Petrol rations tickets were first issued in October 1940 during World War II. Petrol rationing ceased in 1949. The ration tickets were produced by the Note Printing Branch of the Commonwealth Bank of Australia.Two Victorian motor spirit ration tickets, tickets were originally printed on a sheet divided by perforations. Each ticket reads "VICTORIA" / "SERIES B" / "VALID IN ALL STATES" /"TWO 2 TWO GALLONS". Fine print on each tickets reads "THIS TICKET MUST BE ENDORSED IN INK / BY CONSUMER WITH NAME, LICENCE NUMBER / AND VEHICLE REGISTRATION NUMBER". In handwriting on the back of the tickets, the signature "R.G. Preston" and "91/21856" (car registration number?).Text: " VICTORIA / MOTOR SPIRIT RATION / TICKET. "world war 1939-1945, petrol rationing, r.g. preston

Framed poster - wooden framed, glazed, of the poster used to publicize the first series of Transporting Art trams. Features the cover of the poster or pamphlet produced for the event - see Reg item 2251. See high resolutions files for tiff and jpg scans - very large files. 7017i2.jpg reduced from large scale jpg file 5/8/2018. Must be downloaded directly from the directory, files too large for this program. trams, tramways, decorated trams, transporting art, melbourne

Colour postcard divided back - Biscay Greetings, series of featuring A 245 on a route 42, possibly in the Kew area, has a gardens background and the City of Kew offices. Has an extensive note on rear about the tram and its type. Back has space for name and address, stamp and a message and details of the postcard. Produced by Biscay Greetings, possibly mid to late 1980's. Card No. BG201 2nd copy added 28/8/2020.trams, tramways, postcards, kew, a class, route 42, tram 245

Series of six black and white photographs of "MacDonald Johnston" street sweeper, City of Preston on a Ford chassis. Possibly the MMTB was looking at a similar model and ascertaining whether it would be suitable for sweeping and vacuuming sand off tram track. On the outside of the box has "Street Cleaning Preston CC - Truck Johnson" Based on the Registration plate - LMB - a 1974 plate - see https://en.wikipedia.org/wiki/Vehicle_registration_plates_of_Victoria accessed 24/4/2020trams, tramways, city of preston, trackwork, cleaning, rails, ford motor company, macdonald johnston, mmtb

Book - 48 pages+ card cover + jacket, perfect bound, landscape format, "More trams and streetscapes Metropolitan Melbourne 1950s - 1960s", edited by Lindsay Crow, Colin Pike and John Sargent, published April 2002, featuring photos by Keith Atkinson, Graham Evans, Ron Lennard, Don McLean, Eric Quinlan, Michael Schrader and Jim Seletto. See Reg Item 4289 for the first in the series published Dec 2000.trams, tramways, melbourne, work trams, mmtb

Digital image of MMTB No. 121, outward bound in Norwood Road (Now Toorak Road), passing under the Alamein line rail over bridge mid 1920's. Note the single track in the street, which was not duplicated until Oct. 1927 (See Timeline history of Melbourne's Tramways). Real photo series Postcard No. 2358 and titled "Norwood Road Burwood" Note the tram has "18" under the bottom of the driver's dash.trams, tramways, burwood, toorak rd, norwood rd, railway bridge, alamein railway, tram 121

Colour photocopy reproduced onto an A3 sheet of a series of photographs from Mike Costello, Colin Withington and John Stewart, of 12 photos and one photo of a destination roll showing "Tourist Tram" Titled "Melbourne Marvellous W Class Trams". Features 891, 676, 431, 740, 900, 724, 380, 427, 788, 685, 725?, 243 and 510 around the city. Copy right John Stewart, printed 1992.trams, tramways, melbourne, w class, tram 891, tram 676, tram 431, tram 740, tram 900, tram 724, tram 380, tram 427, tram 786, tram 685, tram 725?, tram 243, tram 510

