Showing 1173 items matching "solid"
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Tennis Australia
Racquet, Circa 1904
A Spalding 'Favorite' tennis racquet, featuring: solid convex throat; and, fine-grooved, octagonal handle. 'A.G. Spalding & Bros. Made in U.S.A.' logo encircling ball trademark features on throat on reverse. Decal of model name features across throat on obverse. Materials: Wood, Lacquer, Glue, Metal, Ink, Gut, Leather, Paint, Stringtennis -
Tennis Australia
Paddle, Circa 1895
A ping-pong paddle, with stretched hide double face, leather-bound head framework, leather collar, and a rounded, solid wood handle. During this period of table tennis history, it was merely a parlour game, and very distant from the professional competitive sport it was to become. Materials: Wood, Hide, String, Leather, Glue, Metal, Lacquertennis -
Tennis Australia
Racquet, Circa 1876
A lobbed headed racquet with solid convex throat, and laminated handle with rounded butt. Inscription across crown, on obverse: [THE ALEXAN]DRA. Inscription across throat on obverse: FELTHAM/LONDON. Feltham 'fleur de lis' trademark features in between text. Initials scratched into throat on reverse: ARF. Materials: Wood, Gut, Metal, Lacquer, Gluetennis -
Surrey Hills Historical Society Collection
Photograph, Californian Bungalow (dem) on NW corner of Westminster and Whitehorse Road, 1920-1929
Built for a client by Albert Harbert in the 1920s. Albert built many local homes. This is a fine example of its style with double gables and return verandah. A black and white photograph of a weatherboard Californian Bungalow style house with a tiled roof. It has an L-shaped verandah with solid pillars decorated with stucco which is also on the chimney. The weatherboards are decoratively notched and the upper sections of the grouped windows have diamond panes. Framed by a woven wire fence along the street frontage. An immature garden.californian bungalow, house styles, westminster street, whitehorse road, mr albert harbert, 1920-1929 -
Mont De Lancey
Tool - Maul and Wedge, Unknown
Used in the 19th CenturyA large handmade wooden barrel shaped headed maul with two steel bands at each end. The handle is a metal pipe. It has a worn piece of a leather flap near the flanged join of the handle where it meets the head. A solid steel rectangular wedge which was used to split logs is displayed with the maul. It was used in the 19th Century.mauls, striking tools, long handled heavy wooden mallet, steel, wood, tools, wedge, splitting tools, splitting wedges, woodworking tools -
National Vietnam Veterans Museum (NVVM)
Equipment - Ruck sack
Standard issue ruck sack used by soldiers to carry sleeping equipment, food, water etc.. Secured to waist by heavy duty strapping. Used in Vietnam conflict (1962-1972). A heavy duty canvas army issue ruck sack in khaki. Design is made to be worn on the back of the solider. the lined inner sack in plastic waterproof material. The ruck sack is lined with water proof camouflaged plastic. Heavy straps secure plastic buckles to the ruck sack. A padded back strap reinforces compartments for canteen and hold all. vietnam, canvas, ruck sack, solider -
Flagstaff Hill Maritime Museum and Village
Furniture - Missal Lectern
The Missal lectern was part of the original furnishings of St Nicholas Seamen's Church, Williamstown, Victoria, and was donated by Mrs R J Eward for use in the religious services there. The church was operated by the Williamstown Missions to Seamen organisation. THE MISSIONS TO SEAMEN (Brief History): - The Missions to Seamen was an Anglican charity in Great Britain that has served the world's seafarers since 1856. Its symbol is a Flying Angel, inspired by a Bible verse. Today, there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000, the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres, such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943, a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This Missal lectern is historically significant for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for seafarers' physical, social, and spiritual needs. It originated in Bristol, England, when a Seamen's Mission was formed in 1837. It is also an example of a community-supported local charity organisation.Solid wooden Missal Lectern on two supporting legs. The top section has an angled back and a small shelf at the front, designed to support a bible. The two legs, with decorative feet, are supported by the decorative wooden bar. There appears to be a rectangular label in the centre front of the small shelf. This lectern is part of the St. Nicholas Seamen's Church Collection. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, church furniture, religious furniture, lectern, preaching equipment, missal lectern, bible support, music stand -
Bendigo Historical Society Inc.
