One of a series of photos created for an exhibition by the City of Kew of notable locations. The photos represent a snapshot in time.Enlarged photograph of Otira, Walpole Street, Kew, mounted on board, and donated to the Kew Historical Society by the City of Kew on 10 April 1991. The house is still extant (August 2017). This is a photo of the house before the front veranda was reinstated.From Kew City C'cil 10 April 1991otira - walpole street - kew, historic houses -- kew (vic.)

Bend in High St looking towards cinema and shops. Charlton Shire High St series 1987Colour photo of High St corner looking towards the shops on the west end and south side of High St. Photo is slightly blurry. Green car parked in front of cinema. SEC sign on top of building at the top of the photo.charlton high st, charlton, rex theatre, business

From front cover; "CONTROL" "Stories of Australian peacekeeping and humanitarian operations". Part of "The Century of Service series".Soft Cover Book. Cover - cardboard, white and pale blue print on front and back. Illustrated front montage, black and white photograph of soldier in uniform assisting a civilian, above colour map and yellow hat. Back montage in colour and black and white three photographs and two maps and cloth shoulder insignia. 52 pages - cut, plain, white coloured paper. Illustrated, colour and black and white photographs, maps, sketches and newspaper cuttings. Pictorial type book. End papers - illustrated. Spine fastened with two metal staples.publication, book, peacekeeping and operations

One of a series of postcards from an exhibition of works by Australian Social Realist artists held in Russia in 1960. This postcard is significant to Ballarat as it links to the linocuts Counihan and others produced to commemorate the centenary of the Eureka Stockade in 1954. As this depicts a painting of an event at Ballarat significant in its context to protest for social equality that would be understood by the soviet audience. A link between Australian socialist artists and the Russian political sensibilities of the time.Black and white image of Noel Counihan's painting of Bakery Hill Ballarateureka stockade, ballarat reform league, socialism, australian art, ballarat, russia

W. Laxton Stawell Boot Factory Main Street Stawell From Sketch series Circa 1890Large group of men and women on verandah of boot factorystawell businesses

British Reader series used in education. At one stage this booked belonged to childre of artist Walter Withers.Various names handwritten in ink: Inside Cover (Crossed out) Mary Withers Tuesday 10th March 1908 Mary Withers (Crossed out) Edith, Elizabeth Edith, Elizabeth, Inez Goods Edeith, Elizabeth Inez Goods Plumbfield Ledbury W. McDonald Montmorency Facing Page W. McDonald Montmorency (Crossed out) Margery Withers Eltham October 24th (Crossed out) Edith Goodsedith goods, elizabeth inez goods, w. mcdonald, mary withers, margery withers, literary reader

One of a series of postcards from an exhibition of works by Australian Social Realist artists held in Russia in 1960. This postcard links to the linocuts Counihan and others produced to commemorate the centenary of the Eureka Stockade in 1954 and was exhibited in Moscow.eureka stockade, socialism, australian art, ballarat, russia

Graphic Design / Multimedia: Daniel Buckingham, Dominic Carey, Claire Hards, Simon Hunt, Rose Kim, Glen McClay, Joshua McGregor, Luke Monssen, Stuart Murray, Kristian Pechotsch, Melissa Price, Michael Renga, Kristen Retallick, Claire Robson, Jarrod Rouhan, Leigh Ryan, Alana Smyth, Stuart Sullivan, Mary Rose Thomas, Peter Wallace. Multidiscipline: Marlene Broadbent, Gary Brogden, Marg Delahunty-Spencer, Nathan Donegan, Cameron Haldane, Natali Mirovski, Darren Newby, Kelly Roberts, Natasha Young Drawing: Kim Anderson, Vane Andonov, Rebecca Brown, Lucas Corbett, Kathryn Cudia, Jessica Jackson, Penelope Jenner, Michelle Trgovac Ceramics: Marty Foster, Perry Lane, Georgina Moon, Kristine Thomas, Paul Uren, Dawn Whitehand Painting: Esmene Beyzade, Christopher Geljon, Peta Jeffries, Sara Johnson, Mari-Martha Mago, Ricki Millar, Kate Peachey, Daniel Salmon, Sandra Williams Honours: Claire Blake, Wendy Bolger, Suzanne Close, Benjamin Cox, Kieran Denahy, Natasha Dusenjko, Judith Hughes, Paul Mears, Michael Shiell, Leigh Scholten, Janelle Vaughan, Fiona Woolley. Custom polypropylene case, printed single colour black. Eight single-sided pages printed black and yellow, bound top left with metal paper fastener. CD Rom included in pack, unprinted.university of ballarat, federation university, graphic design, multimedia, camp street campus, new north, arts academy, painting, ceramics, drawing, multidiscipline, honours

