Showing 1192 items
matching trademark
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Tennis Australia
Racquet, Circa 1943
A Wilson Famous Player Series, Don Budge Super Stroke tennis racquet. Shaft features a decal head and neck illustration of Budge. Base of head features Wilson logo in banner device behind 'W' trademark. Leather handle grip features four-leaf clover perforations. Butt cover features logo: IT'S/A WILSON. Materials: Wood, Gut, Leather, Adhesive tape, Ink, Glue, Lacquer, Metal, Plastic, Paint, Stringtennis -
Tennis Australia
Racquet, Circa 1942
A Wilson, Alice Marble Invincible tennis racquet. Base of head features Wilson logo. Throat features decal of Wilson 'W' trademark, with interweaved ribbon device. Shaft features decal illustration of Marble in action pose, receiving the ball. Leather handle grip features four-leaf clover perforations. Butt cover features logo: IT'S A/WILSON. Materials: Wood, Nylon, Leather, Adhesive tape, Ink, Glue, Lacquer, Metal, String, Painttennis -
Tennis Australia
Racquet, Circa 1964
A Wilson, Mary Hardwick Valiant tennis racquet. Base of head features Wilson logo. Throat features decal head and neck illustration of Hardwick. Lower shaft and plastic butt cap features red 'W' trademark. Shaft features two stylised starburst devices between model name 'VALIANT' printed in cursive script. Materials: Wood, Nylon, Leather, Adhesive tape, Ink, Glue, Lacquer, Metal, String, Paint, Ribbon, Plastictennis -
Tennis Australia
Racquet, Circa 1970
A Chemold Rod Laver tennis racquet, white ribbon whipping around shoulders and a leather handle grip with quatrefoil perforations. Model name features across base of head. Australian national coat-of-arms features on throat. Lower shaft features decal of 'Town and Country' trademark, through which the racquet was sold. Materials: Wood, Nylon, String, Ribbon, Paint, Ink, Adhesive tape, Leather, Rubber, Plastic, Glue, Lacquer, Metal, Bambootennis -
Tennis Australia
Racquet, Circa 1970
A Chemold Rod Laver Tournament tennis racquet, with ribbon whipping around shoulders, and mottled black leather grip. Model name features across base of head, flanked by Classical Greek motifs. A coat-of-arms with lion and deer features on throat. Lower shaft and plastic butt cover feature blue, red, and white Chemold trademark. Materials: Wood, Nylon, String, Ribbon, Paint, Ink, Plastic, Leather, Rubber, Glue, Lacquer, Metaltennis -
Tennis Australia
Racquet, Circa 1974
A Chemold Roy Emerson tennis racquet, with open throat, ribbon whipping around shoulders, and leather handle grip with repetitive quatrefoil perorations. Chemold logo features across base of head. Model name features along split shaft of throat. Red, white and blue Chemold trademark features at base of shaft. Plain, white plastic butt cap. Materials: Wood, Nylon, Ink, Plastic, Leather, Glue, Lacquer, Metal, Ribbon, Painttennis -
Tennis Australia
Racquet, Circa 1965
A MacGregor Lloyd Budge Tournament tennis racquet, with string whipping around shoulders, and leather handle grip with arrowhead patterned perforations. MacGregor logo features across base of head and lower shaft. Model name, with 'T' motif within a shield device, features on throat and across shaft. Macgregor logo with 'M' trademark feature on plastic butt cap. Materials: Wood, Leather, Nylon, String, Ink, Glue, Lacquer, Metal, Adhesive tape, Painttennis -
Tennis Australia
Racquet, Circa 1917
A wooden tennis racquet with concave throat, string whipping around shoulders, and a fine grooved handle. Inscription across throat on obverse: SHAWANO. Green and white decal of Rawlings "Manufacturers of High Grade Athletic Goods" trademark features across throat on reverse. Hand carved initials on left side of handle: J.E.S. Hand carved name on right side: JOE [E] STEMBRIDGE. Materials: Wood, Twine, String, Ink, Glue, Lacquer, Metaltennis -
Tennis Australia
Racquet, Circa 1932
