Showing 22933 items
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Eltham District Historical Society Inc
Folder, John Carter, 1900c
Folder of information on John Carter, Panton Hill, c1900john carter -
Eltham District Historical Society Inc
Folder, John Cockshank, 1863
Folder of information on John Cockshank, Smiths Gully 1863john cockshank -
Eltham District Historical Society Inc
Folder, John Darroch, 1850s
Folder of information on John Darroch, Kangaroo Ground, 1850sjohn darroch -
Eltham District Historical Society Inc
Folder, John Foxton, 1850s
Folder of information on John Foxton, Lower Plenty, 1850sjohn foxton -
Eltham District Historical Society Inc
Folder, John Gardner, 1860s
Folder of information on John Gardner, Storekeeper, Eltham, 1860sjohn gardner -
Eltham District Historical Society Inc
Folder, John Gast, 1863
Folder of information on John Gast, Caledonian Diggings, 1863john gast -
Eltham District Historical Society Inc
Folder, John Harper, 1863
Folder of information on John Harper, undertaker, Eltham, 1863john harperr -
Eltham District Historical Society Inc
Folder, John Spencer Harris, 1860s
Folder of information on John Spencer Harris, Queenstown, 1860sjohn spencer harris -
National Vietnam Veterans Museum (NVVM)
Photograph, John Downing in Toga
Timber framed colour photo of John Downing in Toga. -
National Vietnam Veterans Museum (NVVM)
Photograph, John "Jacko" Miller
Large coloured photograph pf John "Jacko" Millerbehind the wire, jack "jacko" miller, photograph -
University of Melbourne, Burnley Campus Archives
Document, Cranwell, John Francis, 1992
Death notices John Francis Cranwell, past studentjohn francis cranwell, student -
Uniting Church Archives - Synod of Victoria
Photograph, John Bodycomb, Undated
Dr. Bodycomb was ordained in 1957 and served in Victoria and South Australia, as well as in Kensington, New Hampshire. His positions included Dean of the Theological Hall 1977-1987, and Ecumenical Chaplain at the University of Melbourne, 1989-1997. Colour photograph of John Bodycomb standing next to a noticeboard.bodycomb, john -
Ballarat Heritage Services
Photograph - Portrait, John Pascoe Fawkner, co-founder of Melbourne, 2020
Portrait of John Pascoe Fawkner, co-founder of Melbournevictoria, melbourne, john pascoe fawkner -
Ballarat Heritage Services
Photograph - Black and White, 'Long John' Carroll and Rose Carroll (nee Farrelly)
Black and white photograph of Rose and Long John Carroll.long john carroll, rose carroll, rose farrelly -
Ballarat and District Irish Association
Image, John P. Sutton, c1864, 1864
Image of a bearded man known as John P. Sutton.ballarat irish, sutton, john sutton -
Old Colonists' Association of Ballarat Inc.
Document - Gold License, Gold License issued to John Chisholm
This miner's right was glued onto a page in a large album of photographic images of early Ballarat. Recognising their significance the Council of the Old Colonists’ Association of Ballarat Inc. had them removed and restored. The originals are now framed and on display in the Old Colonists’ Hall.Victorian Gold License made out to John Chisholm.Ballarat Victoria Gold License No. 139 March 1853 The Bearer J. Chisholm having paid to me the Sum of One Pound Ten Shillings, on account of the territorial revenue, I hereby License him to dig, search for, and remove Gold on and from any such Crown lands within the Dist of Ballarat as I shall assign to him for that purpose during the month of march 1853 not within half-a-mile of any Head Station, This License is not transferable, and to be produced whenever demanded by me or any other person acting under the authority of the Government, and to be returned when another License is issued. Chas Wale Sherard Commissioner. Regulations to be observed by the persons digging for Gold or otherwise employed at the Gold fields. 1. Every licensed person must always have his License with him ready to be produced whenever demanded by a Commissioner, or Person acting under instructions, otherwise he is liable to be proceeded against as an unlicensed person. 2. Every person digging to Gold, or occupying Land, without a License is liable by law to be fined, for a first offence, not exceeding five pounds; for a second offence not exceeding 15 pounds; and for subsequent offence, not exceeding 30 pounds. 3. Digging for Gold is not allowed within ten feet of the edge of any Public Road, nor are the roads to be undermined. 4. Tents or Buildings are not to be erected within twenty feet of each other, or within 20 feet of any Creek 5. It is enjoined that all persons on the Gold Fields maintain a due and proper observance of Sundays. Handwritten in top left corner 'Presented by D.M.D. Main. 12 Dundas St. Dunedin N.Z. 30.8.21chisholm, sherard, charles sherard, john chisholm, mining, main, d.m.d. main -
Old Colonists' Association of Ballarat Inc.
