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Pyrenees Shire Council
painting, Griggs Cottage by Helena Goossens, c. 2004
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture signed: H GOOSSENS (lower right) -
Pyrenees Shire Council
photograph, Avoca in 1866 by J.N. Dallimore, 1866
J.N. Dalimore was an amateur photographer and settler who arrived at Port Phillip (Victoria) with his wife in September 1840 on board the Himalaya. Dalimore lived at Woodstock Station, near Avoca, he exhibited view photographs of the district at the 1866 Melbourne Intercolonial Exhibition that were sent on to the 1867 Paris Universal Exhibition. The Avoca Mail of 7 November 1866 reported: Mr Dallimore of Woodstock, determined that the town of Avoca and its environs shall be pictorially represented at the Victorian and Paris Exhibitions, has we learn, forwarded a series of photographs representing the High Street and the Pyrenees [Victoria] from different points of view. All the photographs are well executed and will possess considerable interest for the friends of Avocaites visiting the World’s Fair in 1867. Also included were views of Dallimore’s own station. They won him a medal 'for good Landscape Photography’. His panoramic photograph of Avoca is in the Shire Council significant as a historic photograph of Avoca, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture Black and white photograph of Avoca showing Rutherford Street to the left and the original site of the Avoca Hotel"verso (affixed): AVOCA MAIL, 1st JUNE 1867. ""A remarkably well-executed photograph of the town of Avoca taken in 1866. and forming one of the exhibits at the Melbourne Exhibition, has been presented to the Avoca Shire Councilby F.W. Dalimore formally of Woodstock verso (affixed): No. 875 Intercolonial Exhibition 1866 Exhibitor: Avoca Shire Council Class: Section:" -
Pyrenees Shire Council
painting, Mary Newsome, Belmont by Mary Newsome, 1990
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture print of a garden and house"signed:Mary Newsome (lower centre) editioned: 1/12 (lower left) titled: Belmonth 20.10.90 (lower right)" -
Pyrenees Shire Council
painting, Melville Robinson, Pyrenees Landscape by Melville Robinson, 1998
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture acrylic painting of landscapeSigned: Melville R (lower right) -
Pyrenees Shire Council
painting, Afternoon Lake Goldsmith by John Burrack, 1884
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture landscape with water painting "signed: John Burrack '84 (lower left) verso: Afternoon Lake Goldsmith John Burrack Mernda '84" -
Pyrenees Shire Council
painting, David Mellows, A combination by David Mellows, 2017
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a view of a railway crossing signed (verso): DAVID MELLOWS 11/17 -
Pyrenees Shire Council
painting, Christopher Palmer, Stockyard Hill Hotel No.1 by Christopher Palmer, 2009
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture drawing of old hotel"signed: C. Palmer (lower right) inscriberd: Stockyard Hill Hotel I (lower left)" -
Pyrenees Shire Council
painting, Philip Adams, Rosella and Vines by Philip Adams, 2000
rosella, Phillip Adams significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of vineyardsigned: ADAMS (lower left) -
Pyrenees Shire Council
painting, The Morning After the Storm by Maude Glover Fleay, 1930
Maude Glover-Fleay b. 1869 was a painter who studied under Frederick McCubbin. Glover-Fleay was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupials. Her works are inlcuded in the Art Gallery of Ballarat Collection, Victoria significant as a work of art by a modernist-era woman artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture watercolour picture of a fallen treesigned: Glover-Fleay '30 pyrenees, maude glover-fleay -
Pyrenees Shire Council
painting, Cherry Pattendon, Pyrenees Petanque by Cherry Pattendon, 2008
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of people playing petanqueunsigned -
Pyrenees Shire Council
painting, Rodney Read, 6am Coach Buangor to Ballaarat by Rodney Read, 1996
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a historic scene with coach signed: R J READ 1996 (lower right) Inscribed: 6am Coach Buangor to Ballaarat (lower left) -
Pyrenees Shire Council
painting, Heather Featherson, Hay Bales and view of the Grampians by Heather Featherson, 2005
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a hay fieldsigned: HDF (lower right) -
