sleeve length 63.5. Horizontal - Neck to sleeve head 38.1, Cross back 304.8, Underarm to underarm 406.4.fashion -- 1850s, children's clothing, alice frances henty -
Kew Historical Society IncClothing - Two-piece pink silk afternoon outfit, 1875
This afternoon dress was owned and first worn in 1875 by Alice (Henty) Hindson, the daughter of Francis Henty and Mary Ann (Lawrence) Henty. The outfit was worn in the same year as Alice's marriage to John Hindson at Trinity Church, East Melbourne, and may have formed part of her trousseau. Alice's father, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Alice (Henty) Hindson's afternoon dress is a two-piece, two-toned pink ensemble made of silk taffeta. The detailing is done with fine knife-pleated trims piped in ivory satin and decorated with ivory silk moiré bows on the bodice and skirt. The panelled peplum jacket is boned and the front button closure has hand-embroidered buttonholes with handmade covered buttons. The gathered full buttoned skirt falls into a train. The skirt is decorated with rows of ivory tulle corded lace and the hemline is edged with crisp fluted organza and tatted lace. Measurements (mm): BODICE: Girth - Neck 355.6, Chest 863.6, Waist 685.8, Hip 787.4, Cuff 304.8, Hem circumference 1422.4. Vertical - From neck to hem 546.1, Front waist to hem 241.3, Back neck to hem 609.6, Back waist to hem 355.6, Sleeve length 330.2. Horizontal - Neck to sleeve head 60, Underarm to underarm 419.1. SKIRT Girth - Waist 558.8, Hip 1473.2, Hem circumference 3911.6. Vertical - Front waist to hem 1092.2, Back waist to hem 1524. fashion -- 1870s, afternoon dresses, alice (henty) hindson, women's clothing -
Kew Historical Society IncClothing - Black chalk-striped outfit, 1870
This outfit belonged to Mary Ann Henty [nee Lawrence] (1821-81), the wife of Francis Henty (1815-89). Her husband, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew.The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.A two-piece silk taffeta chalk-striped afternoon dress worn by Mary Ann Henty, aged 49, in the period when she lived at Merino Downs near Portland. The outfit has bands of black silk and rows of fabric covered buttons on the bodice and skirt. Measurements (mm): BODICE: Girth - Neck 355.6, Chest 889, Waist 736.6, Hip 863.6, Cuff 254, Hem circumference 2032. Vertical - Front neck to hem 419.1, Front waist to hem 152.4, Back neck to hem 558.8, Back waist to hem190.5 , Sleeve length 584.2. Horizontal - Neck to sleeve head 165.1, Chest back 330.2, Underarm to underarm 406.4. SKIRT Girth - Waist 609.6, Hip 1270, Hem circumference 4064. Vertical - Front waist to hem 1117.6, Back waist to hem 1371.6.francis henty, fashion -- 1870s, women's clothing, afternoon dresses, mary ann (lawrence) henty -
Kew Historical Society IncClothing - Pink silk evening dress, c.1842
This dress is believed to have belonged to Mary Ann Henty [nee Lawrence] (1821-81), the wife of Francis Henty (1815-89). Her husband, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.A one-piece, lustrous silk taffeta evening dress, lined with polished cotton, probably owned by Mary Ann Henty, and later by her daughter, Alice. The V-waist line of the dress and the dimensions of the skirt are comparable to Mary Ann’s wedding dress. The bodice in contrast is less structured. At a later stage, the sleeves were removed. Measurements (mm): BODICE: Girth - Neck 914.4, Chest 863.6, Waist 685.8, Hip 863.6, Hem circumference 3302. Vertical - Front neck to hem 1371.6, Front waist to hem 1092.2, Back neck to hem 1384.3, Back waist to hem 1079.5 Horizontal - Neck to sleeve head 44.45, Chest back 431.8, Underarm to underarm 431.8.mary ann lawrence, francis henty, evening dresses, henty collection, fashion -- 1840s -
Kew Historical Society IncClothing - Ivory silk and tulle bridesmaid's outfit, 1874
This bridesmaid's dress was owned and first worn in 1875 by Alice Frances Henty, the daughter of Francis Henty and Mary Ann (Lawrence) Henty. The outfit was worn at the marriage of her friend Miss Hopkins to Mr ST Staughnton in 1874. Alice's father, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.An ivory silk skirt and matching jacket worn by Alice Henty, aged 22, at the marriage of her friend Lizzie Hopkins and S.T. Staugnton in 1874. The ivory silk satin peplum jacket is boned, tailored, and fitted with many princess line panels. The front closure has handmade embroidered buttonholes and covered buttons. The collar and sleeves are decorated with gathered silk tulle frills. The peplum back features a silk cord bow decoration. The skirt with bustle and train features a central panel with hand ruching and silk satin piping. It is decorated with five rows of pleated silk tulle frills. Measurements (mm): PEPLUM JACKET Girth - Neck 317.5, Chest 914.4, Waist 698.5, Hip 965.2, Cuff 279.4, Hem circumference 1168.4. Vertical - From neck to hem 558.8, Front waist to hem 254, Back neck to hem 838.2, Back waist to hem 241.3, Sleeve length 279.4. Horizontal - Neck to sleeve head 165.1,Cross back 292.1, Underarm to underarm 393.7. SKIRT Girth - Waist 635, Hip 914.4, Hem circumference 3810. Vertical - Front waist to hem 1092.2, Back waist to hem 1701.8. fashion -- 1870s, alice frances (henty) hindson, women's clothing, bridesmaid's dresses -
Kew Historical Society IncClothing - Midnight blue silk and velvet bodice
This bodice, belonging to Alice (Henty) Hindson has traditionally been identified as a travelling jacket by her descendants. Alice Hindson was the youngest daughter of Francis Henty and Mary Ann (Lawrence) Henty. Alice's father, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Alice (Henty) Hindson's midnight blue sateen bodice is highlighted using velvet lapels, cuffs, and a rear bow. The velvet, in contrast to the plain midnight blue sateen, is embellished [in the weave] with pink and navy spots. Joined at the front with 23 round domed buttons, hooks and eyes are used to close the neckline. The bodice also features coffee-coloured lace at the front and on the cuffs, which may have been added later. The bodice has some condition issues, missing one cuff and the lace on the cuffs needing re-attaching. The inside of the bodice is heavily boned, complete with a floral chintz lining. Measurements (mm): BODICE: Girth - Neck 355.6, Chest 812.8, Waist 660.4, Hip 685.8, Cuff 228.6 Vertical - From neck to hem 406.4, Front waist to hem 152.4, Back neck to hem 546.1, Back waist to hem 228.6, Sleeve length 533.4. Horizontal - Neck to sleeve head 114.3, Cross back 266.7, Underarm to underarm 368.3.alice hindson, alice henty, bodices, women's clothing, alice (henty) hindson
