Faded sepia toned photograph of the Bendigo (Sandhurst) Post office under construction.buildings, government, post office, bendigo post office

Image shows Hargreaves Mall under construction, mansland and Gillies shops in the background.place, mall, hargreaves mall, bendigo, hargreaves mall, mansland, gillies

Slide. Bendigo Buildings. A three storey building under construction by Leighton Constructions.slide, bendigo, bendigo buildings., bendigo buildings.

Camp 13 construction, complete and in progress.Black and white photograph showing tents, huts under construction and completed huts.camp 13, camp 13 construction

In April-May 1971, Robin and Patricia Boyd travelled to Honolulu, east coast USA and London. In London he was one of the judges for the Commonwealth-wide entries for the redevelopment of Whitehall and the Palace of Westminster. He was also researching overseas libraries, as background for plans for a new State Library of Victoria.Colour slide in a mount. Building under construction, unknown location, probably USAInscribed Made in Australia / 9 / AUG 71M1slide, robin boyd

3 Assorted Bottles & 1 Jar from under 2 Scotland Placestawell

This black and white photograph of the grave of A.W. Eustace is believed to have been taken in September 1987 at the Chiltern New Cemetery. Alfred William Eustace, an Australian artist, was born in the small village of Ashbury, Berkshire, England, the son of John Eustace, Head Game-keeper to the Earl of Craven at the beautiful Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped next to the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was owned by the Withers family and was in excess of 55,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that are in the Beechworth Museum collection are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by his relatives from the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.A. W. Eustace, as well as being a well-known Australian artist, was a significant member of the Chiltern community.Black and white photograph of the grave of A.W. Eustace, under glass, in a metal frame.Sticker on back: 184 (original Registration number)a. w. eustace, grave, chiltern new cemetery

Colour Slide. Showing lake Bellfied under constuction with steam shovel in the distance.lake bellfield

Clolour slide. Looking up the Valley toward Lake Bellfield under construction.grampians

Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets - (woman on telephone in bed under red blanket)Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, physician, collins bros, geelong, advertisement, australian women's weekly

Grey building under construction on the corner of Whitehorse Road and Ceylon Street Nunawading.whitehorse road, ceylon street, nunawading, buildings

Thought to be taken at the annual rowing Regatta, on Lake Moodemere, Wahgunyah.Black and white photograph, mounted on cardboard, of a group of people posing under trees. rowing, regatta, wahgunyah

One of a collection of photos taken from slides by Mr Redmond Wheler, during his time as Head Master a Rutherglen State Higher Elementary SchoolColour photographs of a number of children mounted on horses, under close supervision by adults.rutherglen schools

Digital images of St Brigid's Crossley, including the Men's shed under construction. st brigid's crossley, st brigid's, catholic church, catholic, church, mens shed, community, construction, clare gervasoni

Black and white image of St Patrick's cathedral, Mebourne, under construction and with scaffolding. st patrick's cathedral, melbourne, scaffolding

Inscribed in ink on reverse: 'South side of dining hall wing; covered passage way along wall'.1950s melbourne, construction

Historic1950s melbourne, construction

8th/13th Victorian Mounted Rifles was equipped with Humber trucks to perform an Armoured Personnel Carrier role.Collection of photographs showing an armoured regiment of the Citizen Forces in the 1960s as it transitioned from wheeled armoured vehicles to tanks to M113 armoured personal carriers.Black and white photograph of two soldiers and a Humber truck under a camoflague net." 1961 Troopers Doyle, McCluskey 2 Troop ( Humbers ) "

Painting donated by Mr P Boyle, grandson of former pilot Harry Trueman who served on the PV Alvina. The Sydney Morning Herald 29 July 1903 THE NEW MELBOURNE PILOT STEAMER. ALVINA The new pilot steamer Alvina, which was recently purchased by the Port Phillip Sea pilots, was inspected on Thursday last by the members of the Victorian Marine Board and a number of gentlemen representing the leading shipping companies in Melbourne. The Alvina was formally the private yacht of Mr Marmaduke Fox a wealthy Yorkshire gentleman and is a trim craft of 145 tons register and a length of 18ft overall. Hitherto the sea pilots have managed to do their work with one steamer, the Victoria but it has long been apparent that a second vessel was required. The pilots upon whom the obligation of providing and maintaining their vessels devolves, thereupon made a successful bid for the yacht and, by an additional outlay of 700 pound, had her overhauled and refitted in Deane's Dock, Williamstown. On Thursday last the vessel made a trial trip to Point Cook for the purpose of satisfying the Marine Board and the underwriters as to her fitness for the work. She showed a speed of 11 knots and steamed smoothly and satisfactorily. During the trip the visitors assembled in the saloon and drank success to the new steamer. Captain Carrie, president of the Marine Board, congratulated the pilots on their acquisition, and said that the service was now second to none in the world. The new vessel which has been in the charge of Captain Wills is handsomely fitted up and contains two staterooms and four cabins for the pilots and sleeping accommodation for a crew of eight. In future one steamer will remain on the pilot grounds inside the Heads while the other will steam about outside Queenscliff. A framed and mounted water colour painting of the Pilot Vessel Alvina under glasspainting, alvina, pilot vessel

Colour photograph. Band members playing under stage lights. Piano accordion.entertainment, music, musicians

Photos of the Ports & Harbour launch "Flinders' at anchor.Realism, historicalBlack & white photograph of the Ports & Harbour launch "Flinders" under way at QueenscliffeOn the reverse - "P4A51 - Couta Boats and Flinders survey launch"

The SS Loongana operated in the Bass Strait from 1904 to 1934. She was replacied as a Tasmanian Ferry by the Nairana in 1921.A passanger ship which operated from Melbourne to Tasmania and to New Zealand beteen 1904 and 1934.A B&W photoraph mounted on cardboard backing of the SS Loongana under steam.ss loongana, bass strait, tasmanian ferries, port phillip

Lifeboat crewRealismBlack & white photo of Queenscliffe Life boat under a gaff-rigged sail.Reverse: Late c1930's / Practice runcrew, rescue, lifeboat under sail practice

Bookplate featuring a girl holding a bunch of flowers under a spotlight in front of a churchfr. bob mcguire, father bob, church, flowers