A wooden tennis racquet with concave throat, plastic whipping around shoulders and shaft, encasing a red-painted throat, and a fine grooved handle. Inscription along throat on obverse: BEVERLY. Rawlings logo features across shaft, on obverse. Red, gold, black and white decal of Rawlings "Manufacturers of High Grade Athletic Goods" trademark features across throat on reverse. Materials: Wood, Gut, Ink, Glue, Lacquer, Metal, Cloth, Paint, Plastictennis -
Tennis Australia
Racquet, Circa 1975
A Garcia Pro - 240, Harold Solomon Autograph tennis racquet, with plastic ribbon whipping around shoulders and shaft. Model name features across base of head and throat. Company logo features along shaft. 'Garcia USA' logo with tennis racquet in shield device features at lower shaft. Garcia 'G' trademark features on plastic butt cap. Materials: Wood, Nylon, Leather, Plastic, Ink, Adhesive tape, Glue, Lacquer, Metal, Painttennis -
Tennis Australia
Racquet, Circa 1965
A Seamless Bobby Riggs Signature tennis racquet, with ribbon whipping around shoulders and bevelled shaft, and, leathwer handle grip with quatrefoil perforations. Seamless logo features across base of head. Model name features across the throat. Inscription: FOR CHAMPIONSHIP PLAY features along the shaft. Seamless trademark symbol features on plastic butt cap. Materials: Wood, Nylon, Leather, Plastic, Ink, Adhesive tape, Glue, Lacquer, Metal, Paint, Ribbontennis -
Tennis Australia
Racquet, Circa 1965
A Dunlop, Rod Laver, Grand Slam tennis racquet, with ribbon whipping around shoulders, which are enamel painted along with throat and shaft. Model name features along throat and shaft, accompanied by decal images of the flags of U.S.A., Great Britain, Australia, and France. 'D' trademark in arrowhead device, above Dunlop logo, features across base of the shaft. Materials: Wood, Nylon, Ribbon, Ink, Leather, Glue, Lacquer, Metal, Enamel, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1933
A Wright & Ditson 'Reliance' model tennis racquet with concave throat. Striped plastic reinforcements around shoulders and base of throat. Model name printed across throat on obverse. Manufacturer's trademark/logo features across throat on reverse. Handle spiral-wrapped with leather handgrip, leather end wrap and butt cap. Manufacturer name and country of origin imprinted on side of shaft. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, String, Plastic, Guttennis -
Tennis Australia
Racquet, Circa 1933
A Wright & Ditson 'Reliance' model tennis racquet with concave throat. Striped plastic reinforcements around shoulders and base of throat. Model name printed across throat on obverse. Manufacturer's trademark/logo features across throat on reverse. Handle spiral-wrapped with leather handgrip, leather end wrap and butt cap. Manufacturer name and country of origin imprinted on side of shaft. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Plastic, Guttennis -
Tennis Australia
Racquet, Circa 1960
A Spalding, "Pancho Gonzales" Model tennis racquet, featuring whipping around shoulders, leather handle grip with perforations, and a white plastic butt cap. Manufacturer's name across base of head; model name across throat. Blue and green parallel stripes along shaft. Wreathed 'S' trademark features on lower shaft and butt cap. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Plastic, String, Adhesive tape, Leather, Plastictennis -
Tennis Australia
Racquet, Circa 1926
A Wright & Ditson 'Columbia' tennis racquet, with: concave throat; bevelled crown; whipping around shoulders; transparent red plastic collar; and, mid-grooved handle. Model name features across throat on obverse. Manufacturer details feature along right side of shaft. Wright & Ditson Championship 'tennis player on ball' trademark features across throat on reverse. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Nylon, String, Paint, Plastictennis -
Tennis Australia
Racquet, Circa 1958
A Wilson Famous Player Series, Maureen Connolly Match Point tennis racquet. Base of head features Wilson logo. Throat features gold fleur-de-lis device. Shaft features decal head and shoulders image of Connolly. Cloth butt cover features blue 'W' trademark. Leather handle grip features quatrefoil perforations. Materials: Wood, Nylon, Leather, Ink, Glue, Lacquer, Metal, Paint, Ribbon, Adhesive tape, Clothtennis -
