Parts OF the Glen Eira Historical Society Newsletter" for September 2014 with items on the McKinnon Road shopping centre, a report on a talk by Ian Jenkin of the ARHS Vic Div about the Caulfield horse tramway and the PMTT and a report of a walk along the horse tram route conducted by Peter Carwardine of the ARHS in July 2014. Includes a donation note from Member Keith Stodden, dated 25-9-2014trams, tramways, caulfield, horse trams, glen eira, mckinnon rd

The smaller copy of the photograph in Box 22 was donated in 2014 by Peter Stapleton. A laminated, larger copy of this photograph is also in Box 22 (also has registration number 2015-07). A third copy of the photo is in the 'Linton State School - Photos' file. It is understood the laminated copy was donated by Graeme McGregor, one of the boys pictured, whose father worked in Linton for the railways. Some pupils in the laminated photo have been identified - names are on a typed slip of paper which is attached to the back of the copy. All the pupils are identified on a handwritten A4 sheet of paper which is with the copy of the photo in the 'Linton State School - Photos' file.Black and white copy of a photograph of Linton State School boys taken in 1940."Linton School 880 1940/Supplied by Peter Stapleton 2014".linton state school no. 880, "boshie" (norris?) stratton, vic mcgrath, bob hayward, geoff morrissey(?), duncan mcgregor, trevor shepherd, wally kerr, max howard(?), dean hart, steve mcgrath, david bishop, allan mccorkell, ron mccorkell, george haddon, gordon mark, bob brody, lyle grigg, geoff morrissey (?), roland emmerson, jack culliver, jim culliver, basil mcdonald, graham smith, laurie lancaster, laurie stevens, noel cluff, lyle fletcher, mervyn mcdonald, carl hoffman, des harris, les witton, ian morrissey, graham ching, raymond mark, jim(?) haddon, graeme mcgregor, colin hearn, vernon broes, graham stevens, stan lancaster, lindsay whitton, stan howard(?), colin nicol, selwyn hoffman, les mark.

Bendigo Historical Society Minutes and Correpondence 2014. Stored in black A4 lever arch folder.

Poster - paper, black and white print with foreground silhouette of a statue of a soldier with background muted colour photograph of a group of soldiers. Frame - moulded black plastic with glass front and MDF Board backing; with metal clips.Lettering on poster "ANZAC/ DAY/ 2014/ HONOURING/ REMEMBERING/ THANKING/ RENEWING"framed accessories, poster, anzac day

Silkscreen print on paperSigned, dated 2014 and edition 2/5 on reverse, bottom rightsilkscreen, print

Silkscreen print on paperSigned, dated 2014 and edition 2/5 on reverse, bottom left.screenprint, line, contours, abstract

Silkscreen print on paper.Signed, dated 2014 and edition 2/5 on reverse, bottom rightscreenprint, geometry, abstract, shape, line

Book, hard cover with dust jacket. Black with title on red background on front. Title in white on spine: Red Cross - 100 Years Helping People 1914-2014 on back cover. 317 cut edge pages, illustrated with black & white & coloured photographs covering The History of The Australian Red Cross from Birth to 2014 including The Great War, Peace & War, Challenges & Crises, One Red Cross 2000-2014.books - medical, books-biography, essential services - red cross, military history

Digital Image of BTM 671 outside the depot at dusk, Photo by Peter Waugh, 18-11-2014.Photo by Peter Waugh, collected for reference purposestrams, tramways, depot, night photo, tram 671

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This artwork was painted by Wes Walters in 1958. Gift of Dr David Alexander, 2014art, artwork, walters, wes walters, fishing, available, sport

The Melbourne Legacy Diary/Contactor handbooks were produced annually by Melbourne Legacy. The books supply Legatees with many useful details and regulations. They include lists of current Legatees and contact details. A handbook is issued to all Legatees to assist them with their work with the legacy widows; eg childrens' education, welfare, accommodation, health. A quick easy guide to services provided by Melbourne Legacy such as bursaries, medical care, financial assistance etc for Legatees use. It was reissued annually for many years prior to keeping this information electronically. Many issues are held at 00305. Chapters of the book might include the following (taken from the 1956 edition), many of which are Legacy committees: Administration Anzac Day Observance Comradeship. 'Comradeship is an integral and important part of Legacy. This committee's function is primarily to arrange social and other activities which bring members together so that they become known to each other on an intimate and friendly basis; and so that when a member strikes a problem, he immediately knows with whom he might get into touch to discuss it in then spirit of mutual assistance.' Finance Huntingdale (Golf Club) Intermediate Legacy Liaison Personnel Committee Programme Committee Dealing with the Junior Legacy Committee: Boys' Group Camps and holidays Christmas party Contact Cultural and Library Dental Demonstration Education Employment Firewood Girls' Group Housing and accomodation Legal Longbank (holiday home for widows in need of a rest) Medical Newsletter Older widows Optometrists Pensions Probation Residences Special cases Welfare Appendix A Allowances for school requisites Appendix B Scholarships Appendix C Pensions / War widows pensions / Commonwealth widows pensions / Immediate assistance SCTF Appendix D Repatriation Department Appendix E Commonwealth Social Services Appendix F CWD - Children's Welfare Department Appendix G Hospital and medical benefits for Legacy Widows and their dependants Appendix H AMF Relief Trust Fund Appendix I SCTF - Services Canteen Trust Fund Appendix J Sir Samuel McCaughey Bequest Appendix K Various sources of assistance available (eg clothing, blankets, POW associations, RSL, conveyance allowances.)A record of Legacy compiling information for use by the Legatees in their work with widows and junior legatees.62 small books of various colours, and some covered in black plastic. Issues from between 1966 and 2014.regulations, objectives, rules

