Ovalo Sash Template woodenflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Before 1851, letters sent through the mail were charged by the number of sheets it contained and the distance it travelled. For example, a letter consisting of one sheet of paper was charged the single rate; a double letter, that is two sheets, was charged double the single rate, a treble letter, was charged three times the single rate, and so on. In other words, each additional sheet of paper increased the charge by one rate. In Great Britain. Sealing a letter in an envelope effectively put an end to postal clerks' ability to count the number of sheets in a letter and an alternative method of determining the postage had to be found. Overweight mailings had previously required the items to be weighed but with the introduction of the Uniform Penny Postage act of 1839, the public could mail a letter not exceeding a half-ounce in weight within the United Kingdom for one penny if prepaid, or two pence if paid on delivery. At about the same time that the adhesive postage stamps and envelopes made their appearance, postal administrations began to experiment with strategically placed street letter boxes, known as pillar boxes because of their round, pillar-like shape, that permitted the public to mail letters from a place other than from a post office. For all these reasons, the use of postal scales became the nucleus of every post office. Scales had been in use since ancient Egyptian times so their use for everyday commerce was not unusual in the 1800s. What was new in 1840 was their ubiquitous use throughout the postal system. No post office could function effectively without one. Although the earliest scales used in post offices did not differ markedly from the ones in general use as time went on they were adapted specifically for postal use. For example, a paper sleeve, also known as a weight sticker, was attached that showed the applicable rate of postage for any given weight. This innovation was quite a time saver as postal clerks no longer needed to weigh the item first and then refer to a separate chart to determine the required postage for that particular weight. Victorian postal scales were used in village Post offices in the late 19th century, of which there are many examples today for sale. No maker can be attributed to the manufacture of the item. Postal scales with weights,. Balance scale has brass fittings and is mounted on a rectangular wooden stand, with depressions for brass weights; which measure 1/2oz, 1oz, 2oz, "Young Aton REL., C.N.0.9."flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, scales and weights, balancing scales, postal scales, letter scale

Negretti and Zambra 1850-1980s were optical instrument makers and mathematical instrument makers based in London, England. The firm of Negretti and Zambra was established in 1850 by Henry Negretti and Joseph Zambra who had formed a partnership. Their skill was immediately apparent when exhibiting at the 1851 Great Exhibition at Hyde Park, they were the only English instrument makers to receive a prize medal for meteorological instruments, resulting in their appointment as instrument makers to the queen, Greenwich observatory, and the British Meteorological Society. In 1853, when the Crystal Palace was re-erected in Sydenham, Negretti and Zambra became the official photographers of the Crystal Palace Company, which allowed them to photograph the interior and grounds of the new building. The firm made use of this access to produce a number of stereographs. Between 1855 and 1857 Negretti and Zambra commissioned photographer Pierre Rossier to travel to China to document the Second Opium War. Although Rossier subsequently was unable to accompany to Anglo-French forces in that campaign, he nevertheless produced a number of stereographs and other photographs of China, Japan, the Philippines and Siam (now Thailand), which Negretti and Zambra published and that represented the first commercial photographs of those countries. In 1856 Negretti and Zambra sponsored a photographic expedition to Egypt, Nubia and Ethiopia conducted by Francis Firth. In 1864 Negretti and Zambra (themselves) photographed Shakespeare's House at Stratford on Avon. A sepia photograph was then pasted onto card 4" × 2.5". This was then presented to visitors to the Crystal Palace to enable them to compare it with the model erected by Mr E. T. Parr in the Centre Transept. The card itself is headed "Crystal Palace April 23rd 1864." That year they also published a book, titled A Treatise on Meteorological Instruments, (which was reprinted in 1995). Throughout World War One Negretti and Zambra were entirely engaged in the production of various instruments for the Ministry of Munitions. They developed many instruments for the Air Ministry including a mercury-in-steel distance thermometer for taking the oil and air temperatures in aircraft which was patented in 1920. In 1946 the company went private and in 1948 the company was made public, and by 1950 Negretti and Zambra had 821 employees in Britain. In order to increase production and to safeguard future development in 1964, they purchased a modern factory at Aylesbury for all their production. In 1981 Negretti and Zambra were taken over by a group of financial institutions in the form of Western Scientific Instruments and in 1985 the company was acquired by Meggitt Holdings.The subject compass is just one type of the many marine and scientific, optical items this company produced over it’s life time. Negretti and Zambra were prolific manufactures of types of items as well as being very prominent in photography pioneering new innervation's and sponsoring expeditions to little known countries to document peoples daily lives and culture through photography.Azimuth compass on tripod in a fitted wooden box with a round spirit level included, lid of box has three indented circles where the legs of the compass fit when it is set up for use. Stamped "C.M.O. 9" on with Maker Negretti & Zambra London.flagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, azimuth compass, nautical instrument, negretti & zambra london, navigational instrument, compass