Image, John E. Cowley, c1903
Image of John Cowley, member of the Old Colonists' Associtation.old colonists' association ballarat, john e. cowley, phoenix foundry -
Ballarat Heritage Services
Photograph, John Hogan Gervasoni in the uniform of St Michael's Daylesford, c1935, c1935
John Hogan Gervasoni in the uniform of St Michael's Daylesford.john hogan gervasoni, st michael's daylesford, uniform -
Federation University Art Collection
Bookplate, 'Ex Libris Renatus John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A rectangle with the words 'Ex Libris Renatus John Gartner' in white on a brick red background is surrounded by a rounded shape decorated in white and red swirlsbookplate, printmaking, australian bookplate design awards, keith wingrove memorial trust -
Marysville & District Historical Society
Document (Item) - Report, John F. Waghorn, Yarra Track, Unknown
A report on the history of the Yarra Track by John Waghorn, a local amateur historian.A report on the history of the Yarra Track by John Waghorn, a local amateur historian. John Waghorn was an amateur historian, an authority on the history of Victoria's postal services. He could tell you how mail was delivered in the high country in the 1880s, where the town of Gobur was, or when the overland Melbourne-Sydney mail service began. He admitted that his hobby has got a little out of hand. He had 30 filing cabinets, and indexes of more than 70,000 postal workers over the past 160 years crammed into three rooms at his home. If an ancestor was a postmaster in a Victorian town, he may have been able to reveal the person's occupation, income and working conditions.yarra track, john waghorn, victoria's postal services, wood's point, sydney road, longwood, merton, mansfield, postmasters, bonnie doon, melville merton mansfield, eltham, healesville, marysville, walhalla, melbourne-warburton-wood's point line, loose bags, heidelberg post office, eltham post office, kangaroo ground post office, yarra glen post office, marysville post office, healesville post office, mansfield post office, jamieson post office, gaffney's creek post office, wood's point post office, postal department, george rieck, stockman, jones, beecher, stockman's reward, big river, mary mcdonald, upper yarra river, donovan's creek, cornelius donovan, bridget buggy, matlock, alexandra, william farrell, jordan diggings, new chum, watts river, black spur, narbethong, granton, acheron river, mount strickland, paradise plains, mount grant, mount arnold, jordan goldfields, william robley, robley's spur, big river crossing, great dividing range, cumberland valley, james mcguigan, w elliot, christopher harrison, james marsh, cobb and co, box hill, lilydale, fehrings, koehlers, shaws, bear creek, cairnsville, cumberland creek, walkers, golden bower mine, collins' mountain home hotel, walsh's creek post office, rosa mcveigh, frank barton, hitchins, matthew kennedy, william morris, e r nichols, t woods, tom burchell, peter kerr, henry kuyper, william podlech, george koehler, henry brockmann, henry petty, thomas smith, jacob butchart, john perry, slingsby davis, royal mail hotel, walter gray, john summers, travellers rest hotel, lockington, the oaks, the springs, st clair, thomas crawford, springvale hotel, john sinclair, saint clair hotel, gould, mathews, willie we have missed you hotel, germany, johan fehring, adelaide, linton, ballarat, gunbower, murray river, anna katerina fehring, 1890s depression, land boom, fehring place, fred baker, alf sparke, fehring's hotel, mcveigh's hotel, wood's point mountaineer, l cox, victorian country directories, letson cox, coburg, maria hayes, setson, fitzroy, richmond, john cox, jordan river, jericho, e. norris, le poidevin, newell, o'brien, alhambra, sinclair, parker, ellis, tripp, quin, vernon, thompson, charsley, james fahie, george locke, william chester, chesterville, kirwan, cumberland reserve, blue spruce, e.s. and a bank, selby joyce, selby charles joy, selby joseph joyce -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Phillip Island and District Historical Society Inc.
Photocopy, Capt John Barnard Lock
This photocopy belonged to the Lock family before being acquired by the Museum.List of passengers on ship 'John Knox' at Point Henry, Geelong. The ship sailed from Plymouth 24, March 1851. Capt John Barnard Lock last entry.local history, documents, passenger lists, family of john barnard lock, black & white photocopy, ships, passenger list, lock family -
Whitehorse Historical Society Inc.
