The Sun Country Show Girl Quest, 1976. This presentation is on the stage of Wool Court on the Showgrounds. The compere in the suit is Brian Naylor. Naylor was an RASV Councillor from 1977-83 and a well-known news presenter, particularly for Channel 9. He often provided commentary and was a compere for several Show events, including the Miss Show Girl competition, Arts and Crafts, and the Australian Wool Corporation's Wool Fashion Parades, both before and during his time on Council.Black and white photograph, landscape.[Inscription on A4 History/Identification Project placed with photo] Approx date: 1976. The late Brian Naylor, Channel 7/9 news reader, RASV councillor. Presentation of Showgirl finalists on stage at Wool Court. Tim Morgan 23/4/2013royal melbourne show, naylor, brian naylor, miss show girl, sun miss show girl, 1976 royal melbourne show

Two Stawell Shire Hall colour photos showing the changes over time to the landscape around the Shire building. In 2011 the two Norfolk Island hibiscus trees were removed. In the photo with the trees removed the building is painted a brown colour and has the Australian flag flying on the flag post. Two colour photographs of Stawell Shire Hall showing how the landscape around the building has changed over time. In 2011 the Norfolk Island Hibiscus trees were removed. The building was painted white in one photo and when the trees removed painted a brown colour similar to the initial brick of the building. stawell

From Antiques Reporter: Florence Tatham Mellblom, (Australian, 1900 - 1983), Visit Portland The First Victorian Settlement, during the Centenary Celebrations from 15th to 23rd November 1934', 1934 colour lithograph, signed 'F. Mellblom' in image lower left, 63.5 x 101.5 cm. Linen-backed. Text continues in lower margin: 'Arbuckle, Waddell Pty Ltd Print, Melb.', Mellblom (nee Henry) was a painter, naturalist and photographer. She was born at Portland, Victoria, and studied art in Ballarat. She was a talented etcher from childhood, and joined the Portland Camera club. She also produced many watercolour paintings of the historic places of Portland. She was married (1932) to Karl Enoch Mellblom.A bluestone building on an arid landscape. Yellow grass in the foreground with one tree standing at the front. There is a blue sky behind. The left hand wing has a door which is slightly open. Above each wing is an engraved piece of stone. Left - Portland, right - Shire. An old rickety fence to the left of the building.Bottom Right - F. Mellblomfemale artist, women, female, landscape, portland landscape, portland shire

Lainey BEAVIS (1994- ) Born Portland Lainey Beavis completed a Bachelor of Visual Arts (Fine Arts) at the Federation University Arts Academy in 2015. She won the 2015 Art Acquisition Award. The work 'The Enchanted Forest' has been exhibited in the 2015 Federation University End of Year (EYE) Exhibition, and at Brunswick Street Gallery.Framed digital print featuring imagery of Portland's Enchanted Forest. Artist's statement: The photograph captures a dreamlike landscape where one can lose themselves within. It portrays a figure with significant connection to the landscape that it transcends into a sense of euphoria. The image emphasises the beauty of the landscape and the figures passion for it. The figure in the landscape is Rayhna Puche.lower left side '1/5' lower centre 'The Enchanted Forest' lower right side 'L. Beavislainey beavis, artwork, artist, alumni, figure, portland, enchanted forest, photography, rayhna puche, art acquisition award

This painting was sparked by a US studio residency at Yellowstone National Park, shortly after Trump’s election. In America, Chin witnessed conservative nationalism and divisiveness, but also an equal reaction promoting diversity and challenging structural inequality. Developing this work in Australia, Chin examined how a sense of place forms fluidly in the consciousness, to surpass geographic borderlines.Kevin Chin is a local artist. He has been a finalist in the Nillumbik Prize for Contemporary Art (2015, 2019). In this painting Chin explores economic, cultural and social structures that shape the world in which we live, questioning who has built what, who takes ownership, and who has the right to the land. Landscape painting depicting a house (upside down) and a half finished urban structure sitting amongst mountain peaks and land that has been cleared and immersed in fog/smoke.N/Alandscape, kevin, chin, structural, inequality, castle, trump, painting, nillumbik, residency, yellowstone, realism, oils

Four colour photographs of landscaping workshouses, mudbrick

Drawing done on location by Francis John " Curly" Papworth in Timor on the second day of his deployment with 2/2 Independent Company.This work of soldiers is significant as a work produced by a serving soldier on location during WWII and is a unique example of an artistic work showing the men and their surroundings at the time. Pencil drawing on white paper in landscape Diary entry of the second day on Timor with drawing of cooking with local huts in backgroundww2, world war 2, independent company, 2/2 commando squadron, francis john papworth, timor, 2/2 independent company.

