BLACK AND WHITE PHOTOGRAPH OF SEVEN MEMBERS OF THE CLUNES FIRE BRIGADE. THEY ARE HOLDING A PUMP AND REEL.PRIZE HOSE SIXES CLUNES BRIGADE. BY COPY C. WEICKHARDTlocal history, photography, photographs, fire brigade

James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.The Murgatroyd CollectionSHUTTLES (TOP OF PHOTO) FEDERAL MILL - c.1918/1920textile machinery textile mills weaving mills textile mills, collins bros mill pty ltd tweedside woollen mills yarra falls mill federal woollen mills ltd, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills

1966 Panorama from Big Hill. New technical school prominent in photo. Grampians and Black Range in background. Visible are St Patrick's Church, Kinsella, Nalders Garage, Town Hall, St Matthews, Upper Main Street. Trees in foreground.Panorama of Stawell from Big Hill in 1966Magnificent View of Stawell from Big Hill c 1966stawell, education, panorama, streetscape

Johnson Family AlbumC B Herbert Royal Studio Main Street Stawellstawell

Diamond House Stawell Built by John HearneClose up B/W photo showing Different coloured stones, painted wooden slats in diamond pattern all over exterior of house. Diamond house restaurant sign in a diamond shape on chimney with wooden fence.c. 1982. Diamond House Restaurant sign on brick chimney stawell

Part of traveling salesman's lace samples from Plauen, East Germany, a Lace making town since 13th CenturyPiece cream lace used for demonstration purposesOn Display Stand, C. R. Eichhom Plauen I. V.handcrafts, lacemaking

Part of a travelling salesman's lace samples from Plauen, East Germany, a lace making town since 13th Century.Cream Guipere lace piece used for demonstration purposeson display stand ' C. R. Eichhom Plauen I. V.handcrafts, lacemaking

Part of a travelling salesman's lace samples from Plauen, East Germany, a lace making town since 13th Century.Cream piece of lace used for demonstration purposes.On display stand ' C. R. Eichhom Plaven I. V.handcrafts, lacemaking

Part of a travelling salesman's lace samples from Plauen, East Germany, a lace making town since 13th Century.Piece cream Guipere lace used for demonstration purposeson display stand ' C. R. Eichhom Plaven I. V.'handcrafts, lacemaking

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Under construction, Inland Steel, Chicago, Illinois, USA, 1956-1957. (Architects: Sidmore, Owings and Meadow.)Date: 04819 / Subject / C (Handwritten) / Encircled 68F (Handwritten)mit bemis professorship, mit, robin boyd, slide

Yields information about the operation of the horse tram in Wendouree Parade and some of the people involved and the way it was operated and the repainting of tram 671.Set of eight colour photographs taken by Carolyn Dean on 1 October 1995 during operations of the Horse Tram No. 1 in Wendouree Parade and of tram No. 671 during repainting. Printed on Fujicolor paper. .1 - BTM trams 27 and 14 at Gardens Loop .2 - 14 in loop (with trolley pole facing for northbound running) and No. 1 passing. .3 - ditto .4 - ditto .5 - ditto .6 - view from the top deck, with the two horses in photo - taken south bound from St. Aidans Drive .7 - No. 671 being repainted, on depot fan - prior to lining and internal blue paint panels .8 - ditto with 14 in background. .9 - as for .2 See also Reg Item 4070.1 > 4070.5 for other photos of the same event. On rear of each photo in blue ink "1.10.95" and "C. Dean"horse trams, wendouree parade, gardens loop, 671, tram 14, tram 27, tram 1, tram 671

Booklet, yellow cover, Rules for the management of the Christmas Reef Gold Mining Company, No Liability. (written over Great Western United Co. Specimen Hill, Long Gully Bendigo 1881 - all crossed out) Dated 14 July 1894. Booklet has handwritten text inserted throughout. Signatures at end: J.W. ( unclear ) and W. James. Each had 12,000 shares. Booklet printed by Burrows and Co., Printers, Bull St., Sandhurst. List of principal nuggets found on Bendigo, showing nuggets by weight and location.Burrows & Co., Printers Bookbinders, Stationers & c., Bull Street.bendigo, mining, christmas reef gold mining

Pte G G Whittington of the 2/10 Bn gropes his way to an aid station guided by a Papuan boy. An emergency field dressing covers the face of Whittington and he died from his wounds 2 days later. This is a moving photo depicting the cooperation between the "Fuzzy Wuzzy Angles" and the Australian servicemen.Timber framed print with white borderChristmas Day at Buna 1942 Pte. G C Whittingtong g whittington, fuzzy-wuzzy angels