Miner's right certificate. Series S, Number 6641, Book No. 122, five shillings. Stamped Bendigo and dated 12th May 1894, issued to David Power under the provisions of the Mines Act 1890, no. 1120, to be in force until 11th May 1895. On the back the number of registration 1439/6441, the date May 12, 1894, the address Railway Street, Bendigo 179 feet by 73; district: Central district and the registrar signaturegovernment, state, miner's right

A photographic history of Belgrave, Upwey, Tecoma and Upper Ferntree Gully. The front cover is of a painting 'Wintry Sunset Belgrave 1913' from a series of 36 paintings by Charlie Hammond between 1910 and 1953. It is of the country town, Belgrave, showing a dirt road with a bullock team, with trees surrounding the road. Inside, are black and white and coloured photographs of paintings, people in general life and historical information about the areas noted. (Mont de Lacey)non-fictionFollowing the success of Volume 1, this follow-up edition is slightly different to the first one by gathering photos together under some new headings More attention is given to some aspects of local history, the pioneer families and community organisations than previously. The historical society's main interest is the history of the Dandenong Ranges and the communities of Belgrave, Tecoma, Upper Ferntree Gully, Upwey and surrounds. It includes images of pioneer families, local businesses, Puffing Billy, churches, the CFA, and timber industries.dandenong ranges, photographic history

This print was an 1885 Christmas gift from the publishers of the Australian Town and Country Journal to their subscribers. At that time Queen Victoria was 65 years old although she may not have been that age when the portrait was painted. The print shows Queen Victoria’s signature in the bottom right corner. It cost sixpence per copy and operated from 1870-1919. The Australian Town and Country Journal was printed weekly, on Saturdays, in Sydney. The edition on December 26, 1885, contained 51 pages. The Journal claimed “Circulation Ten Thousand Copies, Greater than any other Weekly in Australia.” The frame of the print has a solid back of thick timber panels and is crudely made. The edges of the frame appear to have an underlying plaster base that has been covered with a layer of wood. The corners are reinforced with metal protectors. The subject of the print is Queen Victoria, Queen of the United Kingdom of Britain and Ireland. She was born as Princess Alexandrina Victoria of Kent on May 24, 1819. She became Queen on June 24, 1837 when King William IV died. She married Prince Albert of Saxe-Coburg and Gotha on February 10, 1840. Queen Victoria lived and reigned until her death on January 22, 1901, at age 82 years, after reigning for sixty-three years and seven months. This portrait is significant historically for its origin as an inclusion the Australian Town and Country Journal, a late 19th century Australian weekly newspaper, in circulation for almost fifty years. The portrait gifted to the newspaper’s subscribers is historically significant as an example of the connection between the people in the British Colony of Australia, with the value and respect held for the Queen of the Colony. The frame of the portrait, of solid and protective construction, shows the value that the owners placed on this portrait.Print behind glass in a brown wooden frame; coloured print of a portrait of Queen Victoria, made in watercolours. The Queen is wearing a blue sash, crown, and white ribbon pinned to the sash along with a cameo brooch and Royal Emblem. The portrait has an oval floral border of roses in pastel colours. Text is printed outside the border, as a title above and a signature below, in the lower right corner. The back of the frame is made of heavy timber panels with holes for attaching wire. The timber frame is over a white layer of soft substance, perhaps plaster. "Presented to the Subscribers of the Australian Town and Country Journal, December 25th 1885" “Victoria R”flagstaff hill, warrnambool, flagstaff hill maritime village, flagstaff hill maritime museum, maritime museum, shipwreck coast, great ocean road, queen victoria, princess alexandrina victoria of kent, portrait of queen victoria, australian town and country journal, presented to subscribers, 1885