Pyrenees Shire Council
photograph, Off Shearers Sale
photograph -
Pyrenees Shire Council
painting, Cherry Pattendon, Untitled, 2006
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture Painting of a woman holding a flower signed: CM Pattenden 2006 (lower left) -
Pyrenees Shire Council
painting, Ralph Rogers, Untitled (Goanna) by Ralph Rogers (Bushka), 2019
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a goannasigned: R ROGERS Bush Ka (lower right) -
Pyrenees Shire Council
painting, Storm Tossed, Twisted and Torn by Maude Glover Fleay, 1934
Maud Glover-Fleay b. 1869 A painter who studied under Frederick McCubbin, Glover-Fleay was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupials. Glover-Fleay's work is included in the Ballarat Fine Art Gallery, Ballarat, Victoria significant as a work of art by a modernist-era female artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a large treeSigned: Glover-Fleay 34 (lower right) Verso: Storm Tossed TWISTED AND TORN -
Pyrenees Shire Council
painting, Dry Swamp by Maude Glover Fleay, 1935
"Maud Glover-Fleay b. 1869 A painter who studied under Frederick McCubbin, Glover was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupials. Work is included in the Ballarat Fine Art Gallery, Ballarat, Victoria painting Signed: Glover-Fleay 35 (lower right) Verso: DRY SWAMP -
Pyrenees Shire Council
painting, Rodney Read, Old Sheep Yards Avoca by Rodney Read, 2003
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of building a sheep yardsSigned: R READ 03 (lower right) -
Pyrenees Shire Council
painting, Rodney Read, Avoca Main Street by Rodney Read, 2000
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a old house on the streetSigned: R READ 2000 (lower left) -
Pyrenees Shire Council
painting, Marbles in Shadow by Philip Adams, 2001
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of large rocks in Australian desertSigned: Adams (lower left) -
Pyrenees Shire Council
painting, Philip Adams, Kata Tjuta in Morning Light by Philip Adams, 2001
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of Kata TjutaSigned: Adams (lower left) -
Pyrenees Shire Council
painting, Philip Adams, Tree Fern and Trunks by Philip Adams, 1993
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a bush sceneSigned: Adams (lower left) -
Pyrenees Shire Council
painting, Melville Robinson, Bunjil's Shelter I by Melville Robinson
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a rockSigned: Melville R (lower right) -
Pyrenees Shire Council
painting, Maggie Barnes-Oaks, Longest Lunch by Maggie Barnes-Oaks
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of people at a tableVerso: Longest lunch Maggie Barnes-Oaks 'Maggie M' -
Pyrenees Shire Council
print, Queen Elizabeth II, c 1960
print of a portrait of Queen Elizabeth II"Affixed: PRESENTED TO THE RIPON SHIRE CUONCIL BY CR. THE HON. R.C. GUTHRIE C.M.G. DATE 8-6-60" -
Pyrenees Shire Council
painting, Anne McGregor, Untitled (Lexton Shire), c1985
significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culturelandscape with Lexton Shire OfficesAffixed front: Presented by Lexton's Anniversary Committee to the Lexton Shire Council IN RECOOGNITION OF IT'S VALUABLE SUPPORT & ASSISTANCE IN THIS, VICTORIA'S 150TH ANNIVERSARY YEAR 14-4-85 -
Pyrenees Shire Council
printed copy, Roll of Honour (copy)
Roll of Honor for Branch 91 listing 11 Volunteers from this Branch who joined the Australian Expeditionary ForcesSignificant to the Pyrenees regions as a record of Branch 91, listing 11 Volunteers from this Branch who joined the Australian Expeditionary ForcesCopy of the Roll of Honor for Branch 91 listing 11 Volunteers from this Branch who joined the Australian Expeditionary Forces -
Pyrenees Shire Council
Photograph, Lexton Post Office
Significant to the Pyrenees Shire region as a record of the now closed Lexton Post Officephotograph showing the old Lexton Post OfficeInscribed front: Lexton Post office closed 30.6.1987 -
Pyrenees Shire Council
Photo montage, Photographs of historic wagon and tip dray, c2003
significant to the Pyrenees Shire and Lexton communityframed photographic montageInscribed front: Return of historic wagon and tip dray to '"Toll Bar" Park Lexton 2003 -
Pyrenees Shire Council
Photographs, Lexton 150th Celebrations (1 of 2), c1995
significant to the Pyrenees Shire and Lexton communityframed photo montage"Inscribed front: 150th Birthday Celebration Lexton Township 4-5 Nov 95"