Showing 6735 items
matching i
-
Kadimah Jewish Cultural Centre and National Library
Programme, The Kingdom of Beggars; 1939
Drama in 4 acts, produced by B. Newman-Jubal. Piano - J. Hacker. Kadimah Jewish Art Theatredovid herman theatre, mr. r. hirsh, mr. c. borall, mr. m. shechter, mr i. rothman, mr. j. white, mr a. light, mrs. r. wald, mrs. r. lifshits, mr. u. white, mr. a. aloni, mrs. r. levita, mrs. d. rothman, mr. a. rosner, mrs. e. korn, mr. s. mendelsohn, mr. m. levy, mr. s. king, mr. s. factor, mr. i. gurfinkel, mr. m. wald, mr. n. foegel, miss m. honik, miss s. honig, mr. a. murk -
Kadimah Jewish Cultural Centre and National Library
Programme, The In-Laws; 1987
Israeli comedy in 3 acts by A. Karpinovichdovid herman theatre, j. sher, r. levita, m.pfau, m. szmerling, r. turkow, j. chaberman, i. lustig, a. wiguszyn, n. pfau, b. lustig, r. shpak -
Kadimah Jewish Cultural Centre and National Library
Programme, The Inlaws; 1939
Comedy in 3 acts produced by B. Newman-Jubal, music Miriam Rochlindovid herman theatre, reuben hirsh, chana light, rochel wald, chaya hoyzi, i. rothman, i.weit, i. ripps, s. kenigsberg, sh. mendelson, r. brilliant, m. wald -
Kadimah Jewish Cultural Centre and National Library
Programme, The Enemy of the People; 1940
Play in 5 acts produced by B. Newman-Jubal for Kadimah Yiddish Art Theatredovid herman theatre, b. newman-jubal, a. light, r. levita, e. honig, a. fogel, i. ripps, s. faktor, a. boral, m. wald, s. freedman, s. mendelson, s. king, a. rosner, j. baker, r. birstein, i. garfunkel. m. garfunkel, kamisky, pell, sisters ruda, d. stein, p. taft -
Kadimah Jewish Cultural Centre and National Library
Programme, Such is Life; 1990
Israeli comedy in 2 acts by A. Karpinovich directed by Roza Turkowdovid herman theatre, m. szmerling. m. pfau, t. rosenbloom, y. chaberman, j. sher, r. levita, b. lustig, i. lustig, a. wiguszyn, r. turkow -
Kadimah Jewish Cultural Centre and National Library
Programme, Shimon Dzigan 1975; 1975
Two programs - Wu Zenen Maine Zibn Gute Yor? And Az Men Lebt Derlebt Men. Piano Nehama Patkindovid herman theatre, shimon dzigan, yasha sher, basia shenkel, sara olcha, m. migdalek, shia tigel, m. nudelman, i. brat -
Kadimah Jewish Cultural Centre and National Library
Programme, Revue Concert; 1938
Produced by A. Braizblat for the Kadimah Yiddish Theatre Corner. Music by M. Rochlin, F.Wotan and A. Barstaldovid herman theatre, r. rosner, m. shachter, r sommer, a. braizblat, r. hirsh, i. krawat, hirsh, kahn, mendelson, frankel, ruchvin, i. rothman, i. weit -
Kadimah Jewish Cultural Centre and National Library
Programme, Purim Evening 1947; 1947
Produced by N. Ginter dovid herman theatre, a. pearl, h. polrtnoy, ruth bergner, misha, i. zabinski, s. korn, s. lissek, k. bloch, l. zabinski, j. giligitch, r. bluthal, i. ginter, y. sher -
Kadimah Jewish Cultural Centre and National Library
Programme, Motke Ganev; 1936
Kadimah Dramatic Stage union - artistic director N. Ginter - his first performancedovid herman theatre, h. dun, s. mendelson, h. marks, f. jedwab, a. weit, e. korn, b. rosenberg, j. silman, i. shadur, j. weit, j. ginter, c. segal, l. cherny, h. smulevitch, n. rosenberg, c. maks, z. gershov -
Kadimah Jewish Cultural Centre and National Library
Programme, Jubilee Concert of the Jewish Theatre; 1953
Drama in 3 acts, Summation of Jacob Waislitz's accomplishments in the 12 years in Australiadovid herman theatre, i. kahan the poet who becomed blind, jacob wislitz, leah zuker, mendel shmerling, israel rothman, sh. tigel, jacques dessauer, a. vygushin, meyer ceprow, irael skurnik, i. weiss, y. blushstein, yasha sher, s. burstin, jacob waislitz, moshe potashanksi -
Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Document - Record, Harness Horse, Achamar Chief
Stephen Spark compiled horses performance records starting in 1983 on his typewriter. Achamar Chief raced from 1977 (2yo) through to 1981 (6yo). Had Winning Streaks of 7 and 6. Career: 31 wins 8 seconds 6 thirds 68 starts.Typed document in black and red ink.harness racing, australasian harness racing, horse career, performance records, bendigo harness racing club, bhrc, achamar chief, k brook, i jones -
Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Document - Record, Harness Horse, King Frost