Tennis Australia
Racquet, Circa 1965
A Wilson, Maureen Connolly Cup tennis racquet. Base of head features Wilson logo. Throat features decal head and shoulders image of Connolly. Shaft features decal image of a rendered cup trophy. Base of shaft and plastic butt cap feature 'W' trademark. Leather handle grip features triangle-patterned perforations. Materials: Wood, Nylon, Leather, Ink, Glue, Lacquer, Metal, Paint, Ribbon, Adhesive tape, Plastic, Stringtennis -
Tennis Australia
Racquet, Circa 1960
A Wilson, Tony Trabert Finalist tennis racquet. Base of head features Wilson logo. Throat features model name above a eagle emblem. Shaft features a decal head and shoulders photo image of a young Trabert. Cloth butt cover features red 'W' trademark. Wilson handle grip features clustered perforations. Materials: Wood, Nylon, Leather, Ribbon, Glue, Metal, Lacquer, Paint, Adhesive tape, Plastic, Cloth, Stringtennis -
Tennis Australia
Racquet, Circa 1968
A Wilson "Butch" Buchholz Signature tennis racquet. Base of head features Wilson logo. Throat features model name, with a wreathed 'S'. Lower shaft and butt cap feature 'W' trademark. Leather handle grip features triangular perforations. Inscription along left side of shaft: MADE EXCLUSIVELY FOR SEARS ROEBUCK & CO./BY WILSON SPORTING GOODS. Materials: Wood, Nylon, Leather, Glue, Metal, Lacquer, Paint, Adhesive tape, Ribbon, Plastictennis -
Tennis Australia
Racquet, Circa 1926
A wooden tennis racquet with parchment supports, black and white string whipping, and a fine grooved handle. Partially legible inscription along throat on obverse: NEW/W[INNER]. Inscription across throat, on reverse: F.J. BANCROFT/PAWTUCKET/R.I./... Accomapnying decal trademark comprises of an eagle grasping a tennis racquet, in front of the Globe, with motto: USED/THE WORLD OVER. Materials: Wood, Gut, Leather, Glue, Lacquer, Metal, Ink, String, Cloth, Parchmenttennis -
Churchill Island Heritage Farm
Tool - Scythe
A scythe is an agricultural hand tool that cuts grass and is used by making large sweeping motions through the crop. Eventually replaced by horse-drawn or motorised machinery, they are occasionally still used as they are inexpensive and efficient. There are different types of scythes with larger or smaller blades. This particular scythe was manufactured by W.A Tyzack & Co. Ltd. Set up by William Tyzack in the early 1800s in Sheffield, United Kingdom, they grew into a larger manufactory specialising in agricultural tools. Adding the ‘Horseman’ brand to their trademark in 1948, they expanded dramatically and exported throughout the Commonwealth.Donated by Wilfred Dungan on behalf of the Dungan family Collection originally used on the property of the late Dr Rae Dungan in Falls Creek Rd Olinda, purchased in the late 1930s from Olinda pioneers Harry and Minnie Holden. Also on the property of late May Farndon of Farndon’s and Falls Rd Mt Dandenong – aunt of Dr Rae William Dungan and also an early pioneer. Family holidays and weekends involved use of these sorts of farm implements plus working with horses. Post-war, the Olinda hand tools and machinery moved to the Shady Creek, Nilma North area where bush, pasture and cows had replaced the Olinda property. Wilfred well remembers being on one end of the crosscut saws cutting fence posts, logs and timber under “the tireless and vocal instruction” of a red headed local Darnum Rd legend called Harry Collyer. “He drove an old Rugby car and nearly pulled me through the logs with every cut!” Cast steel blade. Hole on back and of blade for hanging. Steamed handle (may not be original). Complex pipe/nut washer and five metal shims keeping blade on handle.From tip: BEST CROWN W.A. TYZACK & CO. LTD STELLA WORKS SHEFFIELD. Near handle: image of figure on horse.churchill island, scythe, wa tyzack, sheffield, machinery -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoon, circa 1878