Functional object - Cast Iron Dolly Pot
Cast iron dolly pots were used in the mining industry to crush ore specimens and samples into dust before panning. The principle is the same as a mortar and pestle.This item has two pieces both are made from cast iron and are rusted and a dark brown color. One is a tapering cylinder 16.5 centimetres wide a its top, the first two and a half centimetres down tapper to 13.5 diameter, the next nine centimetres tapper to 11 centimetres diameter. the last two and a half centimetres is a solid base that flares out to a 16.5 centimetre diameter, the inside of the bottom of the cylinder is a bowl shape. The other piece is a solid tapering shape, it's four and a half centimetres in diameter at one end which tappers to three centimetres in four centimetres of length, the next sixteen centimetres tapper to two centimetre diameter. There is a knob on top, one and a half centimetre high and two and a half centimetres wide.mortar and pestle, dolly pot, gold minning -
Kiewa Valley Historical Society
Hook Button, late 1800's to mid 1900's
This item and its use and design spans the 1800's to early 1900's both in its fashion and application requirements. The genteel factor must be made when applying it to the Kiewa Valley. The evolution of general clothing and apparel has moved from solid(long lasting) and sometimes expensive material and fasteners to a cheaper and more "throw away" fashion of sometimes monthly change in the later 1900's to 2000's.The significance of this item to a rural setting such as the Kiewa Valley not only points to an integration of "modern" fashion in semi remote rural Australian environments but also the limited connections to "high" fashion through magazines and audible (radio) and visual (cinema) advertising. It also "spotlights" the differences between the European and British social networking and lack of interaction between towns and counties to the "Australian" levels of interactions between rural and city environments. Although physical distances in Australia, during this period (1800's to early 1900's) was a retarding factor in the diffusion of the latest fashion apparel it was not as noticeable as when the global communication and the physical travel abilities were "exploded" in the latter 1900's. This shift towards "the smaller" globe scenario has overcome the physical distances that were so apparent in the previous century.This silver button/glove hook was based on late 1800's designs when buttons became more integrated and fashionable than "tie up" laces. This was more so in genteel fashion. The main hook extension from the "pronged" hand piece has been constructed in a way that allows for easy replacement by either longer or shorter hooks.costume accessories, footwear, shoes and boots with buttons, gloves, costume -
Bendigo Military Museum
Furniture - TABLES, MEETING ROOM BDRSL, Red Dog Furniture, Post 2008
The centre Timbers under the glass tops came from the old Passchendaele Barracks building in Mollison Street Bendigo. The old building dated back to 1916. The building Depot was closed down and dismantled with the unit based there moved out to the new “Multi User Depot in Junortoun”. The tables were made in Bendigo and placed in the new Meeting Room of the Bendigo District RSL in Havilah Road which was named “Kokoda Room”. In another round of renovations to the Club the two tables were placed in the Soldier's Memorial Museum Pall Mall now Bendigo Military Museum. One was placed in the old Meeting room which at that time was part of the Museum, the second was placed in the old kitchen which had been converted into an BDRSL Office. With more renovations the two tables were returned to the Bendigo District RSL in a new meeting room. The two computer insets for cabling was then put into the tables. .1) .2) Two tables solid construction brown stain colour, the top has in inset of Timbers narrow a lighter brown stain laying across the width dimension, a glass top sits over these Timbers level with the heavy outside frame. Each table has an inset centre to accomodate computer cabling. There is a small plaque on each table.On the small plaques, “ Original Timbers from Passchendaele Barracks Bendigo”.brsl, smirsl, bdrslinc -
Kiewa Valley Historical Society
Auvard Self Retaining Vaginal Speculum Weights
This medical / hospital instrument was used in the Tawonga District General Hospital which was built in the 1950s specifically for the increase in population due to the Kiewa Hydro Scheme.Historical: Shows the development of scientific hospital equipment. Provenance- Used in the Tawonga District General Hospital which was remote and therefore required good equipment. Good condition and good interpretation capacityMetal instrument with 2 parts. 1. heavy solid metal cylinder - hollow with 1 section open to fit onto handle 2. long metal hollow 3 sided curved handle spreading out to saddle shape and back on 80 degree angle to wide curve shape. Holes used for tape and tied to stirrups (therefore self retainer).BRITISHMADE between 2 holds on saddlemedical equipment. hospital equipment. tawonga. mt beauty. medical. hospital. nurse. doctor. speculum. auvard. -
Warrnambool and District Historical Society Inc.