Bendigo Advertiser '' The way we were'' from 2002. Demure: all dressed up for the 3BO ball on October 8, 1941, are; back row: Rose Crossman, Elaine Boyd, Lillian Barker, Doris Harvey, Shirley Gray, Dorothy Rudd, Norma Young, Jean Harvey, Georgina Allen and Peg Browning. Middle row: Jean Fitzpatrick, Teresa Gallagher, Betty Swenwy, Pam Dodd, Mrs Dodd, Ella Martin, Lorna Scott, Joyce Hosking and Pat Hodge. Front row: Mary Jacobs and Maureen Minnard. The clip is in a folder.newspaper, bendigo advertiser, the way we were

black and white photos: small grey envelope containing black and white photographs of beauty spots in Victoria. Envelope contains photos of Bendigo. Produced in Australia by 'The Rose' Stereograph Co. Printers and Photographic publishers, Armadale, Victoria. (a) Pall Mall and the PO. Bendigo, (b) Queens Gardens, Bendigo ©Pall Mall and the P.O. Bendigo. (d) Alexandra Fountain, Bendigo. (e) The Upper Reserve, Bendigo (f) The Fernery, Bendigo (g) Pall Mall, Bendigo (h) Pall, Mall Bendigo (I) Alexandra Fountain, Bendigo (j) Queens Gardens, Bendigo.place, bendigo

Bendigo Advertiser "The way we were" from Tuesday, June 22, 2004. School's in: Bendigo's School of Mines in the 1940s provided the venue for a number of training classes. This group of women were undertaking a turning and fitting class, as training for employment at the Bendigo Ordnance Factory. Back row from left: Isabel Widmar, Peg Bourke, Marje Harris, Mary Fittis, John McCormick, Mollie Reed, Dorothy Holmberg and Isabel Rosewarne. Front row: Gladys Evans, Rose Crossman, Ida Murphy, Betty Harreton, Joan Cousins and Dulce Box.newspaper, bendigo advertiser, the way we were

'Ordsall', renamed 'Southesk' in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Cullis Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.Rare, and possible unique fragment of a plaster cornice from one of the most architecturally distinctive houses in Kew, demolished 1970.Section of plaster cornice removed from Southesk on the corner of Charles Street and Cotham Road, Kew, when it was demolished in 1970 by the City of Kew. The cornice has a narrow layer of previously coloured plaster which is now overlaid with a grey distemper. The foundation of the cornice is moulded cement. Remnant flowers moulded in the central band of the cornice include a rose and a sunflower. The plaster decoration was probably located in the entrance hall, dining room or ballroom, all of which were created in the 1870s by Michael Hennessy and decorated by the firm of art decorators, Cullis Hill & Co in 1882.Nilordsall, south esk, cullis hill, plasterwork, cornices, victorian interiors

One typed, one handwritten and one handwritten carbon copy of notes on the North Johnsons Mine on the Garden Gully Line of Reef. Notes include size of lease (which was very small, only 83 yards along the line of reef, and the late 1890's absorbed the Rose of Denmark lease, the next mine north, of 57 yeards along the line of reef, Depth of shaft, height of Sill, Locality, Plant, Early History, Prominence, Best Gold, Total Gold Yield and Dividends,Underground Connections and References. Albert Richardson Collection. document, gold, north johnsons mine, north johnsons mine, garden gully line of reef, rose of denmark, camerons reef, dagmar reef, johnsons no 1, johnsons no 2, special edition australian mining standard 1/6/1899, mines dept booklet bendigo goldfield geo brown 1936, mines dept quarterly and annual reports, annals of bendigo mining sections 1866 - 1917, a richardson, e j dunn's special report no 1 measurements taken from north johnsons mine transverse section 22/9/1892, wood & mcnair sharebrokers plan of leases of portion of bendigo goldfield to 4/5/1912

Colour photographs. (1) "Entrance to Rainforest Garden from Rose Garden." (2) "The Native Garden." "Please return to Stuart Miller." The Robert Boyle Ponds. (3) View of Kath Deary Garden to James Hitchmough Grasslands. (4) Cultivating site with tractor in (5-12) Trialling native grasses in the Field Station. (13) Kath Deary Garden. (14-15, 17-19) James Hitchmough Grasslands, Native grasses. Planting of flowering herbs commenced 1992. (16) "Native Area 2005." James Hitchmough Grasslands native grasses. rainforest garden, native garden, stuart miller, robert boyle pond, kath deary garden, james hitchmough grasslands, tractor, field station, native grasses, grass trials, entrance from rose garden