Stephen Spark compiled horses performance records starting in 1983 on his typewriter. King Frost raced from 1971 (2yo) through to 1978 (9yo). Career: 62 wins 44 seconds 22 thirds 171 starts.Typed document in black and red ink.harness racing, australasian harness racing, horse career, performance records, bendigo harness racing club, bhrc, king frost, i mutton, ian mutton, im mutton, c mutton, colin mutton, b turnbull, bj turnbull, jim turnbull -
Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Vehicle - Glasheen's Race sulky, Paddy Glasheen's Grand Voyage sulky
Race sulky used on Hall of Fame trotter Grand Voyage by trainer-driver Paddy Glasheen. Passed on to his son Jack and then to grandson Fr Brian Glasheen. From Historian John Peck: This article was on page 2, 19th May 1954. Reading the article it seems to me that the sulky is celebrating its centenary birthday in 2021. GRAND VOYAGE'S SULKY When Major Miracle won a race at the Melbourne meeting on Friday night he was attached to a very historic sulky, the being none other than the one which Grand Voyage pulled to success on many occasions. Made in New Zealand to the order of the late Paddy Glasheen during a trip to the Dominion late in 1921 with the famous trotter, the vehicle is thus over 32 years old. Constructed of hickory, it is now owned by Jack Glasheen, the son of the late Paddy figuring as the trainer and driver of Major Miracle.This sulky was purchased by trainer Paddy Glasheen during Grand Voyage’s New Zealand campaign in 1922. It was also used by Paddy’s son Jack Glasheen who trained at Preston. The Jack Glasheen trained Major Miracle won 8 races at the Showgrounds using this sulky. Owned and trained at Belmont Stud, Pitt St Huntly (Bendigo), Grand Voyage was an outstanding Australian trotter. Some claim he was greater than Fritz and the equal of Maoris Idol. Foaled in New South Wales in 1913, and trained and driven throughout his career by Paddy Glasheen, Grand Voyage commenced his preparation at the tender age of nine months at Glasheen and Busst’s Belmont Stud Farm Pitt St. Huntly. By a prolific sire of trotters in First Voyage, Grand Voyage was from Blonde Grattan (imported by the Tye brothers), a daughter of the great Canadian sire Grattan. Grand Voyage’s reputation preceded him to the racetrack, and when he was produced for the main Victorian classic for young trotters, the Futurity Stakes, all of his opposition had pulled out of the race except one rival, whom he beat at 20 to 1 on in the first heat and again disposed of easily in the second heat, in which there was no betting. The potential of Grand Voyage was recognized by all, including the handicapper who saw to it that the black champion won no race easily. After his Futurity win, Grand Voyage was spelled and did a light season of stud duty. At his second start, in January 1917, the three-year-old won from 60 yards behind against older horses at the Richmond (Melbourne) track in a time barely slower than in which the Richmond Cup, run the same day, was decided. In subsequent starts he raced from 85 and 115 yards behind, the latter occasion producing another fantastic winning performance. As a rising five-year-old Grand Voyage defeated the hoppled pacers for the first time, subsequently a common sight. In June 1919 he won twice on the day at Epping (Harold Park) in Sydney, each time setting a record, then at the Melbourne Showgrounds where he set a mile record of 2:16 3/5 after a tremendous battle from even marks with the very good pacer Sarilla the winner of 23 races at Ricmond. In 1921, back in Sydney, Grand Voyage reduced the winning record at Epping to 2:13. Grand Voyage won the first Boort Pacing Cup in 1921, starting from 280 yards behind ! 1921 BOORT CUP – 50 pounds – One & half miles GRAND VOYAGE**, 280yds (P Glasheen) 1 Red Rock, scr (I Kelly) 2 Mayfield, 75yds (M Quinn) 3 Others: Artist (scr), maxim Direct (scr), Road King (scr), Emmie Direct (75yds), Tearaway (165yds), Straightaway (195yds) **Raced as Bonnie Voyage Margins: 6 lgths X 10 lgths Time: 3m 54s He was then taken to New Zealand. His 1922 Otahuhu Cup worth 1000 Sovereigns ($2000) against the best New Zealand pacers from 48 yards in a race record 4:31 3/5 was considered by Glasheen his most outstanding effort. On return from New Zealand, he won further races including the original Bendigo Cup at the Bendigo Jockey Club track at Epsom. In all, Grand Voyage won 37 races, driven in all of them by Glasheen.Race Sulky from 1910-20 era, purchasedd in New Zealand, used on Hall of Fame Trotter Grand Voyage by Paddy GlasheenPainted deep red.trotting, grand voyage, paddy glasheen, sulky, belmont stud, jack glasheen, brian glasheen, harnes racing -