This dessert spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This dessert spoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The generally common range of marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register most valuable. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored dessert spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and a shallow rounded bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Approximately 85% of original plate remains. The outlines of five makers marks are visible and the details of two of these are clear - (1) WP&Co trademark, (3) Maltese Cross.flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, william page and co, birmingham brass plating -
Tennis Australia
Racquet, Circa 1905
Wooden, slotted handle racquet with a 14 inch head. 'AUSTRALASIAN' model, as inscribed across top of racquet head on obverse. Inscription across neck of obverse: HARRY C. LEE & CO./NEW YORK. Company monogram across neck of reverse, and stamped on leather butt cap: L&C/TRADEMARK. Manufacturing and patent information along the sides of the handle, with the numbers '247' and '14' punched in. Materials: Wood, Gut, Leather, Metal, Ink, Glue, Lacquer, Cloth tapetennis -
Tennis Australia
Racquet, Circa 1928
A wooden racquet. Inscription across throat of obverse reads: NARRAGANSETT/SIXTY. Company trademark across throat of reverse: NARRAGANSETT MACHINE CO./.../"LIVE-WOOD"/.../PROVIDENCE, R.I. Company logo 'NMCO STANDARD' is stamped in gold onto brown leather butt cap, but is obscured by sticker advertising original gut string supplier. The handle features a bound, white cloth grip. Materials: Wood, Glue, Lacquer, Ink, Leather, Metal, String, Nylon, Cloth tapetennis -
Tennis Australia
Racquet, Circa 1932
A wooden, open throat racquet. Inscription across base of head of obverse reads: SIXTY. Inscription across base of head of reverse: NARRAGANSETT. Company trademark across stem of obverse: NARRAGANSETT MACHINE CO./.../"LIVE-WOOD"/.../PAWTUCKET, R.I. Company logo 'NMCO STANDARD' is stamped in brown onto curry-coloured, cloth butt cover. The handle features a bound, light brown, soft leather grip. Materials: Wood, Glue, Lacquer, Ink, Leather, String, Gut, Cloth, Plastictennis -
Tennis Australia
Racquet, Circa 1905
A wooden racquet with a concave throat. Inscription across throat on obverse: DRIVER. Red and yellow Reach 'baseball' trademark features on throat on reverse. Manufacturing details feature across right side of stem: A.J. REACH COMPANY/MAKERS/PHILADELPHIA, PA., U.S.A. Handwritten inscription along stem on obverse: J.B. FERGUSON. Initials across right side of handle: J B F. Materials: Wood, Gut, Metal, Lacquer, Glue, Ink, Paint, Leather, Stringtennis -
Tennis Australia
Racquet, Circa 1932
A wooden racquet with blue, red, green, and yellow whipping, green end wrap and butt cover ,twine stringing with distinct sweet-spot, and a grooved handle. Inscription across throat of obverse: BEVERLY HILLS. Decal trademark featured across throat on reverse, comprising of an encircled racquet presented behind two ribbon devices. Inscription: C.L.GODFREY/THE PEAK/OF QUALITY/TRADE MARK/PAWTUCKET,/R.I. Materials: Wood, Twine, String, Ink, Leather, Cloth, Metal, Glue, Lacquertennis -
Tennis Australia
Racquet, Circa 1932
A wooden racquet with blue, red, green, and yellow whipping, green end wrap and butt cover, twine stringing with distinct sweet-spot, and a grooved handle. Inscription across throat of obverse: BEVERLY HILLS. Decal trademark featured across throat on reverse, comprising of an encircled racquet presented behind two ribbon devices. Inscription: C.L.GODFREY/THE PEAK/OF QUALITY/TRADE MARK/PAWTUCKET,/R.I. Materials: Wood, Twine, String, Ink, Leather, Cloth, Metal, Glue, Lacquertennis -
Tennis Australia
Racquet, Circa 1975
A Chemold Rod Laver Professional Model tennis racquet, with ribbon whipping around shoulders and shaft, and leather grip with lozenge perforations. Model name features across base of head and throat, accompanied by an 8-pointed star device. Chemold logo features along shaft. Chemold trademark with large 'C' features on lower shaft. Plain white plastic butt cap. Materials: Wood, Nylon, Ribbon, Paint, Ink, Plastic, Leather, Rubber, Glue, Lacquer, Metal, Adhesive tapetennis