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and White landscape photograph of a pastureCatalogue number written on reverse in pencil.photograph, churchill island

Robin Boyd met architect Neil Clerehan at the end of 1943 when they were both in the army. They worked together on Victorian Small Homes Service and were friends.Watercolour of a mining building in an outback landscape.On the reverse side "Neil Clerehan, 1945" on top left in blue pen, and "No 8" on bottom right in pencil.neil clerehan, robin boyd, ohm2022, ohm2022_29

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Steamer in operationSteamerindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Steaming LineSteaming lineindustry, aunde

Photographs were most likely used for promotional purposes.Sepia photograph of a loom in landscape format.Bottom mid edge - NEG. 17689 ORDER M&C 12106textile machinery, wool manufacture, wool, loom

Reproduction of a painting, scene of Australian landscape

Landscape painting, reproduction, Australian scene

Neville Mirvane BUNNING (1902-1990) During World War Two he served with the RAAF. He was an Art Teacher at the Ballarat School of Mines from 05 February 1946 to 22 September 1964. Neville Bunning formed the Ballarat Artist's Society (later the Ballarat Society of Artists), a group that sponsored art and which invited modernist artists to speak to students and to the public of Ballarat. He also wrote a weekly column in the Ballarat Courier. Bunning produced a bust of Australian Prime Minister, The Right Honourable J.A. Lyons from Tasmania, who died in office. Bunning died in Subiaco, Western Australia on 29 April 1990. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a man standing in a landscape. LR Neville M Bunning in oil paintart, artwork, bunning, neville bunning, available

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.shades of black and white tree in landscape.Signed beneath plate in pencil Olivia Moroney. 2020

Entered for, and winner of, 2012 Expression: The Wool Quilt Prize. Artists statement: "Out there" refers to the wide view of the undulating land extending from our home acreage towards the escarpment and the coast. There are also the millions of small organisms that live out there. As well, out there is the vast Australian landscape which I find thrilling"Wool quilt in landscape orientation with three distinct design patterns, primarily orange/brown/red in colour. Top panel is a light brown background with paler circles inset. Middle panel is an ochre colour with horizontal uneven lines. Bottom panel is an orange colour with pale bordered square shapes. Artists panel on back bottom right corner.

The Ballarat School of Mines Brewery Building is now a part of the Ballarat Technology Park.Site plan and landscape plan for Stage 3 works for the Ballarat School of Mines Brewery Building. .1) Site plan by Philip Cox Sanderson & Partners, Melbourne .2) Landscape plan by John Patrick Pty Ltd, Landscape consultants, Kew, Victoriaballarat school of mines, brewery building, ballarat technology park, john patrick, philip cox sanderson, landscaping, archtectural plans

BHS CollectionBlack and white photograph of mining landscape with poppet head, chimney and mining sheds (plus timber in stack) in foreground. Other mines in bare landscape on LHS background and housing on RHS background. Inscriptions: on front - 'The Hustler's Line of Reef from Redan Hill Hustler's Tribute Coy', 'Gt. Extended Hustler;s Claim', 'The Old Hustler's Claim, Gt. Hustlers (Late Latham & Watson's). On back - 'A Richardson, 29 Harrison Street, Bendigo'.mine, gold, hustlers reef mine, bendigo, mines and mining, mine, mines, mining, landscape, mining landscape, redan hill, poppet head, old hustlers, mining cottages

The photo depicts men dressed in formal suits and in bowler hats walking out the front of the Beechworth Court House. Beechworth became known as the legal headquarters of north-east Victoria after the establishment of the Circuit Court in 1857. This was later known as the Court of Assize and dealt with cases surpassing the reach of the General Sessions and County Courts. The Court House was built a year after for these proceedings and was extended in 1865. As the image is undated the year is not known, however it can be assumed it was taken after 1857 as the Court House is pictured.The photograph holds historic significance as it contributes to an understanding of the legal systems in Beechworth at that time. Specifically, the popularity of the Court House as a large number of people are pictured in the photo, which may represent the frequent use or interest in a signifiant trial that may have occurred at the place.Black and white landscape photograph printed on paper.beechworth courthouse, court house, beechworth, bowler hats, trial, legal, law, court, proceedings, circuit court, court of assize, assize, county courts, general sessions

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. Photograph of gardens and landscape looking over to the shorelineSTAFF RESIDENCE/TO SOUTH - BRIDGE [written on sticker and affixed to rear] Catalogue number written on reverse in pencil.churchill island, photograph