Photograph, John Schwerkolt, 1899
Copy of photo of John Theodore Schwerkolt, Born 22/11/1885, Died 26/6/1903, in U.S.A. Picture taken when John was 14 years old.schwerkolt, johann theodor, jack, walter, jackschowsky, mary elizabeth, whalen, rosalie -
Lakes Entrance Historical Society
Photograph, John Street Rain Forest Revegetation Reserve, Lakes Entrance Victoria, 2000 c
Colour photograph of about 20 local residents listening to Bill Peel at the proposed John Street Rain Forest Revegetation Reserve John Street Lakes Entrance Victoriacoast, environment, people -
Falls Creek Historical Society
Photograph - Ray, Joan and John Meyer
MEYER COLLECTION - FALLS CREEK PHOTOS In 1947 a determined group of like-minded State Electricity Commission (SEC) staff including Ray Meyer, the chief surveyor of the Kiewa Hydro-Electric Scheme, had a common interest that revolved around the skiing potential of the snow-covered high plains which included what is now the resort of Falls Creek. The six SEC employees, Toni St Elmo, Ray Meyer, Jack Minogue, Lloyd Dunn, Adrian Ruffenacht and Dave Gibson (together with their families) banded together to secretly build a 'hut' that was the first ski lodge at Falls Creek. Using a road built in 1930s to gain access to Falls Creek, their hut project was carried out in secret as efforts by other skiers were blocked by H.H.C. Williams – the engineer in charge of the Hydro Scheme. In 1946 Ray Meyer made a trip to the Lands Office in Melbourne. He came away with a 99-year lease on three acres that was ideally suited for a hut designed by Lloyd Dunn. Adrian Ruffenacht (Design Engineer for the KHS) had suggested where the group should build because of easy access to a spring for water. Much of the building material required was scavenged from derelict huts on the high plains. Due to the need for secrecy, the determined group worked on the hut in the evenings and weekends to avoid detection. During the building period the group had met at Echidna Rock (now known as Eagle Rock) where Skippy St Elmo announced, "This is my favourite ‘Skyline’.” And so the first lodge in the area at Falls Creek Ski Resort came into existence. With the development of the International Poma in the 1970s, the Skyline Lodge, which was sited between the ski-lift’s pole one and pole two, was demolished. However, the legacy of Ray Meyer, Toni St Elmo, Jack Minogue, Lloyd Dunn, Adrian Ruffenacht and Dave Gibson and Skyline lives on in the vibrant atmosphere of Falls Creek Resort. The MEYER COLLECTION documents developments on the Kiewa Hydro Scheme and their life at Falls Creek from the mid 1930s to 1960s.This image is significant because it depicts aspects of the life of a pioneering family of Falls Creek and the founders of "Skyline", the first lodge at Falls Creek.A set of four photos of the Meyer Family. 1. Ray Meyer at the SEC office at Bogong 1946 2. Joan and John Meyer at No r. Raceline, Kiewa c1950 3. Ray and John Meyer at West Kiewa, No.5 c1950 4. John Meyer at West Kiewa, No.5 c1950falls creek, victorian snowfields, dinner plain, joan martin, joan meyer -
Learmonth and District Historical Society Inc.
Photo - Dalgleish, Richards & Co. Photos Ballaarat, Councilor John Dalgleish Esq. President 1883-84, "circa 1884"
Councilor John Dalgleish Esq. was first elected to council in 1866-72 and again in 1880-87. He served three terms as Shire President, 1869-70,1883-84 and 1884-85.He resided at Bothwell Springs,Mount Rowan.Original photo of councilors taken "circa 1884"This Photo of Shire President John Dalgleish Esq.forms part of a collection of showing all councilors for the year 1883-84. It is in sepia and oval in shape, with gilt edging around the photo.The mount is light tan in colour with a fine line around the "cutout".At the base of the photo is inscribed the name and President. It is at the top of the frame in the centre. PRESENTED by the President J.DALGLEISH ESQ.to the BALLAARAT SHIRE COUNCIL. 1883-84.ballaarat shire council, shire president john dalgleish esq, 1883 84 -
The Cyril Kett Optometry Museum
Painting - Oil Painting, Cyril H W Kett, 1980 (exact)
Cyril Henry Woodford Kett FBOA FSMC (1890-1971) was one of the five people who signed the Memorandum and Articles of Association of the Australian College of Optometry in 1939. He was a councillor of the College from 1940 to 1970 and First Vice President 1944 to 1947. He was made an honorary life member of the College in 1954. He donated numerous items of historical interest to the College that provided the foundation of the Museum which now bears his name. It was painted by another optometrist, John Nathan.This painting is significant to the College as it is one of only ten portraits in oils of individuals who have been leaders in the development of the College.This framed oil painting shows Mr Cyril Henry Woodford Kett FBOA FSMC (1890-1971),Councillor and Vice President of the Australian College of Optometry, an important figure in Optometry in Victoria. It was painted in 1980 by another optometrist, John Nathan,and is signed by the artist at lower right corner: 'John Nathan'.Signed by artist at lower right corner: 'John Nathan'. Plaque on frame reads:'Cyril H W Kett FBOA(Hons) FSMC FVOA c1890-1970/ Councillor of the College 1940-1970/ Vice President 1940-42, 1944-47, 1948-50, 1954-70/ Chairman of Council 1944-1947/ One of the five signatories to the original Memorandum of Association of the Victorian College of Optometry'.optometry, painting, oil painting, portrait, cyril h w kett