Functional object - coach lamp, c. 1900
This lamp would have been attached to a coach, or even an early automobile, for lighting purposes. It could also have been used for outdoor purposes in a household or business setting. Lamps such as this were used in the 19th century and early 20th century and preceded or accompanied the use of oil lamps and were later superseded by electric and gas lighting.This item is of historical interest and is retained for display purposes.This is a rectangular-shaped lamp made of metal. It is painted black and has clear glass with bevelled edges on two sides and a small round red-coloured glass on another side. The lighting mechanism inside the glass appears to have held a candle. The body of the lamp is mounted on a solid round metal pipe. There is a metal handle at the top for attaching the lamp to a wall or stand.vintage lighting, coach lamps -
Bendigo Historical Society Inc.
Document - INDEPENDENT ORDER OF RECHABITES COBDEN TENT NO 39, 1865-1915 JUBILEE
Buff coloured document, printed on front is photo of 'Jubilee group of Cobden Junior Tent (Boys) No. 16 and Superintendents'. 6 rows of boys and men, some wearing ceremonial collars. On back of document is an overview of the IOR organisation in Bendigo and tells of the founding of the Cobden Tent of Rechabites in California Gully, with 11 members, in 1865 'built on the solid foundation of sobriety and virtue'bendigo, clubs, rechabites -
Bendigo Historical Society Inc.
Leisure object - PHYLLIS TOY COLLECTION: CERAMIC PLATE GONG AND BEATER
Ceramic plate gong and beater, made by Judy Lorraine possibly in her pottery studio in Wedderburn. Plate (a) is concave, mustard colour background with burnt orange and black decorative elements. Back of plate is solid mustard colour. Beater (b) a bamboo stick with fabric covered end. See notes on creator, Judy Lorraine, 3499 .1 - .5. -
Tennis Australia
Racquet, Circa 1903
A Salmon & Webster 'Champion' tennis racquet, with solid convex throat, cloth tape shoulder reinforcements, and, a fine grooved handle with fish-tail butt and a rubber handle grip. Impressed inscription on handle grip: SALMON &/WEBSTER LTD./MAKERS OF THE/PARLOUR/SUPER STRONG/BAT. Materials: Wood, Lacquer, Glue, Metal, Gut, Cloth tape, Rubbertennis -
Tennis Australia
Racquet, Circa 1875
An early wooden lawn tennis racquet, with: tilt-top head; solid convex throat; and, a leather collar.The racquet features a customised handle, with intricate inlay work on both faces. On the obverse are inlays comprising of what may be two lavender buds. On the reverse is a decorative design incorporating the initials 'ESA'. Materials: Wood, Lacquer, Glue, Metal, Gut, Leathertennis -
Tennis Australia
Racquet, Circa 1900
A City Sale and Exchange 'Exchange' tennis racquet with oval head, solid convex throat and fishtail handle. Model name imprinted across crown on obverse. Retailer name inscribed across throat on obverse. Owner name engraved across throat on reverse. Two deep furrows on handle. Materials: Wood, Lacquer, Metal, Glue, Gut, Inktennis -
Tennis Australia
Racquet, Circa 1905
A John Piggott 'The J.P. Champion' tennis racquet, with solid, convex throat, cloth tape shoulder supports, and fine-grooved handle with fan-tailed butt. Model name in decal features along throat on obverse. Impressed manufacturer's details feature across throat on reverse. Materials: Wood, Lacquer, Glue, Metal, Gut, Cloth tape, Inktennis -
Tennis Australia
Racquet, Circa 1905
A wooden racquet with a solid, convex throat and grooved handle. Decal logo on throat on obverse comprises of a winged ball, with inscription: VICTOR/.../SPORTING GOODS CO. Decal inscription across throat on reverse: CLUB. Illegible, hand carved monogram across right side of handle. Materials: Wood, Gut, Metal, Glue, Lacquer, String, Leather, Inktennis -
Tennis Australia
Racquet, Circa 1920