James S Steele tool boxCarpenters Mallet wooden stamped J Martin. Head 120mm wide x 95mm x 60mm Overall length 320mmflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

James S Steele tool boxSpirit level wooden with three level windows. Two hand grips. Has metal at each end of level maker Marples & Sons Ltd Sheffield 790mm long x 80mm wide x 25mm deepflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

James S Steele tool boxTaper file - triangular with wooden handle. Made in Australia by Wiltshire 230mm longflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Initially Elvicta was known as Elliot Lucas (hand tools)Ltd, and was established around 1937 based at 38 Summer Row, Birmingham. Around 1950 the firm relocated to Cannock, Staffordshire and by 1965 had moved again to their Church bridge Works also at Cannock. The Elliot Lucas Ltd Elvicta Cabinet and Tool factory as it was known employed over a hundred people and operated from the company's satellite works in Crickhowell southeastern Powys, Wales, near Abergavenny, in the county of Brecknockshire during the 1950s. The company manufactured a range of specialist pliers, nippers and pincers including the brands Elvicta, Electoy and Elect.A tool that is now regarded today as vintage, is collectable and highlights a time when tools were made by hand and how wood was predominately used to manufacture such items. It gives a snapshot of the time before the use of plastics and other synthetic materials which are now used to produce every day objects and tools such as this spirit level.Elvicta brand wooden spirit level made by Elliott-Lucas Ltd England. Level has two levels one vertical one horizontal . Has 2 brass corner protectors Has 530 marked on plate denotes model No and an original label 610 mm long x 60 mm x 30 mmflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Large Oar, wooden, white painted blade with brass capping, unrestored, 401.5cm x 14.2cm x 6cmflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

This foot-powered treadle machine could be used to manually operate many devices such as a sewing machine or spinning wheel. Treadle machines were used to power sewing machines, dental drills, lathes, spinning wheels and saws The machine is mounted on a board to demonstrate treadle operation.This mounted, smoothly working treadle machine demonstrates the treadle mechanism that was used in the early 20th century to power mechanical devices and in turn to save time, energy and money. The treadle was used in domestic and industrial environments. The Collection at Flagstaff Hill Maritime Museum and Village has two treadle-operated dentist's drills, a treadle sewing machine, a saw, a lathe and a treadle paper numbering machine.Treadle-powered machine; a black painted metal wheel with four curved spokes, connected to a wooden treadle. The height of the wheel is adjustable. The mechanical device is mounted on a thick rectangular wooden block. The working treadle mechanism turns smoothly. flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, treadle machine, manual machine, foot treadle, display treadle, treadle, demonstration, education, working model