Draft of A History of the Church Located at 44-44 Dublin Road, Ringwood East, 3134 from 1925 to 2014 covering Ringwood East Baptist Church from 1929 to 1989, Ringwood Christian Family Centre from 1990 to 1999 and Maroondah Family Church from 2000 to 2014

Small sign featuring the National vietnam Veterans Museum is featured on The victorian War Heritage Trail (white writing on red background), alos 100 places for 100 years (white writing on blue background)ANZAC Centenary 2014-2018victorian war heritage trail

These works are a display of my frustration of hour our family were lucky we were not beheaded, scalped, taken away and impaled as a warning to others not to enter farming lands, which had been traditional lands of the Nganyaywana country. The word 'Policy' represents the White Australia Policy, the word "Lost' stands for those lost including hundreds of family members, 'Jobs' asks why Aboriginal people can only find employment if through Aboriginal positions and policies. The number 3 symbolises myself and my siblings, red is for bloodshed, blue is for secrets and black the family history. Patrice MUTHAYMILES MAHONEY OAM Anewan/Nganyaywan/Dunghutti country. Patrice Mahoney is a printmaker, sculptor, weaver, drawer and painter. Her work challenges mainstream and Aboriginal Australians and is profoundly influenced by space, place and country, taking inspiration from nature, environment and looking forward to a time when she can return to her family's traditional country to make work. In 2012 the artist completed a Bachelor of Visual and Media Arts at Monash University’s Churchill campus (from 2014 Federation University's Churchill Campus). The Victorian Indigenous Art Awards 2014 were exhibited and judged at the Art Gallery of Ballarat.This unique edition triptych involves the techniques of intaglio copper plate, pigment, soft ground, open bite, aquatint, spit-bite, stamping, relief, drawing and burnishing on paper. It was awarded the 2014 Victorian Indigenous Art Awards Federation University Acquisitive Award for for work by a Victorian regional artist. Text, colour, metaphor and Aboriginal symbolism are important components of her work. This work expresses the artist's frustration with unjust situations experienced by traditional owners of Nganyaywana country. The word 'Policy' refers to White Australia Policy, 'Lost' the hundreds of lost family members, and 'Jobs' highlights the difficulty of Aboriginal peple obtaining work, especially outside Aboriginal positions and policy. The number 3 symbolises Patrice Mahoney's siblings, with black used to denote family history. The violently splattered red represents bloodshed, with the blue washing across the work obscuring details and representing secrets. The Selection Panel of the 2014 Victorian Indigenous Art Awards made the following comments on the work: 'The selection panel for the Federation University Acquisitive Award for 2014 were highly impressed by this work and applauded the vigorous use of symbolism and metaphor in a well scripted visual composition. The poignancy of connectedness to the past, memory, place and country is palpable and enhanced by the suggestive employment of text and minimal colour. A provocative and evocative work of art!artist, artwork, patrice mahoney, aboriginal, victorian indigenous awards, jobs, culture, printmaking, drawing, policies, lost, victorian indigenous art awards, available, alumni

Discussion of John Daniels' theory that "Batman's Treaty" was signed on the southern bank of the Merri Creek in Reservoir. It follows Batman up the Maribyrnong River and his meeting with 'a native family' who took him to the Merri Creek.1 p. reprint of address at general Meeting [of Port Phillip Pioneers Group?] 11 July 2014, by Jan Hanslowbatmans treaty, john daniels, john batman, merri creek

Newspaper article, Bendigo Advertiser, April 25 2014, re Kangaroo Flat's RSL participation in Anzac Day services.Bendigo Advertisermilitary, world war 2, kangaroo flat rsl

District 15 Newsletter Central Victoria Swimming Inc. Life Membership Award to Val Campbell 16/11/2014recreations, sports, swimming

External views of the J Kitchen & Sons site. Some taken October 2011 when manufacturing still occurred on site and some in May 2014 after demoltion work had begun to clear the site for future development; (.01) The Australian Academy of design building at 220 Ingles St (October 2011) (.02) The building which housed the factory outlet shop. Admin building in background. (October 2011) (.03) Part of the Iindustrial complex surrounded by fence in preparation for demolition. (May 2014) (.04) View of the art-deco admin building taken from Ingles St (May 2014) (.05) Corner of the complex already cleared (former shop outlet) (May 2014)built environment - industrial, business and traders - soaps/candles, j kitchen & sons pty ltd, australian academy of design, ingles street