A wooden racquet with a concave, solid throat, and plain octagonal handle. Inscription across the throat on obverse: FAIRFIELD. Manufacturer's mark, featured on throat on reverse, comprises of the letter 'M' at the centre of a circular, banded shield. Inscription: N.J. MAGNAN CORP./NORTH ATTLEBORO,MASS,U.S.A. Materials: Wood, Nylon, String, Leather, Cloth, Metal, Glue, Lacquer, Inktennis -
Tennis Australia
Racquet, Circa 1900
A wooden, oval racquet with a solid convex throat, cloth tape supports, and fish-tail handle. Model trademark is a stamped on throat on obverse, featuring a horned demon's head device, with the text: THE/DEMON. Inscription, probably place of manufacture, stamped across throat on reverse: MURTON/NEWCASTLE. Materials: Wood, Gut, Metal, Glue, Lacquer, Cloth tapetennis -
Tennis Australia
Racquet, Circa 1898
A wooden racquet with solid, convex throat, gut or twine whipping/shoulder reinforcements, and fine grooved handle grip. Inscription across and along throat on obverse: EXTRA SPECIAL/WILLIAMS & CO. PARIS. Inscription across butt cover, in French: WILLIAMS & CO/PARIS/1. RUE CAUMARTIN. Materials: Wood, Gut, Ink, Glue, Lacquer, Leather, Metaltennis -
Tennis Australia
Racquet, Circa 1875
A Wright and Ditson 'Special' tilt-top tennis racquet, with: solid, concave throat; fine-grooved, angled handle; ribbon collar around shaft; and leather end wrap. Inscription across throat on obverse: WRIGHT & DITSON/BOSTON/SPECIAL. Initials C.F. carved into throat on reverse. Materials: Wood, Gut, Lacquer, Glue, Metal, Leather, Ribbontennis -
Tennis Australia
Racquet, Circa 1887
A Wright and Ditson 'The Park' flat-top tennis racquet, with: solid, convex throat; fine-grooved, rounded handle; and leather end wrap. Inscription across crown and throat on obverse: TH[E P]ARK/WRIGHT & DITSON/BOSTON. Initials WHP carved into throat on reverse. Materials: Wood, Gut, Lacquer, Glue, Metal, Leather, Stringtennis -
Tennis Australia
Racquet, Circa 1892
A Wright and Ditson transitional flat-top junior tennis racquet, with: solid, convex throat; and, cross-hatched handle. Inscription across throat on obverse: WRIGHT/& DITSON/BOSTON/MASS./U.S.A. Two handwritten inscriptions across throat on reverse: JOHN HOWARD/.../TOM H. Materials: Wood, Gut, Lacquer, Glue, Metal, Ink, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1902
A Wright and Ditson 'Toournament' tennis racquet, with: solid convex throat; bevelled and gorged crown; and, fine-grooved, thick octagonal handle. Decal inscription across throat on obverse: TOURNAMENT. Wright & Ditson Championship logo, with tennis player on ball trademark feature on throat on reverse. Materials: Wood, Lacquer, Glue, Metal, Paint, Ink, Leather, Gut, Stringtennis -
Tennis Australia
Racquet, Circa 1885
A Spalding 'Windemere' flat-top tennis racquet, featuring: solid concave throat; bevelled head; ribbon collar; inlaid cork handle grip; and wooden butt cap. Printed model name and Spalding logo within ball trademark feature across throat on obverse. Materials: Wood, Lacquer, Glue, Metal, Gut, Ink, Leather, Ribbon, Corktennis -
Tennis Australia
Racquet, Circa 1898
A destrung, Spalding 'The Practice' transitional flat-top, junior tennis racquet, featuring: solid convex throat; and, cross-hatched handle. Decal of A.G. Spalding & Bros. Makers logo encircling ball trademark features on throat on obverse. Impression of model name features across crown, on obverse. Materials: Wood, Lacquer, Glue, Metal, Ink, Leathertennis -
Tennis Australia
Racquet, Circa 1923
A Spalding 'Geneva 3D' tennis racquet, featuring: solid convex throat; and, fine-grooved, octagonal handle. 'A.G. Spalding & Bros. Made in U.S.A.' logo encircling ball trademark features on throat on reverse. Decal of model name features across throat on obverse. Materials: Wood, Lacquer, Glue, Metal, Ink, Gut, Leather, Paint, Stringtennis -
Tennis Australia
Racquet, Circa 1925
An Army & Navy wooden hard racquets racquet, with solid concave throat, string whipping over cloth taped reinforced shoulders, and cloth-backed vinyl wrapped around a form of carpet underlay for the handle grip. Retailer's name impressed into shaft on obverse. Materials: Wood, Metal, Glue, Lacquer, Gut, Cloth tape, String, Leather, Vinyl, Carpettennis