Disability Sport & Recreation Victoria
Premiership ladder, Ladder, best and fairest, leading scorers for 1967 Victorian Wheelchair Basketball Association competition, 03/09/1967
Foldout sheet (four panels) containing the competition ladder, best and fairest, and leading scorers details for the 1967 Victorian Wheelchair Basketball Association competition.Apart from the ladder, best and fairest, leading scorers for 1967 Victorian Wheelchair Basketball Association competition, the sheet also includes a handwritten (in blue pen) note: Note: Basketball Match against St Kilda Football Club. See ticket attached. PLEASE BE THERE.disabled sports, wheelchair basketball, wheelchair sport, victorian wheelchair basketball association, st kilda football club, ivan watts, r. howard, bruno moretti, graeme ball, kevin coombs, j. wood, m. wilson, bryan tudor, i. resojovic, r. thornton, b. scilley, r. mcintyre, paravics sports club -
City of Kingston
Photograph - Black and white, c. 1910
Percy Fairlam was an early 20th Century photographer living and working in Cheltenham. Fairlam captured important social and landscape scenes in and around the Cheltenham area including cliff faces, sea baths, and rock pools. With the outbreak of World War I (WWI), Fairlam began training in Seymour and documented preparations for war, comradeship and the voyage to France and war. Shrapnel to the shoulder, on 4 January 1917, saw Fairlam evacuated to England and resulted in him being separated from his personal possessions. As such, all these images have been lost. After the war, Fairlam moved into the family business and no longer pursued professional photography. However, he continued to take an interest in the art form capturing intimate family moments as well as continuing to capture social and landscape scenes.Black and white photograph of a Richard William Percy Fairlam (Percy Fairlam) standing in the doorway of a small wooden building. Above the doorway is a painted sign advertising it as the photography business of R.P. Fairlam. In the large window at the front of the shop a number of photographs can be seen.Handwritten in red ink on reverse: 115% Black printed text on a white round sticker on reverse: 71 -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Truth has Died [Murio I Verdad] 1810 - 1820 Published 1863 (Disasters of War), Francisco Goya
Spanish 1746 - 1828Etching and aquatint (Disasters of War, plate 79)Titled and numbered 79 in margins -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Our Ultra Moderns "Sometimes I feel like chucking it all and going in for art ! 1928/1929, Will Dyson
Australian 1880 - 1938Drypoint EtchingTitled and signed -
Mrs Aeneas Gunn Memorial Library
Book, Ward, Lock & Co, Khaki and gown : an autobiography, 1941
Autobiography of British Field Marshal Lord Birdwood, who saw action in India, the Second Boer War, and World War I.Index, ill, maps, p.456.non-fictionAutobiography of British Field Marshal Lord Birdwood, who saw action in India, the Second Boer War, and World War I.generals - great britain - biography, world war 1914-1918 - campaigns - france -
Mrs Aeneas Gunn Memorial Library
Book, George Routledge and Sons, The Ethics of the Dust
The following lectures were really given, in substance, at a girls' school (far in the country); which, in the course of various experiments on the possibility of introducing some better practice of drawing into the modern scheme of female education, I visited frequently enough to enable the children to regard me as a friend. The Lectures always fell more or less into the form of fragmentary answers to questions; and they are allowed to retain that form, as, on the whole, likely to be more interesting than the symmetries of a continuous treatise. Many children (for the school was large) took part, at different times, in the conversations; but I have endeavored, without confusedly multiplying the number of imaginary speakers, to represent, as far as I could, the general tone of comment and inquiry among young people.Index, notes, p.230.non-fictionThe following lectures were really given, in substance, at a girls' school (far in the country); which, in the course of various experiments on the possibility of introducing some better practice of drawing into the modern scheme of female education, I visited frequently enough to enable the children to regard me as a friend. The Lectures always fell more or less into the form of fragmentary answers to questions; and they are allowed to retain that form, as, on the whole, likely to be more interesting than the symmetries of a continuous treatise. Many children (for the school was large) took part, at different times, in the conversations; but I have endeavored, without confusedly multiplying the number of imaginary speakers, to represent, as far as I could, the general tone of comment and inquiry among young people. john ruskin 1819-1900, ethics -