Digger Three. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough

The grandfather that never was. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough

Puppy the mascot. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough

Rogue wave. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.3 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough

The Fallen. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.A Colour digital photograph.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough

The Mates. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.3 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough

The Pilot. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough

The Sea Captain. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough

The series of photographs show the Hospital (at Hospital Corner) with two trams, a mine, two photos of Sturt St, Town Hall with a tram, Lake Wendouree and Fairly Land at the Lake. The letter on the rear is a family letter. Published by J Beagles of London, the SW Series - see reference. Undated - based on the reference and logo on the rear of the card, possibly around 1906.Yields information Ballarat and the gloss colour printing of a postcard.Postcard coloured, divided back, with a handwritten letter on rear. Has sparkles or glitter glued around the edges of each photograph. No. "3045 SW"See image 2 for the handwritten letter. tramways, trams, postcards, hospital, sturt st, lake wendouree, mining

This card together with a log book was a vital record of service for any seaman serving on a Merchant vessel that had been commandeered for War transport work and needed to be validated to ensure eligibility to be taken on as qualified member of the crew. G.W. Duncan appears to have specialised in engine room and mechanical maintenance. He appears to have served aboard a number of vessels including merchant vessels commissioned into wartime service in WW2.Mariner Duncan had a particular regard for the Mission to Seafarers. This plate for display on a commissioned new table at the MTSV chapel acknowledges his bequest and the material donated. Collectively the G W Duncan material includes: photographs, professional data memorabilia and written and commercially printed resources. The memorabilia relates to his career at sea and in particular the role of an engineer, including a handwritten manual of notes and references relating to the mechanical and engineering aspects and areas of responsibility for maintenance. small grey blue printed single fold seaman's photo identity card with printed guidelines and conditions of association / membership.stamped on front cover oval ribbon insignia surrounding roses and surmounted by crown with lettering : Ministry of War Transport Printed at lwr edge: Continuous / certificate of discharge. Inside left cover: seaman photo, name reg number and official stamp with date Inside right page: notes and information.war transport, ww2, merchant navy, merchant seamen, george winfield duncan (1922-2017), g.w. duncan

One of a series of images of roads and infrastructure taken by Eltham Shire Council Planning and Engineering officers, September 1982.35 mm colour positive transparency (1 of 4) Mount - Kodak Kodachrome CardProcessed 15 Sep1980eltham, eltham south, infrastructure, main road, roads

One of a series of images of roads and infrastructure taken by Eltham Shire Council Planning and Engineering officers, September 1982.35 mm colour positive transparency (1 of 4) Mount - Kodak Kodachrome CardProcessed 15 Sep1980eltham, eltham south, infrastructure, main road, roads

One of a series of images of roads and infrastructure taken by Eltham Shire Council Planning and Engineering officers, September 1982.35 mm colour positive transparency (1 of 4) Mount - Kodak Kodachrome CardProcessed 15 Sep1980eltham, eltham south, infrastructure, main road, roads

One of a series of images of roads and infrastructure taken by Eltham Shire Council Planning and Engineering officers, September 1982.35 mm colour positive transparency (1 of 4) Mount - Kodak Kodachrome CardProcessed 15 Sep1980eltham, eltham south, infrastructure, main road, roads, avenue of honour

Mining Matters '82 was a series of seminars aimed at secondary school leavers. in an attempt to populate mining and engineering courses. Four men in conversation during the opening of the 1082 conference "Mining Matters" Left to right: Ian Pratt, E.J. (Jack) Barker, Brian Coles, Sit Frank Espie.mining matters, conference, jack barker, e.j. barker, ian pratt, brian coles, frank espie, course advice

Series of articles first published in the "Argus" from 1941 to 1945, dealing with events and campaigns in World War 2.63 p., black & white photographs, col. maps.world war 2

Series of articles first published in the "Argus" from 1941 to 1945, dealing with events and campaigns in World War 2.50 p., black & white photographs, col. maps.world war 2

Galen Catholic College commenced in 1975. This series of classroom photos is a snapshot of our students in the first years of Galen. galen catholic college, galen college, students, teachers, exams

This series (0004.1.01 - 0004.1.10) relates to Australian recreation and holidays in the 1940's. These negatives form part of the 'Jack' collection. Photographic negatives.australia; 1940's; recreation; car; women; holiday; new south wales; queensland; sydney harbor bridge; ferry; caravan; dog show; farming; swimming; backyard;