Series of photos of towns and churches in northern France that were relevant to various battles in WW1.1. B & W photo of tower circa 1431 in Rouen France. 2. B & W picture of Church gate at Eglise Saint-Maclou in Rouen France. 3. B & W photo of French chapel - :La Chapelle De Caestre in Northern France. 4. B & W photo of Church in Neve - Berquin, a town in Northern France.1. Titled - "Rouen - Tour De Fut Enfernee Jeanne D'Arc". 2. Titled - "Rouen - Escalier Des Orgues De L'eglise Saint - Maclou". 3. Titled - "La Chapelle De Caestre". 4. Titled - "La Guerre Dans Le Nord"passchendaele barracks trust, postcards, ww1, france

Daily Mail Official War Pictured, Series 2, No 10. Scenes WWI in Europe.Four by colour enhanced postcards with scenes WW1..1) “RAMC picking up wounded in a captured village” .2) “A fag after a fight” .3) “British mine exploding at Beaumont-Hamel” .4) “British Machine Gunners wearing gas helmets”photography-photographs, military history, passchendaele barracks trust

Book is part of the Australian War Classics series presented by E E (Weary) Dunlop.Book, soft cover, white print on front, back & spine. Front cover illustration detail from Digging Bore Hole Latrines by Murray Griffin. Rising Sun badge illustrated on front & back covers, 400 cut plain pages, black & white illustrations. Handwritten in blue ink on front flyleaf: J Fuller In black ink on front flyleaf: RSL Stampbooks, military history

Book is part of the Australian War Classics series presented by E E (Weary) Dunlop.Book, soft cover, white print on front, back & spine. Front cover illustration Ballet of Wind & Rain by Colon Colahan. Rising Sun badge illustrated on front & back covers, 188 plain cut pages.Handwritten in blue ink on front flyleaf: J Fuller In black ink on back page: RSL Stampbooks, military history, air force

Book is part of the Australian War Classics series presented by E E (Weary) Dunlop.Book, soft cover, front cover has 3 colour bands - black, red & green, at top of page is the Rising Sun badge. Bottom half is a painting of air attack on a harbour by the Japanese aircraft. 232 pages illustrated with black & white photos.J Fullerbooks-military-history, bombing of darwin

Book is part of the Australian War Classics series presented by E E (Weary) Dunlop.Book, soft cover, no illustrations, 275 pages. Top half of front cover is a black square, in it are a red & green band with a copper Rising Sun, print is white. Bottom half of cover is from a painting of AIF Soldiers in Tobruk. F Fullabooks, military history, army

Fold out series of 8 photographs relating to Phillip Island. Donated by Dr Cook.Black & White Folder of photographs: 1: Summerland Surf Beach 2: Koala 3: Breakers At The Nobbies 4: The Jetty at Cowes 5: Seals on Seal Rocks 6: Newhaven - San Remo Bridge 7: Penguins at Summerland Cowes 8: The Nobbies and Seal RocksFront Cover: "Camera Highlights illustrating Cowes Phillip Island, Vic. The Isle of Enchantment" Photos by A. J. Murray - Copyright. Each photo inscription as above in Physical Description. Back Cover: "Postage Rates within the British Empire - Without correspondence, in an unsealed envelope, will be 1.1/2d. If correspondence is added, postage will be 2.1/2d. whether envelope is ealsed or unsealed. Foreign rate, 3.1/2d. To..................................... From..............................."phillip island, penguins, seals, the nobbies, seal rocks, the jetty shed cowes, summerland surf beach, newhaven to san remo bridge, dr cook

This calendar is one of a series published annually by East Gippsland Historical Society. It cost $10.This item is a useful reference tool.A 2010 stapled calendar, titled "Old Views of Gippsland". On the turquoise coloured front is a black/white photograph of the main street of Rosedale before the time of motor vehicles. It contains early photographs of East Gippsland, one for each month. There is a hole for hanging. The title is at the top and the year at the bottom in black print.

largely unknown; ultimately originated as part of series of basaltic volcanic events across victoriaClearly a fragment of a river rock- one surface is smooth and curved the others planar. Mineralogy is basalt-"bluestone"-with white veins of secondary quartz minralisation