Wash stand wooden flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Desk wooden Oak reading with sloping top. Has three stoppers along base of sloping top 1980mm x 840mm x 500mm. Height of top at base of slope 720mmflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Bookcase wooden base has three sliding doors with three bookshelves. Top has three glass sliding doors with 4 bookshelves. Base: 1830mm x1100mm x 590mm Top 1702mm x 1290mm x 350mmflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Desk wooden Oak reading with sloping top. Has wooden stopper along base of sloping top 1540mm x 895mm x 830mm. Height of top at base of slope 765mmflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Table wooden oval dark colour, probably walnut. Covered by cloth. 1500mm x 895mm x 770mm flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Chair wooden ornate carving on top. Quilted embroidery seating with flower pattern. Red Cushion backrest. Round legs on front with roller casters. Back legs square. Seat is sprung. 1010mm x 470mmflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Chair wooden ornate carving on top. Quilted embroidery seating with flower pattern. Red Cushion backrest. Round legs on front with roller casters. Back legs square. Seat is sprung. 1010mm x 470mmflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Wash stand wooden varnished. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Ship model Pioneer Melbourne M1 wooden ship model on 2 wooden stand. Single mast.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Spokeshave wooden screw iron plated 31cm L.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Saw metal with wooden handle. Blade attached by two rivets. Length 465mmflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Tool metal with wooden handle & pointed spike one end. Has broken ferrule holding spike. 115mmL x 125mmW Shipwrightflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Basket cane rectangular with wooden brace around top with leather corners & 4 castors 2 fixed & moveable flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Basket cane rectangular with wooden brace around top with leather corners & 2 castors centre. Has rope handles each end, painted off white. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Chest wooden with hinged lid and metal handle each end & lock at front. Dovetailed joins 830.5mmL x 440mmD x 350.5mmH. Floral wallpaper lined inside. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Trunk wooden Baltic pine with grey & white stripe interior. Has curved top with 3 wood supports on front & 3 on lid. 2 metal handles each end. Is blackflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Large Oar, wooden, white painted blade with brass capping painted white, restored, 411cm x 14cm x 6.6cmflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Chair wooden slatted blackwwod, plain legs with 3 upright supports at back.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

The shrouds or fore-rigging are a part of the standing rigging on a sailing ship. They are used in pairs on each side of a ship to help hold the masts in place and to aid the sailors who climb the rigging. They are part of the basic framework for the sails. Larger vessels may have two or three pairs, and some ships may have upper and lower shrouds. The upper shrouds would be fixed to a protruding structure on the top of the masts so that they hung from the right angle. The ropework skills of the sailmaker would be used to create the shrouds, choosing fibres with properties suitable for the job at hand and creating the triangular shape carefully. Deadeyes and ropes were then used to attach the shrouds to the ship's structure.This shroud is an example of a part of the standing rigging of a sailing ship. Shrouds were used in pairs on larger sailing vessels to help hold the masts in place and give access to adjustable rigging such as sails.Fore Rigging or Shrouds, made from rope fibres. This shroud includes the upper and lower wooden deadeyes. They are part of a ship's rigging. flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, shroud, fore-rigging, ropework, sailing ship rigging, standing rigging, natural fibres, sailmakers, handmade, deadeye, knot making

Wooden mallets are usually used in carpentry or by a cooper to knock wooden pieces together, or to drive barrel bungs, dowels or chisels. A wooden mallet will not deform the striking end of a metal tool, as most metal hammers would. It is also used to reduce the force driving the cutting edge of a chisel, giving better control. Hardwood mallets are also used by a cooper to knock bungs or other wooden parts of a barrel in place.A significant tool a carpenter or cooper would use to knock wooden staves or furniture parts in place without damaging the soft surface of the timber being used. Item at this time cannot be associated with an historical event, person or place, provenance is unknown, item assessed as a collection asset as it is believed to have been produced before 1950.Mallet large with wooden handle attached to wooden head with 2 metal ferrules at top and bottom of head Nonewarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, coopers tools, wooden mallet, barrel bung, carpenters tool, hammer

Jigger with one wooden handle and curved blade. Marked A Mathieson & Sons Glasgowflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village