Mrs Aeneas Gunn Memorial Library
Book, Angus and Robertson, Crosses of sacrifice : the story of the Empire's million war dead and Australia's 60,000, 1932
A history of World war I war cemeteries and memorialsIll, maps, p.130.non-fictionA history of World war I war cemeteries and memorialsworld war 1914-1918 - memorials, world war 1914-1918 - australian involvement -
Mrs Aeneas Gunn Memorial Library
Book, John Murray, The voyage of the Discovery, 1907
When I received the script of The Voyage of the Discovery I was amazed. I had only to read a few pages to realise that it was literature, unique of its kind ... Scotts mind was like wax to receive an impression and like marble to retain it. So wrote Leonard Huxley, and he was not alone in his opinion. Scott's account of his first expedition to the Anrarctic.Index, ill, p.709.non-fictionWhen I received the script of The Voyage of the Discovery I was amazed. I had only to read a few pages to realise that it was literature, unique of its kind ... Scotts mind was like wax to receive an impression and like marble to retain it. So wrote Leonard Huxley, and he was not alone in his opinion. Scott's account of his first expedition to the Anrarctic. antarctica, antarctica - discovery and exploration, robert falcon scott 1862-1912 -
Kadimah Jewish Cultural Centre and National Library
Programme, In the Heart of Tel Aviv; 1992
Israeli comedy in 2 acts by A. Karpinovichdovid herman theatre, m. szmerling, j. sher, y. chaberman, t. rosenbloom, r. livita, i. lustig, a. wiguszyn, s. kessel, b. lustig, s. freedman, l. koltiniuk, h. lustig, s. kesselschmidt -
Kadimah Jewish Cultural Centre and National Library
Programme, His Name Speaks for Itself; 1964
By Efraim Kishon, Israeli comedy in 2 partsdovid herman theatre, s. tigel, j. levin, f. sivak, i. zuker, s. migdalek, s. reichstein, s. szwartz, ch. zilberman, a. wygushin -
Kadimah Jewish Cultural Centre and National Library
Programme, From the Past and the Present; 1943
Musical review produced by A. Braizblat, piano Miriam Rochlindovid herman theatre, e. maks, s. fabish, a. braizblat, sh. freedman, m. porter, i. krawat, sh. rozenkranz, ballet - ruth bergner -
Kadimah Jewish Cultural Centre and National Library
Programme, Der Choshever Gast (The Distinguished Guest) ; 1984
Z. Kalmanovich's folk comedy directed by Roza Turkowdovid herman theatre, j. sher, m.pfau, m. szmerling, r. turkow, i. lustig, a. wiguszyn, b. lustig, r. rothstein, i. presser, m.szmerling, l. mrocki -
Kadimah Jewish Cultural Centre and National Library
Programme, A Night of Films and Theatre; 1982
Development of Yiddish films from Poland, Israel and America- and a one act play by Sholem Aleichem 'Mentshn'dovid herman theatre, m. szmerling, j chaberman, i. lustig, a. wygushin, t. rosenbloom, m. ceprow, r. levita, m. pfau, c. meerkin, r. kenigsztajn -
Kadimah Jewish Cultural Centre and National Library
Programme, A Mother's Tears; 1927
Premiere at Temperance Hall, Russell Street, Melbourne. Performed by The Union of Jewish Stage Melbournedovid herman theatre, madam honig, i. ginter, miss segal -
Kadimah Jewish Cultural Centre and National Library
Programme, Purim Concert 1951; 1951
1st play - Only a doctor, 2nd play - The Melbourne Megilladovid herman theatre, rochel beker, chaim lenzer, miriam rochlin, shia tigel, a. biderman, f. sivak, m. okerfeld, h. hirsh, a. simon, m. shadur, i. unikovski, s. lefkovitch, e. giligich, n. sukhvolski, y. sher -
Kadimah Jewish Cultural Centre and National Library
Programme, Purim Concert 21 Mar 1954; 1954
M.C. J. Giligichdovid herman theatre, i. raymer, y. rabinovich, m. rochlin, j giligich, ray somina, a. hurvitz, b. rozen, e. honig, j. bluthal -
Kadimah Jewish Cultural Centre and National Library
Programme, Mirele Efros 1931; 1931
Drama in 4 Acts , farewell performance of Madam Honig prior to leaving Australia. Performed by the Union of Jewish Stage Melbournedovid herman theatre, chana honig, sam aloni, f. elbaum, fanny rosner, sol mendelson, i. ginter, rochel rosner, j. glickman, shoshana sacks