Linen tablecloth created by Charlotte Elizabeth Moullin, grandmother of the donor. Last used by family for the christening donor's son Cameron, 50 years ago (From 2019). The tablecloth was passed down through the family as a family heirloom. The donor has no grandchildren so has donated the tablecloth to the BHS.Large rectangular white white tablecloth bordered in lace with lace inserts and extensive cut work. There is a central rectangular insert with geometric pattern."C E Moullin" embroidered in red cotton on one corner.late victorian needlework, handmade embroidery, tablecloth

A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State Of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of an original plan by George Watson and John Henry Harvey, architects of the Department of Public Works (Victoria), in 1887 for New Public Offices at Kew. This plan was copied by the donor from an original held at the Commonwealth Archives in Brighton (Vic). The copy was made to illustrate a report that the donor made on ‘The functional planning design, building materials and construction methods of the Kew Post Office’ as part of course work at RMIT.E.C. SHEDS &c / SCALE 8 FEET TO ONE INCHkew court house, kew police station, kew post office, architectural drawings, khs - slides, new public offices -- kew (vic.), architecture — queen anne style

Established in 1966, the Committee of Eastern Historical Societies (CEHS) was a network of historical societies in the region east of Melbourne. Kew Historical Society was a member of CEHS in 1980 when this tour of Queenscliff was organised and held. The photograph is one of eight taken on the tour by a member of the Society and later donated to the collection.35 mm colour transparency (slide) of Fort Queenscliff, taken on a tour by the Association of Eastern Historical Societies (AEHS) in 1980."First Building at Fort Queenscliff C of EHS Tour 1980"queenscliff -- victoria, committee of eastern historical societies (cehs), khs-slides

Established in 1966, the Committee of Eastern Historical Societies (CEHS) was a network of historical societies in the region east of Melbourne. Kew Historical Society was a member of CEHS in 1980 when this tour of Queenscliff was organised and held. The photograph is one of eight taken on the tour by a member of the Society and later donated to the collection.35 mm colour transparency (slide) of 'The Ripp' as viewed from Fort Queenscliff, taken on a tour by the Association of Eastern Historical Societies (AEHS) in 1980."The Ripp from Fort Queenscliff C of EHS Tour 1980"queenscliff -- victoria, committee of eastern historical societies (cehs), khs-slides, fort queenscliff, the ripp -- the heads -- port philip bay

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 52 Young Street, Kew by Margaret Picken.52 YOUNG ST., KEW / PICKEN (c) 2003 / REALTORartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 52 young street -- kew (vic.)

A brown wooden award depicting two hands holding a square, whilst another hand holds a small piece of the square. The words 'VALA Award' are located in the right-hand base corner of the image. On one of the awards is inscribed '1976 Association For The Blind' on the upper side of the relief image. This award was presented by the Victorian Automation in Libraries Association for the Vision Hotline that was developed by the Association, which allowed people with visual impairments to obtain information and advice.2 wooden shields with engraved bronze coloured relief1986 Association for the Blind (engraved at the top of b/c 1010698)association for the blind, awards

Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the earrings have local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Silver toned dome Shaped clip on earrings from the Sarah Coventry Jewellery RangeOn back of earring clip: "(c)SARAH COV/PAT PEND". sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, earring, earrings, clip on earrings

MIL-M-18371E DSA-400-70-C-1361

A cream coloured bookelt with black information on the front. The Insignia of Australian Military Forces with the name under it in about a thrid up the page. Note Book is in large print in th middle of the booklet. At the bottom reads For use by Officers and NCOs. There are two metal staples down the left hand side.Extracts from SOP's (?) Sgtn Goo.....C Coy on cover officers, ncos, australian military forces, note book

Part of a travelling salesman's lace samples from Plauen, East Germany, a lace making town since 13th Century.4 sample pieces of cream machine made lace stitched to backing board.On display stand ' C. R. Eichhom Plaven I. V. 'handcrafts, lacemaking

Signet ring owned and worn by Colin Kerr.Man's gold signet ring with 8-sided engraving surface, held by etched triangular sides and a thin gold band."C K" engraved on front. "4PE 9ct" inside ring.colin kerr, rings, jewellery

Four page knitting pattern booklet featuring black and white printed graphics and text. The colour cover shows a woman sitting on the back of a park bench, wearing a yellow woollen top, tartan skirt and red stockings.front: [printed] 928 / PRICE / CODE / C / VillaWOOL Belvedereknitting, pattern, fashion, knitwear, women, villawool